Selected Bibliography

Byrd, Dana E.; Goodyear III, Frank H.

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Selected Bibliography

Dana E. Byrd, Frank H. Goodyear III

Winslow Homer and the Camera: Photography and the Art of Painting

Selected Bibliography

Author

Dana E. Byrd, Frank H. Goodyear III

PublisherBowdoin College Museum of Art

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-20750

Selected Bibliography

Adams, Henry. “Mortal Themes: Winslow Homer.” Art in America 71 (February 1983): 112–26.

Aldrich, Thomas. “Among the Studios.” Our Young Folks 2, no. 7 (July 1866): 393–98.

Athens, Elizabeth, et al. Coming Away: Winslow Homer and England. New Haven, Conn.: Yale University Press, 2017.

Beam, Philip. Winslow Homer at Prout’s Neck. New York: Little, Brown, 1966.

———. Winslow Homer’s Magazine Engravings. New York: Harper & Row, 1979.

Beaux, Cecilia. Background with Figures. Boston: Houghton Mifflin, 1930.

Boylan, Alexis. “From Gilded Age to Gone with the Wind: The Plantation in Early Twentieth-Century Art.” In Landscape of Slavery: The Plantation in American Art, edited by Angela D. Mack and Stephen G. Hoffius, 115–39. Columbia: University of South Carolina Press, 2008.

Burnham, Patricia, and Lucretia Giese, eds. Redefining American History Painting. Cambridge: Cambridge University Press, 1995.

Burns, Sarah. “Barefoot Boys and Other Country Children: Sentiment and Ideology in Nineteenth-Century American Art.” American Art Journal 20, no. 1 (1988): 24–50.

———. Inventing the Modern Artist: Art and Culture in Gilded Age America. New Haven, Conn.: Yale University Press, 1996.

———. “Revitalizing the ‘Painted-Out’ North: Winslow Homer, Manly Health, and New England Regionalism in Turn-of-the-Century America.” American Art 9, no. 2 (Summer 1995): 20–37.

———. “Winslow Homer and the Natural Woman.” In American Victorians and Virgin Nature, edited by T. J. Jackson Lears, 16–38. Boston: Isabella Stewart Gardner Museum, 2002.

Calo, Mary Ann. “Winslow Homer’s Visits to Virginia During Reconstruction.” American Art Journal 12 (Winter 1980): 4–27.

Chase, J. Eastman. “Some Recollections of Winslow Homer.” Harper’s Weekly 54 (October 22, 1910): 13.

Cikovsky, Nicolai, Jr., ed. Winslow Homer: A Symposium. Studies in the History of Art. Vol. 26. Washington, D.C.: National Gallery of Art, 1990.

———. “Winslow Homer’s School Time: A Picture Thoroughly National.” In Essays in Honor of Paul Mellon, Collector and Benefactor, edited by John Wilmerding, 47–69. Washington, D.C.: National Gallery of Art, 1986.

Cikovsky, Nicolai, Jr., and Franklin Kelly. Winslow Homer. New Haven, Conn.: Yale University Press, 1995.

Coke, Van Deren. The Painter and the Photograph: From Delacroix to Warhol. Albuquerque: University of New Mexico Press, 1964.

Conrads, Margaret. Winslow Homer and His Critics: Forging a National Art in the 1870s. Princeton, N.J.: Princeton University Press, 2001.

Cooper, Helen. Winslow Homer Watercolors. New Haven, Conn.: Yale University Art Gallery, 1986.

Cox, Kenyon. “The Art of Winslow Homer.” Scribner’s Magazine 56, no. 3 (September 1914): 377–88.

Danly, Susan, and Cheryl Leibold, eds. Eakins and the Photograph: Works by Thomas Eakins and His Circle in the Collection of the Pennsylvania Academy of the Fine Arts. Washington, D.C.: Smithsonian Institution Press, 1994.

Davidson, Gail, et al. Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape. New York: Bulfinch, 2006.

Denenberg, Thomas A., ed. Weatherbeaten: Winslow Homer and Maine. New Haven, Conn.: Yale University Press, 2012.

Docherty, Linda J. “A Problem of Perspective: Winslow Homer, John H. Sherwood, and Weaning the Calf.” North Carolina Museum of Art Bulletin 16 (1993): 32–48.

Downes, William H. The Life and Works of Winslow Homer. Boston: Houghton Mifflin, 1911.

Ferber, Linda, and William Gerdts. The New Path: Ruskin and the American Pre-Raphaelites. New York: Schocken, 1985.

Foster, Kathleen. Shipwreck! Winslow Homer and “The Life Line.” Philadelphia: Philadelphia Museum of Art, 2012.

Foster, Kathleen, et al. Thomas Eakins Rediscovered: Charles Bregler’s Thomas Eakins Collection at the Pennsylvania Academy of the Fine Arts. New Haven, Conn.: Yale University Press, 1998.

Gardner, Albert Ten Eyck. Winslow Homer: American Artist. New York: C. N. Potter, 1961.

Gardner, Alexander. Gardner’s Photographic Sketch Book of the Civil War. New York: Dover, 1959.

Gelman, Barbara. The Wood Engravings of Winslow Homer. New York: Crown, 1969.

Gerdts, Abigail Booth, and Lloyd Goodrich. Record of Works by Winslow Homer. 6 vols. New York: Spanierman Gallery, 2005–14.

Goodrich, Lloyd. The Graphic Art of Winslow Homer. New York: Museum of Graphic Art, 1968.

———. Winslow Homer. New York: Macmillan, 1944.

———. Winslow Homer. New York: Whitney Museum of American Art, 1973.

Griffin, Randall C. Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age. University Park: Pennsylvania State University Press, 2004.

———. Winslow Homer: An American Vision. New York: Phaidon, 2006.

Hannaway, Patti. Winslow Homer in the Tropics. New York: Westover, 1973.

Harrison, Tony. Winslow Homer in England. Ocean Park, Maine: Hornby Editions, 2004.

Harvey, Eleanor. The Civil War and American Art. New Haven, Conn.: Yale University Press, 2012.

Hendricks, Gordon. The Life and Work of Winslow Homer. New York: Harry N. Abrams, 1979.

Hiley, Michael. Frank Sutcliffe: Photographer of Whitby. Boston: D. R. Godine, 1974.

Jacobson, Ken, and Jenny Jacobson. Carrying off the Palaces: John Ruskin’s Lost Daguerreotypes. London: Quaritch, 2015.

James, Henry. “On Some Pictures Lately Exhibited.” Galaxy 20 (July 1875): 89–97.

Johns, Elizabeth. Winslow Homer: The Nature of Observation. Berkeley: University of California Press, 2002.

Jones, Kimberly, et al. In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet. New Haven, Conn.: Yale University Press, 2008.

Junker, Patricia. Winslow Homer in the 1890s: Prout’s Neck Observed. New York: Hudson Hills, 1990.

—, ed. Winslow Homer: Artist and Angler. New York: Thames & Hudson, 2003.

Kelsey, Robin. Photography and the Art of Chance. Cambridge, Mass.: Harvard University Press, 2015.

Kimball, Roger. “Modernizing Winslow Homer.” In The Rape of the Masters, 115–28. San Francisco: Encounter Books, 2004.

Kushner, Marilyn, et al. Winslow Homer: Illustrating America. New York: George Braziller, 2000.

Leja, Michael. Looking Askance: Skepticism and American Art from Eakins to Duchamp. Berkeley: University of California Press, 2007.

Lynes, Barbara Buhler, and Jonathan Weinberg, eds. Shared Intelligence: American Painting and the Photograph. Berkeley: University of California Press, 2011.

Mayer, Lance, and Gay Myers. American Painters on Technique, 1860–1945. Los Angeles: Getty Publications, 2013.

Prown, Jules. “Winslow Homer in His Art.” In Reading American Art, edited by Marianne Doezema and Elizabeth Milroy, 264–79. New Haven, Conn.: Yale University Press, 1998.

Rensselaer, Mariana G. Van. Six Portraits: Della Robbia, Correggio, Blake, Corot, George Fuller, Winslow Homer. Boston: Houghton Mifflin, 1889.

Robertson, Bruce. Reckoning with Winslow Homer: His Late Paintings and Their Influence. Cleveland: Cleveland Museum of Art, 1990.

Robinson, Mike, and David Picard, eds. The Framed World: Tourism, Tourists, and Photography. London: Ashgate, 2009.

Sheldon, George. “American Painters—Winslow Homer and F. A. Bridgman.” Art Journal 4 (August 1878): 225–29.

———. Hours with Art and Artists. New York: D. Appleton, 1882.

Simpson, Marc. Winslow Homer: The Clark Collection. New Haven, Conn.: Yale University Press, 2013.

Simpson, Marc, et al. Winslow Homer: Paintings of the Civil War. San Francisco: Fine Arts Museums of San Francisco, 1988.

Staiti, Paul. “Winslow Homer and the Drama of Thermodynamics.” American Art 15, no. 1 (Spring 2001): 10–33.

Stonehouse, Augustus. “Winslow Homer.” Art Review (February 1887): 84–86.

Strauss, David. “Towards a Consumer Culture: ‘Adirondack Murray’ and the Wilderness Vacation.” American Quarterly 39, no. 2 (Summer 1987): 270–86.

Tatham, David. “Trapper, Hunter, and Woodsman: Winslow Homer’s Adirondack Figures.” American Art Journal 22, no. 4 (Winter 1990): 41–67.

———. Winslow Homer and the Illustrated Book. Syracuse, N.Y.: Syracuse University Press, 1992.

———. Winslow Homer and the Pictorial Press. Syracuse, N.Y.: Syracuse University Press, 2003.

———. Winslow Homer in London: A New York Artist Abroad. Syracuse, N.Y.: Syracuse University Press, 2010.

———. Winslow Homer in the Adirondacks. Syracuse, N.Y.: Syracuse University Press, 2004.

———. “Winslow Homer’s Library.” American Art Journal 9, no. 1 (May 1977): 92–98.

Tedeschi, Martha, and Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. New Haven, Conn.: Yale University Press, 2008.

Thompson, Krista A. An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque. Durham, N.C.: Duke University Press, 2006.

Unger, Miles. The Watercolors of Winslow Homer. New York: W. W. Norton, 2001.

Updike, John. Still Looking: Essays on American Art. New York: Alfred A. Knopf, 2005.

Waggoner, Diane, et al. East of the Mississippi: Nineteenth-Century American Landscape Photography. New Haven, Conn.: Yale University Press, 2017.

———. The Pre-Raphaelite Lens: British Photography and Painting, 1848–1875. London: Ashgate, 2010.

Walsh, Judith C. “Observations on the Watercolor Techniques of Homer and Sargent.” In American Traditions in Watercolor: The Worcester Art Museum Collection, 45–65. New York: Abbeville, 1987.

Wilmerding, John, ed. Essays in Honor of Paul Mellon, Collector and Benefactor. Washington, D.C.: National Gallery of Art, 1986.

———. Winslow Homer. New York: Praeger, 1972.

———. “Winslow Homer’s English Period.” American Art Journal 7, no. 2 (November 1975): 60–69.

Wilson, Christopher Kent. “Winslow Homer’s The Veteran in a New Field: A Study of the Harvest Metaphor and Popular Culture.” American Art Journal 17, no. 4 (Autumn 1985): 2–27.

Wolf, Bryan J. “The Labor of Seeing: Pragmatism, Ideology, and Gender in Winslow Homer’s The Morning Bell.” Prospects 17 (1992): 273–318.

Wood, Peter. Near Andersonville: Winslow Homer’s Civil War. Cambridge, Mass.: Harvard University Press, 2010.

———. “Waiting in Limbo: A Reconsideration of Winslow Homer’s The Gulf Stream.” In The Southern Enigma: Essays in Race, Class and Folk Culture, edited by Walter J. Fraser and Winifred B. Moore, Jr., 76–95. Westport, Conn.: Greenwood Press, 1983.

———. Weathering the Storm: Inside Winslow Homer’s “Gulf Stream.” Athens: University of Georgia Press, 2004.

Wood, Peter, and Karen Dalton. Winslow Homer’s Images of Blacks: The Civil War and Reconstruction Years. Austin: University of Texas Press, 1988.

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