Part III: Art, Graphic Design, and Feminism in the Orbit of Sheila Levrant De Bretteville

Buquet, Benoît

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Part III: Art, Graphic Design, and Feminism in the Orbit of Sheila Levrant De Bretteville

Benoît Buquet

Art & Graphic Design: George Maciunas, Ed Ruscha, Sheila Levrant de Bretteville

Part III

Author

Benoît Buquet

PublisherYale University Press

PublisherTerra Foundation for American Art

Stable URL: https://aaeportal.com/?id=-22441

Part III: Art, Graphic Design, and Feminism in the Orbit of Sheila Levrant De Bretteville

And if I could not grasp the truth about W.

(as for brevity’s sake I had come to call her) in the past,

why bother about W. in the future?

Virginia Woolf, A Room of One’s Own, chap. 2

In once again focusing on the boundary between art and graphic design in Los Angeles of the 1960s and 1970s, we may observe that several women artists and graphic designers appeared as harbingers of change. The feminist movements would strive to shift the direction of a social and cultural situation that seemed untenable. Studying them will help us understand how graphic design was related to the creation of a feminist institution and philosophy, which explains the importance I grant to the graphic designer Sheila Levrant de Bretteville and the Woman’s Building.

* * *

7. A Zone of Contestation and Experimentation

8. The Woman’s Building

9. Editing, Typesetting, Printing, Distributing

Book details

BOOKArt & Graphic Design: George Maciunas, Ed Ruscha, Sheila Levrant de Bretteville

Benoît Buquet

https://doi.org/10.37862/aaeportal.00305

Stable URL: https://aaeportal.com/?id=-22429

This fascinating study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha’s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.

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Author

Benoît Buquet

PublisherYale University Press

Terra Foundation for American Art

Print publication date November 2021 (in print)

Print ISBN 9780300249859

EISBN 9780300269338

Illustrations 152

Print Status in print

Publisher (in print)

WorldCat

Google Books

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