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Ribeiro, Aileen

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Aileen Ribeiro

The Art of Dress: Fashion in England and France, 1750 to 1820

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Aileen Ribeiro

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-22507

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NOTE: Exhibition catalogues are listed under city unless by a single or main author, when they appear in alphabetical sequence.

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——— The Correspondence of George Prince of Wales 1770–1812, 8 vols, London, 1963–71

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——— Art in Paris 1845–1862. Salons and Other Exhibitions Reviewed by Charles Baudelaire, trans. and ed. J. Mayne, London, 1965

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Beaunier, M.M.F., and Rathier, L., Recueil des Costumes Français . . . Depuis Clovis jusqu’à Napoléon I, Paris, 1809–1813

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Bergeret, P.-N., Lettres d’un artiste sur l’état des arts en France, Paris, 1848

Bertrand, L., La Fin du classicisme et le retour à l’antique, Paris, 1896, repr. Geneva, 1968

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——— Tradition and Desire. From David to Delacroix, Cambridge, 1984

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Chapman, R.W. (ed.), Jane Austen’s Letters to her Sister Cassandra and Others, 2 vols, Oxford, 1932

Charlton, D.G., New Images of the Natural in France: A Study in European Cultural History, 1750–1800, Cambridge, 1984

Chaussinard-Nogaret, G., The French Nobility in the Eighteenth Century, trans. W. Doyle, Cambridge, 1985

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Cleveland, OH, Style, Truth and the Portrait, see Saisselin (1963)

Cole, W., A Journal of my Journey to Paris in the Year 1765, ed. F.G. Stokes, London, 1931

Colley, L., Britons. Forging the Nation, 1707–1837, New Haven and London, 1992

Combe, W., A Poetical Epistle to Sir Joshua Reynolds, London, 1777

Constant [Louis Constant Wairy], Memoirs, trans. P. Pinkerton, 4 vols, London, 1896

Crow, T., Painters and Public Life in Eighteenth-century Paris, New Haven and London, 1985

Dayes, E., Essays on Painting, London, 1805

——— Professional Sketches of Modern Artists, London, 1805

Delany, M., Autobiography and Correspondence of Mary Granville, Mrs Delany, ed. Lady Llanover, 6 vols, London, 1861–2

Delécluze, E.J., Louis David. Son Ecole et son temps, Paris, 1863

Delpierre, M., ‘Les Costumes de cour et les uniformes civils du premier Empire’, Bulletin du Musée Carnavalet, no. 2, 1958, pp. 2–23

——— ‘Ingres et la mode de son temps’. Actes du Colloque International Ingres et le Néoclassicisme, Bulletin des Amis du Musée Ingres, 1975, pp. 147–56

——— Modes à l’antique et modes romantiques, Tours, Musée des Beaux-Arts, 1981–2, pp. 3–16

Démeunier, J.N., L’Esprit des usages et des coutumes des differens peuples, 3 vols, London, 1776

Detroit, IL, Institute of Arts, French Painting, 1774–1830. The Age of Revolution, 1975

Diderot, D., Pensées détachées sur la peinture, la sculpture, l’architecture et la poésie, intr. J. Pierre and ed. R. Desné, Paris, 1955

——— Salons, ed. J. Seznec and J. Adhémar, 3 vols, Oxford, 1975–1983

Dowd, D.L., Pageant-Master of the Republic. Jacques-Louis David and the French Revolution, University of Nebraska Studies, Lincoln, NB, 1948

——— ‘Jacobinism and the Fine Arts’, Art Quarterly, XVI, 1953, pp. 195–214

——— ‘The French Revolution and the Painters’, French Historical Studies, I, no. 2, 1959, pp. 127–48

Dreyfous, M., Les Arts et les artistes pendant la période révolutionnaire, Paris, 1906

Duval, G., Souvenirs de la Terreur de 1788 à 1793, 4 vols, Paris, 1841–2

Edinburgh, Scottish National Portrait Gallery, Van Dyck in Check Trousers. Fancy Dress in Art and Life, 1700–1900, 1978

——— Allan Ramsay, see Smart (1992a)

Edwards, E., Anecdotes of Painters who have resided or been born in England, London, 1808

Egan, P., Life in London: or the Day and Night Scenes of Jerry Hawthorn Esq., and his elegant friend Corinthian Tom, London, 1821

Egerton, J., Wright of Derby, exh. cat., London, Tate Britain, 1990

Elias, N., The Court Society, trans. E. Jephcott, Oxford, 1983

Farington, J., Diary, eds. K. Garlick, A. Macintyre and K. Cave, 16 vols, New Haven and London, 1978–1984

Fort Worth, TX, Vigée Le Brun, see Baillio (1982)

Fox, C. (ed.), London: World City, 1800–1840, exh. cat. Essen, Villa Hügel, 1992

Fried, M., Absorption and Theatricality. Painting and Beholder in the Age of Diderot, Los Angeles, 1980

Fuseli, H., Lectures on Painting, London, 1820

Gaudriault, R., Répertoire de la gravure de mode française des origines à 1815, Paris, 1988

Genlis, S.F., comtesse de, Mémoires sur la cour, la ville et les salons de Paris, Paris, 1870

Girouard, M., The Return to Camelot, New Haven and London, 1981

Goethe, J.W. von., Elective Affinities, trans. and intr. R.J. Hollingdale, Harmondsworth, 1971

——— Goethe on Art, trans., intr. and ed. J. Gage, London, 1980

Gould, C., Trophy of Conquest. The Musée Napoléon and the Creation of the Louvre, London, 1965

Grandjean, S., Inventaire après décès de l’impératrice Josephine à Malmaison, Paris, 1964

Gronow, Captain R.H., Reminiscences and Recollections. Being Anecdotes of the Camp, Court, Clubs and Society, 1810–60, 2 vols, London, 1892

Grose, F. (ed.), The Antiquarian Repertory, 6 vols, London, 1775, 1780, 1807–9

Grosley, P.J., A Tour to London: or New Observations on England and Its Inhabitants, trans. T. Nugent, 2 vols, London, 1772

Haskell, F., Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France, London, 1976

——— Past and Present in Art and Taste, New Haven and London, 1987

Haskell, F., and Penny, N., Taste and the Antique, New Haven and London, 1981

Hautecoeur, L., L’Art sous la Révolution et l’Empire en France, 1789–1815, Paris, 1953

Hayes, J., The Portrait in British Art, London, 1991

Hazlitt, W., The Spirit of the Age, or Contemporary Portraits, London, 1825

——— Criticisms on Art, ed. W. Hazlitt, London, 1843

——— Table Talk, London, 1959

Hemmings, F.W.J., Culture and Society in France, 1789–1848, Leicester, 1987

Hickey, W., Memoirs, ed. A. Spencer, 4 vols, London, 1913: ed. P. Quennell, London, 1960

Hilles, F.W. (ed.), Letters of Sir Joshua Reynolds, Cambridge, 1929

Hogarth, W., The Analysis of Beauty, ed. and intr. J. Burke, Oxford, 1955

Hollander, A., Seeing Through Clothes, New York, 1978

Honour, H., Romanticism, London, 1979

Hunt, L., Politics, Culture and Class in the French Revolution, Berkeley, CA, 1984

Irwin, D., English Neoclassical Art. Studies in Inspiration and Taste, London, 1966

Jacobs, E., Barber, W.H., et al., Woman and Society in Eighteenth-century France. Essays in Honour of John Stephenson Spink, London, 1979

Jaffé, P., Lady Hamilton in Relation to the Art of her Time, exh. cat., London, Kenwood, Iveagh Bequest, 1972

Jesse, W., The Life of George Brummell, 2 vols, London, 1844

Karamzin, N.M., Travels from Moscow through Prussia, Germany, Switzerland, France and England, 3 vols, London, 1803

Kimball, F., The Creation of the Rococo, exh. cat. Philadelphia Museum of Art, 1943

Klingender, F.D., Art and the Industrial Revolution, rev. ed., London, 1968

Knight, R.P., An Analytical Inquiry into the Principles of Taste, London, 1805

Langlade, E., Rose Bertin. The Creator of Fashion at the Court of Marie-Antoinette, trans. H.S. Rappoport, London, 1913

Lanson, R., Le Goût du moyen age en France au XVIIIe siècle, Paris, 1926

Le Camus, A., Abdeker, or The Art of preserving Beauty, London, 1754

Lee, V., Jacques-Louis David: The Versailles Sketchbook, Burlington Magazine, CXI, no. 793, 1969, pp. 197–208; CXI, no. 795, 1969, pp. 360–69

Lee, V., The Reign of Women in Eighteenth-century France, Cambridge, MA, 1975

Leith, J.A., The Idea of Art as Propaganda in France 1750–1799, Toronto, 1965

Lenoir, A., Musée des monumens français, 5 vols, Paris, 1800–1806

Lens, A., Le Costume des peuples de l’antiquité, Liège, 1776, Dresden, 1785

Leslie, C.R., and Taylor, T., The Life and Times of Sir Joshua Reynolds, 2 vols, London, 1865

Levey, M., Sir Thomas Lawrence, 1769–1830, exh. cat., London, National Portrait Gallery, 1979

——— Rococo to Revolution, London, 1984

London:

P. & D. Colnaghi, The British Face. A View of Portraiture, 1625–1850, 1986

Hazlitt, Gooden and Fox, Horace Vernet, see Ribeiro (1991b)

Heim, The Painted Word, British History Painting, 1750–1830, 1991

Kenwood, Iveagh Bequest, Lady Hamilton, see Jaffé (1972)

Thomas Hudson, see Miles (1979)

Pompeo Batoni (1708–87) and his British Patrons, 1982

The Earl and Countess Howe by Gainsborough. A Bicentenary Exhibition, 1988

National Portrait Gallery, Johann Zoffany, see Webster (1976)

Sir Thomas Lawrence, see Levey (1979)

Archives, Sitter books for George Romney, Joseph Wright, James Northcote

Royal Academy of Arts, Reynolds, see Penny (1986)

Tate Britain, Wright of Derby, see Egerton (1990)

The Swagger Portrait, see Wilton (1992)

Victoria and Albert Museum, Barbier Letters

‘Original Documents Relative to the Empress Josephine’, 1809

Romney papers and notebooks

Los Angeles, County Museum of Art, An Elegant Art. Fashion and Fantasy in the Eighteenth Century, exh. cat., 1983

Lowenthal, D., The Past is a Foreign Country, Cambridge, 1985

Macmillan, D., Painting in Scotland. The Golden Age, Oxford, 1986

Malcolm, J.P., Anecdotes of the Manners and Customs of London, London, 1808

Malliot, J., Recherches sur les costumes, les moeurs, les usages réligieux, civils et militaires des anciens peuples d’après les auteurs célébrés et les monuments antiques, 3 vols, Paris, 1804

Mansel, P., The Eagle in Splendour. Napoleon I and his Court, London, 1987

——— The Court of France, 1789–1830, Cambridge, 1988

Mansfield, A., Ceremonial Costume, London, 1980

Marquiset, A., Une Merveilleuse. Madame Hamelin, 1776–1851, Pans, 1909

Marriott, T., Female Conduct: Being an Essay on the Art of Pleasing, London, 1759

Masson, F., Livre du sacre de l’Empereur Napoléon, Paris, 1908

Maza, S.C., Servants and Masters in Eighteenth-century France, Princeton, 1983

Maze-Sencier, A., Les Fournisseurs de Napoléon I et des deux impératrices, Paris, 1893

Meister, H., Letters written during a residence in England, London, 1799

——— Souvenirs de mon dernier voyage à Paris, Paris, 1910

Melbourne, National Gallery of Victoria, The Great Eighteenth Century Exhibition, 1983

Mercier, L.S., L’An deux mille quatre cent quarante, rêve s’il en fut jamais, Amsterdam, 1770, trans. W. Hooper as Memoirs of the Year 2500, London, 1772

——— Parallèle de Paris et de Londres, c.1780, ed. C. Bruneteau and B. Cottret, Paris, 1982

——— Tableau de Paris, 12 vols, Amsterdam, 1782–88

——— Le Nouveau Paris, 6 vols, Paris, 1798

Métra, F. (ed.), Correspondance secrète, politique et littéraire, 18 vols, London, 1787–90

Miette de Villars, –., Mémoires de David, Paris, 1850

Miles, E., ‘Thomas Hudson (1701–1779): Portraitist to the British Establishment’, Yale University, PhD diss., 1976, microfilm, Ann Arbor

——— Thomas Hudson, 1701–1779, exh. cat. London, Iveagh Bequest, Kenwood, 1979

Miller, J. (ed), The Don Giovanni Book. Myths of Seduction and Betrayal, London, 1990

Millin, A.L., Dictionnaire des beaux-arts, 3 vols, Paris, 1806

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Montfaucon, B. de, L’Antiquité expliquée et représentée en figures, Paris, 1719–24

–– Les Monumens de la monarchie française, 5 vols, Paris, 1729–33

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Newdigate-Newdegate, Lady, The Cheverels of Cheverel Manor, London, 1898

New York, Metropolitan Museum of Art, The Age of Napoleon. Costume from Revolution to Empire, 1789–1815, 1989

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Nouvion, P. de, Un ministre de modes sous Louis XVI. Mademoiselle Bertin, marchande de modes de la reine, 1747–1813, Paris, 1911

Paris:

Bibliothèque Nationale, Registres des dépenses de la cour sous l’Empire et la Restauration, 1812–21

Hôtel de la Monnaie, Diderot et l’art de Boucher à David. Les Salons, 1759–178 1, 1984

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Modes et révolutions, 1780–1804, 1989 [1989b]

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——— Representations of Revolution, 1789–1820, New Haven and London, 1983

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——— ‘Fashion in the Eighteenth Century: Some

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