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Description: Naked Authority: The Body in Western Painting, 1830–1908
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PublisherYale University Press
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Acknowledgements
In writing this book I have benefited from conversations and discussion with many people too numerous to list, all of whom I would like to thank. I owe a particular debt to Kathleen Adler, John Barrell, Geoff Bennington, Rachel Bowlby, Evelyn Cohen, Karl Figlio, Kate Flint, John Furse, Tamar Garb, Tag Gronberg, John House, Ludmilla Jordanova, Cora Kaplan, Nigel Llewellyn, David Mellor, Lynda Nead, Sian Reynolds, Adrian Rifkin, Jacqueline Rose, Dorothy Scruton, Lindsay Smith and Lisa Tickner.
Norman Bryson has been both an encouraging and a critical editor and I owe much to his perceptive comments and suggestions. John Trevitt of Cambridge University Press has enabled me to benefit from his scrupulous editorial skills, and I owe much to his close and sceptical reading. Trudi Tate has made copy-editing both interesting and creative.
Chapter 3 appeared in slightly different forms in Ideas and Production, 5 (1986) and in Women, State and Revolution: Essays on Power and Gender in Europe since 1789, ed. S. Reynolds, 1986. An early version of chapter 5 was published in Feminist Review, 22 (Spring 1986).
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