List of Illustrations

Dempsey, Charles

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List of Illustrations

Charles Dempsey

Description: The Portrayal of Love: Botticelli’s Primavera and Humanist Culture at the Time...

The Portrayal of Love: Botticelli’s Primavera and Humanist Culture at the Time of Lorenzo the Magnificent

List of Illustrations

Author

Charles Dempsey

PublisherPrinceton University Press

Stable URL: https://aaeportal.com/?id=-23767

List of Illustrations

Primavera

Plate 1. Sandro Botticelli, Primavera. Florence, Uffizi. Photo: SCALA/ART RESOURCE, NY. K 105284.

Plate 2. Detail of plate 1, Primavera, right-hand side: Venus, Flora, Chloris, and Zephyr.

Plate 3. Detail of plate 1, Primavera, left-hand side: Venus, the Graces, and Mercury.

Plate 4. Detail of plate 1, Primavera: Chloris’s head.

Plate 5. Detail of plate 1, Primavera: Flora.

Plate 6. Detail of plate 1, Primavera: Venus.

Plate 7. Detail of plate 1, Primavera: Cupid.

Plate 8. Detail of plate 1, Primavera: the Graces.

Plate 9. Detail of plate 1, Primavera: Mercury.

Plate 10. Detail of plate 1, Primavera: Mercury’s caduceus dispersing the clouds.

Plate 11. Detail of plate 1, Primavera: Mercury’s boots with swirling seed clusters.

Plate 12. Detail of plate 1, Primavera: Mercury’s harpe.

Plate 13. Detail of plate 1, Primavera: the Graces (upper half).

Plate 14. Detail of plate 1, Primavera: Flora’s head.

Plate 15. Detail of plate 1, Primavera: Venus’s head.

Plate 16. Detail of plate 1, Primavera: Mercury’s head.

Comparanda

Figure 1. Anonymous, Deathbed Scene. Woodcut illustration from Girolamo Savonarola, Predica dell’arte del bene morire, Florence, 1496–1497. Photo: James T. Van Rensselaer.

Figure 2. Anonymous, Horace’s Dancing Graces. Codex Pighianus, Berlin, Staatsbibliothek Preussischer Kulturbesitz, Ms.lat.fol.61. Bl.337v. Photo: University of London, Warburg Institute.

Figure 3. Virgil Solis, Spring (Bartsch IX.261.133). Photo: University of London, Warburg Institute.

Figure 4. Monogrammist AP, Spring. London, British Museum. Photo: London, British Museum.

Figure 5. Georg Pencz, Spring. Erlangen, Universitätsbibliothek Erlangen-Nürnberg. Photo: Universitätsbibliothek Erlangen-Nürnberg.

Figure 6. Agostino di Duccio, Mercury. Rimini, Tempio Malatestiano. Photo: ALINARI/ART RESOURCE, NY. Anderson 30591.

Figure 7. Jacob Matham, Advent of Venus (Bartsch III.183.204). Photo: University of London, Warburg Institute.

Figure 8. Leonardo da Vinci, Ginevra de’Benci (obverse). Washington, National Gallery of Art, Ailsa Mellon Bruce Fund. Photo: Washington, National Gallery of Art.

Figure 9. Leonardo da Vinci, Ginevra de’Benci (reverse). Washington, National Gallery of Art, Ailsa Mellon Bruce Fund. Photo: Washington, National Gallery of Art.

Figure 10. Niccolò Fiorentino (manner of), Giovanni Pico della Mirandola (obverse); The Three Graces (reverse). Samuel H. Kress Collection, Washington, National Gallery of Art. Photo: Washington, National Gallery of Art.

Figure 11. Jacopo del Sellaio, Triumph of Chastity. Fiesole, Bandini Museum. Photo: ALINARI/ART RESOURCE, N.Y. 4480.

Figure 12. Baccio Baldini (attributed), Bacchus and Ariadne. London, British Museum. Photo: London, British Museum.

Figure 13. Pol de Limbourg, Month of May. From Les très riches heures du duc de Berry, Chantilly, Musée Condé. Photo: GIRAUDON/ART RESOURCE, NY. PEC 4902.

Figure 14. Anonymous, Lorenzo de’Medici Receiving Calendimaggio Celebrants. Woodcut illustration from the Canti carnascialeschi, Florence, n.d. Photo: James T. Van Rensselaer.

Figure 15. Andrea da Firenze, Allegory of the Dominican Order. Florence, Santa Maria Novella, Spanish Chapel; detail of youths gathering the May branch. Photo: ALINARI/ART RESOURCE, NY. 4109.

Figure 16. Ambrogio Lorenzetti, The Effects of Good Government in the City. Siena, Palazzo Pubblico; detail of dancing youths. Photo: SCALA/ART RESOURCE, NY. K 100195.

Figure 17. Anonymous, Youth and Nymph (Otto print). Paris, Bibliothèque nationale. Photo: Paris, Bibliothèque nationale.

Figure 18. Domenico Ghirlandaio, Portrait of Giovanna Tornabuoni. Thyssen-Bornemisza Collection, Lugano, Switzerland. Photo: Thyssen-Bornemisza Collection, Lugano, Switzerland.

Figure 19. Piero Pollaiuolo, Portrait of a Young Woman. New York, Metropolitan Museum of Art, Bequest of Edward G. Harkness, 1940 (50.135.3). Photo: Metropolitan Museum of Art.

Figure 20. Sandro Botticelli (school), Portrait of a Lady. Frankfurt am Main, Staedelsches Kunstinstitut. Photo: FOTO MARBURG/ART RESOURCE, NY. 84064.

Figure 21. Piero di Cosimo, Portrait of a Lady (the So-called Simonetta Vespucci). Chantilly, Musée Condé. Photo: LAUROS-GIRAUDON RL 23613.

Figure 22. Andrea del Verrocchio (school), Head of a Young Woman. London, Victoria and Albert Museum. Photo: Courtesy of the Board of Trustees of the Victoria and Albert Museum.

Figure 23. Sandro Botticelli, Portrait of Giuliano de’Medici. Samuel H. Kress Collection, Washington, National Gallery of Art. Photo: Washington, National Gallery of Art.

Figure 24. Sandro Botticelli, Portrait of a Youth Holding a Medal of Cosimo de’Medici. Florence, Uffizi. Photo: ALINARI/ART RESOURCE, NY. 992.

Figure 25. Sandro Botticelli, The Adoration of the Magi. Florence, Uffizi. Photo: ALINARI/ART RESOURCE, NY. 603.

Figure 26. After Sandro Botticelli, Minerva. Tapestry made for Comte Guy de Baudreuil in 1491. Collection vicomte de Baudreuil, Favelles. Photo: University of London, Warburg Institute.

Figure 27. Andrea del Verrocchio, Nymph (study for a standard). Florence, Uffizi. Photo: Florence, Uffizi.

Figure 28. Andrea del Verrocchio, Female Head. London, British Museum. Photo: London, British Museum.

Figure 29. Sandro Botticelli, Fortitude. Florence, Uffizi. Photo: ALINARI/ART RESOURCE, NY. 54473.

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