Illustration Credits

Dombrowski, André

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Illustration Credits

André Dombrowski

Monet’s Minutes: Impressionism and the Industrialization of Time

Illustration Credits

Author

André Dombrowski

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-32179

Illustration Credits

Below are listed the photographers and sources of this book’s visual material. Every effort has been made to supply complete and correct credits; please contact Yale University Press for any errors or omissions. Where no credits are given, the artwork/original illustration is in the public domain and the photograph was provided by the author.

Figs. 3, 14, 71: © RMN-Grand Palais/Art Resource, NY. Photo: Hervé Lewandowski

Figs. 4, 77, 114: © André Dombrowski

Fig. 5: © Nationaal Archief, The Hague/Collectie Spaarnestad/ Bridgeman Images

Fig. 7: © Brooklyn Museum, Creative Commons-BY

Figs. 8, 94: © Metropolitan Museum of Art

Figs. 9, 111: © Yale University Art Gallery

Fig. 10: © Kunstmuseum Basel. Photo: Martin P. Bühler

Fig. 11: © Cleveland Museum of Art

Figs. 12, 18: © RMN-Grand Palais/Art Resource, NY. Photo: Benoît Touchard/Mathieu Rabeau

Fig. 13: © Städel Museum

Figs. 15, 64, 74, 84, 119: © Erich Lessing/Art Resource, NY

Fig. 19: © Scala/Art Resource, NY

Figs. 20, 22, 42, 70, 93: © National Gallery of Art, Washington, DC

Fig. 23: © Morgan Library & Museum

Figs. 30, 75, 96, 97: © National Gallery, London/Art Resource, NY

Figs. 43, 115: © RMN-Grand Palais/Art Resource, NY. Photo: Gérard Blot

Fig. 44: © Shelburne Museum, Vermont/Bridgeman Images

Figs. 45, 125: © RMN-Grand Palais/Art Resource, NY. Photo: Patrice Schmidt

Fig. 48: © Dallas Museum of Art

Figs. 49, 58, 113: © HIP/Art Resource, NY

Fig. 50: © Musée d’Orsay, Paris/Bridgeman Images

Fig. 51: © RMN-Grand Palais/Art Resource, NY. Photo: René-Gabriel Ojéda

Figs. 54, 55, 63: © Bibliothèque nationale de France, Paris

Fig. 56: © Denver Art Museum

Fig. 57: © Cameraphoto Arte, Venice/Art Resource, NY

Fig. 59: © Barnes Foundation

Fig. 60: © RMN-Grand Palais/Art Resource, NY. Photo: Bulloz

Figs. 62, 89, 120: © Philadelphia Museum of Art

Fig. 67: © Ashmolean Museum of Art and Archaeology

Fig. 72: © President and Fellows of Harvard College

Figs. 73, 102, 103, 121: © Art Institute of Chicago

Fig. 83: © Henry and Rose Pearlman Collection/Art Resource, NY. Photo: Bruce M. White

Figs. 87, 99, 109: © Christie’s Images/Bridgeman Images

Fig. 88: © Allen Memorial Art Museum, Oberlin College

Fig. 90: © Snark/Art Resource, NY

Fig. 91: © Art Institute of Chicago/Art Resource, NY

Fig. 92: Courtesy of National Gallery of Art, Washington, DC. Gallery Archives, 26A5_98163_092

Fig. 95: © Kunstmuseen Krefeld. Photo: Volker Döhne, Artothek

Fig. 100: © Katie Hanson, Museum of Fine Arts, Boston

Fig. 106: © Smithsonian Institution

Monet’s Minutes

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Book details

BOOKMonet’s Minutes: Impressionism and the Industrialization of Time

André Dombrowski

Stable URL: https://aaeportal.com/?id=-32167

Monet’s Minutes is a revelatory account charting the relationship between the works of Claude Monet (1840–1926)—founder of French Impressionism and one of the world’s best-known painters—and the modern experience of time. André Dombrowski illuminates Monet’s celebration of instantaneity in the context of the late nineteenth-century time technologies that underwrote it.

Monet’s version of Impressionism demonstrated an acute awareness of the particularly modern pressures of time, but until now scholars have not examined the histories and technologies of time and timekeeping that informed Impressionism’s major stylistic shifts. Arguing that the fascination with instantaneity rejected the dulling cultures of newly routinized and standardized time, Monet’s Minutes traces the evolution of Monet’s art to what were then seismic shifts in the shape of time itself.

In each chapter, Dombrowski focuses on the connections between a set of Monet’s works and a specific technology or experience of time, while providing the voices of period critics responding to Impressionism. Grounded in exceptional research and analyses, this book offers new interpretations of key paintings by Monet and a fresh perspective on late nineteenth-century art, society, and modern temporality.

*This eBook is available exclusively on the A&AePortal.*

Author

André Dombrowski

PublisherYale University Press

Print publication date November 2023 (in print)

Print ISBN 9780300270662

EISBN 9780300279771

Illustrations 134

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