Abbreviations

Landau, David; Parshall, Peter

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Abbreviations

David Landau, Peter Parshall

The Renaissance Print: 1470–1550

Abbreviations

Author

David Landau, Peter Parshall

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00154.010

Stable URL: https://aaeportal.com/?id=-13735

Abbreviations

B.	Bartsch, Adam. Le Peintre graveur. 21 vols. Leipzig, 1803–21.
G.	Geisberg, Max. The German Single-Leaf Woodcut: 1500–1550. 4 vols. Revised and edited by Walter Strauss. New York, 1974.
H.	Hind, Arthur M. Early Italian Engraving. 7 vols. London and New York, 1938–48.
Holl.	Hollstein, F. W. H. Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450–1700. Amsterdam, 1949–.
	Hollstein, F. W. H. German Engravings, Etchings and Woodcuts, ca. 1400–1700. Amsterdam, 1954–.
JKSW	Jahrbuch der Kunsthistorischen Sammlungen in Wien (formerly: Jahrbuch der Kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses, Wien)
Lehrs	Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederländischen und französischen Kupferstichs im XV. Jahrhundert. 16 vols. Vienna, 1908–34.
Pass.	Passavant, J. D. Le Peintre-graveur. 6 vols. Leipzig, 1860–64.
Pauli	Pauli, Gustav. Hans Sebald Beham. Ein kritisches Verzeichniss seiner Kupferstiche, Radierungen und Holzschnitte. Strasbourg, 1901.
Schreiber	Schreiber, Wilhelm Ludwig. Handbuch der Holz- und Metalschnitte des XV. Jahrhunderts. 8 vols, 1st ed. Berlin, etc., 1891–1911. 3rd. ed. Stuttgart, 1969.
Thieme–Becker	Thieme, Ulrich and Felix Becker. Allgemeines Lexikon der bildenden Künstler. 37 vols. Leipzig, 1907–50.

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BOOKThe Renaissance Print: 1470–1550

David Landau, Peter Parshall

https://doi.org/10.37862/aaeportal.00154

Stable URL: https://aaeportal.com/?id=-13725

Printmaking matured in western Europe between 1470 and 1550, when the great generation of artists and printmakers brought international recognition to print as an art form. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired.

David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Examining documentary evidence and many individual prints, Landau and Parshall provide an integrated view of the Renaissance print as a social and artistic enterprise and reevaluate the achievements of the most influential phase in the history of European printmaking.

*This eBook is available exclusively on the A&AePortal.*

Author

David Landau, Peter Parshall

PublisherYale University Press

Print publication date September 1996 (in print)

Print ISBN 9780300068832

EISBN 9780300222050

Illustrations 383

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