Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Illustration Credits
Alice T. Friedman
Description: American Glamour and the Evolution of Modern Architecture
American Glamour and the Evolution of Modern Architecture
Illustration Credits
Author
Alice T. Friedman
PublisherYale University Press
Copyright© 2010 by Alice T. Friedman
https://doi.org/10.37862/aaeportal.00012.012
Stable URL: https://aaeportal.com/?id=-15083
View chapters with similar subject tags
Chapter images ()
Loading image navigation...
No image index could be found for this publication.
Close this Panel
Show previous images Show next images
Illustration Credits
The photographers and the sources of visual material other than the owners indicated in the captions are as follows. Every effort has been made to supply complete and correct credits; if there are errors or omissions, please contact Yale University Press so that corrections can be made in any subsequent edition.
Figs. 1, 36, 42–44, 46, 48–51, 87: Julius Shulman, © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute (2004.R.10); Figs. 2, 143, 144: Mary Ann Sullivan, Bluffton University; Fig. 4: George Hurrell/Glamour, © Condé Nast Publications; Fig. 5: Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library; Figs. 6, 9: Photograph by Jacques Henri Lartigue © Ministère de la Culture—France/AAJHL; Fig. 7: © Estate of Honoria Murphy Donnelly/Licensed by VAGA, New York, NY; Fig. 8: Prints and Photographs Division, Library of Congress, Washington, D.C., photograph by James Van der Zee, LC-USZ62-83361; Figs. 10, 103: Whitney Publications, Inc.; Figs. 11, 92–95, 97, 99, 100, 107, 108, 110, 111, 113, 114, 116, 117, 121, 122: Gottscho-Schleisner Collection, Prints and Photographs Division, Library of Congress, Washington, D.C.; Fig. 13: © Albert Staehle/V&A Images, Museum No: E.285–2006; Fig. 14: National Trust for Historic Preservation; Figs. 16, 33, 88, 89, 123, 124, 141, 155: Alice T. Friedman; Figs. 17, 35: © Saul Leiter/Courtesy Howard Greenberg Gallery, New York; Fig. 18: Peter Mauss/ESTO; Figs. 20, 39, 125, 150, 157: Hedrich-Blessing; Fig. 21: Roberto Schezen/ESTO; Figs. 25–28, 62, 70, 73, 77, 91, 118–120, 146, 147: Ezra Stoller/ESTO; Fig. 29: Photograph by Ben Murphy © 2005; Fig. 30: Ivan G. Corsa/Global Graphica; Fig. 32: Peter A. Bacevice; Figs. 37, 38: Fallingwater Archive, Western Pennsylvania Conservancy, Mill Run; Figs. 52, 53, 131–133, 135–137, 140: © The Frank Lloyd Wright Foundation, Arizona/Art Resource, N.Y./ARS, N.Y.; Figs. 54, 55: Julius Shulman and Juergen Nogai; Fig. 56: Slim Aarons/Hulton Archive/Getty Images; Figs. 57, 58: Scott Mayoral; fig 59: Aline and Eero Saarinen Papers, 1857–1972, Archives of American Art, Smithsonian Institution; Figs. 60, 68, 138, 139, 152: Balthazar Korab; Figs. 63, 71, 74, 75, 86: General Motors Corp. Used with permission, GM Media Archives; Figs. 66, 148, 149: Avery Architectural and Fine Arts Library, Columbia University; Figs. 72, 151, 154: G. E. Kidder Smith, Courtesy of Kidder Smith Collection, Rotch Visual Collections, M.I.T.; Fig. 81: Cervin Robinson; Fig. 83: Wayne Andrews/ESTO; Fig. 90: Historical Museum of Southern Florida, Miami [1994-370-373]; Fig. 104: Robert F. Wasman, © U.S. Color and Print, Miami Beach; Fig. 105: Al Bard, © Bill Bard Associates; Fig. 112: Hans Hannau, © Hannau Color Productions; Fig. 115: © Gulf Stream Card and Distributing Co.; Fig. 127: Photograph by Ricky Irvine, 2006, dressedinvalue.com; Figs. 128–130: Beth Sholom Synagogue Archive, Elkins Park, Pennsylvania; Fig. 145: Louis I. Kahn Collection, University of Pennsylvania and the Pennsylvania Historical and Museum Commission [030.IVB.410.1.1]; Fig. 152: Brian Keegan; Fig. 156: Clarence Coil, Courtesy, Special Collections, Pikes Peak Library District, Colorado Springs; Fig. 157: Photograph by Hedrich-Blessing, courtesy of the Chicago History Museum; Fig. 158: William Belknap/National Geographic Image Collection; Fig. 162: David La Spina/ESTO; Fig. 163: Jim Gallop.
Illustration Credits
Previous chapter