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Description: The Disappearance Of Objects: New York and the Rise of the Postmodern City
Illustration Credits
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00132.010
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Illustration Credits
The photographers and the sources of visual material other than the owners indicated in the captions are as follows. Every effort has been made to supply complete and correct credits; if there are errors or omissions, please contact Yale University Press so that corrections can be made in any subsequent edition.
© 2008 The Andy Warhol Foundation for the Visual Arts/Artists Rights Society (ARS), New York (fig. 2.42); The Andy Warhol Foundation, Inc./Art Resource, NY/© The Andy Warhol Foundation for the Visual Arts/Artists Rights Society (ARS), New York (figs. 5.1, 5.2); Courtesy of Art Institute of Chicago/Art © Jasper Johns/Licensed by VAGA, New York, NY. Photograph by Jamie M. Stukenberg (fig. 2.38); Photograph L2(14)46, © 2008 Artists Rights Society (ARS), New York/ADAGP, Paris/FLC (fig. 1.8); Photo courtesy of Richard Bernstein (fig. 4.28); © Christie’s Images Limited/Art © Judd Foundation. Licensed by VAGA, New York, NY (fig. 4.20); © 2008 Jim Dine/Artists Rights Society (ARS), New York (fig. 1.13); Photo: Estel/Klut 2004 © SKD (fig. 3.10); Art © Jasper Johns/Licensed by VAGA, New York, NY (figs. 2.9, 2.10, 2.17, 2.31-2.35, 2.37, 2.39, 2.40, 2.41); Art © Jasper Johns/Licensed by VAGA, New York, NY. Photo by Richard Carafelli (fig. 2.4); Art © Jasper Johns/Licensed by VAGA, New York, NY. Photo by Graydon Wood (figs. 2.28, 2.29); Art © Jasper Johns/Licensed by VAGA, New York, NY. Photo © Dorothy Zeidman 1989 (figs. 2.2, 2.18, 2.27); From K. Varnedoe, Jasper Johns: A Retrospective (New York: Museum of Modern Art, 1996) (figs. 3.22, 3.27); Ellen Johnson (fig. 4.13); Art © Judd Foundation. Licensed by VAGA, New York, NY (figs. 4.21-4.26, 4.36-4.38, 4.41); Art © Judd Foundation. Licensed by VAGA, New York, NY. Photo by Geoffrey Clements (fig. 4.1); Art © Judd Foundation. Licensed by VAGA, New York, NY. Photo by Flavin Judd (fig. 4.3); Art © Judd Foundation. Licensed by VAGA, New York, NY. Photo by Craig Rember (figs. 4.5, 4.6, 4.14, 4.19, 4.27); Art © Judd Foundation. Licensed by VAGA, New York, NY. Photo by Nick Tenwiggenhorn (figs. 4.8, 4.15, 4.16); The Estate of André Kertész/Higher Pictures (fig. 1.2); Kunstmuseum Basel, Martin Bühler/© Judd Foundation. Licensed by VAGA, New York, NY (figs. 4.7, 4.9); Photographer Arthur Lavine (fig. 3.34); Wendy Marech (figs. 4.29, 4.30); Photograph © Fred W. McDarrah, all rights reserved. Member New York Press Club, New York Photographers Association, ASPP (figs. 1.17, 3.39); Art © Robert R. McElroy/Licensed by VAGA, New York, NY (fig. 1.28); Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY/Art © Jasper Johns/Licensed by VAGA, New York, NY (figs. 2.3, 2.6); Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY/Art © Robert Rauschenberg/Licensed by VAGA, New York, NY (fig. 3.7); Photo © National Gallery of Canada, Ottawa/Canadian Museum of Contemporary Photography/Art © Judd Foundation. Licensed by VAGA, New York, NY (figs. 4.4, 4.6); New York Public Library (fig. 1.3); Copyright 1959. The New York Times Company. Reprinted by Permission (fig. 2.19); Copyright 1960. The New York Times Company. Reprinted by Permission (figs. 1.9, 1.10, 3.53); Copyright 1961. The New York Times Company. Reprinted by Permission (fig. 4.17); Copyright 1962. The New York Times Company. Reprinted by Permission (fig. 4.18); Copyright 1967. The New York Times Company. Reprinted by Permission (fig. 4.34); NYU Archives (figs. 1.11, 1.12); Oldenburg van Bruggen Foundation (figs. 1.1, 1.4-1.7, 1.18, 1.19, 1.26, 1.27, 1.4); Art © Robert Rauschenberg/Licensed by VAGA, New York, NY (figs. 3.1-3.4, 3.6, 3.9, 3.13, 3.30, 3.41-3.44, 3.46-3.50, 3.54, 3.55); Art © Robert Rauschenberg/Licensed by VAGA, New York, NY, Photo by Ben Blackwell (fig. 3.40); Art © Robert Rauschenberg/Licensed by VAGA, New York, NY, Photo by Graydon Wood, 1994 (fig. 3.58); © Rheinisches Bildarchiv (fig. 1.23); © Rheinisches Bildarchiv/Photo: Britta Schlier (figs. 1.22, 4.46); © Rheinisches Bildarchiv/Photo: Britta Schlier/Art © Jasper Johns/Licensed by VAGA, New York, NY (fig. 2.5); © Rheinisches Bildarchiv/Art © Jasper Johns/Licensed by VAGA, New York, NY (fig. 2.21); © Rheinisches Bildarchiv/Art © Robert Rauschenberg/Licensed by VAGA, New York, NY (figs. 3.5, 3.29, 3.45); Rachel Rosenthal (fig. 3.20); Scala/Art Resource, NY (fig. 3.9); from T. Scullin, United States Beer Cans: The Standard Reference of Flat Tops and Cone Tops (Fenton, Mo.: Beer Can Collectors of America, 2001), 34 (fig. 2.26); © The Solomon R. Guggenheim Foundation, New York/Art © Judd Foundation. Licensed by VAGA, New York, NY. Photograph by David Heald (fig. 4.39); © The Solomon R. Guggenheim Foundation, New York/Art © Robert Rauschenberg/Licensed by VAGA, New York, NY. Photograph by Ellen Labenski (fig. 3.57); 2008, State Russian Museum, St. Petersburg/Art © Jasper Johns/Licensed by VAGA, New York, NY (fig. 2.1); Photo Stedelijk Museum, Amsterdam/Art © Robert Rauschenberg/Licensed by VAGA, New York, NY (fig. 3.56); Ezra Stoller © Esto. All rights reserved (figs. 3.32, 3.33, 4.42, 4.44); © Time & Life Pictures/Getty Images. Photo by Martha Holmes (fig. 1.14); © VAGA, New York, NY/Art © Jasper Johns/Licensed by VAGA, New York, NY (fig. 7); Village Voice, January 27, 1960, p. 11 (fig. 1.16); Village Voice, January 27, 1960, p. 1 (fig. 1.20); Village Voice, February 3, 1960, p. 1 (fig. 1.29); © Virginia Museum of Fine Arts. Photo: Katherine Wetzel/Art © Robert Rauschenberg/Licensed by VAGA, New York, NY (fig. 3.11); 2008 Lawrence Weiner/Artists Rights Society (ARS), New York (fig. 5.3); Photograph © 1996: Whitney Museum of American Art, New York. Photograph by Robert E. Mates, N.J./Art © Judd Foundation. Licensed by VAGA, New York, NY (fig. 4.2); Ellen Wilson (fig. 1.15); from J. Wissmann, Robert Rauschenberg: Black Market (Stuttgart: Philipp Reclam Jun., 1970), 4. Art © Robert Rauschenberg/Licensed by VAGA, New York, NY (fig. 3.52); Woodfin Camp and Associates, Inc. (fig. 3.23); Photo: Dorothy Zeidman (fig. 2.36)
The Disappearance Of Objects
Illustration Credits
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