Yale University Press
Description: yale.publisher
Learn more at Yale University Press.
Yale University Press
yale.publisher
302 Temple Street
New Haven
CT
06511
United States of America
Unsubscribed from the newsletter
Do not send me site notifications emails
1 – 12 of 94 results
1 2 3 4 5 6 7 8 Previous | Next
Description: The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this original book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of paint and a body’s reflexive movements, Elise Archias argues convincingly that Yvonne Rainer (b. 1934), Carolee Schneemann (b. 1939), and Vito Acconci (b. 1940) forged a dialogue between modernist aesthetics and their own artistic community’s embrace of all things ordinary through work that explored the abstraction born of the body’s materiality. Rainer’s task-like dances, Schneemann’s sensuous appropriations of popular entertainment, and Acconci’s behaviorist-inflected tests highlight the body’s unintended movements as vital reminders of embodied struggle amid the constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in the work of these three artists and in the sit-ins and other nonviolent protests of the era.
Print publication date December 2016 (in print)
Print ISBN 9780300217971
EISBN 9780300249804
Illustrations 118
Print Status in print
Description: Rethinking Art History: Meditations on a Coy Science
This important book provides a general overview of the theoretical and institutional history of the discipline of art history. Refuting the image of art history as a discipline in crisis, Preziosi asserts that many of the dilemmas and contradictions of art history today are not new but can be traced back to problems surrounding the founding of the discipline, its institutionalization, and its academic expansion since the 1870s.
Print publication date January 1991 (in print)
Print ISBN 9780300049831
EISBN 9780300251012
Illustrations 6
Print Status in print
Description: Designing the Modern City: Urbanism Since 1850
Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the nineteenth century, technical, social, and economic developments set cities and the world’s population on a course of massive expansion. Mumford recounts how key figures in design responded to these changing circumstances with both practicable proposals and theoretical frameworks, ultimately creating what are now mainstream ideas about how urban environments should be designed, as well as creating the field called “urbanism.” He then traces the complex outcomes of approaches that emerged in European, American, and Asian cities.

This erudite and insightful book addresses the modernization of the traditional city, including mass transit and sanitary sewer systems, building legislation, and model tenement and regional planning approaches. It also examines the urban design concepts of groups such as CIAM (International Congresses of Modern Architecture) and Team 10, and their adherents and critics, including those of the Congress for the New Urbanism, as well as efforts toward ecological urbanism. Highlighting built as well as unbuilt projects, Mumford offers a sweeping guide to the history of designers’ efforts to shape cities.
Print publication date May 2018 (in print)
Print ISBN 9780300207729
EISBN 9780300250947
Illustrations 125
Print Status in print
Description: Realism in the Age of Impressionism: Painting and the Politics of Time
The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young’s highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
Print publication date August 2015 (in print)
Print ISBN 9780300208320
EISBN 9780300250954
Illustrations 135
Print Status in print
Description: Giorgio de Chirico and the Metaphysical City: Nietzsche, Modernism, Paris
Painted in Paris on the eve of World War One, the Metaphysical cityscapes of Giorgio de Chirico (1888–1978) redirected the course of modernist painting and the modern architectural imagination alike. Giorgio de Chirico and the Metaphysical City examines the two most salient dimensions of the artist’s early imagery: its representations of architectural space and its sustained engagement with the philosophy of Friedrich Nietzsche.  Centering upon a single painting from 1914—deemed by the painter “the fatal year”—each chapter examines why and how de Chirico’s self-declared “Nietzschean method” takes architecture as its pictorial means and metaphor. The first, full-length study in English to focus on the painter’s seminal work from pre-war Paris, the book places de Chirico’s “literary” images back in the context of the city’s avant-garde, particularly the circle of Guillaume Apollinaire.  Merjian’s study sheds light on one of the most influential and least understood figures in 20th-century aesthetics, while also contributing to an understanding of Nietzsche’s paradoxical consequences for modernism.
Print publication date June 2014 (out of print)
Print ISBN 9780300176599
EISBN 9780300250770
Illustrations 246
Print Status out of print
Description: Roman Woodworking
This book presents an authoritative and detailed survey of the art of woodworking in the ancient Roman world. Illustrated with over 200 line drawings and photographs, Roman Woodworking covers topics such as the training and guild memberships of Roman carpenters, woodworking tools and techniques, the role of timber in construction and the availability of trees, and interior woodwork and furniture making. It also includes an extensive glossary of fully defined terms.

This comprehensive book displays the accomplishment of the Roman woodworkers and their high skill and knowledge of materials and tools. Ulrich helps bring to light the importance of wooden projects and structures in Roman daily life and provides a wealth of information not only for classicists but also for those interested in the history of technology and the history of woodworking.
Print publication date January 2007 (in print)
Print ISBN 9780300134605
EISBN 9780300247947
Illustrations 189
Print Status in print
Description: Picturing War in France, 1792–1856
From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France, 1792–1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict.
Print publication date February 2018 (in print)
Print ISBN 9780300228267
EISBN 9780300248081
Illustrations 146
Print Status in print
Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Robert Motherwell (1915–1991) was one of the preeminent Abstract Expressionists and a spokesperson for that generation of artists. During a career that lasted half a century, he created a large and varied body of work, constantly reinventing and refining his signature motifs. He produced some of the most innovative and profound imagery of the 20th century, such as the Elegy to the Spanish Republic, Iberia, Open, and Summertime in Italy series, as well as one of the largest and most inventive oeuvres in collage.

This monumental catalogue raisonné documents 1,209 paintings on canvas and panel, 722 paintings on paper, and 889 collages, providing extensive information about each work. The authors present an overview of Motherwell's career, and discuss key topics including the tension between figuration and abstraction in his work, his role as a spokesperson for modernism, and the changing nature of the critical reception of his work. The publication also features a richly detailed, illustrated chronology of his life and will be the definitive reference on Robert Motherwell's paintings and collages for years to come.
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Print publication date November 2012 (out of print)
Print ISBN 9780300149159
EISBN 9780300247404
Illustrations 3122
Print Status out of print
Description: Georges Seurat: The Art of Vision
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art.
Print publication date July 2015 (in print)
Print ISBN 9780300208351
EISBN 9780300248074
Illustrations 141
Print Status in print
Description: On Color
Our lives are saturated by color. We live in a world of vivid colors, and color marks our psychological and social existence. But for all color’s inescapability, we don’t know much about it. Now authors David Scott Kastan and Stephen Farthing offer a fresh and imaginative exploration of one of the most intriguing and least understood aspects of everyday experience.

Kastan and Farthing, a scholar and a painter, respectively, investigate color from numerous perspectives: literary, historical, cultural, anthropological, philosophical, art historical, political, and scientific. In ten lively and wide-ranging chapters, each devoted to a different color, they examine the various ways colors have shaped and continue to shape our social and moral imaginations. Each individual color becomes the focal point for a consideration of one of the extraordinary ways in which color appears and matters in our lives.
Print publication date May 2018 (in print)
Print ISBN 9780300171877
EISBN 9780300249842
Illustrations 46
Print Status in print
Description: The Art of Libation in Classical Athens
This handsome volume presents an innovative look at the imagery of libations, the most commonly depicted ritual in ancient Greece, and how it engaged viewers in religious performance. In a libation, liquid—water, wine, milk, oil, or honey—was poured from a vessel such as a jug or a bowl onto the ground, an altar, or another surface. Libations were made on occasions like banquets, sacrifices, oath-taking, departures to war, and visitations to tombs, and their iconography provides essential insight into religious and social life in 5th-century BC Athens. Scenes depicting the ritual often involved beholders directly—a statue’s gaze might establish the onlooker as a fellow participant, or painted vases could draw parallels between human practices and acts of gods or heroes. Beautifully illustrated with a broad range of examples, including the Caryatids at the Acropolis, the Parthenon Frieze, Attic red-figure pottery, and funerary sculpture, this important book demonstrates the power of Greek art to transcend the boundaries between visual representation and everyday experience.
Print publication date February 2018 (in print)
Print ISBN 9780300192278
EISBN 9780300247879
Illustrations 130
Print Status in print
Description: Sculptural Seeing: Relief, Optics, and the Rise of Perspective in Medieval Italy
Although perspective has long been considered one of the essential developments of Renaissance painting, this provocative new book shifts the usual narrative back centuries, showing that medieval sculptors were already employing knowledge of optical science, geometry, and theories of vision in shaping the beholder’s experience of their work. Meticulous visual analysis is paired with close readings of medieval texts in examining a series of important relief sculptures from northern and central Italy dating from the twelfth through the fourteenth centuries, including the impressive sculptural programs at the cathedrals of Modena and Ferrara, and the pulpits by Giovanni and Nicola Pisano at Pisa and Pistoia. Demonstrating that medieval sculptors orchestrated the reception of their intended religious and political messages through the careful manipulation of points of view and architectural space, Christopher R. Lakey argues that medieval practice was well informed by visual theory and that the concepts that led to the codification of linear perspective by Renaissance painters had in fact been in use by sculptors for hundreds of years.
Print publication date November 2018 (in print)
Print ISBN 9780300232141
EISBN 9780300247862
Illustrations 136
Print Status in print
1 2 3 4 5 6 7 8 Previous | Next