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Description: The Intelligence of Tradition in Rajput Court Painting
Winner of the Charles Rufus Morey Award

Winner of the Ananda Kentish Coomaraswamy Book Prize

The genre of Rajput painting flourished between the 16th and 19th centuries in the kingdoms that ruled what is now the Indian state of Rajasthan (place of rajas). Rajput paintings depicted the nobility and court spectacle as well as scenes from Krishna’s life, the Hindu epics, and court poetry. Many Rajput kingdoms developed distinct styles, though they shared common conventions. This important book surveys the overall tradition of Indian Rajput painting, while developing new methods to ask unprecedented questions about meaning.

Through a series of in-depth studies, Aitken shows how traditional formal devices served as vital components of narrative meaning, expressions of social unity, and rich sources of intellectual play. Supported by color illustrations of rare and often inaccessible paintings, Aitken’s study spans five centuries, providing a comprehensive and innovative look at the Rajasthan’s court painting traditions and their continued relevance to contemporary art.

*This eBook is available exclusively on the A&AePortal.*
Print publication date April 2010 (in print)
Print ISBN 9780300142297
EISBN 9780300260533
Illustrations 226
Print Status in print
Description: Women of Abstract Expressionism
Joan Marter (Editor)
The artists Jay DeFeo, Helen Frankenthaler, Grace Hartigan, Elaine de Kooning, Lee Krasner, Joan Mitchell, and many other women played major roles in the development of Abstract Expressionism, which flourished in New York and San Francisco in the 1940s and 1950s and has been recognized as the first fully American modern art movement. Though the contributions of these women were central to American art of the twentieth century, their work has not received the same critical attention as that of their male counterparts.

Women of Abstract Expressionism is a long-overdue survey. Color reproductions emphasize the expressive freedom of direct gesture and process at the core of the movement, and this book features biographies of more than forty artists, offering insight into their lives and work. Essays by noted scholars explore the techniques, concerns, and legacies of women in Abstract Expressionism, shedding light on their unique experiences. This groundbreaking book reveals the richness of the careers of these important artists and offers keen new reflections on their work and the movement as a whole.

*This eBook is available exclusively on the A&AePortal*
Author
Joan Marter (Editor)
Print publication date June 2016 (in print)
Print ISBN 9780300208429
EISBN 9780300261745
Illustrations 185
Print Status in print
Description: What Can and Can’t Be Said: Race, Uplift, and Monument Building in the...
An original study of monuments to the civil rights movement and Black history that have been erected in the American South over the past three decades, this powerful work explores how commemorative structures have been used to assert the presence of African Americans in contemporary Southern society while showing how the construction of such monuments frequently exposes the myth that racial differences have been overcome. 

Examining monuments whose creation has been particularly contentious, from the Martin Luther King, Jr., National Memorial in Washington, D.C., to more obscure memorials such as the so-called "multicultural monument" in Bowling Green, Virginia, Dell Upton shows that monument builders must contend not only with varied interpretations of the African-American past but also with the continuing presence of White supremacy—not only in its traditional forms but also in the subtler, more recent assumptions that Whites are neutral arbiters of what is fair and accurate in such monuments.

Upton argues that Southerners, White and Black, share a convenient fiction—a “dual heritage” that allows them to acknowledge the Black past without relinquishing cherished White historical mythologies. In his conclusion, Upton considers how these two pasts might be reimagined and memorialized as a single Southern American history.

*For the A&AePortal edition of this book, the author's black-and-white images were replaced with color.*
Print publication date November 2015 (in print)
Print ISBN 9780300211757
EISBN 9780300216615
Illustrations 59
Print Status in print
Description: From Ornament to Object: Genealogies of Architectural Modernism
In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention.

Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural modernism: rather than the well-known story in which an absorption of technology and mass production created a radical aesthetic that broke decisively with the past, Payne argues for a more gradual shift, as the eloquence of architectural ornamentation was taken on by objects of daily use. As she demonstrates, the work of Adolf Loos and Le Corbusier should be seen as the culmination of a conversation about ornament dating as far back as the Renaissance. Payne looks beyond the usual suspects of philosophy and science to establish theoretical catalysts for the shift from ornament to object in the varied fields of anthropology and ethnology; art history and the museum; and archaeology and psychology.

*This eBook is available exclusively on the A&AePortal*
Print publication date July 2012 (out of print)
Print ISBN 9780300175332
EISBN 9780300260366
Illustrations 170
Print Status out of print
Description: Barnett Newman: A Catalogue Raisonné
Barnett Newman (1905–1970), one of the greatest artists of the twentieth century, has captivated critics, scholars, and the general public for decades. This definitive catalogue raisonné presents Newman’s entire oeuvre—paintings, drawings, sculpture, graphics, an architectural model, lost and unfinished works, and ephemera. Featured elements include color reproductions; extensive provenance, exhibition, and publication histories; and a listing of the contents of the artist’s library at the time of his death.

In addition to the catalogue raisonné prepared by Heidi Colsman-Freyberger, the book offers revelatory essays on the artist, his career, and his working methods and features fascinating photographs of Newman, his studios, and his installations. Richard Shiff draws on new documentation to explain why Newman chose to create abstract art, how he achieved “fullness” in his paintings, and how his works exemplify the social functions of an artist. Carol C. Mancusi-Ungaro reveals extraordinary details about Newman’s studio practice and materials and techniques, information not available to the public before because Newman only allowed his wife to observe him at work. Mancusi-Ungaro also discusses the fate of works that were damaged while traveling to exhibitions or by vandals.

*The eBook is available exclusively on the A&AePortal*
Print publication date October 2004 (out of print)
Print ISBN 9780300101678
EISBN 9780300259780
Illustrations 451
Print Status out of print
Description: Michelangelo, Drawing, and the Invention of Architecture
Winner of the Charles Rufus Morey Book Award
Winner of the Alice Davis Hitchcock Book Award


In this engaging book, Cammy Brothers takes an unusual approach to Michelangelo's architectural designs, arguing that they are best understood in terms of his experience as a painter and sculptor. Unlike previous studies, which have focused on the built projects and considered the drawings only insofar as they illuminate those buildings, this book analyses his designs as an independent source of insight into the mechanisms of Michelangelo's imagination. Brothers gives equal weight to the unbuilt designs, and suggests that some of Michelangelo's most radical ideas remained on paper.

Brothers explores the idea of drawing as a mode of thinking, using its evidence to reconstruct the process by which Michelangelo arrived at new ideas. By turning the flexibility and fluidity of his figurative drawing methods to the subject of architecture, Michelangelo demonstrated how it could match the expressive possibilities of painting and sculpture.

*This eBook is available exclusively on the A&AePortal*
Print publication date September 2008 (out of print)
Print ISBN 9780300124897
EISBN 9780300260151
Illustrations 281
Print Status out of print
Description: Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance...
In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images.

Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.

*This eBook is available exclusively on the A&AePortal*
Author
Print publication date February 2004 (out of print)
Print ISBN 9780300096801
EISBN 9780300260137
Illustrations 93
Print Status out of print
Description: The Power of Color: Five Centuries of European Painting
"This book would make an excellent addition to art history curricula, especially those built to expand students’ interest and knowledge into materials and process. . . . The extensive notes and bibliography will provide specialists with avenues for additional and deeper research."—L. L. Kriner, Berea College

This expansive study of color illuminates the substance, context, and meaning of five centuries of European painting. Between the mid-fifteenth and the mid-nineteenth centuries, the materials of painting remained remarkably unchanged, but innovations in their use flourished. Technical discoveries facilitated new visual effects, political conditions prompted innovations, and economic changes shaped artists’ strategies, especially as trade became global.

Marcia Hall explores how Michelangelo radically broke with his contemporaries’ harmonizing use of color in favor of a highly saturated approach; how the robust art market and demand for affordable pictures in seventeenth-century Netherlands helped popularize subtly colored landscape paintings; how politics and color became entangled during the French Revolution; and how modern artists liberated color from representation as their own role transformed from manipulators of pigments to visionaries celebrated for their individual expression. Using insights from recent conservation studies, Hall captivates readers with fascinating details and developments in magnificent examples—from Botticelli and Titian to Van Gogh and Kandinsky—to weave an engaging analysis. Her insistence on the importance of examining technique and material to understand artistic meaning gives readers the tools to look at these paintings with fresh eyes.

*This eBook is available exclusively on the A&AePortal*
Print publication date May 2019 (in print)
Print ISBN 9780300237191
EISBN 9780300259728
Illustrations 212
Print Status in print
Description: Great British Watercolors: From the Paul Mellon Collection at the Yale Center for...
Paul Mellon (1907–1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness . . . their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrates the centenary of Mellon's birth and features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M. W. Turner.

*This eBook is available exclusively on the A&AePortal*
Print publication date May 2007 (out of print)
Print ISBN 9780300116588
EISBN 9780300259506
Illustrations 103
Print Status out of print
Description: The Visual World of French Theory: Figurations
This revelatory book focuses on a remarkable series of encounters between the most prominent French philosophers of the 1960s and 1970s—Sartre, Deleuze, Bourdieu, and Foucault among them—and the artists of their times, most particularly the protagonists of the Narrative Figuration movement. Each encounter involved either a mutual engagement or the writing of critical texts or catalogue prefaces—texts that illuminate not only the work of the artists but also the production of the philosopher-writer concerned.

Although the protagonists of “French theory” are universally known and studied, their thought is presented without a sense of contiguity, chronology, or context in translation, while the artists with whom they engaged are virtually unknown outside the French-speaking world. This account restores the lived context of artistic production. What Bourdieu called “cultural competence” is seen to be essential for these particular philosophers, and Sarah Wilson shows that it is through them that the figurative art of 1970s France can be introduced to the audience it deserves.

*This eBook is available exclusively on the A&AePortal*
Print publication date October 2010 (in print)
Print ISBN 9780300162813
EISBN 9780300259094
Illustrations 120
Print Status in print
Description: Winslow Homer and the Camera: Photography and the Art of Painting
One of the greatest American painters of the 19th century, Winslow Homer (1836–1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America’s most original painters.

Please note: the illustration program in this eBook has been changed slightly from the original print edition.

*This eBook is exclusively available on the A&AePortal*
Print publication date July 2018 (in print)
Print ISBN 9780300214550
EISBN 9780300259766
Illustrations 125
Print Status in print
Description: Germany and the Ottoman Railways: Art, Empire, and Infrastructure
Winner of the 2020 Alice Davis Hitchcock Book Award, sponsored by the Society of Architectural Historians


With lines extending from Bosnia to Baghdad to Medina, the Ottoman Railway Network (1868–1919) was the pride of the empire and its ultimate emblem of modernization—yet it was largely designed and bankrolled by German corporations. This exemplifies a uniquely ambiguous colonial condition in which the interests of Germany and the Ottoman Empire were in constant flux. German capitalists and cultural figures sought influence in the Near East, including access to archaeological sites such as Tell Halaf and Mshatta. At the same time, Ottoman leaders and laborers urgently pursued imperial consolidation. Germany and the Ottoman Railways explores the impact of these political agendas as well as the railways’ impact on the built environment. Relying on a trove of previously unpublished archival materials, including maps, plans, watercolors, and photographs, author Peter H. Christensen also reveals the significance of this major infrastructure project for the budding disciplines of geography, topography, art history, and archaeology.
Print publication date October 2017 (in print)
Print ISBN 9780300225648
EISBN 9780300259599
Illustrations 141
Print Status in print
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