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List of illustrations

  • Map of Egypt
  • Rock-drawings
  • Paintings on pottery
  • Decorated ware with boats with standards
  • Bowl with hippopotami
  • Hippopotamus
  • Jackal figure
  • Figures
  • Figure
  • Hierakonpolis, tomb, wall-painting, detail
  • Carved palette
  • Fragment of palette
  • Scorpion King on a mace-head
  • Narmer palette, verso
  • Narmer palette, recto
  • Libya Palette
  • Abydos, tomb of Mernieth and Saqqara, tomb attributed to Merneith, reconstructions
  • Confronted animals, including a Middle Kingdom example at Meir with a man standing on long-necked monsters
  • Impression of a cylinder seal
  • Painted Syrian jar
  • Bowl
  • Saqqara, stela of Merka
  • Saqqara, superstructure of Tomb 3038
  • Saqqara, tomb of Her-neith, axionometric projection
  • Disk with Scene of Dogs Hunting Gazelles
  • Two faces of an inlaid wooden panel
  • Four Bracelets from the Tomb of King Djer
  • Jewelry from Naga-ed-Dêr
  • Dish imitating basketry
  • Seated figure, front view
  • Seated figure, back view
  • Saqqara, Niche stone
  • Saqqara, painted niche stone
  • Khasekhem, seated statue
  • Khasekhem, seated statue
  • Fallen enemies of Egypt from statue-bases of Khasekhem
  • Statue of King Djoser
  • Saqqara, South Tomb of Djoser complex, head of Djoser on false-door panel
  • Saqqara, Step Pyramid Djoser complex, model
  • Saqqara, Step Pyramid Djoser complex, model, detail
  • Saqqara, North Building of Djoser complex, courtyard, papyrus columns
  • Saqqara, South Building of Djoser complex, actual façade
  • Saqqara, South Building of Djoser complex, reconstruction
  • Saqqara, South Building of Djoser complex, prototype
  • Saqqara, South Tomb of Djoser complex, subterranean area, false-door
  • Entrance corridor, pyramid complex of King Djoser
  • Saqqara, Djoser group, column capital
  • Statuette of a Male Deity
  • Wooden panel of Hesy-ra, detail
  • Wooden panel of Hesy-ra, detail
  • Offering niche of Kha-baw-sokar
  • Offering niche of Kha-baw-sokar, detail
  • The god Geb, relief fragment from the Djoser shrine
  • Saqqara, tomb of Hesy-ra, plan
  • The Egyptian canon of eighteen fists from hair line to ground line
  • Saqqara, chapel of Kha-baw-sokar, plan
  • Head of statue depicting princess Redji
  • Statue of Ankhwa
  • Statues of Sepa and Nesa
  • Meidum, causeway and pyramid
  • Meidum, view from pyramid over temple and causeway
  • Dahshur, Lower Temple and Bent Pyramid
  • Dahshur, offering place before the Bent Pyramid, plans
  • Dahshur, offering place before the Bent Pyramid, reconstruction
  • Dahshur, Lower Temple of the Bent Pyramid, reconstruction and plan
  • Offering niche of Iy-nefer
  • Saqqara, chapel of Tomb 3078
  • Dahshur, Lower Temple of the Bent Pyramid, Sneferu and goddess
  • Dahshur, Lower Temple of the Bent Pyramid, personified estates
  • Dashur, Bent Pyramid, corbel vaulting in lower chamber
  • Dashur, Bent Pyramid, isometric view of interior passages, and portcullis
  • Meidum, mastaba of Nefermaat and Atet, plan
  • Meidum, chapel of Atet
  • Meidum, chapel of Atet, Atet's children with pets
  • Meidum, chapel of Atet, paintings in the outer corridor
  • Meidum, chapel of Atet, paintings in the outer corridor
  • Meidum, chapel of Atet, paintings in the outer corridor
  • Meidum, chapel of Atet, paintings in the outer corridor, restoration drawing
  • Slab stele of Prince Wepemnofret
  • Slab stele of Prince Wepemnofret, detail
  • Seated Statues of Rahotep and Nofret
  • Head of a king
  • Statuette of King Khufu
  • Furniture of Hetepheres
  • Back of Hetepheres carrying chair
  • Giza, reconstruction of original position of furniture in the tomb of Hetepheres
  • Gold casing of Hetepheres bed canopy, detail
  • Restoration of Hetepheres carrying chair
  • Restored lid of Hetepheres chest
  • Old Kingdom decorative patterns
  • Plant forms
  • Giza, Pyramid of Menkaure with Queen's Pyramid (left), looking west
  • Giza, Great Pyramid, gallery
  • Giza, area east of the Khufu Pyramid, plan
  • Giza, Khufu Temple, reconstruction
  • Relief with the head of a female personification of an estate
  • Giza, general plan
  • Giza, Valley Temple of Khafre, exterior with Sphinx
  • Giza, Valley Temple of Khafre, interior
  • Giza, Pyramid of Khafre and Valley Temple of Khafre, plan
  • Saqqara, funerary monument of Shepseskaf, reconstruction
  • Giza, chapel of Meresankh III
  • Giza, chapel of Meresankh III: Kawab, Meresankh, and Hetepheres II, and personified estates
  • Tomb statue of the vizier Hemiunu
  • Plaster mask on a skull
  • Reserve head of Meritites
  • Reserve head of Senefru-Seneb
  • Giza, Khufukhaf and wife
  • Giza, Khufukhaf
  • Statue of Khafre Protected by the God Horus
  • King Menkaura (Mycerinus) and queen
  • Djedefre and his queen
  • Statue of Menkaure with Hathor and Cynopolis
  • Bust of Prince Ankhhaf
  • Head of Djedefre
  • Head of Menkaure
  • Head of King Userkaf
  • Statue of Sheikh el-Balad Representing Kaaper
  • Giza, painted scribe
  • Saqqara, Userkaf Temple, reconstruction
  • Saqqara, Userkaf Temple, plan
  • Relief of Birds in the Marshes
  • Saqqara, Userkaf Pyramid Temple, orchard scene
  • Saqqara, chapel of Neferhernptah, orchard with birds
  • Saqqara, Userkaf Temple, boating scene
  • Abusir, pyramid complex of Sahure, plan
  • Abu Gorab, Sun Temple, plan and reconstruction
  • Saqqara, Unas causeway, famine scene
  • Saqqara, chapel of Neferhernptah, bird-catching scene
  • Saqqara, chapel of Neferhernptah, bird-catching scene, detail of bird
  • Saqqara, chapel of Mereruka, Mereruka and his sons
  • Relief head of Itwesh
  • Niankhkhnum and Khnumhotep
  • Saqqara, serdab of Mitri, wooden statues
  • Group Statue of Seneb and His Family
  • Uncircumcised youth
  • Statue of Metjetji
  • Statue of Metjetji
  • Saqqara, pyramid complex of Pepi II, plan
  • Saqqara, valley temple of Pepi II, reconstruction
  • Seated statuette of Pepi I with Horus falcon, back
  • Statue of Queen Ankhnes-meryre II and Her Son, Pepi II
  • Statue of Pepi I, head
  • Statue of Merenre
  • Falcon from Hierakonpolis, reconstruction
  • Funerary stela
  • Stele of the Nubian soldier Nenu
  • Mourners and cattle
  • Thebes, chapel of Djar, agricultural scene
  • Statue of Wepwawetemhat
  • Deir el-Bahari, temple of Mentuhotep, earlier reconstruction
  • Deir el-Bahari, temple of Mentuhotep, later reconstruction
  • Statue of Nebhepetre Mentuhotep II
  • Stela of Wahankh Intef II, detail
  • Relief of an Acacia Tree Shading Water Jars with Drinking Cups
  • Relief Depicting a Sunshade Bearer
  • Sarcophagus of Queen Kawit, hair-dressing scene, detail
  • Model of Meketre Counting Cattle
  • Model of a Porch and Garden, portico
  • Karnak, pavilion of Senusret I, reconstruction
  • Karnak, pavilion of Senusret I, detail
  • Karnak, pavilion of Senusret I, detail
  • Lisht, pyramid temple of Senusret I, plan
  • Kahun town, plan
  • Beni Hasan, chapel of Amenemhat, looking out from shrine
  • Beni Hasan, tomb 18
  • Uronarti fortress, plan
  • Uronarti fortress, south-east wing
  • Buhen, west gate, reconstruction
  • Relief showing procession of offering bearers
  • Senusret I statuettes
  • Ka Statue of King Hor I
  • Statue of Lady Sennuwy
  • Statue of Lady Sennuwy, detail of head
  • Seated Statue of Queen Nofret
  • Wahka I, fragmentary head
  • Ibu, head
  • Wahka II, fragment of statue
  • Standing Figure of a Male Dignitary
  • Steward
  • Crocodile
  • Head of Statue of King Senusret III
  • Head of Seated Statue of Amenemhat III
  • Head from a Female Sphinx
  • Statue of official
  • Qaw, tombs of Wahka I and Ibu, reconstruction
  • Qaw, tomb of Wahka II, dancers and tumblers
  • Beni Hasan, tomb of Khnumhotep, man with antelopes; Meir, tomb of Ukhhotep I, peasant carrying papyrus
  • Meir, tomb of Senbi, hunting scene, detail
  • Meir, tomb of Senbi, hunting scene, detail
  • Meir, chapel of Ukhhotep III
  • Meir, chapel of Ukhhotep III, detail of swamp scene
  • Front side panel of outer coffin of Djehutynakht, offering scene
  • Front side panel of outer coffin of Djehutynakht, detail of offerings
  • Front side panel of outer coffin of Djehutynakht, false door
  • Deir El Bersha cemetery
  • Daughters of Djehutihotep painting
  • Unloading of grain painting
  • Beni Hasan, chapel of Khnumhotep, fig-picking scene
  • Beni Hasan, chapel of Khnumhotep, bird-trapping scene
  • Statuette of woman and child
  • Serabit el-Khadim, temple, Retjenu chief riding a donkey
  • Crown of Princess Khenmet
  • Jewelry of Princess Khenmet, Sithathor, and Mereret
  • Diadem of Sithathoriunet
  • Decorative patterns
  • Fish pendant
  • Decorated faience vessel fragments
  • Bowl with running spiral decoration
  • Bowl with running spiral decoration, detail
  • Painted pottery
  • Ivory inlays
  • Cap ornaments as remounted
  • Statue of Sebek-em-saf
  • Gold model boat of Queen Ahhotep
  • Ceremonial Dagger of King Ahmose I
  • Axehead of Queen Ahhotep
  • Inlaid Gold Armlet of Queen Ahhotep with Two Sphinxes
  • Mentuhotep and wife, stela
  • Deir el-Bahari, tomb of Senenmut under the temple, portrait of Senenmut
  • Statue of Senenmut and Neferure
  • Senenmut
  • Karnak, general plan
  • Karnak, obelisk of Tuthmosis I, looking west
  • Deir el-Bahari, temple of Hatshepsut
  • Hatshepsut, upper part of Osiride statue
  • Head of Osiride statue of Hatshepsut
  • Deir el-Bahari, temples
  • Seated statue of Hatshepsut
  • Seated statue of Hatshepsut, detail of head
  • Head of statue of Thutmose III
  • Deir el-Bahari, portico of Anubis sanctuary
  • Deir el-Bahari, portico of Anubis sanctuary, detail of offerings before the jackal-headed god of the dead
  • Deir el-Bahari, Punt colonnade, fat queen
  • Deir el Bahari, Punt colonnade, village
  • Deir el Bahari, Punt colonnade, reception of Egyptians at Punt
  • Lion seizing antelope, axehead
  • Tree between animals, stand
  • Thebes, tomb Rekhmire (No. 100), Nubian and Syrian tribute
  • Thebes, tomb of Menkheperraseneb (No. 86), Caphtor and Syrian tribute
  • Thebes, tomb of Menkheperraseneb (No. 86), foreigners bringing tribute
  • Thebes, tomb of Senenmut (No. 71), Cretans
  • Thebes, Tomb of Duwaerneheh (No. 125), dog under master's chair
  • Thebes, tomb of Amenemhat (No. 53), hunting scene
  • Thebes, tomb of Amenemhat (No. 53), hunting scene, detail
  • Thebes, tomb of Senenmut (No. 71), hall
  • Thebes, tomb of Ineni (No. 81), hunting scene, detail
  • Thebes, tomb of Ken-Amun (No. 93), hunting scene, detail
  • Thebes, tomb of Intef (No. 155), hyena heads
  • Thebes, tomb of Intef (No. 155), old man
  • Thebes, tomb of Rekhmire (No. 100), serving girl
  • Thebes, tomb of Senenmut (No. 71), Hathor frieze
  • Thebes, tomb of Amenemheb (No. 85), Amenemheb and the hyena
  • Thebes, tomb of Horemheb (No. 78), fish
  • Thebes, tomb of Onen (No. 120), Amenhotep III and Tiye enthroned
  • Thebes, tomb of Ramose (No. 55), Amenhotep IV enthroned
  • Thebes, tomb of Thutmose III, king and family
  • Thebes, tomb of Menna (No. 69), harvest scene
  • Thebes, tomb of Khaemhat (No. 57), chariot in harvest scene
  • Thebes, tomb of Khaemhat (No. 57), bowing men
  • Thebes, tomb of Ramose (No. 55), Amenhotep IV and queen at window of appearances
  • Thebes, tomb of Ramose (No. 55), Ramose receives courtiers
  • Thebes, tomb of Ramose (No. 55), head of a man
  • Nakhtmin from Thebes
  • Wife of Nakhtmin from Thebes
  • Thebes, tomb of Kheruef (No. 192), princesses
  • Amenhotep son of Hapu
  • Luxor temple, plan
  • Luxor temple, court
  • Amenhotep III, head
  • Amenhotep III
  • Lady Mi
  • Head of Queen Tiye
  • Officer
  • Deir el-Ballas, South Palace, plan and section
  • Deir el-Ballas, North Palace, plan
  • Deir el-Ballas, South Palace, stairway
  • Deir el-Ballas, paintings
  • Malkata, Palace of Amenhotep III, general plan
  • Malkata, Palace of the King and South Palace, plan
  • Throne of Princess Sitamun
  • Malkata Palace, north-west harem suite, looking south-west
  • Malkata Palace, south-west suite, looking north, painted support for shelf
  • Amarna, North Palace, birds in papyrus thicket
  • Malkata Palace, ceiling of king's robing room
  • Malkata Palace, north-west harem suite, ceiling of robing room
  • Malkata Palace, bedroom of Amenhotep III, looking north-west
  • Malkata Palace, bedroom of Amenhotep III, dado
  • Deir el-Medina, Bes figures
  • Malkata Palace, second audience hall, head of a court lady
  • Details of roofs and ceilings
  • Stela of the sculptor Bak and his wife
  • Amenhotep IV, colossal statue
  • Amenhotep IV, head
  • Bust of Queen Nefertiti
  • Amarna, tomb of Mahu, Mahu receives runners
  • Women dancers, harem ladies and Syrian musicians
  • Antelopes
  • Animals in landscape
  • Talatat: Nefertiti Offers to the Aten
  • Prostrate attendants
  • Stela of Akhenaten and his family
  • Akhenaten, Nefertiti, and three daughters beneath the Aten
  • Model of a house at Tell el-Amarna
  • Amarna, North Palace, plan
  • Amarna, North Palace, garden court, looking north
  • Goose painting
  • Amarna, official central quarter, plan
  • Amarna, general plan of the town
  • Amarna, central quarter, reconstruction
  • Amarna, palace in the central quarter, plan
  • Plant capitals
  • Amarna, tomb of Tutu, harem of the palace
  • Daughters of Akhenaten
  • Sculptor's Model of Princess Eating a Duckling
  • Amarna, house of Vizier Nakht, plan
  • Stele of Amenhotep III and Tiye
  • Amarna, North Suburb, houses on the edge of the wady, reconstruction
  • Standing figure of Nefertiti
  • Nefertiti and Her Daughter
  • Head of a king, probably Amenhotep III, front view
  • Head of a king, probably Amenhotep III, side view
  • Plaster mask of a man
  • Plaster mask of an elderly woman
  • Gold mask of Tutankhamun
  • Head of Tutankhamun
  • Statue of King Horemheb with the god Amun, detail of heads
  • Haremhab as a Scribe of the King
  • Saqqara, tomb of Horemheb, plan
  • Relief with a messenger on horseback
  • Saqqara, tomb of Horemheb, Nubian captives
  • Saqqara, tomb of Horemheb, Egyptian officers with Asiatic captives
  • Saqqara, tomb of Horemheb, Egyptian officer striking a captive
  • Saqqara, tomb of Horemheb, Egyptian courtiers
  • Hunting scene on the painted chest of Tutankhamun, detail
  • Relief of an aged courtier
  • Tutankhamun and his queen
  • Bearing tribute from the south to Tutankhamen
  • Thebes, tomb of Tutankhamun, wall painting
  • Thebes, tomb of Ay, Ay and his queen boating
  • Thebes, unfinished reliefs in the tomb of Horemheb
  • Thebes, tomb of Tutankhamun, treasury
  • Thebes, tomb of Tutankhamun, objects inside outer sarcophagus shrine
  • Thebes, tomb of Khaemweset, lion with crossed paws
  • Ceremonial Throne of Tutankhamun
  • Ceremonial Throne of Tutankhamun, detail
  • Thebes, tomb of Tutankhamun, second state chariot, detail
  • Necklace with vulture pendant of Tutankhamun
  • Painted pottery plate
  • Glazed tile with palms
  • Duck cosmetic box
  • Karnak, Hypostyle Hall (exterior), Seti I attacks Kadesh
  • Abu Simbel, temple of Ramesses II
  • Luxor temple, pylon of Ramesses II
  • Thebes, Ramesseum, second court
  • Thebes, Ramesseum, plan
  • Medinet Habu, temple of Ramesses III, plan
  • Medinet Habu, temple of Ramesses III, first court
  • Karnak, Hypostyle Hall
  • Abydos, temple of Seti I, inner Hypostyle Hall, two goddesses on the north wall
  • Valley of the Queens, painting of Nefertari in her tomb
  • Statue of Ramesses II, upper part
  • Karnak, Hypostyle Hall (exterior), the Palestinian wars of Seti I
  • Karnak, Hypostyle Hall (exterior), the Palestinian wars of Seti I
  • Derr, temple of Ramesses II, the king attacks a Nubian village
  • Fallen Asiatics, Ramesside relief
  • Medinet Habu, First Pylon, Ramesses III hunting wild bulls
  • Karnak, the high priest Amenhotep before a statue of Ramesses IX
  • Thebes, tomb of Ipy (No. 217), garden shrine
  • Thebes, tomb of Ipy (No. 217), garden shrine, detail
  • Thebes, tomb of Ipy (No. 217), fishing and agricultural scene
  • Thebes, tomb of Ipy (No. 217), agricultural scene
  • Thebes, tomb of Sennedjem (No. 1), interior
  • Thebes, tomb of Sennedjem (No. 1), cat and serpent on door jamb
  • Thebes, tomb of Sennedjem (No. 1), goddess of the horizon with sun-disk on entrance ceiling
  • Thebes, tomb of Nakhtamun (No. 341), winged spirit over Anubis with scales
  • Abydos, temple of Seti I, hieroglyph of winged figure
  • Cat, mouse, and captive, ostracon
  • Baker tending to an oven, ostracon
  • Acrobat-dancer, ostracon
  • Papyrus with Satirical Drawings
  • Papyrus
  • Silver Jug with a Golden Handle in the Form of a Goat
  • Mask of Shoshenq II
  • Pectoral
  • Statue of Princess Takushit
  • The Brooklyn Oracle Papyrus
  • Women mourners, coffin painting, detail
  • Jebel Barkal, temple of Amon
  • Submission of Egyptian rulers, Stela of Piye, top
  • Jebel Barkal, temple of Amon, Piye relief of men leading horses
  • Jebel Barkal, temple of Amon, altar of Taharqa
  • Boat stand of King Atlanersa
  • Thebes, tomb of Pabasa (No. 279), Pabasa and attendant
  • Statue of Taharqa
  • Statue of Taharqa, detail of head
  • Taharqa, front view of head
  • Taharqa, side view of head
  • Bocchoris with gods and goddesses, design on a vase
  • Ostrich
  • Ewer
  • Mirror of King Shabaka, handle
  • Tray handle
  • Mourning men, relief from the tomb of Nespeqashuty
  • Philae, west colonnade, capitals
  • Woman with a Baby Stacking Fruit
  • Relief of Mentu-em-hat and Anubis
  • Mentuemhat
  • Bust of Montuemhat
  • Nakhtnebef, relief from Alexandria
  • Psamtek I
  • Musicians and dancers, Zanofer relief, detail
  • Head of a Priest (The Boston Green Head)
  • Statue of a Priest of Amun
  • Hermopolis, tomb of Petosiris, agricultural scene
  • Head of a Pharoah (possibly Augustus)
  • Philae, temple of Isis, Second Pylon
  • Naga, Lion Temple and Kiosk B
  • Naga, Lion Temple, pylon, Meroitic queen
  • Meroë, royal cemetery
Free
Description: The Art and Architecture of Ancient Egypt
Contents
PublisherYale University Press
Free
Description: The Art and Architecture of Ancient Egypt
~The author would like to express his grateful thanks to colleagues and heads of institutions for their generous response to his requests for information and photographs and permission to reproduce illustrations. Their courtesy has been acknowledged in the list of illustrations, as well as in the notes in a few special cases. The friendly co-operation of the...
PublisherYale University Press
Free
Description: The Art and Architecture of Ancient Egypt
~Since Smith’s Art and Architecture was revised in 1981, mainly along bibliographical lines in the notes, the activity and productivity on the art and architectural history of Ancient Egypt have been impressive. Many changes have taken place in outlook. Well into the twentieth century the Egyptologist was a generalist with several areas of...
PublisherYale University Press
Free
Description: The Art and Architecture of Ancient Egypt
Chronological Table and Map of Egypt
PublisherYale University Press
Description: The Art and Architecture of Ancient Egypt
Ancient Egypt was protected by formidable desert barriers and confined to a narrow river valley. It was less subject to outside influences than the other great early civilization in Mesopotamia, and its culture presents, as one of its salient characteristics, a long, virtually unbroken continuity. In an almost rainless country the regular rise of the Nile every year...
PublisherYale University Press
Related print edition pages: pp.1-6

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Description: The Art and Architecture of Ancient Egypt
Art appears in the Nile Valley as early as the seventh millennium B.C. The earliest productions...
PublisherYale University Press
Related print edition pages: pp.8-15

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Description: The Art and Architecture of Ancient Egypt
The kings of the First Dynasty not only achieved the military control of the whole country but developed a system of administration to govern it.The dates used throughout this volume follow the chronological table in my Ancient Egypt as Represented in the Museum of Fine Arts (Boston, 1960). In the introduction to that table, p. 193, and more fully in JNES, 11 (1952), 113–23, an explanation has been offered for the dating used for the early period to the end of the Old Kingdom. I have suggested that if any lowering of the date 3200 B.C. for the beginning of Dynasty I is felt necessary for the purposes of relative chronology, attention should be turned to the seemingly excessive length of the first two dynasties rather than to shortening the First Intermediate Period. Perhaps the compiler of the Turin papyrus may have included in his figure of 955 years from the reign of Menes to that of Aba in Dynasty VIII part of the time before Menes. The name of Menes is apparently associated with th
PublisherYale University Press
Related print edition pages: pp.16-24

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Description: The Art and Architecture of Ancient Egypt
The well-known statue of King Zoser in Cairo [36] was found still in place in the closed statue-chamber (serdab) beside his temple on the north side of the Step Pyramid at...
PublisherYale University Press
Related print edition pages: pp.26-36

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Description: The Art and Architecture of Ancient Egypt
The peculiar stepped structure at Medum now rises in three stages, although the lowest is hidden by the mounds of debris that have accumulated around its base [58, 59]....
PublisherYale University Press
Related print edition pages: pp.37-61

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Description: The Art and Architecture of Ancient Egypt
From our examination of the stylistic changes that were taking place towards the end of Dynasty V it was apparent that the monuments of the time of Tety, the first king...
PublisherYale University Press
Related print edition pages: pp.74-78

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Description: The Art and Architecture of Ancient Egypt
We do not know exactly what political event was the immediate cause of the collapse of the Old Kingdom. The diminished power of the royal family is painfully evident at the close of Dynasty VI. A brief period of confusion, evidently a sort of interregnum known as Dynasty VII,...
PublisherYale University Press
Related print edition pages: pp.80-84

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Description: The Art and Architecture of Ancient Egypt
The varied nature of the art of the Middle Kingdom typifies a new age of experiment and invention that grew out of the turbulence of the First Intermediate Period. It returned in strength to the forms of the Old Kingdom, but never recaptured the unity of the Memphite style. It anticipated the sophistication of the New Kingdom and began to look abroad, but without...
PublisherYale University Press
Related print edition pages: pp.85-90

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Description: The Art and Architecture of Ancient Egypt
If we turn to the minor arts it is clear that the jewellers of the Twelfth Dynasty had reached a level of technical skill never exceeded at any other period of Egyptian history. Typical of the period are the magnificent necklaces with their big beads of amethyst and carnelian and the marvellously neat precision with which semi-precious stones are inlaid into cloisons of gold. The finest pieces of jewellery come from the tombs of ladies of the royal family at Dahshur and Lahun and are exhibited in Cairo and in the Metropolitan Museum in New York.J. de Morgan, Fouilles à Dahchour, 1, 11 (Vienna, 1895, 1903); Guy Brunton, Lahun, 1, The Treasure (London, 1920); Emile Vernier, Catalogue general du Musée du Caire, Bijoux et orfivreries (Cairo, 1927), plates i, ii, vii, viii, xxxviii, lxvi-lxxxi; Cyril Aldred, Jewels of the Pharaohs (London, 1971); Alix Wilkinson, Ancient Egyptian Jewellery (London, 1971). Adela Oppenheim, ‘The Jewellery of Queen Weret.’ Egyptian Archaeology, 9, 1996, 26. Two
PublisherYale University Press
Related print edition pages: pp.113-119

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Description: The Art and Architecture of Ancient Egypt
The art of the first half of Dynasty XVIII could be viewed as a final development of the classic Egyptian style which had grown up in the Middle Kingdom. Essentially the drive and inspiration came from Thebes, but there is completed here the fusion with basic elements of the Memphite school of the Old Kingdom which had begun in Dynasty XII, when Amenemhat I moved...
PublisherYale University Press
Related print edition pages: pp.126-145

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Description: The Art and Architecture of Ancient Egypt
In statuary, architecture, and the minor arts the first reigns of Dynasty XVIII illustrate both a development from and a harking back to the forms of the Middle Kingdom. These features are seen in the obvious parallel between the terraced structure of Queen Hatshepsut at Deir el Bahari and its Dynasty XI antecedent just to its south, the cloaked statues of Hatshepsut’s officials and their Middle Kingdom prototypes, and even in the scenes from the tomb of Inene (No. 81). A freedom to experiment is evidenced after the reign of Tuthmosis III, and it is particularly observable in the work of the tomb painters, for they frequently led the way to change. The episode with the hyena in the tomb of Amenemheb (No. 85) [253] shows a carelessness of execution which is immediately apparent when compared to Intef’s paintings [249,...
PublisherYale University Press
Related print edition pages: pp.146-158

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Description: The Art and Architecture of Ancient Egypt
We have seen that it was impossible to gain a clear idea of the domestic architecture of the Old Kingdom from the few preserved ground-plans of buildings, which were generally concerned with the administration of the cemeteries, and from the highly schematized pictures on the walls of tombs. The material was more abundant for the Middle Kingdom, with the very...
PublisherYale University Press
Related print edition pages: pp.159-169

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Description: The Art and Architecture of Ancient Egypt
Cultural changes seldom lend themselves well to neat chronological arrangement, but the reign of Amenhotep IV (Akhenaten) presents an aggravating...
PublisherYale University Press
Related print edition pages: pp.170-180

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Description: The Art and Architecture of Ancient Egypt
We must now turn to an examination of the new city, called Akhetaten (The Horizon of Aten), which was at least sufficiently habitable for the court to move there some time between the 5th and 6th year of Akhenaten’s reign...
PublisherYale University Press
Related print edition pages: pp.181-194

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Description: The Art and Architecture of Ancient Egypt
Some of the most accomplished works of the Amarna period were produced in that time of transition after Akhenaten’s death when first the young Semenkhkara and then the boy Tut-ankh-amon, under the tutelage of Ay, attempted to come to terms with the opposition to...
PublisherYale University Press
Related print edition pages: pp.195-207

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Description: The Art and Architecture of Ancient Egypt
Politically, Dynasty XIX began with the accession of Horemheb about the middle of the fourteenth century B.C., when the strong reaction set in which obliterated the memory of the successors of Amenhotep III. On the other hand, we have seen that the work...
PublisherYale University Press
Related print edition pages: pp.208-224

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Description: The Art and Architecture of Ancient Egypt
The weakening of the royal authority in the latter part of Dynasty XX brought with it a slackening of the large-scale building activities which had been...
PublisherYale University Press
Related print edition pages: pp.226-231

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Description: The Art and Architecture of Ancient Egypt
Abbreviations
PublisherYale University Press
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Description: The Art and Architecture of Ancient Egypt
Bibliography
PublisherYale University Press
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Description: The Art and Architecture of Ancient Egypt
Index
PublisherYale University Press
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Description: The Art and Architecture of Ancient Egypt
Photographic Acknowledgements
PublisherYale University Press
The Art and Architecture of Ancient Egypt
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