Yale University Art Gallery
Description: artgallery@yale.edu
Learn more at the Yale University Art Gallery.
Yale University Art Gallery
artgallery@yale.edu
1111 Chapel St
New Haven
CT
06510
United States of America
Unsubscribed from the newsletter
Do not send me site notifications emails
1 – 12 of 13 results
12Previous | Next
Description: Love and Loss: American Portrait and Mourning Miniatures
Portrait miniatures, small enough to fit in the palm of the hand, are unique among works of art for their highly personal associations. At the height of their American popularity, from 1760 to about 1840, these cherished portraits were frequently commissioned as a way to hold on to absent loved ones. This beautifully illustrated book reproduces and discusses some one hundred portrait and mourning miniatures. Robin Jaffee Frank examines the miniatures in detail, offering new insights into their role in American art and social history. Through painstaking detective work, she uncovers the stories of the people who sat for them and the people who treasured them, restoring to these intimate tokens their power to move us.

Portrait miniatures were most often painted in watercolor on thin disks of ivory. They were sometimes worn as jewelry, sometimes framed to be viewed privately. Many were painted by specialists, although renowned easel artists—including Benjamin West, John Singleton Copley, and Charles Willson Peale—also created them to commemorate births, engagements, marriages, deaths, and other joinings or separations. The book traces the development of this exquisite art form, revealing the close ties between the history of the miniature and the history of American private life.
Print publication date September 2000 (out of print)
Print ISBN 9780300087246
EISBN 9780300250978
Illustrations 146
Print Status out of print
Description: The Art of Mu Xin: Landscape Paintings and Prison Notes
Mu Xin (b. 1927) is one of the leading expatriate artist-intellectuals of our time and is known for his complex writings and paintings. Clearly a formidable figure in the cultural and intellectual history of Chinese modernism, Mu Xin is admired for his unique synthesis of Chinese and Western aesthetic sensibilities. This catalogue focuses on a group of thirty-three landscape paintings that Mu Xin painted in 1978–79, in the immediate aftermath of the Great Cultural Revolution. Many of these works have never been exhibited or published in the West. In addition, the book features Mu Xin’s Prison Notes, some sixty-six calligraphic sheets that were written when the artist was in solitary confinement in China in 1972.
Author
Print publication date October 2001 (out of print)
Print ISBN 9780300090758
EISBN 9780300247930
Illustrations 140
Print Status out of print
Description: Tea Culture of Japan
Imported to Japan from China during the 9th century, the custom of serving tea did not become widespread until the 13th century. By the late 15th and 16th centuries, tea was ceremonially prepared by a skilled tea master and served to guests in a tranquil setting. This way of preparing tea became known as chanoyu, literally “hot water for tea.”

This book explores the aesthetics and history of the traditional Japanese tea ceremony, examining the nature of tea collections and the links between connoisseurship, politics, and international relations. It also surveys current practices and settings in light of the ongoing transformation of the tradition in contemporary tea houses. Among the precious objects discussed and pictured are ceramic tea bowls, wooden tea scoops, metal sake pourers, and lacquered incense containers, as well as folding screens that evoke the historical settings of serving tea.
Print publication date March 2009 (out of print)
Print ISBN 9780300146929
EISBN 9780300247923
Illustrations 167
Print Status out of print
Description: The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue...
Author
Print publication date June 1984 (out of print)
Print ISBN 9789998003279
EISBN 9780300241334
Illustrations 794
Print Status out of print
Description: Discovered Lands, Invented Pasts: Transforming Visions of the American West
A common theme of western American art—from the depictions of Indians by early explorers to the monumental landscapes of Albert Bierstadt to the vibrant images of Georgia O’Keeffe—is the transformation of the land through European-American exploration and resettlement. In this book, leading authorities look at western American art of the past three centuries, reevaluating it from the perspectives of history, art history, and American studies.

Jules David Prown begins the book by discussing the need for interdisciplinary approaches to broaden the study of western American art. Nancy K. Anderson then calls for a reconsideration of western art as art rather than documentation and for the adoption of new methods to probe its aesthetic, historical, political, and cultural complexities. William Cronon explores what an environmental historian might learn from American landscape art, concluding that each image must be read as a multilayered view intertwining past, present, and future within a larger context of progress and expansionism. Examining representations of American Indians, Brian W. Dippie finds that early works pictured them caught in a process of dramatic change while later artists showed them frozen outside of time: when the frontier ended, western art made nostalgia its defining characteristic. Martha A. Sandweiss argues that the ways in which views of the American west and its peoples reached nineteenth-century audiences—through large-edition prints, book illustrations, or theatrical exhibitions—significantly affected both the images and the meanings attached to them. Susan Prendergast Schoelwer challenges popular perceptions of the frontier as a womanless domain, discovering abundant pictures of Native American women in the art of the western fur trade. Howard R. Lamar concludes by discussing the changing perceptions of western artists and inhabitants of their region’s landscape in the twentieth century.
Print publication date May 1992 (out of print)
Print ISBN 9780300057225
EISBN 9780300234312
Illustrations 132 illus.
Print Status out of print
Description: John Trumbull: The Hand and Spirit of a Painter
John Trumbull's paintings of the key events of the Revolutionary War are among the most familiar and revered images in American art. In 1832 Trumbull gave to Yale College his most important history paintings and portraits. This gift established the Yale University Art Gallery, making it the first college art museum in the Western hemisphere. In celebration of this event, the Gallery has mounted the first major exhibition of Trumbull's work. The fully illustrated catalogue that accompanies the exhibition opens with a biography of Trumbull by Helen A. Cooper. Following it are interpretative essays by Jules David Prown on Trumbull as a history painter, Oswaldo Rodriguez Roque on the artist's conflicting attitudes toward portrait painting, Patricia Mullan Burnham on the religious subjects, Bryon Wolf on the landscapes, Martin Price on the literary themes, and Egon Verheyen on the Capitol Rotunda commissions. The essays are followed by extensive catalogue entries on 170 paintings and drawings.
Print publication date January 1982 (out of print)
Print ISBN 9780894670244
EISBN 9789998006256
Illustrations 250 illus.
Print Status out of print
Description: Pre-Columbian Art of Mexico and Central America
This handbook serves as the first comprehensive publication of the Yale University Art Gallery's distinguished collection of Precolumbian art, which features notable pieces from throughout Mesoamerica and from every period. The nearly 300 object entries are arranged by region and include historical, iconographical, and structural information. A mineralogical study of the collection includes an explanation of the methods used to make the attributions, as well as a description of the minerals themselves. Clearly organized and thoroughly researched, this publication is an essential reference for scholars, students, and collectors of Precolumbian art.
Print publication date January 1986 (out of print)
Print ISBN 9780894670398
EISBN 9780300232660
Illustrations 270 Images
Print Status out of print
Description: The Société Anonyme: Modernism for America
This book highlights the unique history of The Société Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877–1952), Marcel Duchamp (1887–1968), and Man Ray (1890–1976). As America’s first “experimental museum” for modern art, the Société Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions.

The incredible collection of the Société Anonyme now belongs to the Yale University Art Gallery, a gift from the Société and Dreier. It features the work of more than one hundred artists, many of whom are among the century’s most renowned—including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella—as well as works by lesser-known artists whose contributions to modernism are substantial.

With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America.
Print publication date June 2006 (in print)
Print ISBN 9780300109214
EISBN 9780300232516
Illustrations 62 b/w + 302 color illus.
Print Status in print
Description: Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University...
The American experience—from its colonial beginnings to the modern age—has captured the imagination of all Americans, including its artists. This book explores works from the renowned collections of American paintings, decorative arts, prints, and photographs at the Yale University Art Gallery and creates a vivid portrait of a young country defining itself culturally, politically, and geographically.

Distinguished scholars shed new light on American history by examining some of the most familiar and revered objects in American art—paintings by Trumbull, Peale, Copley, Eakins, Church, and Homer; silver by Revere and Tiffany; furniture by Roux and Connelly; and photographs by Muybridge, among others. The authors discuss how issues of cultural heritage, patriotism, politics, and exploration shaped America’s art as well as its attitudes and traditions.
Print publication date August 2008 (out of print)
Print ISBN 9780300122893
EISBN 9780300232486
Illustrations 65 b/w + 315 color illus.
Print Status out of print
Description: Thomas Eakins: The Rowing Pictures
During the 1870s rowing became a tremendously popular sport in the United States. An enthusiastic rower, the young Thomas Eakins painted, sketched, and drew an extraordinary series of rowing pictures that were the most ambitious project of his early career. Eakins' 24 rowing works, which include some of the most celebrated and recognized images in the history of American art, are brought together and examined as a group for the first time in this book. Together they shed light on the artist's creative process and subsequent achievements as well as on social, cultural, and artistic concerns central to nineteenth-century audiences.

Helen A. Cooper, along with essayists Martin A. Berger, Christina Currie, and Amy B. Werbel, discusses various aspects of Eakins' rowing series, explaining his affection for the sport, his adoption of the images of popular culture into the realm of fine art, his commitment to novel, "modern" subjects, his preoccupation with perspective and measurement, and his belief that the most profound artistic truths were best expressed through the human figure—particularly the male figure. A comparison of the rowing pictures reveals that over the four years in which they were created, Eakins moved subtly from the analytic and descriptive toward the more feeling and suggestive. As a group devoted to a single subject, the series is unmatched in the oeuvre of this masterful painter.
Print publication date July 1998 (out of print)
Print ISBN 9780300069396
EISBN 9780300232509
Illustrations 72 illus.
Print Status out of print
Description: Livable Modernism: Interior Decorating and Design during the Great Depression
During the years of the Great Depression in America, modernist designers developed products and lifestyle concepts intended for middle-class—not elite—consumers. In this remarkable book, Kristina Wilson coins the term “livable modernism” to describe this school of design.

Livable modernism combined International Style functional efficiency and sophistication with a respect for consumers’ desires for physical and psychological comfort. Wilson offers a new view of many popular designs for living rooms, dining rooms, and bedrooms of the 1930s and investigates the remarkable marketing savvy of the furniture and decorative arts companies of the day. As the first study of the advertising and retailing of modern design during the Depression years, Livable Modernism also features an extensive array of vintage advertisements from such popular magazines as House Beautiful and Ladies’ Home Journal.

Engagingly written, Livable Modernism is an essential book for anyone interested in modern furniture and decorative arts. The author demonstrates that the work of these designers—including Russel Wright, Donald Deskey, and Gilbert Rohde—paved the way for Charles and Ray Eames and other post-World War II designers, and that the importance of their philosophies, innovations, and influence has until now been underappreciated.
Print publication date September 2004 (in print)
Print ISBN 9780300104752
EISBN 9780300232530
Illustrations 112 Illus.
Print Status in print
Description: Small-Great Objects: Anni and Josef Albers in the Americas
Small-Great Objects presents a remarkable look into the art-collecting practices of two of modern art's most widely influential figures, Anni (1899–1994) and Josef (1888–1976) Albers. Their impressive collection of over 1,400 objects from Latin America, namely Mexico and Peru, represents a conscious endeavor that goes well beyond that of a casual hobby, displaying a deep appreciation for the art, textiles, and overall ingenuity of the ancient American world. This insightful book draws on primary-source materials such as the couple's letters, personal papers, and archival photographs—many never before published—and demonstrates their conviction that these Prehispanic objects displayed a formal sophistication and bold abstraction that defy the prevalent conception of the works as "primitive." Moreover, it shows how the Alberses spread their appreciation of the ancient world to others, through their teachings, their writings, and their own art practices.
Print publication date March 2017 (in print)
Print ISBN 9780300225693
EISBN 9780300232523
Illustrations 56 color + 18 b/w illus.
Print Status in print
12Previous | Next