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Description: The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue...
Author
Print publication date June 1984 (out of print)
Print ISBN 9789998003279
EISBN 9780300241334
Illustrations 794
Print Status out of print
Discovered Lands, Invented Pasts: Transforming Visions of the American West
A common theme of western American art—from the depictions of Indians by early explorers to the monumental landscapes of Albert Bierstadt to the vibrant images of Georgia O’Keeffe—is the transformation of the land through European-American exploration and resettlement. In this book, leading authorities look at western American art of the past three centuries, reevaluating it from the perspectives of history, art history, and American studies.

Jules David Prown begins the book by discussing the need for interdisciplinary approaches to broaden the study of western American art. Nancy K. Anderson then calls for a reconsideration of western art as art rather than documentation and for the adoption of new methods to probe its aesthetic, historical, political, and cultural complexities. William Cronon explores what an environmental historian might learn from American landscape art, concluding that each image must be read as a multilayered view intertwining past, present, and future within a larger context of progress and expansionism. Examining representations of American Indians, Brian W. Dippie finds that early works pictured them caught in a process of dramatic change while later artists showed them frozen outside of time: when the frontier ended, western art made nostalgia its defining characteristic. Martha A. Sandweiss argues that the ways in which views of the American west and its peoples reached nineteenth-century audiences—through large-edition prints, book illustrations, or theatrical exhibitions—significantly affected both the images and the meanings attached to them. Susan Prendergast Schoelwer challenges popular perceptions of the frontier as a womanless domain, discovering abundant pictures of Native American women in the art of the western fur trade. Howard R. Lamar concludes by discussing the changing perceptions of western artists and inhabitants of their region’s landscape in the twentieth century.
Print publication date May 1992 (out of print)
Print ISBN 9780300057225
EISBN 9780300234312
Illustrations 132 illus.
Print Status out of print
John Trumbull: The Hand and Spirit of a Painter
John Trumbull's paintings of the key events of the Revolutionary War are among the most familiar and revered images in American art. In 1832 Trumbull gave to Yale College his most important history paintings and portraits. This gift established the Yale University Art Gallery, making it the first college art museum in the Western hemisphere. In celebration of this event, the Gallery has mounted the first major exhibition of Trumbull's work. The fully illustrated catalogue that accompanies the exhibition opens with a biography of Trumbull by Helen A. Cooper. Following it are interpretative essays by Jules David Prown on Trumbull as a history painter, Oswaldo Rodriguez Roque on the artist's conflicting attitudes toward portrait painting, Patricia Mullan Burnham on the religious subjects, Bryon Wolf on the landscapes, Martin Price on the literary themes, and Egon Verheyen on the Capitol Rotunda commissions. The essays are followed by extensive catalogue entries on 170 paintings and drawings.
Print publication date January 1982 (out of print)
Print ISBN 9780894670244
EISBN 9789998006256
Illustrations 250 illus.
Print Status out of print
Pre-Columbian Art of Mexico and Central America
This handbook serves as the first comprehensive publication of the Yale University Art Gallery's distinguished collection of Precolumbian art, which features notable pieces from throughout Mesoamerica and from every period. The nearly 300 object entries are arranged by region and include historical, iconographical, and structural information. A mineralogical study of the collection includes an explanation of the methods used to make the attributions, as well as a description of the minerals themselves. Clearly organized and thoroughly researched, this publication is an essential reference for scholars, students, and collectors of Precolumbian art.
Print publication date January 1986 (out of print)
Print ISBN 9780894670398
EISBN 9780300232660
Illustrations 270 Images
Print Status out of print
The Société Anonyme: Modernism for America
This book highlights the unique history of The Société Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877–1952), Marcel Duchamp (1887–1968), and Man Ray (1890–1976). As America’s first “experimental museum” for modern art, the Société Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions.

The incredible collection of the Société Anonyme now belongs to the Yale University Art Gallery, a gift from the Société and Dreier. It features the work of more than one hundred artists, many of whom are among the century’s most renowned—including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella—as well as works by lesser-known artists whose contributions to modernism are substantial.

With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America.
Print publication date June 2006 (in print)
Print ISBN 9780300109214
EISBN 9780300232516
Illustrations 62 b/w + 302 color illus.
Print Status in print
Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery
The American experience—from its colonial beginnings to the modern age—has captured the imagination of all Americans, including its artists. This book explores works from the renowned collections of American paintings, decorative arts, prints, and photographs at the Yale University Art Gallery and creates a vivid portrait of a young country defining itself culturally, politically, and geographically.

Distinguished scholars shed new light on American history by examining some of the most familiar and revered objects in American art—paintings by Trumbull, Peale, Copley, Eakins, Church, and Homer; silver by Revere and Tiffany; furniture by Roux and Connelly; and photographs by Muybridge, among others. The authors discuss how issues of cultural heritage, patriotism, politics, and exploration shaped America’s art as well as its attitudes and traditions.
Print publication date August 2008 (out of print)
Print ISBN 9780300122893
EISBN 9780300232486
Illustrations 65 b/w + 315 color illus.
Print Status out of print
Thomas Eakins: The Rowing Pictures
During the 1870s rowing became a tremendously popular sport in the United States. An enthusiastic rower, the young Thomas Eakins painted, sketched, and drew an extraordinary series of rowing pictures that were the most ambitious project of his early career. Eakins' 24 rowing works, which include some of the most celebrated and recognized images in the history of American art, are brought together and examined as a group for the first time in this book. Together they shed light on the artist's creative process and subsequent achievements as well as on social, cultural, and artistic concerns central to nineteenth-century audiences.

Helen A. Cooper, along with essayists Martin A. Berger, Christina Currie, and Amy B. Werbel, discusses various aspects of Eakins' rowing series, explaining his affection for the sport, his adoption of the images of popular culture into the realm of fine art, his commitment to novel, "modern" subjects, his preoccupation with perspective and measurement, and his belief that the most profound artistic truths were best expressed through the human figure—particularly the male figure. A comparison of the rowing pictures reveals that over the four years in which they were created, Eakins moved subtly from the analytic and descriptive toward the more feeling and suggestive. As a group devoted to a single subject, the series is unmatched in the oeuvre of this masterful painter.
Print publication date July 1998 (out of print)
Print ISBN 9780300069396
EISBN 9780300232509
Illustrations 72 illus.
Print Status out of print
Livable Modernism: Interior Decorating and Design during the Great Depression
During the years of the Great Depression in America, modernist designers developed products and lifestyle concepts intended for middle-class—not elite—consumers. In this remarkable book, Kristina Wilson coins the term “livable modernism” to describe this school of design.

Livable modernism combined International Style functional efficiency and sophistication with a respect for consumers’ desires for physical and psychological comfort. Wilson offers a new view of many popular designs for living rooms, dining rooms, and bedrooms of the 1930s and investigates the remarkable marketing savvy of the furniture and decorative arts companies of the day. As the first study of the advertising and retailing of modern design during the Depression years, Livable Modernism also features an extensive array of vintage advertisements from such popular magazines as House Beautiful and Ladies’ Home Journal.

Engagingly written, Livable Modernism is an essential book for anyone interested in modern furniture and decorative arts. The author demonstrates that the work of these designers—including Russel Wright, Donald Deskey, and Gilbert Rohde—paved the way for Charles and Ray Eames and other post-World War II designers, and that the importance of their philosophies, innovations, and influence has until now been underappreciated.
Print publication date September 2004 (in print)
Print ISBN 9780300104752
EISBN 9780300232530
Illustrations 112 Illus.
Print Status in print
Small-Great Objects: Anni and Josef Albers in the Americas
Small-Great Objects presents a remarkable look into the art-collecting practices of two of modern art's most widely influential figures, Anni (1899–1994) and Josef (1888–1976) Albers. Their impressive collection of over 1,400 objects from Latin America, namely Mexico and Peru, represents a conscious endeavor that goes well beyond that of a casual hobby, displaying a deep appreciation for the art, textiles, and overall ingenuity of the ancient American world. This insightful book draws on primary-source materials such as the couple's letters, personal papers, and archival photographs—many never before published—and demonstrates their conviction that these Prehispanic objects displayed a formal sophistication and bold abstraction that defy the prevalent conception of the works as "primitive." Moreover, it shows how the Alberses spread their appreciation of the ancient world to others, through their teachings, their writings, and their own art practices.
Print publication date March 2017 (in print)
Print ISBN 9780300225693
EISBN 9780300232523
Illustrations 56 color + 18 b/w illus.
Print Status in print
A Modern World: American Design from the Yale University Art Gallery, 1920–1950
Americans living in the first decades of the twentieth century felt they inhabited a modern age. A spirit of excitement and experimentation transformed the world around them, in particular the consumer goods that filled their homes and offices. A Modern World draws upon the renowned collection of American decorative arts at the Yale University Art Gallery to explore the appearance and dissemination of modern design in the United States. This catalogue organizes roughly 300 examples of silver, glass, industrial design, furniture, medals, jewelry, and printed textiles into thematic groups that chart the aesthetic and social trends that defined American design from the Jazz Age to the Space Age. The authors consider modernism broadly—from handmade luxury goods to mass-produced housewares—establishing a context for the objects within larger international developments in architecture, avant-garde art, and scientific innovation. New research and compelling juxtapositions offer an expanded understanding of the era, and designer biographies and corporate chronologies help make this catalogue a valuable resource.
Print publication date December 2011 (in print)
Print ISBN 9780300153019
EISBN 9780300232493
Illustrations 348 illus.
Print Status in print