Account infoAddressPrivacy and Preferences
Harvard Art Museums
Harvard Art Museums
Learn more about Harvard Art Museums.
Harvard Art Museums
Harvard Art Museums
United States of America
Subscribed to the newsletter
Send me site notifications emails
1 – 6 of 6 results
You Look Beautiful Like That: The Portrait Photographs of Seydou Keïta and Malick Sidibé
Seydou Keïta and Malick Sidibé, two important and widely known commercial photographers from Mali, took mesmerizing photographs of members of their communities during the decades before and after the country’s independence from France in 1960. This book presents a range of these portraits, as well as excerpts of recent interviews with the artists and an essay placing the photographers within the context of the history of portrait photography in West Africa since its beginnings in the 1840s.

In contrast to the early photographs of Africans produced by Western colonial powers, Keïta and Sidibé’s photographs represent the work of Africans controlling the camera to create images of African subjects for an African audience. Keïta combined formulas of Western portrait photography with local aesthetics to create images that reflect both his clients’ social identity and status within the community and an enthusiastic embrace of modernity. Later, as portrait conventions and societal roles became more flexible, Sidibé’s subjects took a more active part in constructing the images of themselves that they wanted to convey.

Africans have valued photography for its unique ability to capture a person’s likeness, which, says Sidibé, was regarded as more eternal than the subjects themselves. This book is a striking collection of such likenesses.
Print publication date August 2001 (in print)
Print ISBN 9780300091885
EISBN 9780300243918
Illustrations 87
Print Status in print
From Mind, Heart, and Hand: Persian, Turkish, and Indian Drawings from the Stuart Cary Welch Collection
Stuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This important book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.

As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection.
Print publication date September 2004 (in print)
Print ISBN 9780300104738
EISBN 9780300243895
Illustrations 133
Print Status in print
Degas at Harvard
This handsome book presents more than seventy paintings, drawings, prints, photographs, and sculptures by Edgar Degas (1834–1917) in Harvard University’s collections—one of the most important holdings of the artist’s work in the United States. In 1911, the Fogg Art Museum was the first museum to mount a one-man exhibition on Degas and was the only museum to do so during the artist’s lifetime. This book examines the history of Degas’s reception in the U.S., and in particular the pivotal role that Harvard played.

Marjorie Benedict Cohn offers a historical account of the formation of the prized collection of Degas’s works at the Fogg. Jean Sutherland Boggs provides an engaging personal recollection of her initial encounter in 1944 with Degas and his champion at the Fogg, associate director Paul J. Sachs, who inspired not only Boggs’s later work on Degas but also that of many other art historians, museum directors, and curators.
Print publication date August 2005 (in print)
Print ISBN 9780300111446
EISBN 9780300243901
Illustrations 88
Print Status in print
Drawing: The Invention of a Modern Medium
This catalogue accompanies the exhibition Drawing: The Invention of a Modern Medium, on view at the Harvard Art Museums, Cambridge, Massachusetts, from January 21 through May 7, 2017.
Author
Print publication date January 2017 (out of print)
Print ISBN 9781891771712
EISBN 9780300238372
Illustrations 137 Illus.
Print Status out of print
Prints and the Pursuit of Knowledge in Early Modern Europe
Susan Dackerman (Editor), Claudia Swan (Contributor), Suzanne K. Schmidt (Contributor)
An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time. Hans Holbein, for instance, worked with cosmographers and instrument makers on some of the earliest sundial manuals published; Albrecht Dürer produced the first printed maps of the constellations, which astronomers copied for over a century; and Hendrick Goltzius's depiction of the muscle-bound Hercules served as a study aid for students of anatomy.

Prints and the Pursuit of Knowledge in Early Modern Europe features fascinating reproductions of woodcuts, engravings, and etchings; maps, globe gores, and globes; multilayered anatomical "flap" prints; and paper scientific instruments used for observation and measurement.
Author
Susan Dackerman (Editor), Claudia Swan (Contributor), Suzanne K. Schmidt (Contributor)
Print publication date September 2011 (out of print)
Print ISBN 9780300171075
EISBN 9780300238365
Illustrations 271 Illus.
Print Status out of print
Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes
This publication brings together prominent art historians, conservators, and scientists to discuss fresh approaches to the study of ancient Mediterranean and Near Eastern works of bronze. Featuring significant bronzes from the Harvard Art Museums’ holdings as well as other museum collections, the volume’s eight essays present technical and formal analyses in a format that will be useful for both general readers and students of ancient art. The text provides an overview of ancient manufacturing processes as well as modern methods of scientific examination, and it focuses on objects as diverse as large-scale statuary and more utilitarian armor, vessels, and lamps. Filling a current gap in the art historical literature, this book offers a much-needed, accessible introduction to ancient bronzes.
Author
Print publication date November 2014 (in print)
Print ISBN 9780300207798
EISBN 9780300236842
Illustrations 113 Illus.
Print Status in print