Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Description: Vistas de España: American Views of Art and Life in Spain, 1860–1914
Bibliography
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00172.015
View chapters with similar subject tags
Bibliography
Abrams, Ann Uhry. “Visions of Columbus: The ‘Discovery’ Legend in Antebellum American Paintings and Prints.” American Art Journal 25 (1993): 75–101.
Ackerman, Gerald M. “Gérôme and Manet.” Gazette des Beaux-Arts, ser. 6, 70 (September 1967): 163–76.
———. “Thomas Eakins and His Parisian Masters Gérôme and Bonnat.” Gazette des Beaux-Arts, ser. 6, 73 (April 1969): 235–56.
———. The Life and Work of Jean-Léon Gérôme. New York: Sotheby’s Publications, 1986.
———. American Orientalists. Paris: ACR, Edition Internationale, 1994.
Adelson, Warren, and Elizabeth Oustinoff. “Sargent’s Spanish Dancer: A Discovery.” Antiques 141 (March 1992): 460–71.
Adelson, Warren, et al. Sargent Abroad: Figures and Landscapes. New York: Abbeville, 1997.
Ahlstrom, Sydney E. A Religious History of the American People. New Haven: Yale University Press, 1972.
Alaminos López, Eduardo, et al. Guía del Museo Municipal de Madrid: La historia de Madrid en sus colecciones. Madrid: Ayuntamiento de Madrid, Consejalía de Cultura y Medio Ambiente, 1993.
Allison, Robert J. The Crescent Obscured: The United States and the Muslim World, 1776–1815. New York: Oxford University Press, 1995.
Álvarez Lopera, José. De Ceán a Cossío: La fortuna crítica del Greco en el siglo XIX. Madrid: Fundación Universitaria Española, 1987.
Amicis, Edmondo de. Spain and the Spaniards. 1881; rpt. New York: G. P. Putnam’s Sons, Knickerbocker Press, 1885.
Anderson, A. A. Experiences and Impressions: The Autobiography of Colonel A. A. Anderson. New York: Macmillan, 1933.
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. 2nd ed., rev. London: Verso, 1991.
Arnason, H. H., et al., Robert Motherwell. 2nd ed., new and rev. New York: Abrams, 1982.
Arte para un siglo: Colecciones del Museo Nacional Centro de Arte Reina Sofía. Vol. 1, Cambio de siglo [1881–1925]. Madrid: Confederación Española de Caja de Ahorro, 2002.
Atkinson, D. Scott, and Nicolai Cikovsky, Jr. William Merritt Chase: Summers at Shinnecock, 1891–1902. Exh. cat. Washington, D.C.: National Gallery of Art, 1987.
Barter, Judith A., ed. Mary Cassatt: Modern Woman. Exh. cat. Chicago: Art Institute of Chicago, 1998.
Bartolomé Esteban Murillo, 1617–1682. Exh. cat. London: Royal Academy of Arts in association with Weidenfeld and Nicolson, 1982.
Baticle, Jeanine, and Christina Marinas. La Galerie espagnole de Louis-Philippe au Louvre, 1838–1848. Paris: Musées de France, 1981.
Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.
Bennett, Susan. Theatre Audiences: A Theory of Production and Reception. London: Routledge, 1990.
Bernstein, Iver. The New York City Draft Riots: Their Significance for American Society and Politics in the Age of the Civil War. New York: Oxford University Press, 1990.
Billington, Ray Allen. The Protestant Crusade, 1800–1860: A Study of the Origins of American Nativism. 1938. Rpt. Chicago: Quadrangle, 1964.
Boone, M. Elizabeth. “Bullfights and Balconies: Flirtation and Majismo in the Spanish Paintings of Mary Cassatt, 1872–73.” American Art 9, no. 1 (Summer 1995): 54–71.
———. “‘Brilliant Sunlight and Wonderful Color’: Mathias Alten and Spain.” In William H. Gerdts et al., Mathias Alten: Journey of an American Painter, 73–89. Exh. cat. Grand Rapids, Mich.: Grand Rapids Art Museum in association with Marquand, 1998.
———. España: American Artists and the Spanish Experience. Exh. cat. New York: Hollis Taggart Galleries, 1998.
———. “Robert Frederick Blum: Un pintor norteamericano en el Toledo de Ricardo Arredondo.” In José Pedro Muñoz Herrera, ed., Arredondo, pintor de Toledo, 104–15. Exh. cat. Toledo, Spain: Museo de Santa Cruz, 2002.
———. “‘Why Drag in Velasquez?’ Realism, Aestheticism, and the Nineteenth-Century American Response to Las Meninas.” In Suzanne Stratton-Pruitt, ed., Velázquez’s Las Meninas, 80–123. Cambridge: Cambridge University Press, 2003.
———. “Castilian Days: John Hay, Joseph Pennell, and the Obfuscation of Politics by Art.” Visual Resources 21, no. 4 (December 2005): 329–45.
Boone, M. Elizabeth, and Jesus Pedro Lorente. “Baturros imaginarios: La vision de Aragón el la pintura decimonónica extranjera.” Pasarela–Artes Plásticas (Zaragoza) 10 (December 1999): 47–55.
Boone, M. Elizabeth, and José Pedro Muñoz Herrera. “John Singer Sargent y el gusto por el arte de Toledo en Estados Unidos.” Añil: Cuadernos de Castilla–La Mancha 24 (spring 2002): 58–61.
Botero, Rodrigo. Ambivalent Embrace: America’s Troubled Relations with Spain from the Revolutionary War to the Cold War. Westport, Conn.: Greenwood, 2001.
Braddock, Alan C. “Eakins, Race, and Ethnographic Ambivalence.” Winterthur Portfolio 33 (Summer–Autumn 1998): 135–61.
Bradford, Ernie. Gibraltar: The History of a Fortress. London: Rupert Hart-Davis, 1971.
Braham, Allan. El Greco to Goya: The Taste for Spanish Paintings in Britain and Ireland. Exh. cat. London: National Gallery of Art, 1981.
Broadhurst, Susan. Liminal Acts: A Critical Overview of Contemporary Performance and Theory. London: Cassell, 1999.
Brooke, Xanthe. Murillo in Focus. Exh. cat. Liverpool: National Museums and Galleries on Merseyside, 1990.
Broude, Norma B., ed. World Impressionism: The International Movement, 1860–1920. New York: Abrams, 1990.
Brown, Jonathan, ed. Picasso and the Spanish Tradition. New Haven: Yale University Press, 1996.
Brown, Jonathan, and Richard Mann. Spanish Paintings of the Fifteenth through the Nineteenth Centuries. Washington, D.C.: National Gallery of Art, 1990.
Brown, Marilyn R. Gypsies and Other Bohemians: The Myth of the Artist in Nineteenth-Century France. Ann Arbor, Mich.: UMI Research Press, 1985.
Bryant, William Cullen. Letters of a Traveller. 2nd ser. New York: D. Appleton, 1859.
Buel, C. C. “Log of an Ocean Studio.” Century Magazine 27 (January 1884): 356–71.
Burke, Doreen Bolger. J. Alden Weir: An American Impressionist. Newark: University of Delaware Press, 1983.
Burns, Sarah. “The Price of Beauty: Art, Commerce, and the Late Nineteenth-Century American Studio Interior.” In David C. Miller, ed., American Iconology, 209–38. New Haven: Yale University Press, 1993.
Butler, Kathleen. “Tradition and Discovery: The Watercolors of John Sargent.” Ph.D. diss., University of California, Berkeley, 1994.
Cachin, Françoise, et al. Manet, 1832–1883. Exh. cat. New York: Metropolitan Museum of Art, 1983.
Calvo Serraller, Francisco. La imagen romántica de España: Arte y arquitectura del siglo XIX. Madrid: Alianza, 1995.
———. “Robert Motherwell: Opus Nigrum.” In Motherwell, 59–68. Exh. cat. Barcelona: Fundació Antoni Tàpies, 1996.
Calvo Serraller, Francisco, and Javier Portús. Iconografía de Sevilla, 1990–1868. Madrid: Ediciones El Viso, 1991.
Carrero de Dios, Manuel, et al. Toledo en la fotografía de Alguacil, 1832–1914. Toledo: Ayuntamiento de Toledo, 1983.
Carter, Charles. John Phillip, R.A. (1819–1869). Exh. cat. Aberdeen: Aberdeen Art Gallery, 1967.
Carter, Susan. “Street Life in Madrid.” Century Magazine 39 (November 1889): 32–41.
Castaño, Antonia, ed. Jardines de España [1870–1936]. Madrid: Fundación Cultural MAPFRE Vida, 1999.
Cerca del Tajo: Actuación integral sobre el Tajo a su paso por Toledo. Toledo: Ayuntamiento de Toledo, 1995.
Champney, Elizabeth. Three Vassar Girls Abroad: Rambles of Three College Girls on a Vacation Trip Through France and Spain for Amusement and Instruction. Boston: Estes and Lauriat, 1882.
[———]. “In the Footsteps of Fortuny and Regnault.” Century Magazine 23 (November 1882): 15–34.
Charnon-Deutsch, Lou. The Spanish Gypsy: The History of a European Obsession. University Park: Pennsylvania State University Press, 2004.
Charteris, Evan. John Sargent. New York: Scribner’s, 1927.
Cikovsky, Nicolai, Jr. “William Merritt Chase’s Tenth Street Studio.” Archives of American Art Journal 16 (1976): 2–14.
Clarke, T. J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. New York: Knopf, 1985.
Clayson, Hollis. Paris in Despair: Art and Everyday Life Under Siege (1870–1871). Chicago: University of Chicago Press, 2002.
Cohen-Solal, Annie. Painting American: The Rise of American Artists, Paris 1867–New York 1948. New York: Knopf, 2001.
[Cook, Clarence]. “Why Drag in Velasquez?” Studio, n.s. 6 (May 16, 1891): 233–34.
Cortada, James W. Two Nations Over Time: Spain and the United States, 1776–1977. Westport, Conn.: Greenwood, 1978.
———, ed. Spain in the Nineteenth-Century World: Essays on Spanish Diplomacy, 1989–1898. Westport, Conn.: Greenwood, 1994.
Craven, Wayne. “Samuel Colman (1832–1920): Rediscovered Painter of Far-Away Places.” American Art Journal 8 (May 1976): 16–37.
Curran, Grace Wickham. “A Glimpse of Sargent in Spain.” American Magazine of Art 17 (August 1926): 419–21.
Curtis, Charles Boyd. Velazquez and Murillo: A Descriptive and Historical Catalogue of the Works. London: S. Low, Marston, Searle, and Rivington and J. W. Bouton, 1883.
[Cushing, Caroline Elizabeth (Wilde)]. Letters, Descriptive of Public Monuments, Scenery, and Manners in France and Spain in Two Volumes. Newburyport, Mass.: E. W. Allen, 1832.
Danly, Susan, and Cheryl Leibold. Eakins and the Photograph: Works by Thomas Eakins and His Circle in the Collection of the Pennsylvania Academy of the Fine Arts. Exh. cat. Washington, D.C.: Published for the Pennsylvania Academy of the Fine Arts by the Smithsonian Institution Press, 1994.
Darnell, Donald G. William Hickling Prescott. Boston: Twayne, 1975.
Davillier, Baron Charles. Fortuny: Sa Vie, son oeuvre, sa correspondance. Paris: Chez Auguste Aubry, 1875.
———. Spain. 1874. Trans. J. Thomson. New York: Scribner, Welford, and Armstrong, 1876.
———. “Catholic Envy: The Visual Culture of Protestant Desire.” In David Morgan and Sally M. Promey, eds., The Visual Culture of American Religions, 105–28. Berkeley: University of California Press, 2001.
Dodds, Jerrilynn, ed. Al-Andalus: The Art of Islamic Spain. Exh. cat. New York: Metropolitan Museum of Art, 1992.
[Downes, William Howe, and Frank Torrey Robinson.] “Some Living American Painters: A Critical Conversation by Howe and Torrey: Frederic P. Vinton, N.A.” Art Interchange 32 (May 1894): 137–38.
[———.] “Some Living American Painters: A Critical Conversation by Howe and Torrey: William T. Dannat.” Art Interchange 37 (July 1896): 9–10.
Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. London: Routledge, 1995.
Dunlop, M. H. Gilded City: Scandal and Sensation in Turn-of-the-Century New York. New York: HarperCollins, 2000.
Edwards, Holly, ed. Noble Dreams, Wicked Pleasures: Orientalism in America, 1870–1930. Exh. cat. Princeton: Princeton University Press in association with the Sterling and Francine Clark Art Institute, 2000.
Fairbanks, Mrs. Charles Mason. “Robert Blum: An Appreciation. Metropolitan Magazine 20 (July 1904): 506–19.
Fairbrother, Trevor. “Notes on John Singer Sargent in New York, 1888–1890.” Archives of American Art Journal 22 (1982): 27–32.
———. John Singer Sargent. New York: Abrams, 1994.
Field, Kate. Ten Days in Spain. Boston: James R. Osgood and Company, 1875.
Fink, Lois. American Art at the Nineteenth-Century Paris Salons. Washington, D.C.: National Museum of American Art, Smithsonian Institution, 1990.
Flam, Jack. Motherwell. New York: Rizzoli, 1991.
Fontanella, Lee. La historia de la fotografía en España desde sus orígenes hasta 1900. Madrid: Ediciones El Viso, 1981.
———. Photography in Spain in the Nineteenth Century. Exh. cat. San Francisco: Fraenkel Gallery, 1984.
Fontanella, Lee, and María de los Santos García Felguera. Fotógrafos en la Sevilla del siglo XIX. Seville: Fundación Focus, 1994.
Ford, Richard. A Hand-Book for Travellers in Spain, and Readers at Home. 1845. Rpt. 3 vols. London: Centaur, 1966.
———. Handbook for Travellers in Spain. 1845. 7th rev. ed. London: John Murray, 1888.
Fortuny, 1838–1874. Exh. cat. Barcelona: Centre Cultural de la Fundado Caixa de Pensions, 1989.
Foster, Kathleen. “Makers of the American Watercolor Movement, 1860–1890.” Ph.D. diss., Yale University, 1982.
Foster, Kathleen A., and Cheryl Leibold. Writing About Eakins: The Manuscripts in Charles Breglers Thomas Eakins Collection. Philadelphia: University of Pennsylvania Press, 1989.
Franchot, Jenny. Roads to Rome: The Antebellum Protestant Encounter with Catholicism. Berkeley: University of California Press, 1994.
Frelinghuysen, Alice Cooney, et al. Splendid Legacy: The Havemeyer Collection. Exh. cat. New York: Metropolitan Museum of Art, 1993.
Fried, Michael. Realism, Writing, and Disfiguration in Thomas Eakins and Stephen Crane. Chicago: University of Chicago Press, 1987.
Gallati, Barbara. William Merritt Chase. New York: Abrams, 1995.
Gallego, Julian. “Sevilla y el Monumento a Murillo.” Goya 169–71 (July–December 1982): 44–51.
García Cárcel, Ricardo. La leyenda negra: Historia y opinión. Madrid: Alianza Editorial, 1992.
García Felguera, María de los Santos. La fortuna de Murillo (1682–1900). Seville: Diputación Provincial de Sevilla, 1989.
———. “Imágenes de un pintor: La iconografía de Murillo en el siglo XIX.” Cuadernos de Arte e Iconografía (Fundación Universitaria Española, Seminario de Arte “Marqués de Lozoya”) 2, no. 4 (1989): 324–30.
Gautier, Theophile. Voyage en Espagne. 1845; Paris: Garnier-Flammarion, [1981].
Gay, Walter. Memoirs of Walter Gay. New York: Privately printed, 1930.
La generación del 14: Entre el novecentismo y la vanguardia (1906–1926). Exh. cat. Madrid: Fundación Cultural MAPFRE Vida, 2002.
Gerdts, William H. “Thomas Eakins and the Episcopal Portrait: Archbishop William Henry Elder.” Arts Magazine 53 (May 1979): 154–57.
———. American Impressionism. New York: Abbeville, 1984.
Gil Salinas, Rafael. “Sorolla, Sargent y la pintura americana.” Goya 235–36 (July–October 1993): 81–87.
Glendinning, Nigel. “Variations on a Theme by Goya: Majas on a Balcony.” Apollo, n.s. 103 (January 1976): 40–47.
———. Goya and His Critics. New Haven: Yale University Press, 1977.
Goley, Mary Ann. The Influence of Velasquez on Modern Painting, the American Experience. Exh. cat. Federal Reserve Board Building, Washington, D.C., 2000.
González, Carlos, and Montse Martí. Pintores españoles en Roma, 1830–1900. Barcelona: Tusquets Editores, 1987.
———. Pintores españoles en Paris, 1830–1900. Barcelona: Tusquets Editores, 1989.
González Moreno, Joaquín. La Casa de Pilatos de el siglo XIX. Seville: Puente Genii, 1983.
Goodrich, Lloyd. Thomas Eakins. 2 vols. Cambridge: Harvard University Press, 1982.
Graham, Helen, and Jo Labanyi, eds. Spanish Cultural Studies: An Introduction. Oxford: Oxford University Press, 1995.
Graham, Linda Toth. “Therapy, Commodities, and the Decorated Studio: Images of the Studio of William Merritt Chase.” Ph.D. diss., University of California, Berkeley, 1996.
Groseclose, Barbara. “American Genesis: The Landing of Christopher Columbus.” In Thomas W. Gaehtgens and Heinz Ickstadt, ed., American Icons: Transatlantic Perspectives on Eighteenth- and Nineteenth-Century American Art, 11–32. Santa Monica: Getty Center for the History of Art and the Humanities, 1992.
Gutiérrez Burón, Jesús. “Artistas extranjeros en las Exposiciones Nacionales de Bellas Artes.” Fragmentos 15–16 (1989): 36–57.
Hajdel, Eugene A., ed. Harry H. Moore. Jersey City, N.J.: Privately printed, 1950.
Halcón, Fátima. La plaza de toros de la Real Maestranza de Caballería de Sevilla. Madrid: Ediciones El Viso, 1990.
Hale, Edward Everett. Seven Spanish Cities. Boston: Roberts Brothers, 1883.
Hale, Nancy. Mary Cassatt. New York: Doubleday, 1975.
Hale, Philip L. “Velasquez and All the Little Velasquezs.” Criterion 1 (November 1900): 15.
Hale, Susan. Family Flight Through Spain. Boston: Lothrop, [1883].
Hardie, William. Scottish Painting, 1837 to the Present. Oxford: Studio Vista, 1990.
Harris, Enriqueta. “Sir Wm. Stirling Maxwell and the History of Spanish Art.” Apollo 1964: 73–77.
———. “Murillo en Inglaterra.” Goya 169–71 (July–December 1982): 7–17.
Harris, Neil. “Reluctant Alliance: American Art, American Religion.” In Alberta Arthurs and Glenn Wallach, eds., Crossroads: Art and Religion in American Life, 1–30. New York: New Press, 2001.
Havemeyer, Louisine. Sixteen to Sixty: Memoirs of a Collector. New York: Privately printed, 1961.
Hay, John. Castilian Days. Boston: Osgood, 1871.
Hayes, Carlton J. The United States and Spain: An Interpretation. 1951. Rpt. Westport, Conn.: Greenwood, 1970.
Heard, Jr., John. “Sancho Mitarra.” Century Magazine 39 (January 1890): 450–55.
Heller, Nancy G. “What’s There, What’s Not: A Performer’s View of Sargent’s El Jaleo.” American Art 14 (Spring 2000): 8–23.
Hendricks, Gordon. The Life and Work of Thomas Eakins. New York: Grossman, 1974.
Hills, Patricia, ed. John Singer Sargent. Exh. cat. New York: Whitney Museum of American Art in association with Abrams, 1986.
Homer, William Innés. Eakins at Avondale and Thomas Eakins, A Personal Collection. Exh. cat. Chadds Ford, Penn.: Brandywine River Museum, 1980.
———. Thomas Eakins: His Life and Art. New York: Abbeville, 1992.
Ignacio Zuloaga, 1870–1945. Exh. cat. [Vitoria]: Museo de Bellas Artes de Bilbao, 1990.
Imagen romántica de España. Exh. cat. Madrid: Ministerio de Cultura, 1981.
Irving, Washington. The Life and Voyages of Christopher Columbus. 1828. Rpt. Boston: Twayne, 1981.
———. A Chronicle of the Conquest of Granada. 1829. Rpt. Boston: Twayne, 1988.
———. “Review of Alexander Slidell’s A Year in Spain’ (1831). Rpt. The Complete Works of Washington Irving: Miscellaneous Writings, vol. 2 (Boston: Twayne, 1981).
———. The Alhambra. 1832. author’s rev. ed., 1851. Rpt. New York: Sleepy Hollow, 1982.
———. Legends of the Conquest of Spain. In The Crayon Miscellany, 239–357. 1835. Rpt. Boston: Twayne, 1979.
Irwin, David, and Francina Irwin. Scottish Painters at Home and Abroad, 1700–1900. London: Faber and Faber, 1975.
Isaacson, Joel. Manet and Spain: Prints and Drawings. Exh. cat. Ann Arbor, Mich.: Museum of Art, University of Michigan, 1969.
Ives, Colta, and Susan Alyson Stein. Goya in the Metropolitan Museum of Art. Exh. cat. New York: Metropolitan Museum of Art, 1995.
Jaccaci, August F. “On the Trail of Don Quijote.” Scribner’s Magazine 20 (August 1896): 135–47, (September 1896): 295–306, (October 1896): 481–94.
James, Henry. “John S. Sargent.” Harpers New Monthly Magazine 75 (October 1887): 683–91.
J. Laurent, I: La documentación fotográfica de la Dirección General de Bellas Artes y Archivos: Museo Español de Arte Contemporáneo. Exh. cat. Madrid: Centro Nacional de Información Artística, 1983.
Johnston, William R. “W. H. Stewart: The American Patron of Mariano Fortuny,” Gazette des Beaux-Arts 77 (1971): 183–88.
Jones, Howard Mumford. The Age of Energy: Varieties of American Experience, 1863–1915. New York: Viking, 1970.
Kagan, Richard L. “Prescott’s Paradigm: American Historical Scholarship and the Decline of Spain.” In Anthony Molho and Gordon S. Wood, eds., Imagined Histories: American Historians Interpret the Past, 324–48. Princeton: Princeton University Press, 1998.
Kamen, Henry, “The Decline of Spain: A Historical Myth.” Past and Present 81 (November 1978): 24–50.
Kasson, Joy. Artistic Voyagers: Europe and the American Imagination in the Works of Irving, Allston, Cole, Cooper, and Hawthorne. Westport, Conn.: Greenwood, 1982.
Lafuente Ferrari, Enrique. Ricardo Arredondo: “El pintor de Toledo” (1830–1911). Madrid: Arte Español, 1969.
———. The Life and Work of Ignacio Zuloaga. 1972. 3rd ed. Barcelona: Editorial Planeta, 1991.
Lafuente Ferrari, Enrique, et al. Aureliano de Beruete, 1843–1912. Exh. cat. Madrid: Obra Cultural de la Caja de Pensiones, 1983.
Lathrop, George Parsons. Spanish Vistas. New York: Harper and Brothers, 1883. First published as “Spanish Vistas.” Parts 1–5, Harpers New Monthly Magazine 64 (1882): 640–62, 800–20; 65 (1882): 205–22, 371–92, 546–66.
Lears, T. J. Jackson. No Place of Grace: Antimodernism and the Transformation of American Culture, 1880–1920. New York: Pantheon, 1981.
———. Something for Nothing: Luck in America. New York: Viking, 2003.
Leeds, Valerie Ann, ed. My People: The Portraits of Robert Henri. Exh. cat. Orlando: Orlando Museum of Art, distributed by University of Washington Press, 1993.
Lipschutz, Use Hempel. Spanish Painting and the French Romantics. Cambridge: Harvard University Press, 1972.
Lipton, Eunice. Looking into Degas: Uneasy Images of Women and Modern Life. Berkeley: University of California Press, 1986.
Loan Collection of Copies of Old Masters by Modern Painters. Exh. cat. Boston: Copley Society, 1906.
López Mondéjar, Publio. Las fuentes de la memoria: Fotografía y sociedad en España del siglo XIX. Barcelona: Lunwerg Editores, [1989].
Lovell, Margaretta M. A Visitable Past: Views of Venice by American Artists, 1860–1915. Chicago: University of Chicago Press, 1989.
Lublin, Mary. “A Rare Elegance”: The Paintings of Charles Sprague Pearce. Exh. cat. New York: Jordan Volpe Gallery, 1993.
Luna, Juan J. “John Singer Sargent y el Museo del Prado.” Historia 16 13 (June 1988): 100–107.
Luxenberg, Alisa. “Léon Bonnat (1833–1922).” Ph.D. diss., Institute of Fine Arts, New York University, 1990.
MacCannell, Dean. The Tourist: A New Theory of the Leisure Class. 1976. Rev. ed. New York: Schocken, 1989.
[MacKenzie, Alexander Slidell]. A Year in Spain, by a Young American. Boston: Hilliard, Gray, Little, and Wilkins, 1829.
MacKenzie, John M. Orientalism: History, Theory, and the Arts. Manchester: Manchester University Press, 1995.
Manoguerra, Paul A. “Anti-Catholicism in Albert Bierstadt’s Roman Fish Market, Arch of Octavius.” Nineteenth-Century Art Worldwide (Winter 2003): 1–20, available at http://www.19thc-artworldwide.org/winter03/79-winter03/winter03article/245-anti-catholicism-in-albert-bierstadts-roman-fish-market-arch-of-octavius.
Marín Valdés, Fernando A. “Aureliano de Beruete: Cartas a Joaquín Sorolla.” Liño: Revista del Departamento de Arte, Universidad de Oviedo 5 (1985): 7–98.
Mariscal, George. “An Introduction to the Ideology of Hispanism in the U.S. and Britain.” In Peter W. Evans, ed. Conflicts of Discourse: Spanish Literature in the Golden Age, 1–25. Manchester: Manchester University Press, 1990.
Mar-Molinero, Clare, and Angel Smith, eds. Nationalism and the Nation in the Iberian Peninsula: Competing and Conflicting Identities. Oxford: Berg, 1996.
Martínez-Novillo, Alvaro. Le Peintre et la tauromachie. Paris: Flammarion, 1988.
Mathews, Nancy Mowll. Mary Cassatt and Her Circle: Selected Letters. New York: Abbeville, 1984.
———. Mary Cassatt. New York: Abrams, 1987.
———. Mary Cassatt: A Life. New York: Books, 1994.
———, ed. Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Exh. cat. Boston: Isabella Stewart Gardner Museum, 2004.
McCoy, Garnett. “Visits, Parties, and Cats in the Hall: The Tenth Street Studio Building and Its Inmates in the Nineteenth Century.” Archives of American Art Journal 6 (January 1966): 8.
Meyer, D. H. “American Intellectuals and the Victorian Crisis of Faith.” American Quarterly 27 (1975): 585–603.
Milroy, Elizabeth. “Thomas Eakins’ Artistic Training, 1860–1870.” Ph.D. diss., University of Pennsylvania, 1986.
———. “‘Consummatum est . . . ’: A Reassessment of Thomas Eakins’s Crucifixion of 1880.” Art Bulletin 71 (June 1989): 269–84.
Mitchell, Timothy. Blood Sport: A Social History of Bullfighting. Philadelphia: University of Pennsylvania Press, 1991.
———. Flamenco Deep Song. New Haven: Yale University Press, 1994.
Motherwell. Exh. cat. Barcelona: Fundación Antoni Tàpies, 1996.
Mount, Charles Merrill. John Singer Sargent: A Biography. New York: Norton, 1955.
Muller, Priscilla E. “Sorolla, Zuloaga, and the Spanish Generation of ’98.” Apollo 98 (April 1972): 310–17.
———. “Sorolla in America.” American Artist 38 (April 1974): 22–29, 68–71.
Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” In Brian Wallis, ed., Art after Modernism: Rethinking Representation, 361–73. New York: The New Museum of Contemporary Art, 1984.
Muñoz Herrera, José Pedro. Imágenes de la melancolia: Toledo (1772–1858). Toledo: Ayuntamiento de Toledo, 1993.
———, ed. Arredondo, pintor de Foledo. Exh. cat. Toledo: Museo de Santa Cruz, 2002.
Naff, Alixa. Becoming American: The Early Arab Immigrant Experience. Carbondale: Southern Illinois University Press, 1985.
Nahum, Katherine Coburn. “The Importance of Velázquez to Goya, Manet and Sargent.” Ph.D. diss., Boston University, 1993.
Naranjo, Juan. “Photography and Ethnography in Spain.” History of Photography 21 (Spring 1997): 73–80.
Navascués Benlloch, Pilar de. “Sorolla y Sargent: Una relación inedita.” Goya 189 (November–December 1985): 142–51.
Nochlin, Linda. The Politics of Vision: Essays on Nineteenth-Century Art and Society. New York: Harper and Row, 1989.
Noll, Mark. A History of Christianity in the United States and Canada. Grand Rapids, Mich.: Eerdmans, 1992.
Ormond, Richard. John Singer Sargent: Paintings, Drawings, Watercolors. New York: Harper and Row, 1970.
———. “John Singer Sargent and Vernon Lee.” Colby Library Quarterly 9 (September 1970): 154–78.
———. “Sargent’s El Jaleo.” Fenway Court (1970): 2–18.
Ormond, Richard, and Elaine Kilmurray. John Singer Sargent: The Complete Paintings. New Haven: Yale University Press, vols. 1–3, 1998–2003.
Ormond, Richard, and Mary Pixley. “Sargent after Velázquez: The Prado Studies.” Burlington Magazine 145 (September 2003): 632–40.
Pantorba, Bernardino de. La vida y la obra de Joaquín Sorolla; Estudio biográfico y crítico. Madrid: Gráficas Monteverde, 1970.
Pardo, Arcadio. La visión del arte español en los viajeros francés del siglo XIX. Valladolid: Universidad de Valladolid, Biblioteca de Castilla y León, 1989.
Peel, Edmund, et al. The Painter Joaquín Sorolla y Bastida. Exh. cat. London: Sotheby’s Publications, 1989.
Pérez Sánchez, Alfonso E., and Eleanor A. Sayre, ed. Goya and the Spirit of Enlightenment. Exh. cat. Boston: Museum of Fine Arts, 1989.
Pérez Sánchez, Alfonso E., and Nicola Spinosa. Jusepe de Ribera, 1391–1652. Exh. cat. New York: Metropolitan Museum of Art in association with Abrams, 1992.
Perlman, Bennard B. Robert Henri, Painter. Exh. cat. Wilmington: Delaware Art Museum, 1984.
———, ed. Revolutionaries of Realism: The Letters of John Sloan and Robert Henri. Princeton: Princeton University Press, 1997.
Pink, Sarah. “Photography and the World of Bullfighting: Visual Histories of Success.” History of Photography 21 (Spring 1997): 54–59.
Pintura española de la era industrial, 1800–1900. Exh. cat. Madrid: Fundación Arte y Tecnología, Telefónicas de España, 1998.
Pisano, Ronald G. William Merritt Chase. New York: Watson-Guptill Publications, 1979.
———. A Leading Spirit in American Art: William Merritt Chase, 1849–1916. Exh. cat. Seattle: Henry Art Gallery, University of Washington, 1983.
———. Summer Afternoons: Landscape Paintings of William Merritt Chase. Boston: Bulfinch, 1993.
Pollock, Griselda. Vision and Difference: Femininity, Feminism, and the Histories of Art. London: Routledge, 1988.
———. Mary Cassatt: Painter of Modern Women. New York: Thames and Hudson, 1998.
Porter, Dennis. Haunted Journeys: Desire and Transgression in European Travel Writing. Princeton: Princeton University Press, 1991.
Powell, Philip Wayne. Tree of Hate: Propaganda and Prejudices Affecting United States Relations with the Hispanic World. Vallecito, Calif.: Ross House, 1985.
Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992.
Prescott, Edward Bowen. “Modern Spanish Art.” Harpers New Monthly Magazine 76 (March 1888): 491–516.
Prescott, William H. History of the Reign of Ferdinand and Isabella, the Catholic. 1837. 14th ed. Boston: Phillips, Sampson, 1858.
Promey, Sally M. Painting Religion in Public: John Singer Sargent’s Triumph of Religion at the Boston Public Library. Princeton: Princeton University Press, 1999.
———. “Pictorial Ambivalence and American Protestantism.” In Alberta Arthurs and Glenn Wallach, eds., Crossroads: Art and Religion in American Life, 189–231. New York: New Press, 2001.
Quick, Michael. American Expatriate Painters of the Late Nineteenth Century. Exh. cat. Dayton, Ohio: Dayton Art Institute, 1976.
Ramirez, James. Carmencita: The Pearl of Seville. New York: Press of the Law and Trade, 1890.
Ratcliff, Carter. John Singer Sargent. New York: Abbeville, 1982.
Regeneración y reforma: España a comienzos del siglo XX. Exh. cat. Madrid: Fundación BBVA, 2002.
Reina Palazón, Antonio. Pintura costumbrista en Sevilla (1830–1890). Seville: Universidad de Sevilla, 1979.
Rico, Martín. Recuerdos de mi vida. Madrid: Imprenta Ibérica, [1906].
Robinson, Frank Torrey. Living New England Artists. Boston: S. E. Cassino, 1888.
Roof, Katharine Metcalf. The Life and Art of William Merritt Chase. New York: Scribner’s, 1917.
Rosenberg, Charles E. “Sexuality, Class, and Role in Nineteenth-Century America.” American Quarterly 25 (May 1973): 131–53.
Said, Edward. Orientalism. New York: Vintage, 1979.
Sánchez-Albornoz, Nicolás, ed. The Economic Modernization of Spain, 1830–1930. New York: New York University Press, 1987.
Schriber, Mary Suzanne, ed. Telling Travels: Selected Writings by Nineteenth-Century American Women Abroad. DeKalb: Northern Illinois University Press, 1995.
Scott, William Bell. Murillo and the Spanish School of Painting. London: Routledge, 1873.
Segard, Achille. Mary Cassatt: Peintre des enfants et des mères. Paris: Librairie Paul Ollendorff, 1913.
Sewell, Darrell, ed. Thomas Takins. Exh. cat. Philadelphia: Philadelphia Museum of Art in association with Yale University Press, 2001.
Sha’ban, Fuad. Islam and Arabs in Early American Thought: The Roots of Orientalism in America. Durham, N.C.: Acorn, 1991.
Shubert, Adrian. A Social History of Modern Spain. London: Unwin Hyman, 1990.
Smith, F. Hopkinson. Well Worn Roads of Spain, Holland, and Italy, Traveled by a Painter in Search of the Picturesque. Cambridge, Mass.: Houghton Mifflin, Riverside, 1887.
———. American Illustrators. New York: Scribner’s, 1894.
Smith-Rosenberg, Carroll. Disorderly Conduct: Visions of Gender in Victorian America. New York: Oxford University Press, 1985.
Sorolla y la Hispanic Society: Una vision de la España de entresiglos. Exh. cat. Madrid: Museo Thyssen-Bornemisza, 1998.
Sorolla, Zuloaga: Dos visiones para un cambio de siglo. Exh. cat. Madrid: Fundación Cultural MAPFRE Vida, 1998.
“Spanish Character.” Appleton’s Journal 11 (February 7, 1874): 182–83.
“Spanish Sketches.” Scribner’s Monthly 11 (December 1875): 213–26.
Stebbins, Theodore E., ed. The Lure of Italy: American Artists and the Italian Experience, 1360–1914. Exh. cat. Boston: Museum of Fine Arts, 1992.
Stenz, Margaret A. “Primitivism and Nationalism in the Portraiture of Robert Henri,” Ph.D. diss., City University of New York, 2002.
Stevenson, R. A. M. Velazquez. 1895. Rev. and ann. ed. London: G. Bell, 1962.
Stirling-Maxwell, William. Annals of the Artists of Spain. 1848. Rpt. London: John C. Nimmo, 1891.
Stowe, William W. Going Abroad: European Travel in Nineteenth-Century American Culture. Princeton: Princeton University Press, 1994.
Stratton, Suzanne, ed. Spain, Espagne, Spanien: Foreign Artists Discover Spain, 1800–1900. Exh. cat. New York: Equitable Gallery in association with the Spanish Institute, 1993.
Strettel, Alma, trans. Spanish and Italian Folk Songs. London: Macmillan, 1887.
Tharp, Louise Hall. Mrs. Jack: A Biography of Isabella Stewart Gardner. New York: Congdon and Weed, 1965.
Ticknor, George. History of Spanish Literature. New York: Harper and Brothers, 1849.
Tinterow, Gary, et al. Manet Velázquez: The Trench Taste for Spanish Painting. Exh. cat. New York: Metropolitan Museum of Art, 2003.
Trapier, Elizabeth du Gué. Martin Rico y Ortega in the Collection of the Hispanic Society of America. New York: Hispanic Society of America, 1937.
Troyen, Carol. “Innocents Abroad: American Painters at the 1867 Exposition Universelle, Paris.” American Art Journal 16 (Autumn 1984): 3–29.
Truettner, William H., et al. The West as America: Reinterpreting Images of the Frontier, 1820–1920. Exh. cat. Washington, D.C.: National Museum of American Art, 1991.
Tucker, Norman P. Americans in Spain: Patriots, Expatriates, and the Early American Hispanists, 1980–1850. Exh. cat. Boston: Boston Athenaeum, 1980.
Tuckerman, Henry T. Book of the Artists. 1867. Rpt. New York: James F. Carr, 1967.
Tufts, Eleanor. “Realism Revisited: Goya’s Impact on George Bellows and Other American Responses to the Spanish Presence in Art.” Arts Magazine 57 (February 1983): 105–13.
Tusell, Javier, and José Corredor-Matheos. José G. Solana (1886–1945). Exh. cat. Santander: Fundación Marcelino Botín and Fundació Caixa Catalunya, 1997.
Unamuno, Miguel de. En torno al casticismo. 1895. Rpt. in Obras completas de Don Miguel de Unamuno: Paisajes y ensayos. [Madrid]: Talleres Gráficos Escelicer, 1966.
Valdivieso, Enrique. Historia de la pintura sevillana: Siglos XIII al XX. Seville: Ediciones Guadalquivir, 1986.
Varia Velazqueña: Homenaje a Velázquez en el III centenario de su muerte, 1660–1960. Madrid: Ministerio de Educación Nacional, Dirección General de Bellas Artes, 1960.
Veblen, Thorstein. The Theory of the Leisure Class. 1899. Rpt. New York: Modern Library, 2001.
Verhaeren, Émile, and Darío de Regoyos. España negra. 1899. Rpt. Barcelona: Terra Incognita, 1999.
Volk, Mary Crawford, ed. John Singer Sargent’s “El Jaleo.” Exh. cat. Washington, D.C.: National Gallery of Art, 1992.
Ward, Meredith. Adventure and Inspiration: American Artists in Other Lands. Exh. cat. New York: Hirschl and Adler Galleries, 1988.
Warner, Charles Dudley. “The Bull-fight.” Century Magazine 27 (November 1883): 3–13.
Weber, Bruce. “Robert Frederick Blum (1857–1903) and His Milieu.” Ph.D. diss., City University of New York, 1985.
Weber, David J. “‘Scarce More Than Apes’: Historical Roots of Anglo-American Stereotypes of Mexicans.” In David J. Weber, ed., New Spain’s Far Northern Frontier: Essays on Spain in the American West, 1540–1831, 293–307. Dallas: Southern Methodist University Press, 1979.
———. The Spanish Frontier in North America. New Haven: Yale University Press, 1992.
Webster, Susan Verdi. Art and Ritual in Golden-Age Spain: Sevillian Confraternities and the Processional Sculpture of Holy Week. Princeton: Princeton University Press, 1998.
Weinberg, H. Barbara. The Lure of Paris: Nineteenth-Century American Painters and Their French Teachers. New York: Abbeville, 1991.
Weisberg, Gabriel P., ed. The Realist Tradition: French Painting and Drawing, 1830–1900. Exh. cat. Cleveland: Cleveland Museum of Art, 1980.
Williams, Stanley T. The Spanish Background of American Literature. New Haven: Yale University Press, 1955.
Wilmerding, John, ed., Thomas Eakins. Exh. cat. Washington, D.C.: Smithsonian Institution Press, 1993.
Wilson, Robert E. “The Infanta at the Fair.” Journal of the Illinois State Historical Society 59 (1966): 252–72.
Wilson-Bareau, Juliet., ed. Édouard Manet: Voyage en Espagne. Caen: L’Échoppe, 1988.
———. Manet: The Execution of Maximilian; Paintings, Politics, and Censorship. Exh. cat. London: National Gallery Publications in association with Princeton University Press, 1992.
Young, Dorothy Weir. The Life and Letters of J. Alden Weir. New Haven: Yale University Press, 1960.
Younis, Adele. “The Coming of the Arabic-Speaking People to the United States.” Ph.D. diss., Boston University, 1961.
Yriarte, Charles. Goya. Paris: Henri Plon, 1867.
Zafran, Eric. Cavaliers and Cardinals: Nineteenth-Century French Anecdotal Paintings. Exh. cat. Cincinnati: Taft Museum, 1992.