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Hemingway, Andrew

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Andrew Hemingway

Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain

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Andrew Hemingway

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00073.016

Stable URL: https://aaeportal.com/?id=-18010

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Note: Some works referred to in passing in the notes are not listed here. The bibliography is divided between works published before 1900 and those published after 1900 (including Ph.D. theses). While this is intended to divide source materials from interpretative literature, modern editions of authors such as Coleridge and Reynolds fall into the second category.

Primary sources

John Berney Crome, ‘Essay on Painting and Poetry’, MS, Norwich Castle Museum.

Warren R. Dawson Manuscripts relating to Dawson Turner, BM Add. MSS 56290–4.

‘James Stark 1794–1859’, bound volume of letters and notes in the Bradfer Lawrence Collection, Norfolk & Norwich Record Office.

L. G. Bolingbroke, ‘James Stark’, MS volume in Norwich Castle Museum.

James Reeve, collection of materials relating to Norfolk & Norwich artists, 7 volumes in the British Museum Print Room, 2 volumes in the Colman & Rye Library, Norwich Central Library.

Dawson Turner Correspondence, Trinity College Library, University of Cambridge.

Literature published before 1900

Algarotti, F., An Essay on Painting, London 1764.

Alison, A., Essays on the Nature and Principles of Taste (1790; 2nd revised edn 1811), 2 vols., Edinburgh 1815.

Anon.,

Brighton and its Environs; A Brief but Comprehensive History and Guide, 6th edn printed & published by C. &. R. Sickelmore, Brighton 1825 (?).

A Guide to all the Watering and Sea-Bathing Places, London 1805.

The Hastings Guide; or a Description of that Ancient Town and Port and its Environs, 2nd edn, London 1797; and 6th edn, London 1828.

London: A Descriptive Poem, London 1811.

(M. M. Howard), Hastings, Past and Present; with Notices of the most Remarkable Places in the Neighbourhood, Hastings and London 1855.

The Picture of London, for 1810; being a Correct Guide to all the Curiosities, Amusements, Exhibitions, Public Establishments, and Remarkable Objects, in and Near London, London 1810.

Picture of Margate, being a Complete Guide to all Persons Visiting Margate, Ramsgate, and Broadstairs, London 1809.

Ayton, R., A Voyage Round Great Britain, Undertaken in the Summer of the Year 1813, 8 vols., London 1814–25.

Bacon, R. N., Report on the Agriculture of Norfolk, London 1844.

Barry, J., The Works of James Barry, ed. J. Fryer, 2 vols., London 1809.

Bartell, E., Hints for Picturesque Improvements in Ornamented Cottages and their Scenery, London 1804.

Cromer, Considered as a Watering Place; with Observations on the Picturesque Scenery in its Neighbourhood, 2nd edn, London 1806.

Bayne, A. D., A Comprehensive History of Norwich, London and Norwich 1869.

Beatniffe, R., The Norfolk Tour: or Traveller’s Pocket Companion, 5th edn, Norwich 1795.

Britton, J., The Fine Arts of the English School, London 1812.

Burke, E., A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, (1757) 2nd edn 1759.

Burnet, J., Practical Essays on Art (1822, 1826, 1837), Bradford and London 1893.

Butler, J., The Analogy of Religion, Natural and Revealed, to the Constitution and Course of Nature, London 1736.

Carey, G. S., The Balnea: or, An Impartial Description of all the Popular Watering Places in England, 3rd edn, London 1801.

Chambers, J., A General History of the County of Norfolk, Norwich and London 1829.

Combe, W., Boydell’s History of the River Thames, 2 vols., London 1794–6.

Cooke, W. B., The Thames; or Graphic Illustrations of the Seats, Villas, Public Buildings, and Picturesque Scenery on the Banks of that Noble River, London 1811.

Views in Sussex, Drawn by J. M. W. Turner, R.A. and Engraved by W. B. Cooke, text by R. R. Reinagle, London 1819.

Cooke, W. B. and G., Picturesque Views on the Southern Coast of England; Engraved by W. B. Cooke, G. Cooke, etc., London 1814–26.

Collins, W. W., Memoirs of the Life of William Collins, Esq., R.A., 2 vols., London 1848.

Cox, D., A Treatise on Landscape Painting and Effect in Water Colours, London 1814.

Cunningham, A., The Life of Sir David Wilkie, 3 vols., London 1843.

Druery, J. H., Historical and Topographical Notices of Great Yarmouth, London 1826.

Du Fresnoy, C., The Art of Painting, tr. J. Dryden, London 1769.

Edwards, E., The Fine Arts in England; Their State and Prospects Considered Relatively to National Education, London 1840.

Félibien, A., Seven Conferences Held in the King of France’s Cabinet of Paintings, tr. T. Cooper, London 1740.

Foggo, G., ‘The Royal Academy Exposed’, New Monthly Magazine, vol. xxxviii, July–August 1833.

Galt, J., The Life and Studies of Benjamin West, 2 parts, London 1816, 1820.

Gilpin, W., Three Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape (1792) London 1794.

Remarks on Forest Scenery, 2 vols., London 1808.

Hakewill, J., The History of Windsor and its Neighbourhood, London 1813.

Hallam, H., Review of Payne Knight’s Analytical Inquiry, Edinburgh Review, vol. VII, January 1806.

Hartley, D., Observations on Man (1749), 2 parts, London 1791, 1801.

Hassell, J., A Tour of the Grand Junction, London 1819.

Haydon, B. R., Lectures on Painting and Design, 2 vols., London 1844, 1846.

Home, H. (Lord Kames), Elements of Criticism (1762), 2 vols., Edinburgh 1785.

Sketches of the History of Man (1774), 4 vols., Edinburgh 1788.

Horne, R. H., Exposition of the False Medium and Barriers Excluding Men of Genius from the Public, London 1833.

House of Commons, Report from the Select Committee on Arts and their Connection with the Manufactures, Parts I & II, London 1835, 1836.

Howard, H., A Course of Lectures on Painting Delivered at the Royal Academy of Fine Arts by Henry Howard, Esq. R.A., ed. F. Howard, London 1848.

Jeffrey, F., Review of A. Alison, Essays on Taste, Edinburgh Review, vol. 18, no. 37, May 1811.

Contributions to the Edinburgh Review, 4 vols., London 1844.

Kent, N., Some Particulars of the King’s Farm at Windsor, Oxford 1798.

Knight, R. P., The Landscape, A Didactic Poem in Three Books (1794), London 1795.

The Progress of Civil Society, A Didactic Poem in Six Books, London 1796.

A Monody on the Death of the Right Honourable Charles James Fox, London 1806–7.

Analytical Inquiry into the Principles of Taste (1805), London 1808.

Review of The Works of James Barry, Edinburgh Review, vol. 17, August 1810.

Review of Northcote’s Life of Sir Joshua Reynolds, Edinburgh Review, vol. 23, September 1814.

Knowles, J., The Life and Writings of Henry Fuseli, 3 vols., London 1831.

Landseer, J., Lectures on the Art of Engraving delivered at the Royal Institution of Great Britain, London 1807.

Lawrence, T., Address to the Students of the Royal Academy . . . 10th December 1823, London 1824.

Lewis, J., A Topographical Dictionary of England . . . with Historical and Statistical Descriptions, 7th edn, 4 vols., London 1849.

Mackay, C., The Thames and its Tributaries, 2 vols., London 1840.

Mannings, J. S., Cromer, A Descriptive Poem, London 1806.

Manship, H., The History of Great Yarmouth, ed. C. J. Palmer, Yarmouth 1854.

Moss, W. G., The History and Antiquities of the Town and Port of Hastings, London 1824.

Paley, W., Natural Theology: or, Evidences of the Existence and Attributes of the Deity, Collected from the Appearance of Nature (1802), London 1803.

Palmer, C. J., The Perlustration of Great Yarmouth, 3 vols., Great Yarmouth 1874.

Pasquin, A., The New Brighton Guide, 4th edn, London 1796.

Peacock, T. L., The Genius of the Thames, Palmrya, and other Poems, London 1812.

Phillips, T., Lectures on the History and Principles of Painting, London 1833.

Piles, R. de, The Art of Painting, with the Lives and Characters of above 300 of the most Eminent Painters, tr. B. Buckeridge, London n.d.

Pott, J. H., An Essay on Landscape Painting, London 1782.

Preston, J., The Picture of Yarmouth, Yarmouth 1819.

Price, U., Thoughts on the Defense of Property, Addressed to the County of Hereford, Hereford 1797.

Essays on the Picturesque, 3 vols., London 1810.

Priestley, J., An Historical Account of the Navigable Rivers, Canals, and Railways, throughout Great Britain (1831) reprint, Newton Abbott 1969.

Pye, J., The Patronage of British Art, An Historical Sketch, London 1845.

Repton, H., The Landscape Gardening and Landscape Architecture of the Late Humphry Repton, Esq., ed. J. C. Loudon, London 1840.

Reynolds, J., The Works of Sir Joshua Reynolds, ed. E. Malone, 3 vols., London 1809.

Richardson, J., The Works of Mr Jonathan Richardson, ed. J. Richardson, Jr, London 1772.

Richter, H., Daylight; A Recent Discovery in the Art of Painting, London 1817.

Robberds, J. W., Scenery of the Rivers of Norfolk, from Pictures painted by James Stark, Norwich and London 1834.

A Memoir of the Life and Writings of the Late William Taylor of Norwich, 2 vols., London 1843.

Robertson, A., A Topographical Survey of the Great Road from London to Bath and Bristol, London 1792.

Robertson, E., ed., Letters and Papers of Andrew Robertson 1777–1843, London 1897.

Rowlandson, T., An Excursion to Brighthelmstone, made in the year 1789, by Henry Wigstead and Thomas Rowlandson, London 1790.

Poetical Sketches of Scarborough: Illustrated by Twenty-One Engravings of Humorous Subjects, London 1813.

Rymer, J., A Sketch of Great Yarmouth . . . with Some Reflections on Cold Bathing, London 1777.

Sayers, F., Collective Works of the late Dr Sayers, ed. W. Taylor, Norwich 1823.

Shee, M. A., Rhymes on Art; or, the Remonstrance of a Painter, London 1805.

Elements of Art, London 1809.

A Letter to the President and Directors of the British Institution, London 1809.

Skrine, H., A General Account of all the Rivers of Note in Great Britain, London 1801.

Smith, J. T., Remarks on Rural Scenery, London 1797.

Soligny, V. de (P. G. Patmore), Letters on England, 2 vols., London 1823.

Stacy, J., A Topographical Study and Historical Account of the City and County of Norfolk, Norwich 1819.

Stewart, D., Philosophical Essays, Edinburgh and London 1816.

Story, A. T., The Life of John Linnell, 2 vols., London 1893.

Taylor, W., ‘Outlines of a Discourse on the History and Theory of Prospect Painting’, Monthly Magazine, vol. 37, 405–9, vol. 38, 211–15, 499–503, 1814.

Uwins, S., A Memoir of Thomas Uwins, R.A., 2 vols., London 1858.

Varley, J., A Treatise on the Principles of Landscape Design, London 1816–17.

Wainewright, T. G., Essays and Criticisms by Thomas Griffiths Wainewright, ed. W. C. Hazlitt, London 1880.

Westall, W. & Owen, S., A Picturesque Tour of the River Thames, London 1828.

Wodderspoon, J., John Crome and his Works, Norwich 1858.

Wood, J. G., The Principal Rivers of Wales Illustrated, London 1813.

Wornum, R., ed., Lectures on Painting by the Royal Academicians: Barry, Opie, Fuseli, London 1848.

Young, E., Conjectures on Original Composition, London 1759.

Literature published after 1900

Abbey, J. R., Scenery of Great Britain and Ireland in Aquatint and Lithography 1770–1860 from the Library of J. R. Abbey, London 1952.

Abercrombie, N., Hill, B., & Turner, S., The Dominant Ideology Thesis, London 1980.

Abrams, M. H., The Mirror and the Lamp: Romantic Theory and the Critical Tradition, Oxford 1971.

Aers, D., Cook, J., & Punter, D., Romanticism and Ideology: Studies in English Writing 1765–1830, London, Boston and Henley 1981.

Allthorpe-Guyton, M., John Thirtle 1777–1839, Drawings in Norwich Castle Museum, Norwich 1977.

Anderson, P., ‘Origins of the Present Crisis’, New Left Review, no. 23, January/February 1964.

‘Components of the National Culture’, in A. Cockburn and R. Blackburn, ed., Student Power/Problems, Diagnosis, Action, Harmondsworth 1969.

Aspinall, A., Politics and the Press c. 1750–1850, London 1949.

Asquith, L, ‘The Whig Party and the Press in the early Nineteenth Century’, Bulletin of the Institute of Historical Research, vol. 49, 1976.

Bagwell, P. S., The Transport Revolution from 1770, London 1974.

Barbier, C. P., William Gilpin: His Drawings, Teachings, and Theory of the Picturesque, Oxford 1963.

Barrell, J., The Idea of Landscape and the Sense of Place 1730–1840, Cambridge 1972.

The Dark Side of the Landscape: The Rural Poor in English Painting 1730–1840, Cambridge 1980.

English Literature 1730–80: An Equal Wide Survey, London 1983.

The Political Theory of Painting from Reynolds to Hazlitt, ‘The Body of the Public’, New Haven and London 1986.

Barthes, R., ‘L’Effet de Réel’, Communications, no. II, 1968.

Image-Music-Text, New York 1977.

Bauer, J., The London Magazine 1820–29, Anglistica, vol. I, Copenhagen 1953.

Beckett, R. B., ed., John Constable’s Correspondence, 6 vols., Ipswich 1962–8.

John Constable’s Discourses, Ipswich 1970.

Bermingham, A., Landscape and Ideology: The English Rustic Tradition, 1740–1860, London 1987.

Bourdieu, P., ‘Intellectual Field and Creative Project’ in M. F. D. Young, ed., Knowledge and Control, London 1971.

The Cultural Field and the Economic Field, tr. R. Nice, CCCS Stencilled Paper No. 46, University of Birmingham 1977.

Outline of a Theory of Practice, Cambridge 1977.

Distinction: A Social Critique of the Judgement of Taste, tr. R. Nice, London & New York 1984.

Briggs, A., ‘Middle-Class Consciousness in English Politics, 1780–1846’, Past and Present, no. 9, April 1956.

The Age of Improvement 1783–1867, London 1959.

Bristol, City Art Gallery, The Bristol School of Artists, Francis Danby and Painting in Bristol 1810–1840, text by F. Greenacre, Bristol 1973.

Burke, E., Reflections on the French Revolution, ed. A. J. Grieve, London and New York 1910 (Everyman edn).

Butler, M., Romantics, Rebels and Reactionaries: English Literature and its Background 1760–1830, Oxford 1981.

Butlin, M., & Joll, E., The Paintings of J. M. W. Turner, 2 vols., New Haven and London 1977.

Chitnis, A. C., The Scottish Enlightenment: A Social History, London 1976.

Christie, I. R., ‘British Newspapers in the Later Georgian Age’, in Myth and Reality in Late-Eighteenth-Century British Politics and Other Papers, London 1970.

Clarke, M., The Tempting Prospect: A Social History of English Watercolours, London 1981.

Clarke, M., & Penny, N., The Arrogant Connoisseur: Richard Payne Knight 1751–1824, Manchester 1982.

Clifford, D. & T., John Crome, London 1968.

Cohen, G., Karl Marx’s Theory of History: A Defence, Oxford 1979.

Coleridge, S. T., Biographia Literaria (1817), ed. G. Watson, London and New York 1956 (Everyman edn).

Colley, L., ‘Whose Nation? Class and National Consciousness in Britain 1750–1830’, Past and Present, no. 113, November 1986.

Cookson, J. E., The Friends of Peace: Anti-War Liberalism in England 1793–1815, Cambridge 1982.

Corfield, P. J., ‘The Social and Economic History of Norwich 1650–1850: A Study in Urban Growth’, unpublished Ph.D. thesis, University of London 1976.

The Impact of English Towns 1700–1800, Oxford 1982.

Corrigan, P., & Sayer, D., The Great Arch: English State Formation as Cultural Revolution, Oxford 1985.

Cosgrove, D., & Daniels, S., ed., The Iconography of Landscape: Essays on the Symbolic Representation, Design and Use of Past Environments, Cambridge 1988.

Daniels, S., ‘The Political Landscape’, in G. Carter, P. Goode, & K. Laurie, ed., Humphry Repton, Landscape Gardener 1752–1818, catalogue to an exhibition at the University of East Anglia, Norwich 1982.

Davidoff, L., & Hall, C., Family Fortunes: Men and Women of the English Middle Class, 1780–1850, London 1987.

Davidoff, L., L’Esperence, J., & Newby, H., ‘Landscape with Figures: Home and Community in English Society’, in Mitchell, J., and Oakley, A., eds., The Rights and Wrongs of Women, Harmondsworth 1976.

Dickes, W. F., The Norwich School of Painting, London and Norwich 1905.

Dickinson, H. T., Liberty and Property: Political Ideology in Eighteenth-Century Britain, London 1977.

Dobai, J., Die Kunstliteratur des Klassizismus und der Romantik in England 1700–1840, 3 vols., Bern 1974–7.

Edwards, J. K., ‘The Economic Development of Norwich, 1750–1850, with Reference to the Worsted Industry’, unpublished Ph.D. thesis, University of Leeds 1963.

‘The Decline of the Norwich Textiles Industry’, Yorkshire Bulletin of Economic and Social Research, vol. 16, no. 1, May 1964.

‘Communications and the Economic Development of Norwich 1750–1850’, Journal of Transport History, vol. 7, no. 2, November 1965.

‘Norwich in the Eighteenth Century: A Study in Social and Economic Organisation’, 1972, Manuscript in Local Studies Library, Norwich.

Emsley, C. J., English Society and the French Wars 1793–1813, London and Basingstoke 1979.

Everett, N. H., ‘Country Justice: The Literature of Landscape Improvement and English Conservatism with Particular Reference to the 1790’s’, unpublished Ph.D. thesis, University of Cambridge 1977.

Farington, J., The Diary of Joseph Farington, ed. K. Garlick and A. Macintyre; K. Cave, 16 vols., New Haven and London 1978–84.

Fawcett, T., ‘The Culture of later Georgian Norwich: a Conflict of Evidence’, UEA Bulletin, vol. 4, no. 4, March 1972.

The Rise of English Provincial Art: Artists, Patrons, and Institutions outside London, 1800–1830, Oxford 1974.

‘Thorpe Water Frolic’, Norfolk Archaeology, vol. 36, Part 4, 1977.

Finberg, A. J., The Life of J. M. W. Turner, R.A., Oxford 1961.

Finberg, H. F., ‘Turner’s Gallery in 1810’, Burlington Magazine, vol. 93, December 1951.

Fitzwilliam Museum, Cambridge, John Linnell: A Centennial Exhibition, text by K. Crouan, Cambridge 1982.

Ford, J., ACKERMANN 1783–1983 the Business of Art, London 1983.

Ford, J. & G., Images of Brighton, Richmond-upon-Thames 1981.

Foucault, M., The Archaeology of Knowledge, London 1974.

Fullerton, P., ‘Patronage and Pedagogy: The British Institution in the Early Nineteenth Century’, Art History, vol. 5, no. 1, March 1982.

Gage, J., Colour in Turner: Poetry and Truth, London 1969

J. M. W. Turner, ‘A Wonderful Range of Mind’, New Haven and London 1987.

‘An Early Exhibition and the Politics of British Printmaking, 1800–1812’, Print Quarterly, vol. 6, no. 2, June 1989.

ed., Collected Correspondence of J. M. W. Turner, Oxford 1980.

Gear, J., Masters or Servants ? A Study of Selected English Painters and Their Patrons of the Late Eighteenth and Early Nineteenth Centuries, New York and London 1977.

Gilbert, A. D., Religion and Society in Industrial England: Church, Chapel, and Social Change, 1740–1914, London and New York 1976.

Golt, J., ‘Beauty and Meaning on Richmond Hill: New Light on Turner’s Masterpiece of 1819’, Turner Studies, vol. 7, no. 2, Winter 1987.

Gombrich, E., Art and Illusion, London 1972.

Goodman, N., Languages of Art, Brighton 1981.

‘The Status of Style’, Critical Inquiry, no. 1, 1975.

Habermas, J., ‘The Public Sphere: An Encyclopedia Article’, New German Critique, vol. I, no. 3, Fall 1974.

Halévy, E., The Growth of Philosophic Radicalism, London 1972.

Hall, D., ‘The Tabley House Papers’, Walpole Society, vol. 38, 1960–2.

Hawcroft, F., ‘John Crome and the Yarmouth Water-Frolic’, Burlington Magazine, vol. 150, July/August 1959.

‘Crome and his Patron; Thomas Harvey of Catton’, Connoisseur, vol. 144, December 1959.

Review of D. & T. Clifford, John Crome, Burlington Magazine, vol. III, December 1969.

Hawes, L., John Constable’s Writings on Art, Ph.D. thesis, Princeton University 1963, Ann Arbor University Microfilms 1964.

Hayden, J. O., The Romantic Reviewers 1802–24, London 1969.

Haydon, B. R., The Diary of Benjamin Robert Haydon, ed. W. B. Pope, 5 vols., Cambridge, Mass. 1960–3.

Hazlitt, W., The Complete Works of William Hazlitt in Twenty-One Volumes, ed. P. P. Howe, London and Toronto 1930–4.

Hemingway, A. F., ‘Meaning in Cotman’s Norfolk Subjects’, Art History, vol. 7, no. 1, March 1984.

‘Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century’, Ideas and Production, Issue 5, 1986.

‘The Political Theory of Painting without the Politics’, review of John Barrell’s The Political Theory of Painting from Reynolds to Hazlitt, Art History, vol. 10, no. 3, September 1987.

‘Cultural Philanthropy and the Invention of the Norwich School’, Oxford Art Journal, vol. II, no. 3, 1988.

‘The Sociology of Taste in the Scottish Enlightenment’, Oxford Art Journal, vol. 12, no. 2, 1989.

Hill, C., ‘The Norman Yoke’, in J. Saville, ed., Democracy and the Labour Movement: Essays in Honour of Dona Torr, London 1954.

Hilles, ed., Portraits by Sir Joshua Reynolds, London 1952.

Hipple, W. J., The Beautiful, the Sublime, & the Picturesque in Eighteenth-Century British Aesthetic Theory, Carbondale, III. 1957.

Hont, I., & Ignatieff, M., ed., Wealth and Virtue: The Shaping of Political Economy in the Scottish Enlightenment, Cambridge 1983.

Horn, P., The Rural World 1780–1830: Social Change in the English Countryside, London 1980.

Jewson, C. B., The Jacobin City, A Portrait of Norwich in its Reaction to the French Revolution 1788–1802, Glasgow and London 1975.

Kallich, M., The Association of Ideas and Critical Theory in Eighteenth-Century England, The Hague and Paris 1970.

Kauffmann, C. M., John Varley 1778–1842, London 1984.

Kitson, S. D., The Life of John Sell Cotman, London 1937.

Koss, S., The Rise and Fall of the Political Press in Britain, vol. I, London 1981.

Kristeller, P. O., ‘The Modern System of the Arts’, in Renaissance Thought II, Papers on Humanism and the Arts, New York 1965.

Laqueur, T. W., ‘The Queen Caroline Affair: Politics as Art in the Reign of George IV’, Journal of Modern History, no. 54, September 1982.

Larrain, J., The Concept of Ideology, London 1979.

Marxism and Ideology, London 1983.

Lee, R. W., ‘Ut pictura poesis’: The Humanistic Theory of Painting, New York 1970.

Lehmann, W. C., John Millar of Glasgow 1735–1801: His Life and Thought and his Contributions to Sociological Analysis, Cambridge 1960.

Leslie, C. R., Handbook for Young Painters (1855), London 1887.

Lindsay, J., J. M. W. Turner: A Critical Biography, London 1966.

The Sunset Ship: The Poems of J. M. W. Turner, London 1966.

Lovejoy, A. O., Essays in the History of Ideas, Baltimore 1948.

McKendrick, N., Brewer, J., & Plumb, J. H., The Birth of a Consumer Society: The Commercialisation of Eighteenth-Century England, London 1983.

Meek, R. L., Social Science and the Ignoble Savage, Cambridge 1976.

Messmann, F. J., Richard Payne Knight: The Twilight of Virtuosity, The Hague 1974.

Mitchell, W. J. T., Iconology: Image, Text, Ideology, Chicago and London 1986.

Moir, E., The Discovery of Britain – The English Tourists 1540–1840, London 1964.

Monk, S. H., The Sublime: A Study of Critical Theories in XVIII-Century England, Ann Arbor 1960.

Moore, A., The Norwich School of Artists, Norwich 1985.

Mosley, P., ‘Much Ado about Norwich?’, UEA Bulletin, vol. 5, no. 5, June 1973.

Nesbitt, G., Benthamite Reviewing: The First Twelve Years of the Westminster Review 1824–1836, New York 1934.

Nicolson, M. H., Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite, Ithaca, NY 1959.

Norwich Castle Museum, A Decade of English Naturalism 1810–1820, text by J. Gage, Norwich 1969.

Park, R., Hazlitt and the Spirit of the Age: Abstraction and Critical Theory, Oxford 1971.

Parker, R., & Pollock, G., Old Mistresses: Women, Art and Ideology, London and Henley 1981.

Pears, I., The Discovery of Painting: The Growth of Interest in the Arts in England 1680–1768, New Haven and London 1988.

Pimlott, J. A. R., The Englishman’s Holiday: A Social History (1947), Brighton 1976.

Plumb, J. H., ‘The Public, Literature and the Arts in the Eighteenth Century’, in M. R. Marrus, ed., The Emergence of Leisure, New York 1974.

Pocock, J. G. A., ‘Civic Humanism and its Role in Anglo-American Thought’, in Politics, Language and Time: Essays on Political Thought and History, London 1972.

Pointon, M., ‘Portrait-painting as a Business Enterprise in London in the 1780s’, Art History, vol. 7, no. 2, June 1984.

Mulready, catalogue to an exhibition at the Victoria & Albert Museum, London 1986.

Pope, A., The Poems of Alexander Pope, ed. E. Audra & A. Williams, London 1961.

Potts, A., ‘Picturing the Modern Metropolis: Images of London in the Nineteenth Century’, History Workshop Journal, issue 26, Autumn 1988.

Prothero, I., Artisans and Politics in Early Nineteenth-century London: John Gast and his Times, London 1981.

Rajnai, M., with Stevens, M., The Norwich Society of Artists 1805–1833, A Dictionary of Contributors and their Work, Norwich 1976.

Reading Museum & Art Gallery, William Havell 1732–1857, text by F. Owen and E. Stanford, Reading 1981.

Reynolds, G., Victoria and Albert Museum, Catalogue of the Constable Collection, London 1973.

The Late Paintings and Drawings of John Constable, 2 vols., New Haven and London 1984.

Rogers, N., ‘Money, Land and Lineage: the Big Bourgeoisie of Hanoverian London’, Social History, vol. 4, no. 3, October 1979.

Rorty, R., Philosophy and the Mirror of Nature, Princeton, NJ, 1980.

Rosenthal, M., Constable: The Painter and His Landscape, New Haven and London 1983.

Ross, I. S., Lord Kames and the Scotland of his Day, Oxford 1972.

Rudé, G., Hanoverian London 1714–1808, London 1971.

Schapiro, M., ‘Style’, in A. L. Kroeber, ed., Anthropology Today, Chicago and London 1953.

‘On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs’, Semiotica, vol. I, no. 3, 1969.

Shearer, E. A., ‘Wordsworth and Coleridge Marginalia in a Copy of Richard Payne Knight’s Analytical Inquiry into the Principles of Taste’, Huntington Library Quarterly, vol. I, October 1937.

Smith, H., Peter De Wint 1784–1849, London 1982.

Solkin, D., Richard Wilson: The Landscape of Reaction, catalogue to an exhibition at the Tate Gallery, London 1982.

Solly, N. N., Memoir of the Life of David Cox (1873), London 1973.

Southey, R., Letters from England (1807), ed. J. Simmons, London 1951.

Stafford, W., Socialism, Radicalism and Nostalgia: Social Criticism in Britain, 1775–1830, Cambridge 1987.

Stolnitz, J., ‘On the Origins of Aesthetic Disinterestedness’, Journal of Aesthetics and Art Criticism, vol. 20, Winter 1961.

‘“Beauty”, Some Stages in the History of an Idea’, Journal of the History of Ideas, vol. 22, no. 2, 1961.

‘Locke and the Categories of Value in Eighteenth-Century British Aesthetic Theory’, Philosophy, vol. 38, January 1963.

‘“The Aesthetic Attitude” in the Rise of Modern Aesthetics’, Journal of Aesthetics and Art Criticism, vol. 36, Summer 1978.

Stout, G. D., The Political History of Leigh Hunt’s Examiner, Washington University Studies, n.s., Language and Literature, no. 19, Saint Louis, Mo. 1949.

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Tate Gallery, London, Turner 1775–1851, text by M. Butlin, J. Gage & A. Wilton, London 1974.

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