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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Bibliography, Writings by the Artist, and Filmography (Part 2)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00105.046
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Bibliography (M-Z)
M. 1990
 
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MACDONALD 1986
 
MacDonald, Georgia, comp. “Connecticut Celebrity Register” (includes artist’s statements). Hartford Courant Northeast Magazine, May 18, 1986, p. 50.
MACHLIS AND FORNEY 2003
 
Machlis, Joseph, and Kristin Forney. The Enjoyment of Music. 9th ed. New York: W. W. Norton, 2003.
MACKIE 1989
 
Mackie, Alwynne. “Robert Motherwell.” Chap. 9 in Art/Talk: Theory & Practice in Abstract Expressionism (includes artist’s statements). New York: Columbia University Press, 1989.
MACLEOD 1993
 
MacLeod, Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism (includes artist’s statements). New Haven, Conn.: Yale University Press, 1993.
MACMILLAN 1978
 
MacMillan, Duncan. “Robert Motherwell” (interview with the artist). Art Monthly, no. 14 (February 1978): pp. 4–6.
MACMILLAN 2001A
 
MacMillan, Kyle. “Angst & Abstract: Local Gallery Features Dynamic Works by Motherwell, Serra.” Denver Post, January 19, 2001, sec. FF, pp. 1, 4. Review of Robischon Gallery, Denver, 2001.
MACMILLAN 2001B
 
MacMillan, Kyle. “Motherwell, Serra on View.” Denver Post, February 25, 2001, sec. H, p. 2. Review of Robischon Gallery, Denver, 2001.
MADOFF 1997
 
Madoff, Steven Henry, ed. Pop Art: A Critical History (includes artist’s statements). Berkeley and Los Angeles: University of California Press, 1997.
MAGAZINE OF ART 1951
 
“Modern Art for the Millburn Synagogue.” Magazine of Art 44, no. 6 (October 1951): pp. 216–17.
MAGYAR 1994
 
Magyar, Roger John. “Into the Light: Violent, Enfolded, and Delicate Tensions in the Work of Art for Hegel and Motherwell” (includes artist’s statements). M.A. thesis, Kent State University, 1994.
MAI 1986
 
Mai, Ekkehard. “Alte Künstler—junge Kunst: Zur Avantgarde der ‘späten Jahre’ ” (text in German). Das Kunstwerk 2, no. 39 (April 1986): pp. 6–20.
MAIER AND STEINGRÄBER 1983
 
Maier, Hans, and Erich Steingräber. “Robert Motherwell in der Staatsgalerie moderner Kunst, München” (text in German, includes artist’s statements). Die Kunst und das Schöne Heim 95, no. 6 (June 1983): pp. 385–92, 441.
MALOON 1978
 
Maloon, Terence. “Robert Motherwell” (interview with the artist). Artscribe, no. 11 (April 1978): pp. 16–22.
MANTHORNE 1990
 
Manthorne, Katherine. “Robert Motherwell in Mexico” (includes artist’s statements). Latin American Art 2, no. 4 (fall 1990): pp. 66–69.
MARKS 1988
 
Marks, Joan. “Contrasts & Common Ground.” Cape Codder Summery, July 12, 1988, pp. 20–21. Review of Long Point Gallery, Provincetown, Mass., June 1988.
MARLAN 2005
 
Marlan, Stanton. The Black Sun: The Alchemy and Art of Darkness. Foreword by David H. Rosen. College Station: Texas A&M University Press, 2005.
MARSHALL 1972
 
Marshall, W. Neil. “Chronicles: Toronto.” Art International 16, no. 9 (November 1972): pp. 59–62. Review of Edmonton Art Gallery, Alberta, Canada, 1972.
MARSHALL 1973
 
Marshall, W. Neil. “Toronto Letter.” Art International 17, no. 2 (February 1973): pp. 33–36. Review of David Mirvish Gallery, Toronto, March 1973.
MARTER 2007
 
Marter, Joan, ed. Abstract Expressionism: The International Context (includes artist’s statements). New Brunswick, N.J.: Rutgers University Press, 2007.
MARTIN 1990
 
Martin, Douglas. “At Home with Robert Motherwell” (interview with the artist). New York Times Magazine. June 3, 1990, pt. 2, p. 70.
MARTIN ET AL. 1992
 
Martin, Jennifer, Claude Massu, Sarah Nichols, Alexandra Parigoris, Denys Riout, and David Travis. “La Peinture a l’Américaine.” In L’Art des Etats-Unis (text in French), translated by Christiane Thiollier and Dominique Férault, pp. 251–57. Paris: Citadelles and Mazenod, 1992.
MARVEL 1985
 
Marvel, Bill. “Fort Worth Art Museum Obtains 10 Abstract Works by Motherwell.” Dallas Times Herald, September 1, 1985, sec. C, p. 3.
MARZANO 1985
 
Marzano, Nick. “This Art Is a Display of Brooklyn’s Bounty.” Phoenix (Brooklyn), April 25, 1985, sec. 2, p. 15. Review of Museum of the Borough of Brooklyn at Brooklyn College, 1985.
MASHECK 1973
 
Masheck, Joseph. “Reviews.” Artforum 11, no. 5 (January 1973): pp. 91–92. Review of Lawrence Rubin Gallery, New York, 1972.
MASON 1998
 
Mason, Brook S. “Gold, Silver and the American Vasari.” Art Newspaper 10, no. 87 (December 1998): p. 63.
MASSU 1992
 
Massu, Claude. “Le Dessein contourné de Frank Lloyd Wright: Le Solomon R. Guggenheim Museum et les artistes” (text in French). Les Cahiers du Musée National d’Art Moderne 39 (spring 1992): pp. 80–95.
MATHEW 1986
 
Mathew, Ray. “Motherwell’s Still Center Where Black Is Life” (includes artist’s statements). Art/World 10, no. 7 (April 1986): pp. 1, 3. Review of Knoedler & Company, New York, April 1986.
MATOFF 1999
 
Matoff, Theo. “Theo Matoff: Artist’s Eye.” Art Review 51 (May 1999): p. 39.
MATTISON 1981
 
Mattison, Robert S. “Two Decades of Graphic Art by Robert Motherwell” (includes artist’s statements). Print Collector’s Newsletter 11, no. 6 (January–February 1981): pp. 197–201.
MATTISON 1982
 
Mattison, Robert S. “The Emperor of China: Symbols of Power and Vulnerability in the Art of Robert Motherwell during the 1940s” (includes artist’s statements). Art International 25, nos. 9–10 (November–December 1982): pp. 8–14.
MATTISON 1985A
 
Mattison, Robert S. “A Voyage: Robert Motherwell’s Earliest Works” (includes artist’s statements). Arts Magazine 59, no. 6 (February 1985): pp. 90–93.
MATTISON 1985B
 
Mattison, Robert Saltonstall. “The Art of Robert Motherwell during the 1940s” (includes artist’s statements). ph.D. diss., Princeton University, 1985.
MATTISON 1987
 
Mattison, Robert Saltonstall. Robert Motherwell: The Formative Years (includes artist’s statements). Studies in the Fine Arts: The Avant-Garde 56. Ann Arbor, Mich.: UMI Research Press, 1987.
MATTISON 1988
 
Mattison, Robert S. “Robert Motherwell’s First Collages: ‘All My Life I Have Been Obsessed with Death’ ” (includes artist’s statements). Studies in Iconography (Arizona State University) 12 (1988): pp. 171–86.
MATTISON 1997
 
Mattison, Robert. “Robert Motherwell.” Art Out Front (Allentown Art Museum), 1997, n.p.
MATTISON ET AL. 2009
 
Mattison, Robert S., John Yau, Robert Hobbs, Donald Kuspit, Mel Gooding, Saul Ostrow, and Matthew Collings. Robert Motherwell: Open (includes artist’s statements). London: 21, 2009.
MAYO 1974
 
Mayo, Anna. “Against Motherwellism.” Village Voice 19, no. 44 (October 31, 1974): p. 54.
MCBRIDE 1945A
 
McBride, Henry. “The Work of Leger: Two Galleries Expose Recent Pictures by the Noted Modernist.” New York Sun, April 14, 1945, p. 7. Review of Samuel M. Kootz Gallery, New York, April 1945.
MCBRIDE 1945B
 
McBride, Henry. “The Whitney Museum: West Eighth Street Seems to Be Going Entirely Modern.” New York Sun, December 1, 1945, p. 9. Review of Whitney Museum of American Art, New York, 1945.
MCB[RIDE] 1946
 
McB[ride], H[enry]. “Attractions in the Galleries.” New York Sun, January 12, 1946, p. 9. Review of Samuel M. Kootz Gallery, New York, January 1946.
MCB[RIDE] 1947
 
McB[ride], H[enry]. “Attractions in the Galleries.” New York Sun, May 2, 1947, p. 9. Review of Samuel M. Kootz Gallery, New York, April 1947.
MCBRIDE 1950
 
McBride, Henry. “By Henry McBride.” Artnews 49, no. 8 (December 1950): p. 51. Review of Samuel M. Kootz Gallery, New York, November 1950.
MCCAUGHEY 1967
 
McCaughey, Patrick. “Great American Moderns.” The Age, June 10, 1967. Review of the circulating exhibition at National Gallery of Victoria, Melbourne, Australia, June 1967 (see Museum of Modern Art, New York, 1966).
MCCLINTIC 1984
 
McClintic, Miranda. “Life Lines.” Studio International 197, no. 1007 (1984): pp. 39–41. Review of the traveling exhibition at Corcoran Gallery of Art, Washington, D.C., September 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
MCCOLM 1984
 
McColm, Del. “Motherwell: Major Art Retrospective of American Abstract Expressionist.” Davis Enterprise Weekend (Calif.), May 24, 1984. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
MCCONATHY 1966
 
McConathy, Dale. “The Poet and the Jukebox.” Harper’s Bazaar, no. 3050 (January 1966): pp. 84, 165.
MCCORMICK GALLERY 2007
 
Abstract Expressionism: Second to None; 4. Chicago: McCormick Gallery, 2007.
MCCOUBREY 1963
 
McCoubrey, John W. American Tradition in Painting. New York: George Braziller, 1963.
MCDARRAH 1961
 
McDarrah, Fred W. The Artist’s World in Pictures. Introduction by Thomas B. Hess; commentary by Gloria Schoffel McDarrah. New York: E. P. Dutton, 1961.
MCEVILLEY 1993
 
McEvilley, Thomas. The Exile’s Return: Toward a Redefinition of Painting for the Post-Modern Era (includes artist’s statements). New York: Cambridge University Press, 1993.
MCFADDEN 2010
 
McFadden, Cynthia. “Jennifer Aniston at Home: The Actress Indulges Her Love of Entertaining in Beverly Hills.” Architectural Digest 67, no. 3 (March 2010): pp. 56–67.
MCFARLAND ET AL. 1972
 
McFarland, Philip, Allen Kirschner, Alfred Ferguson, Larry D. Benson, and Morse Peckham. Themes in American Literature. Boston: Houghton Mifflin, 1972.
MCGILL 1985A
 
McGill, Douglas C. “Robert Motherwell Gets MacDowell Medal” (includes artist’s statements). New York Times, August 19, 1985, sec. C, p. 16.
MCGILL 1985B
 
McGill, Douglas C. “The Importance of Being Motherwell” (includes artist’s statements). International Herald Tribune, August 24–25, 1985, p. 7.
MCKENNA 1997
 
McKenna, Kristine. “At Art’s Service.” Los Angeles Times, October 26, 1997, pp. 66, 68.
MCKINNON 1966
 
McKinnon, George. “Art Fuss Irks Motherwell” (includes artist’s statements). Boston Globe, August 14, 1966, p. 49.
MCLAUGHLIN 1985
 
McLaughlin, Jeff. “Motherwell Deeply Moved by MacDowell Medal” (includes artist’s statements). Boston Globe, August 18, 1985, sec. A, p. 8.
MCNATT 2006
 
McNatt, Glenn. “Motherwell Sought to Give Shape to Truth” (includes artist’s statements). Baltimore Sun, May 21, 2006, sec. E, pp. 1, 4. Review of Baltimore Museum of Art, 2006.
MCNAY ART MUSEUM 2001
 
McNay Art Museum. Modern Art at the McNay: A Brief History and Pictorial Survey of the Collection. Introduction by William J. Chiego. San Antonio, Tex.: Marion Koogler McNay Art Museum, 2001.
MEEWIS 1983
 
Meewis, Wim. Iconologie van de Action Painting: Theorie en werk van een aantal action painters in het ruimer verband van het abstract expressionisme (text in Dutch; includes artist’s statements). Brussels: Paleis der Academien, 1983.
MEISTER 1976A
 
Meister, Helga. “Grober Altmeister aus Amerika” (text in German). [Westdeutsche Zeitung], September 4, 1976.
MEISTER 1976B
 
Meister, Helga. “Sich selbst treu geblieben: Arbeiten von Robert Motherwell in Düsseldorfs Kunsthalle” (text in German). Westdeutsche Zeitung, September 12, 1976. Review of Städtische Kunsthalle, Düsseldorf, 1976.
MELCHER 1978
 
Melcher, Victoria Kirsch. “Colors Dance on Paper, Fibers.” Kansas City Star, November 19, 1978, p. 3. Review of Douglas Drake Gallery, Kansas City, Mo., 1978.
MELLOW 1969
 
Mellow, James R. “New York Letter.” Art International 13, no. 1 (January 20, 1969): pp. 52–57. Review of Whitney Museum of American Art, New York, December 1969.
MELLOW 1973
 
Mellow, James R. “From Calder, Gay, Spidery Forms.” New York Times, October 13, 1973, p. 29. Review of Rosa Esman Gallery, New York, 1973.
MELVILLE 1966
 
Melville, Robert. “Black Devices.” New Statesman (London), April 1, 1966, p. 478. Review of traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
MEMORIAL ART GALLERY MAGAZINE 2001A
 
“Modernism & Abstraction: Treasures from the Smithsonian American Art Museum.” Memorial Art Gallery Magazine (Memorial Art Gallery, University of Rochester), January–February 2001, pp. 1–2, 6.
MEMORIAL ART GALLERY MAGAZINE 2001B
 
“What’s New in the Collection.” Memorial Art Gallery Magazine (Memorial Art Gallery, University of Rochester), autumn 2001, p. 5.
MENDELOWITZ 1960
 
Mendelowitz, Daniel M. A History of American Art. New York: Holt, Rinehart and Winston, 1960.
METROPOLITAN MUSEUM OF ART 1975
 
Metropolitan Museum of Art. The Metropolitan Museum of Art: Notable Acquisitions, 1965–1975. Entry “Robert Motherwell,” by Henry Geldzahler, pp. 205, 211. New York: Metropolitan Museum of Art, 1975.
METROPOLITAN MUSEUM OF ART 1987
 
Metropolitan Museum of Art. Recent Acquisitions: A Selection, 1986–1987; The Metropolitan Museum of Art. Entry “Robert Motherwell,” by Lisa M. Messinger, p. 70. New York: Metropolitan Museum of Art, 1987.
METZGER 1973
 
Metzger, Robert Paul. “Biomorphism in American Painting.” Ph.D. diss., University of California, Los Angeles, 1973.
MICHAUD 1989
 
Michaud, Yves. “Robert Motherwell par Marcelin Pleynet” (text in French, book review). Art Press International (Paris) 142 (December 1989): p. 52.
MICUCCI 2002
 
Micucci, Dana. Best Bids: The Insider’s Guide to Buying at Auction. New York: Viking Studio, 2002.
MILLER 1976
 
Miller, Donald. “Motherwell Recounts History of Modern Art” (includes artist’s statements). Pittsburgh Post-Gazette, February 20, 1976, p. 12.
MILLER 1986
 
Miller, John, ed. Voices against Tyranny: Writing of the Spanish Civil War—on the 50th Anniversary of the Event. Introduction by Stephen Spender. New York: Charles Scribner’s Sons, 1986, cover.
MILLET 1977
 
Millet, Catherine, and Jacques Henric. “Pleynet in Progress: Art et littérature” (text in French). Art Press International (Paris) 8 (June 1977): pp. 6–11.
MILLIER 1949
 
Millier, Arthur. “Paintings in Abstract Style Being Shown.” Los Angeles Times, October 30, 1949, sec. D, p. 6. Review of Art Center School Galleries, Los Angeles, 1949.
MILLIER 1951
 
Millier, Arthur. “Show by 17 Moderns Adds Life to Gallery: Lack of Dogma in Perls Exhibit Represents Trend Peculiar to U.S.” Los Angeles Times, January 21, 1951, sec. D, p. 7. Review of Frank Perls Gallery, Beverly Hills, Calif., 1951.
M[ILLIER] 1952
 
M[illier], A[rthur]. “ ‘Bear Memorial Fund Exhibition Held Over,’ in the Galleries.” Los Angeles Times, July 27, 1952, sec. D, p. 5. Review of Frank Perls Gallery, Beverly Hills, Calif., 1952.
M[ILLIER] 1953
 
M[illier], A[rthur]. “Tiepolo Star in Show of Baroque Drawings.” Los Angeles Times, January 18, 1953, sec. D, p. 6. Review of Paul Kantor Gallery, Beverly Hills, Calif., 1952.
M[ILLIER] 1954
 
M[illier], A[rthur]. “Strong and Beautiful De Erdely Works Exhibited at Scripps College.” Los Angeles Times, April 25, 1954, sec. D, p. 6. Review of Rembrandt Hall, Pomona College, Claremont, Calif., 1954.
MILWAUKEE ART CENTER 1975
 
Milwaukee Art Center. Personal Selections from the Mrs. Harry Lynde Bradley Collection. Bradford, England: Lund Humphries, 1975.
MINNEAPOLIS STAR 1972
 
“Sights for Sore Eyes.” Minneapolis Star, July 5, 1972, sec. A, p. 6. Review of Walker Art Center, Minneapolis, 1972.
MIRALLES 1986
 
Miralles, Francesc. “Paseo por la obra de Robert Motherwell: El Gusto por la complejidad” (text in Spanish). La Vanguardia, November 11, 1986, p. 41. Review of Galería Joan Prats, Barcelona, 1986.
MIRO 1975
 
Miro, Marsha. “Abstracts by Motherwell: Sensual and Elegant.” Detroit Free Press, November 23, 1975, sec. D, p. 4. Review of Gertrude Kasle Gallery, Detroit, 1975.
MITTLER 2000
 
Mittler, Gene A. Art in Focus. Entry “Robert Motherwell,” p. 554. 4th ed. Woodland Hills, Calif.: Glencoe/McGraw-Hill, 2000.
MITTLER AND RAGANS 1999
 
Mittler, Gene, and Rosalind Ragans. Exploring Art. New York: Glencoe/McGraw-Hill, 1999.
MODERN ART MUSEUM OF FORT WORTH CALENDAR 1993
 
“Recent Acquisitions: Robert Motherwell” (includes artist’s statements). Modern Art Museum of Fort Worth Calendar, November–December 1993, pp. 1–7.
MODERN ART MUSEUM’S GALLERY GUIDE FOR CHILDREN 1988
 
“Children’s Pages.” Modern Art Museum’s Gallery Guide for Children, March–April 1988, p. 8.
MOELLER ET AL. 1985
 
Moeller, Magdalena M., Stephen von Wiese, Bernhard Holeczek, Arta Valstar, Joachim Büchner, Ursula Bickelmann-Aldinger, Andreas Franzke, Ursula Bode, Beatrix Nobis, and Norbert Nobis. Sprengel Museum Hannover, Malerei und Plastik des 20. Jahrhunderts (text in German). Entry “Robert Motherwell,” p. 421. Hannover: Sprengel Museum, 1985.
MOFFAT 1967
 
Moffat, Frances. “Separate Ways for the W. H. Crockers.” San Francisco Chronicle, February 24, 1967, p. 21.
MOLINA 1987
 
Molina, A. Fernandez. “Veleta al viento: Motherwell, un acertado homenaje a Juana Mordo” (text in Spanish). El Dia, March 27, 1987, p. 28. Review of the traveling exhibition at Galería Juana Mordó, Madrid, March 1987 (see Galería Joan Prats, Barcelona, 1986).
MONAHAN 2007
 
Monahan, Anne. The Luther W. Brady Collection at the Picker Art Gallery, Colgate University (includes artist’s statements). Entry “Robert Motherwell,” pp. 57–59. Hamilton, N.Y.: Picker Art Gallery, 2007.
LE MONDE 1990
 
“Galeries: Robert Motherwell” (text in French). Le Monde, October 11, 1990, sec. 3, p. 32. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
MONTCLAIR ART MUSEUM 1977
 
Montclair Art Museum. The American Painting Collection of the Montclair Art Museum. Montclair, N.J.: Montclair Art Museum, 1977.
MONTCLAIR ART MUSEUM BULLETIN 1974
 
Montclair Art Museum Bulletin, June 1974, cover.
MONTE 1967
 
Monte, James. “San Francisco.” Artforum 5, no. 9 (May 1967): pp. 67–69. Review of the circulating exhibition at San Francisco Museum of Art, February 1967 (see Museum of Modern Art, New York, Robert Motherwell: Works on Paper, September 1965).
MOORE 1968
 
Moore, Janet Gaylord. The Many Ways of Seeing: An Introduction to the Pleasures of Art. Cleveland: World, 1968.
MOORE 1980
 
Moore, Janna. “Robert Motherwell: The Purist” (includes artist’s statements). NewPaper 3, no. 108 (May 28–June 4, 1980): p. 3.
MORCH 1984A
 
Morch, Al. “Major Museum Exhibits in 1984.” San Francisco Examiner, January 2, 1984.
MORCH 1984B
 
Morch, Al. “The Marvels of Motherwell.” San Francisco Examiner, April 16, 1984. Review of San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
MORGAN 1983
 
Morgan, Robert C. “Brilliance of Motherwell” (includes artist’s statements). Democrat and Chronicle (Rochester, N.Y.), October 9, 1983, sec. D, p. 3. Review of Albright-Knox Art Gallery, Buffalo, 1983.
MORGAN 1997
 
Morgan, Robert C. “Robert Motherwell.” Chap. 12 in Between Modernism and Conceptual Art: A Critical Response. Jefferson, N.C.: McFarland, 1997.
MORITZ 1962
 
Moritz, Charles, ed. Current Biography Yearbook: 1962. Entry “Robert Motherwell,” pp. 308–10. 23rd ed. New York: H. W. Wilson, 1962.
MORIZOT 2004
 
Morizot, Jacques. “Motherwell éditeur.” In Les Ecrits d’artistes depuis 1940 (text in French; includes artist’s statements), edited by Françoise Levaillant, pp. 250–57. Paris: Institut Mémories de L’Edition Contemporaine, 2004.
MORRIN 1973
 
Morrin, Peter. “ ‘When the Future of Painting Has Been Questioned. …’ ” Daily Princetonian, February 14, 1973, p. 6. Review of Art Museum, Princeton University, N.J., 1973.
MORRIN 1979
 
Morrin, Peter. “Robert Motherwell.” Arts Magazine 54, no. 1 (September 1979): p. 13. Review of William Benton Museum of Art, University of Connecticut, Storrs, 1979.
MORRISON 1976
 
Morrison, C. L. “Motherwell’s Abstraction.” Midwest Art 3, no. 8 (December 1976): p. 16. Review of Dart Gallery, Chicago, 1976.
MORTIMER 1986
 
Mortimer, Kristin A. Harvard University Art Museums: A Guide to the Collections. Contributions by William G. Klingelhofer. Cambridge, Mass.: Harvard University Art Museums; New York: Abbeville Press, 1986.
MOSER 1976
 
Moser, Charlotte. “Motherwell a Super Artist at 61.” Houston Chronicle, April 16, 1976, sec. 2, p. 6. Review of Janie C. Lee Gallery, Houston, 1976.
MOSER 1978
 
Moser, Charlotte. “Motherwell Show Reveals New Paint, Color Handling.” Houston Chronicle, March 25, 1978, sec. 3, p. 9. Review of Janie C. Lee Gallery, Houston, 1978.
MOTHERWELL 1946
 
“Beyond the Aesthetic.” Design 47, no. 8 (April 1946): pp. 14–15.
MOTHERWELL 1951
 
“The Rise and Continuity of Abstract Art.” Arts & Architecture 68, no. 9 (September 1951): pp. 20–21, 41.
MOTHERWELL 1952
 
“The Mural (Interpretations by Motherwell).” In Symbols and Inscriptions in the Synagogue of the Congregation B’nai Israel (brochure). Millburn, N.J.: Congregation B’nai Israel, 1952.
MOTHERWELL 1956
 
“Letters” (letter to the editor). Arts 30, no. 7 (April 1956): p. 5.
MOTHERWELL 1958
 
“U.S. Art Abroad” (letter to the editor). In “Letters to the Editors.” Life, June 9, 1958, p. 15.
MOTHERWELL 1959
 
“The Motherwell Show” (letter to the editor). Arts Magazine 33, no. 8 (May 1959): p. 8.
MOTHERWELL 1961
 
“What Should a Museum Be” (editorial symposium, with Thomas M. Messer, Larry Aldrich, Geoges Wildenstein, John Canaday, Herbert Ferber, Edward Durell Stone, C. C. Cunningham, Edward G. Robinson, and R. Sturgis Ingersoll). Art in America 49, no. 2 (March–April 1961): pp. 32–33.
MOTHERWELL 1962
 
Statements made at the opening for New Paintings in Oil and Collages by Robert Motherwell, at the Sidney Janis Gallery, New York, 1962. In “The Deepest Identity.” Newsweek 60, no. 24 (December 10, 1962): p. 94. (See Newsweek 1962.)
MOTHERWELL 1964
 
“The Motherwell Collection.” Vogue 143, no. 2 (January 15, 1964): pp. 88–91, 118.
MOTHERWELL 1969
 
Artist’s statement on the Open series. In Art Now: New York 1, no. 5 (May 1969): n.p.
MOTHERWELL 1970
 
“Motherwell.” In Ethel Moore, ed., “Letters from 31 Artists to the Albright-Knox Art Gallery.” Gallery Notes (Buffalo Fine Arts Academy) 31–32, no. 2 (spring 1970): p. 26.
MOTHERWELL 1978
 
“Provincetown and Days Lumberyard: A Memoir” (July 21, 1978). In Days Lumberyard Studios: Provincetown, 1914–1971 (exhibition catalogue), pp. 14–18. Provincetown, Mass.: Provincetown Art Association and Museum, 1978.
MOTHERWELL 1981A
 
“Fragmentos sobre la Elegia de la reconciliacion” (text in Spanish). Separata (Seville, Spain), nos. 5–6 (spring 1981): pp. 12–17.
MOTHERWELL 1981B
 
“Provincetown y Days Lumberyard: Un Recuerdo” (text in Spanish). Separata (Seville, Spain), nos. 5–6 (spring 1981): pp. 5–7.
MOTHERWELL 1987
 
“Philosophy and Abstract Expressionism: A Painter’s Palette.” Harvard Graduate Society Newsletter, winter 1987, pp. 6–7.
MOTHERWELL 1989
 
Excerpts from an interview with the artist by David Hayman, July 12–13, 1988, “An Artist’s Odyssey: A Master of Abstraction Illuminates James Joyce’s Literary Monument.” Art & Antiques 6, no. 11 (February 1989): pp. 72–77.
MOTHERWELL IN ALBRIGHT-KNOX ART GALLERY EXH. CAT. 1983
 
Interview with the artist by Jack D. Flam, November 5, 1982, “With Robert Motherwell.” In Dore Ashton and Jack D. Flam, Robert Motherwell (exhibition catalogue), pp. 9–27. New York: Abbeville Press, in association with Albright-Knox Art Gallery, 1983.
MOTHERWELL IN ALLEN 1972
 
Interview with the artist. In Henry Allen, “Motherwell: Palate-Pleasing.” Washington Post, November 8, 1972, sec. D, p. 3. (See Allen 1972.)
MOTHERWELL IN ARNASON 1977B
 
Notes to the plates. in H. H. Arnason, Robert Motherwell, preface by Bryan Robertson, pp. 103–215. 1st ed. New York: Harry N. Abrams, 1977. (See Arnason 1977b.)
MOTHERWELL IN ARNASON 1982
 
“A Note by the Artist on the Second Edition,” and notes to the plates. In H. H. Arnason, Robert Motherwell, introduction by Dore Ashton; interview by Barbaralee Diamonstein, pp. 7, 104–225. 2nd ed. New York: Abrams, 1982. (See Arnason 1982.)
MOTHERWELL IN BALDWIN 1978
 
Statement. In Nick Baldwin, “Rescue!” Des Moines Register, July 30, 1978, sec. B, p. 5. (See Baldwin 1978.)
MOTHERWELL IN BENSON 1951B
 
Statement. In Gertrude Benson. “Synagogue Goes Modern.” Today (Philadelphia Inquirer magazine), November 18, 1951, p. 30. (See Benson 1951b.)
MOTHERWELL IN BOSTON GLOBE 1966B
 
Statement defending New England Elegy (P366). In “JFK Painting Furor Fulfills a Purpose?” Boston Globe, August 12, 1966, pp. 1, 19. (See Boston Globe 1966b.)
MOTHERWELL IN CARMEAN 1980
 
“Fabrication”; “Execution”; “Presentation”; “Conception”; “Preparation” (with Robert Bigelow, John Scofield, E. A. Carmean Jr.), “Revision” (with E. A. Carmean Jr.), and “Conclusion”; “Reconciliation.” Chapters in E. A. Carmean Jr., ed., Reconciliation Elegy. By Robert Motherwell, Robert Bigelow, John E. Scofield. Geneva, Switzerland: Editions d’Art Albert Skira; New York: Rizzoli International, 1980. (See Carmean 1980.)
MOTHERWELL IN CINCINNATI ENQUIRER 1974
 
Statement. In “Art Museum Acquires Motherwell Painting.” Cincinnati Enquirer, May 26, 1974, sec. F, p. 6. (See Cincinnati Enquirer 1974.)
MOTHERWELL IN DIAMONSTEIN 1979B
 
Interview with the artist, New School for Social Research, November 17, 1977. In Barbaralee Diamonstein, “Inside New York’s Art World: An Interview with Robert Motherwell” (revised and abridged). Partisan Review 46, no. 3 (1979): pp. 376–90. (See Diamonstein 1979b.)
MOTHERWELL IN ENRIGHT 1989
 
Interview with the artist. In Robert Enright, “The Monumental Diarist: An Interview with Robert Motherwell.” Border Crossings 8, no. 4 (November 1989): pp. 7–17. (See Enright 1989.)
MOTHERWELL IN FENTON 1966
 
Statement. In John H. Fenton, “Abstract Mural Stirs Bostonians: Viewers Link Motherwell Work to Kennedy Death.” New York Times, August 13, 1966, p. 22. (See Fenton 1966.)
MOTHERWELL IN FORMAN 1979
 
Interview with the artist. In Debbie Forman, “The Light in Robert Motherwell’s Art: Artist Uses P’town Colors in His Work.” Cape Cod Times, September 10, 1979, pp. 13, 20. (See Forman 1979.)
MOTHERWELL IN GARDNER 1985
 
Statement by the artist. In Paul Gardner, “When Is a Painting Finished?” (editorial symposium). Artnews 84, no. 9 (November 1985): p. 94. (See Gardner 1985.)
MOTHERWELL IN GIBSON 1997
 
Interview with the artist. In Ann Eden Gibson, Abstract Expressionism: Other Politics Motherwell, p. 15. New Haven, Conn.: Yale University Press, 1997. (See Gibson 1997.)
MOTHERWELL IN HARTFORD COURANT 1966
 
Statement. In “Artist Says Painting Is Not JFK Death Scene.” Hartford Courant, August 13, 1966, p. 13. (See Hartford Courant 1966.)
MOTHERWELL IN HORIZON 1978
 
Interview with the artist. In “Painter Laureate.” Horizon 21, no. 5 (May 1978): p. 59. (See Horizon 1978.)
MOTHERWELL IN JANIS 1944
 
Plate caption. In Sidney Janis, Abstract & Surrealist Art in America, p. 65. New York: Reynal and Hitchcock, 1944. (See Janis 1944.)
MOTHERWELL IN LEEPA 1949
 
“Robert Motherwell: Person with Orange.” In Allen Leepa, The Challenge of Modern Art, foreword by Herbert Read, p. 194. New York: Beechhurst Press, 1949. (See Leepa 1949.)
MOTHERWELL IN LOUCHHEIM 1951A
 
Statement. In Aline B. Louchheim, “Six Abstractionists Defend Their Art.” New York Times Magazine, January 21, 1951, p. 17. (See Louchheim 1951a.)
MOTHERWELL IN MACMILLAN 1978
 
Interview with the artist. In Duncan MacMillan, “Robert Motherwell.” Art Monthly, no. 14 (February 1978): pp. 4–6. (See MacMillan 1978.)
MOTHERWELL IN MALOON 1978
 
Interview with the artist. In Terence Maloon, “Robert Motherwell.” Artscribe, no. 11 (April 1978): pp. 16–22. (See Maloon 1978.)
MOTHERWELL IN MUSEUM OF FINE ARTS, HOUSTON, EXH. CAT. 1972
 
“Notes.” In E. A. Carmean Jr., The Collages of Robert Motherwell: A Retrospective Exhibition (exhibition catalogue), pp. 48, 50, 51, 54, 63, 64, 70, 72, 73, 75, 76. Introduction by Philippe de Montebello. Houston: Museum of Fine Arts, Houston, 1972.
MOTHERWELL IN MUSEUM OF MODERN ART, NEW YORK, ROBERT MOTHERWELL, EXH. CAT. SEPTEMBER 1965
 
“Letter from Robert Motherwell to Frank O’Hara dated August 18, 1965.” In Frank O’Hara, Robert Motherwell: With Selections from the Artist’s Writings (exhibition catalogue), pp. 58–59, 67–68, 70. New York: Museum of Modern Art, 1965.
MOTHERWELL IN NEWSWEEK 1962
 
Statements. In “The Deepest Identity.” Newsweek 60, no. 24 (December 10, 1962): p. 94. (See Newsweek 1962.)
MOTHERWELL IN RECORD AMERICAN 1966
 
Statement. In “Painter Defends Mural Depicting JFK Shooting.” Record American (Boston), August 13, 1966, p. 8. (See Record American 1966.)
MOTHERWELL IN SMITH COLLEGE MUSEUM OF ART EXH. CAT. 1963
 
Notes to the plates. In An Exhibition of the Work of Robert Motherwell (exhibition catalogue). Northampton, Mass.: Smith College Museum of Art, 1963.
MOTHERWELL IN WALLACH 1984B
 
Interview with the artist. In Amei Wallach, “Motherwell’s Savage Muse.” New York Newsday, December 5, 1984, pt. 2, pp. 4–5. (See Wallach 1984b.)
M[OTT] 1959
 
M[ott], H[elen] D[e]. “In the Galleries.” Arts 33, no. 7 (April 1959): p. 53. Review of Sidney Janis Gallery, New York, March 1959.
MOYSE 1966
 
Moyse, Arthur. “Round the Galleries.” Freedom (Anarchist Weekly), April 30, 1966. Review of the traveling exhibition at Whitechapel Art Gallery, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
MUCHNIC 1998
 
Muchnic, Suzanne. “Los Angeles: Robert Motherwell.” Artnews 97, no. 3 (March 1998): p. 178. Review of Manny Silverman Gallery, Los Angeles, 1997.
MUEHLIG AND JONES 1999
 
Muehlig, Linda, and Betsy B. Jones, eds. Masterworks of American Painting and Sculpture from the Smith College Museum of Art. Contributions by Kristen Erickson, Linda Merrill, and Daniel J. Strong. Entry “Robert Motherwell,” by Linda Muehlig, pp. 198–201. New York: Hudson Hills Press, 1999.
MÜLLER 2004
 
Müller, Bertram. “Spanische Elegien” (text in German). Rheinische Post (Düsseldorf), October 22, 2004, sec. A, p. 8. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
MURPHY 1967
 
Murphy, Agnes. “At Home with … Helen Frankenthaler.” New York Post, November 11, 1967, sec. Magazine, p. 13.
MURRAY AND MURRAY 1978
 
Murray, Peter, and Linda Murray. The Penguin Dictionary of Art & Artists (includes artist’s statements). 4th ed. New York: Penguin Books, 1978.
MUSEU DE ARTE MODERNA DO RIO DE JANEIRO 1999
 
Museu de Arte Moderna do Rio de Janeiro. O Museu de Arte Moderna do Rio de Janeiro (text in Portuguese). Entry “Robert Motherwell,” pp. 340–41. Rio de Janeiro: Banco Safra, 1999.
MUSEUM OF FINE ARTS, HOUSTON, BULLETIN 1972
 
“Exhibitions: The Collages of Robert Motherwell.” Museum of Fine Arts, Houston, Bulletin 3, no. 6 (October–November 1972): p. 89.
MUSEUM OF FINE ARTS, HOUSTON, CALENDAR 1972
 
“Special Exhibitions.” Museum of Fine Arts, Houston, Calendar, autumn 1972, n.p.
MUSEUM OF MODERN ART 1973
 
An Invitation to See: 125 Paintings from the Museum of Modern Art (includes artist’s statements). Introduction and commentary by Helen M. Franc. New York: Museum of Modern Art, 1973.
MUSEUM OF MODERN ART 2005
 
Masterworks of Modern Art: From the Museum of Modern Art, New York. Introduction by Glenn D. Lowry. Florence: Scala Vision, 2005.
MUSEUM OF MODERN ART BULLETIN 1950–51
 
“Painting and Sculpture Acquisitions: July 1, 1949–July 1, 1950.” Museum of Modern Art Bulletin 18, no. 2 (winter 1950–51).
MUSEUM OF MODERN ART BULLETIN 1951
 
“What Abstract Art Means to Me” (includes artist’s statements). Museum of Modern Art Bulletin 18, no. 3 (spring 1951): pp. 12–13.
MUSEUM OF MODERN ART BULLETIN 1962
 
“Painting and Sculpture Acquisitions: January 1, 1961 through December 31, 1961.” Museum of Modern Art Bulletin 29, nos. 2 and 3 (1962): pp. 8, 61, 64.
MUSEUM OF MODERN ART MEMBERS CALENDAR 1988
 
“Gifts of Works on Paper by Robert Motherwell.” Museum of Modern Art Members Calendar 9, no. 1 (January 1988): p. 6.
MYERS 1970
 
Myers, D. H., trans. The Thursday Evening Art World: The Alfred Weary Lectures. New York: McCall, 1970.
MYERS 1993
 
Myers, K. C. “ ‘Masterworks’ Memorial: ‘Artists Leave Behind What Was Most Important in Their Lives’ ” (includes artist’s statements). Cape Codder, June 29, 1993, sec. 2, pp. 8–9. Review of Long Point Gallery, Provincetown, Mass., 1993.
N. 1987
 
J.R.N. “Motherwell y España” (text in Spanish). Diario 16 (Madrid), December 18, 1987, sec. Cultura, p. 1. Review of Museum of Modern Art, New York, 1987.
NAMUTH 1989
 
Namuth, Hans. “Artists’ Portraits.” Art International 6 (spring 1989): pp. 40–49.
NATIONAL GALLERY OF ART 1978
 
East Building Engagement Calendar 1979. Washington, D.C.: National Gallery of Art, 1978.
NATIONAL GALLERY OF ART 2001
 
How Americans Built Their National Gallery of Art: A Chronology (brochure). Washington, D.C.: National Gallery of Art, 2001.
NATIONAL GALLERY OF ART, CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS 2002
 
National Gallery of Art, Center for Advanced Study in the Visual Arts. The A. W. Mellon Lectures in the Fine Arts: Fifty Years. Washington, D.C.: National Gallery of Art, 2002.
NATIVE GUIDE: SAN FRANCISCO 1984
 
“Madness, Vulnerability, Passion.” Native Guide: San Francisco, May 1984.
NAVARRA 1989
 
Navarra, Tova. “ ‘Hearing’ Motherwell at Montclair: Artist Creates a Musical Canvas” (interview with the artist). Asbury Park Press, December 17, 1989, sec. F, pp. 1, 12. Review of Montclair Art Museum, N.J., 1989.
NEWHOUSE 2005
 
Newhouse, Victoria. Art and the Power of Placement. New York: Monacelli Press, Inc., 2005.
NEWMAN 1965
 
Newman, Barnett. “The New York School Question.” Interview by Neil A. Levine. Artnews 64, no. 5 (September 1965): pp. 38–42, 55–56.
NEWMAN 1981
 
Newman, David. “Arts Review.” Arts Magazine 55, no. 10 (June 1981): p. 25. Review of Knoedler & Company, New York, February 1981.
NEWS CHRONICLE/THOUSAND OAKS 1984
 
“Ahmanson Gallery to Exhibit Motherwell Retrospective.” News Chronicle/Thousand Oaks, January 6, 1984, sec. A, p. 11. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
NEWSWEEK 1945A
 
“Kootz’s Kaleidoscopes.” Newsweek 26, no. 5 (July 30, 1945): p. 74. Review of Samuel M. Kootz Gallery, New York, April 1945.
NEWSWEEK 1945B
 
“They Knew What They Liked.” Newsweek 26, no. 15 (October 8, 1945): p. 118. Review of the 17th Regiment Armory, New York, 1945.
NEWSWEEK 1961
 
“Something for All.” Newsweek 58, no. 5 (July 31, 1961): pp. 80–81.
NEWSWEEK 1962
 
“The Deepest Identity” (includes artist’s statements). Newsweek 60, no. 24 (December 10, 1962): p. 94. Review of Sidney Janis Gallery, New York, December 1962.
NEWSWEEK 1964
 
“Sharks, Go Home” (includes artist’s statements). Newsweek 64, no. 8 (August 24, 1964): p. 78. Review of Provincetown Art Association, Mass., 1964.
NEWSWEEK 1965
 
“ ‘What a Gesture!’ ” (includes artist’s statements). Newsweek, October 11, 1965, pp. 98–99. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
NEWSWEEK 1968
 
“Artists vs. Mayor Daley” (includes artist’s statements). Newsweek 72, no. 19 (November 4, 1968): p. 117.
NEWSWEEK 1991
 
“Civilizing Influence” (obituary). Newsweek 118, no. 5 (July 29, 1991): p. 53.
NEWTOWN BEE 1979
 
“The Day They Hung Robert Motherwell.” Newtown Bee (Conn.), April 6, 1979, sec. C, pp. 1, 28–29. Review of William Benton Museum of Art, University of Connecticut, Storrs, 1979.
NEW YORKER 1965
 
“The Talk of the Town.” New Yorker 41, no. 38 (November 6, 1965): p. 43. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
NEW YORK HERALD TRIBUNE 1946
 
“In the Art Galleries.” New York Herald Tribune, January 6, 1946, p. 7. Review of Samuel M. Kootz Gallery, New York, January 1946.
NEW YORK HERALD TRIBUNE 1950A
 
“52 Oils by Young Artists Go on Exhibit Today at Metropolitan Museum of Art.” New York Herald Tribune, March 24, 1950, p. 25. Review of Metropolitan Museum of Art, New York, 1950.
NEW YORK HERALD TRIBUNE 1950B
 
“18 U.S. Artists Boycott Contest of Metropolitan.” New York Herald Tribune, May 22, 1950, p. 8.
NEW YORK HERALD TRIBUNE 1965
 
“The Galleries—A Critical Guide.” New York Herald Tribune, October 2, 1965, pp. 24–25. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
NEW YORK INSURANCE EXCHANGE 1986
 
New York Insurance Exchange Annual Report, 1986, cover, p. 1.
NEW YORK NEWSDAY 1975
 
“Beauty and Impact.” New York Newsday, January 26, 1975, sec. 2, p. 16. Review of Knoedler & Company, New York, January 1975.
NEW YORK NEWSDAY 1991
 
“Museum to Honor Motherwell.” New York Newsday, July 31, 1991, pt. 2, p. 49.
NEW YORK POST 1978
 
“Expressionism Led Way to the Top Spot.” New York Post, October 15, 1978, sec. B, p. 121. Review of Whitney Museum of American Art, New York, 1978.
NEW YORK SUN 1944
 
“Attractions in the Galleries.” New York Sun, December 2, 1944, p. 9. Review of Mortimer Brandt Gallery, New York, 1944.
NEW YORK SUN 1948
 
“Attractions in the Galleries.” New York Sun, May 11, 1948. Review of Samuel M. Kootz Gallery, New York, May 1948.
NEW YORK TIMES 1948
 
“Books.” New York Times, March 12, 1948, sec. 1, p. 21. Review of Columbia University Bookstore, New York, 1948.
NEW YORK TIMES 1949
 
“Art Education Meetings: Committee Slates Lecture and Symposium for Today.” New York Times, March 19, 1949, sec. 1, p. 12.
NEW YORK TIMES 1950
 
“18 Painters Boycott Metropolitan; Charge ‘Hostility to Advanced Art.’ ” New York Times, May 22, 1950, sec. 1, pp. 1, 15.
NEW YORK TIMES 1951A
 
“Art Symposium at Harvard.” New York Times, April 8, 1951, p. 52.
NEW YORK TIMES 1951B
 
“Mural in New Art Medium.” New York Times, October 17, 1951, sec. 1, p. 7.
NEW YORK TIMES 1952
 
“Metropolitan Hit by 7 Modernists.” New York Times, June 20, 1952.
NEW YORK TIMES 1954
 
“About Art and Artists: Galleries Can Be Judged by Works They Show for Sale at Christmas Time.” New York Times, December 16, 1954, p. 48. Review of Samuel M. Kootz Gallery, New York, December 1954.
NEW YORK TIMES 1955
 
“French Flocking to U.S. Art Show: Museum Head Here Reports on Reaction to 500 Items Shown, Including Gadgets.” New York Times, April 6, 1955, p. 27.
NEW YORK TIMES 1958A
 
“Art from U.S. to Be Exhibited at Brussels Fair.” New York Times, January 22, 1958, p. 10.
NEW YORK TIMES 1958B
 
“2 Artists to Marry: Helen Frankenthaler, Robert Motherwell Are Engaged.” New York Times, March 28, 1958, p. 21.
NEW YORK TIMES 1958C
 
“Miss Frankenthaler Wed Here to Artist.” New York Times, April 7, 1958, p. 25.
NEW YORK TIMES 1961
 
“Art.” New York Times, August 27, 1961, sec. 2, p. 13.
NEW YORK TIMES 1965
 
“Defending Mr. Motherwell” (letters to the editor from Carlos Basq, J. Kaplan, R.W.B. Lewis, and George Rickey). New York Times, October 31, 1965, sec. 2, p. 27.
NEW YORK TIMES 1974
 
“500 View U.S. Art at Moscow Embassy.” New York Times, June 22, 1974, p. 18.
NEW YORK WORLD-TELEGRAM AND SUN 1950
 
“18 Artists Vow to Boycott ‘Met’ Exhibit.” New York World-Telegram and Sun, May 22, 1950.
NICKERSON 1986
 
Nickerson, Cindy. “Artists Honor a Musician: Long Point Gallery’s Distinguished Dozen Pay Tribute to Composer Arthur Berger” (includes artist’s statements). Time Out (Cape Cod Times magazine), July 27–August 2, 1986, cover, p. 3. Review of Long Point Gallery, Provincetown, Mass., July 1986.
NICKERSON 1987
 
Nickerson, Cindy. “ ‘Homeric Themes’ at Long Point Gallery.” Capeweek (Cape Cod Times magazine), August 14, 1987, p. 8. Review of Long Point Gallery, Provincetown, Mass., 1987.
NICKERSON 1988
 
Nickerson, Cindy. “ ‘Opposites’ Attract at Long Point Gallery.” CapeWeek (Cape Cod Times magazine), July 8, 1988, p. 11. Review of Long Point Gallery, Provincetown, Mass., June 1988.
NICKERSON 1990
 
Nickerson, Cindy. “Long Point Gallery Artists Embelish the Square.” CapeWeek (Cape Cod Times magazine), July 20, 1990, p. 12. Review of Long Point Gallery, Provincetown, Mass., 1990.
NICKERSON 1991
 
Nickerson, Cindy. “Culture Club: Lower Cape Gallery Stars Eclectic Group of Artists” (includes artist’s statements). Cape Cod Times, June 15, 1991, p. 5.
NIEUWE ROTTERDAMSE COURANT 1966
 
“Bescheiden introductie van de Amerikaanse kunst” (text in Dutch). Nieuwe Rotterdamse Courant (Rotterdam, the Netherlands), October 8, 1966, p. 4. Review of the circulating exhibition at Museum Boymans-van Beuningen, Rotterdam, the Netherlands, September 1966 (see Museum of Modern Art, New York, American Collages, January 1965).
NOLAND 1991
 
Noland, Kenneth. “Art.” New Yorker 67, no. 16 (June 10, 1991): p. 14. Review of Knoedler & Company, New York, April 1991.
NORDLAND 1962A
 
Nordland, Gerald. “Art: Robert Motherwell.” Frontier 13, no. 6 (April 1962): pp. 20–22.
NORDLAND 1962B
 
Nordland, Gerald. “From Dirge to Jeer.” Arts Magazine 36, no. 5 (February 1962): pp. 50–52. Review of Pasadena Art Museum, Calif., February 1962.
NORDLAND 1962C
 
Nordland, Gerald. “Los Angeles Letter.” Das Kunstwerk 5–6, no. 16 (November–December 1962): pp. 67–68, 76. Review of UCLA Art Galleries, Los Angeles, 1962.
NORDLAND 1972
 
Nordland, Gerald. “Nordland’s View of Nordland.” California Living (San Francisco Examiner & Chronicle magazine), December 10, 1972, pp. 17–24.
O’BRIAN 1999
 
O’Brian, John. Ruthless Hedonism: The American Reception of Matisse. Chicago: University of Chicago Press, 1999.
O’BRIEN 1962
 
O’Brien, George. “Artists’ Row.” New York Times, March 4, 1962, sec. Magazine, pt. 1, pp. 52–53.
OCVIRK ET AL. 2005
 
Ocvirk, Otto, Robert E. Stinson, Philip R. Wigg, Robert O. Bone, and David L. Cayton. Art Fundamentals. 9th ed. New York: McGraw-Hill, 2005.
O’DOHERTY 1962
 
O’Doherty, Brian. “Art: Robert Motherwell; Objective Works in Introspection Are Displayed at Sidney Janis Gallery.” New York Times, December 6, 1962, p. 52. Review of Sidney Janis Gallery, New York, December 1962.
O’DOHERTY 1963
 
O’Doherty, Brian. “Art: Native and Foreign in Irish Show.” New York Times, August 17, 1963, sec. 1, p. 16. Review of National College of Art and Design, Dublin, 1963.
O’DOHERTY 1964
 
O’Doherty, Brian. “Two Groups: Togetherness as a Virtue.” New York Times, June 21, 1964, sec. 2, p. 11. Review of Marlborough-Gerson Gallery, New York, 1964.
O’DOHERTY 1967
 
O’Doherty, Brian. Object and Idea: An Art Critic’s Journal, 1961–1967. New York: Simon and Schuster, 1967.
O’DOHERTY 1973
 
O’Doherty, Brian. American Masters: The Voice and the Myth. Photography by Hans Namuth. New York: Random House, 1973.
O’HARA 1965A
 
O’Hara, Frank. “Robert Motherwell.” Art in America 53, no. 5 (October–November 1965): pp. 80–81. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
O’HARA 1965B
 
O’Hara, Frank. “The Grand Manner of Motherwell” (includes artist’s statements). Vogue 146, no. 6 (October 1, 1965): pp. 206–9, 263–65.
O’HARA 1975
 
O’Hara, Frank. “Robert Motherwell.” In Art Chronicles, 1954–1966 (includes artist’s statements), pp. 65–79. New York: George Braziller, 1975.
O’HARA 1983
 
O’Hara, Frank. Standing Still and Walking in New York (includes artist’s statements). Edited by Donald Allen. San Francisco: Grey Fox Press, 1983.
OLDS 2008
 
Olds, Kirsten. “Highlight: Robert Motherwell.” Art Market Report (Hollis Taggart Art Galleries), spring–summer 2008, pp. 8, 20.
OLIVER 1977
 
Oliver, Georgina. “The Two Sides of Robert Motherwell” (interview with the artist). Paris–Metro, July 20, 1977.
ON & OFF THE WALL 1995
 
“Robert Motherwell.” On & Off the Wall (Denver Art Museum), September–October 1995, cover, p. 12.
O’NEILL 1988
 
O’Neill, John. “The Rejuvenation of Motherwell.” AGO News (Art Gallery of Ontario) 10, no. 1 (January 1988): p. 3.
OPPLER 1988
 
Oppler, Ellen C., ed. Picasso’s Guernica (includes artist’s statements). New York: W. W. Norton, 1988.
OREGON DAILY EMERALD 1939A
 
“Lance Hart to Paint Early Logging Mural.” Oregon Daily Emerald (University of Oregon, Eugene), October 1, 1939, p. 1.
OREGON DAILY EMERALD 1939B
 
“Motherwell Says ‘UO Art School is One of Best in United States’ ” (includes artist’s statements). Oregon Daily Emerald (University of Oregon, Eugene), October 21, 1939, p. 3.
ORLANDINI 1970
 
Orlandini, Marisa Volpi. Arte Dopo il 1945 U.S.A. (text in Italian). Bologna, Italy: Capelli, 1970.
ORR-CAHALL ET AL. 1995
 
Orr-Cahall, Christina, Jaqueline Francis, Anne M. Bolin, Catherine M. Chastain, Lacey Taylor Jordan, and Diana McClintock. The American Collection: Selected Works from the Norton Museum of Art Collection (includes artist’s statements). Edited with an introduction by Christina Orr-Cahall. Entry “Robert Motherwell,” pp. 171–73. West Palm Beach, Fla.: Norton Museum of Art, 1995.
OSTERMANN 1964
 
Ostermann, Robert. “Men Who Lead an American Art Revolution: Fame and Fortune for Today’s Painters” (includes artist’s statements). National Observer, February 17, 1964, p. 18.
OVERY 1978
 
Overy, Paul. “Motherwell—No Score.” Times (London), January 31, 1978, p. 10. Review of Royal Academy of Arts, London, 1978.
PAALEN 1945
 
Paalen, Wolfgang. Form and Sense. Problems of Contemporary Art 1. New York: Wittenborn, 1945.
PAGE 1964
 
Page, Eleanor. “She Lives in an Art Museum.” Chicago Tribune, September 13, 1964, sec. 5, p. 3.
PAGEL 1997
 
Pagel, David. “Smart Sculptures with Fun-Loving Form.” Los Angeles Times, November 7, 1997, sec. F, p. 27. Review of Manny Silverman Gallery, Los Angeles, 1997.
PAGLIA 1996
 
Paglia, Michael. “Holy Motherwell!” Westword, November 15–21, 1996, pp. 55–56. Review of Denver Art Museum, 1995.
PAGLIA 1997
 
Paglia, Michael. “Rare Editions.” Westword 20, no. 24 (February 6–12, 1997): p. 57.
PAGLIA 2001
 
Paglia, Michael. “Slights of Hand: Robischon Salutes Three Generations of New York School Artists.” Denver Westword, February 15, 2001, sec. Arts, p. 53. Review of Robischon Gallery, Denver, 2001.
PAIRE 1981
 
Paire, Alain. “Reconciliation Elegy by Robert Motherwell” (text in French, book review; includes artist’s statements). Esprit, no. 1 (January 1981): p. 223.
PALETTE & ZEICHENSTIFT 2004
 
“Robert Motherwell” (text in German). Palette & Zeichenstift, no. 56 (June 2004): pp. 32–33. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
PARCERISAS 1986
 
Parcerisas, Pilar. “Motherwell o l’abstracció lírica mediterrània” (text in Catalan). Avui (Barcelona), November 13, 1986, p. 23. Review of Galería Joan Prats, Barcelona, 1986.
PARKS 1960
 
Parks, Robert O. “Unpublished Works and Recent Acquisitions.” Smith College Museum of Art Bulletin, no. 40 (1960): pp. 1–92.
PARRISH ART MUSEUM NEWS 2001
 
“Acquisitions 1999–2001.” Parrish Art Museum News, autumn 2001, p. 6.
PARTISAN REVIEW 1945
 
Partisan Review 7, no. 2 (spring 1945): p. 148.
PARTISAN REVIEW 1949
 
“Frontispiece.” Partisan Review 16, no. 6 (June 1949): n.p.
PARTISAN REVIEW 1961
 
Partisan Review 28, nos. 3–4 (1961): cover.
PASADENA STAR-NEWS 1984
 
“Motherwell in Review at Gallery.” Pasadena Star-News, January 13, 1984. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
PATTERSON 2006
 
Patterson, Vivian, ed. Encounter: Williams College Museum of Art. Entry “Robert Motherwell,” by Dana Pilson, pp. 148–49. Williamstown, Mass.: Williams College Museum of Art, 2006.
PATTON 1973
 
Patton, Phil. “Downtown and in Town.” Harvard Crimson, June 11, 1973, p. 2. Review of traveling exhibition at Museum of Fine Arts, Boston, 1973 (see Museum of Fine Arts, Houston, November 1972).
PATTON 1982
 
Patton, Phil. “Robert Motherwell: The Mellowing of an Angry Young Man” (interview with the artist). Artnews 81, no. 3 (March 1982): pp. 70–76.
PAUL 1986
 
Paul, April J. “Introduction a la Peinture Moderne Américaine: Six Young American Painters of the Samuel Kootz Gallery; An Inferiority Complex in Paris.” Arts Magazine 60, no. 6 (February 1986): pp. 65–71.
PAVIA AND SANDLER 1960
 
Pavia, P. G., and Irving Sandler, eds. “The Philadelphia Panel” (transcript of “Conversations with Artists,” Philadelphia Museum School of Art, March 28, 1960; Jack Tworkov, moderator; Philip Guston, Robert Motherwell, Ad Reinhardt, Harold Rosenberg, speakers). It Is., no. 5 (spring 1960): pp. 34–38.
PAYANT 1978–79
 
Payant, René. “The Tenacity of the Sign: Borduas in New York.” Artscanada 35, nos. 224–25 (December 1978–January 1979): pp. 31–38.
PAZ AND ALBERTI 1981
 
Paz, Octavio, and Rafael Alberti. “Poemas a Robert Motherwell” (text in Spanish). Separata, nos. 5–6 (spring 1981): pp. 8–11. Print of Octavio Paz’s The Skin/Sound of the World and Rafael Alberti’s Negro Motherwell.
PEGGY GUGGENHEIM COLLECTION 1960
 
Peggy Guggenheim Collection. La Collezione Peggy Guggenheim (text in Italian). Introductions by P. J.H.B. Sandberg, Herbert Read, and Alfred H. Barr. Venice, Italy: Palazzo Venier dei Leoni, 1960.
PEGGY GUGGENHEIM COLLECTION 1983
 
Peggy Guggenheim Collection. Handbook, the Peggy Guggenheim Collection. New York: Solomon R. Guggenheim Foundation, 1983.
PELLEGRINI 1966
 
Pellegrini, Aldo. New Tendencies in Art. Translated by Robin Carson. New York: Crown, 1966.
PÉLY-AUDAN 1991
 
Pély-Audan, Annick. “Motherwell” (text in English and French). Cimaise 38, no. 210 (January–March 1991): pp. 99–102.
PENINSULA TIMES-TRIBUNE 1984
 
“Motherwell Retrospective.” Peninsula Times-Tribune calendar (Palo Alto, Calif.), May 3, 1984, sec D., p. 1.
PENNSYLVANIA ACADEMY OF THE FINE ARTS 1989
 
Pennsylvania Academy of the Fine Arts. “The American Paintings in the Pennsylvania Academy of the Fine Arts: An Illustrated Checklist.” Compiled by Nancy Fresella-Lee; edited by Jacolyn A. Mott. Philadelphia: Pennsylvania Academy of the Fine Arts, in association with the University of Washington Press, 1989.
PERL 2005
 
Perl, Jed. New Art City (includes artist’s statements). New York: Alfred A. Knopf, 2005.
PERMANYER CA. 1986
 
Permanyer, Lluis. “El Gran Motherwell, en la Prats” (text in Spanish). Vivir en Barcelona, ca. 1986, p. 114. Review of Galería Joan Prats, Barcelona, 1986.
PERRONE 1976A
 
Perrone, Jeff. “Reviews.” Artforum 14, no. 8 (April 1976): pp. 70–72. Review of Knoedler & Company, New York, 1976.
PERRONE 1976B
 
Perrone, Jeff. “Reviews.” Artforum 15, no. 4 (December 1976): pp. 72–75. Review of Gruenebaum Gallery, New York, 1976.
PERRY 1975
 
Perry, Art. “American Masters at Galerie Allen: Abstractions a Mixed Bag.” Province (Vancouver, Canada), September 16, 1975, p. 11. Review of David Mirvish Gallery, Toronto, 1975.
PERRY 1985
 
Perry, Gerald. “Pulling Together the Pieces of Motherwell’s Classic Modernism” (interview with the artist). Chicago Tribune, January 27, 1985, sec. 13, pp. 20–21.
PHELPS 1965
 
Phelps, Robert, ed. Twentieth-Century Culture: The Breaking Up. New York: George Braziller, 1965.
PHILADELPHIA ART ALLIANCE BULLETIN 1946
 
“Six American Artists Hold Group Show.” Art Alliance Bulletin, October 1946, p. 6.
PHILLIPS 1951
 
Phillips, John Goldsmith. “Art in Silk.” Artnews Annual 20 (1951): pp. 159–76.
PHILLIPSON 1981
 
Phillipson, Nicholas. “Edinburgh: … and Clearings in the Myth.” Times Literary Supplement (London), August 28, 1981, p. 980. Review of City Art Centre and Fruitmarket Gallery, Edinburgh, 1981.
PICARD 1961
 
Picard, Lil. “New Yorker Kunstbrief” (text in German). Das Kunstwerk 5–6, no. 15 (November–December 1961): pp. 55–56. Review of Solomon R. Guggenheim Museum, New York, 1961.
P[IERRARD] 1990
 
P[ierrard], J[ean]. “Art Contemporain” (text in French). Le Point, October 8–16, 1990, p. 23. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
PINTE 1990
 
Pinte, Jean-Louis. “Motherwell: Des reves d’évasion” (text in French). Figaroscope, September 26, 1990, p. 49. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
PISCHEL 1978
 
Pischel, Gina. A World History of Art. Introduction and chap. “Art since 1960,” by Henry A. La Farge and Catherine Bernard. 2nd ed. New York: Newsweek Books, 1978.
PITTSBURGH POST-GAZETTE 1964
 
“Trip to the Show.” Pittsburgh Post-Gazette, December 21, 1964, sec. Magazine, p. 37.
PLANTE ET AL. 1986
 
Plante, Michael, Christopher Campbell, Megan Fox, Mitchell F. Merling, Jennifer Wells, and Ima Ebong. Definitive Statements: American Art, 1964–66. Providence, R.I.: Brown University, 1986.
PLAZY 1977
 
Plazy, Gilles. “Robert Motherwell: Un Rêve américain” (text in French). [Quotidien de Paris, August 23, 1977.] Review of Musée d’Art Moderne de la Ville de Paris, 1977.
PLEYNET 1975
 
Pleynet, Marcelin. “Peinture et poésie ou la leçon de Robert Motherwell” (text in French). Art Press (Paris), no. 19 (July–August 1975): pp. 4–9.
P[LEYNET] 1976
 
P[leynet], M[arcelin]. “Une Retrospective de l’oeuvre de Motherwell a Paris?” (text in French; includes artist’s statements). Art Press (Paris), no. 22 (January–February 1976): p. 2.
PLEYNET 1977
 
Pleynet, Marcelin. “La Méthode de Robert Motherwell” (text in French; includes artist’s statements). Tel Quel 71, no. 73 (autumn 1977): pp. 183–99.
[PLEYNET] 1981
 
Pleinet [Pleynet], Marcelin. “Elegíaco Robert Motherwell” (text in Spanish; includes artist’s statements). Translated by Juan Montero. Separata, nos. 5–6 (spring 1981): pp. 18–26.
PLEYNET 1986
 
Pleynet, Marcelin. “La Méthode de Robert Motherwell.” In Les Etats-Unis de la peinture (text in French). Paris: Editions du Seuil, 1986.
PLEYNET 1989A
 
Pleynet, Marcelin. “Robert Motherwell” (text in French; interview with the artist). Beaux Arts, no. 72 (October 1989): pp. 70–75, 177.
PLEYNET 1989B
 
Pleynet, Marcelin. Robert Motherwell. Translated by Mary Ann Caws. Paris: Daniel Papierski, 1989.
PLEYNET 1991
 
Pleynet, Marcelin. “Art and Literature: Robert Motherwell’s Riverrun.” Chap. 1 in Interpreting Contemporary Art, edited by Stephen Bann and William Allen. London: Reaktion Books, 1991.
PLEYNET 1995
 
Pleynet, Marcelin. “Robert Motherwell: Elegie à la République espagnole ou de l’art comme tauromachie” (text in French; includes artist’s statements). Revue d’esthétique (Paris) 27, no. 95 (1995): pp. 101–16.
PLEYNET 1998
 
Pleynet, Marcelin. “Art et littérature: Riverrun” (text in French; includes artist’s statements). La Nouvelle revue francaise (Paris), nos. 546–47 (July–August 1998): pp. 85–101.
PLOTTEL 1983
 
Plottel, Jeanine Parisier, ed. Collage (includes artist’s statements). New York: New York Literary Forum, 1983.
POESIA Y POÉTICA 1990
 
Poesia y Poética, no. 4 (winter 1990): passim.
POLCARI 1979
 
Polcari, Stephen. “The Intellectual Roots of Abstract Expressionism: Mark Rothko” (includes artist’s statements). Arts Magazine 54, no. 1 (September 1979): pp. 124–34.
POLCARI 1991
 
Polcari, Stephen. “Robert Motherwell: The School of Paris Meets New York.” Chap. 10 in Abstract Expressionism and the Modern Experience (includes artist’s statements). Cambridge, England: Cambridge University Press, 1991.
POLO 1975
 
Polo, Roberto. “Robert Motherwell Talks about Fashion as Fantasy with Roberto Polo” (interview with the artist). Andy Warhol’s Interview 6, no. 1 [December] 1975, p. 19.
POMARÈDE AND DELAROIÈRE 1978
 
Pomarède, Alain, and Thierry Delaroière. “Robert Motherwell” (text in French; interview with the artist). Art Présent, nos. 6–7 (1978): n.p.
PONENTE 1960
 
Ponente, Nello. Modern Painting: Contemporary Trends. Paris: Editions d’Art Albert Skira, 1960.
PORIKYS 1990
 
Porikys, Gunnar. “Spuren der Tanszendenz” (text in German). Unsere Zeitung, no. 3 (May 1990). Review of Martin-Gropius-Bau, Berlin, 1990.
PORTER 1961
 
Porter, Fairfield. “Art.” Nation 192, no. 17 (April 29, 1961): pp. 378–79. Review of Sidney Janis Gallery, New York, April 1961.
POWER 1977
 
Power, Kevin. “Robert Motherwell.” Arts Review (London) 29, no. 21 (October 14, 1977): pp. 618, 640. Review of Royal Scottish Academy, Edinburgh, 1977.
PREBLE AND PREBLE 1994
 
Preble, Duane, and Sarah Preble. Artforms: An Introduction to the Visual Arts. 5th ed. New York: HarperCollins College, 1994.
PREBLE, PREBLE, AND FRANK 1999
 
Preble, Duane, Sarah Preble, and Patrick Frank. ArtForms: An Introduction to the Visual Arts. 6th ed. New York: Addison-Wesley, 1999.
PREBLE, PREBLE, AND FRANK 2002
 
Preble, Duane, Sarah Preble, and Patrick Frank. Artforms: An Introduction to the Visual Arts. Revised by Patrick Frank. 7th ed. Upper Saddle River, N.J.: Prentice Hall, 2002.
PRESTON 1949
 
Preston, Stuart. “Early Exhibitions: Group Shows of Moderns—Work by Indians.” New York Times, September 18, 1949, sec. 2, p. 12. Review of Samuel M. Kootz Gallery, New York, September 1949.
PRESTON 1950A
 
Preston, Stuart. “Among the Early Shows.” New York Times, September 17, 1950, sec. B, p. 9. Review of Samuel M. Kootz Gallery, New York, [September] 1950.
PRESTON 1950B
 
Preston, Stuart. “Artists of Today: Recent Painting by Ernst, Motherwell and Others.” New York Times, November 19, 1950, sec. 2, p. 10. Review of Samuel M. Kootz Gallery, New York, November 1950.
PRESTON 1950C
 
Preston, Stuart. “Cape and City Shows.” New York Times, August 27, 1950, sec. 2, p. 8. Review of Hawthorne Memorial Gallery, Provincetown Art Association, Mass., 1950.
PRESTON 1950D
 
Preston, Stuart. “Diverse Modernism: Vivin, French ‘Primitive’—Recent Abstraction.” New York Times, January 1, 1950, sec. 2, p. 8. Review of Samuel M. Kootz Gallery, New York, December 1949.
P[RESTON] 1950E
 
P[reston], S[tuart]. “Janet Marren Has Exhibition of Oils: Her First One-Man Show at the Roko Gallery Is Marked by a Tactful Use of Color.” New York Times, September 22, 1950, sec. 1, p. 29. Review of Argent Gallery, New York, 1950.
P[RESTON] 1951A
 
P[reston], S[tuart]. “Art Shows Thrive in Galleries Here: Variety of Displays Continues Heavy—Abstracts Exhibition on View at the Kootz.” New York Times, March 9, 1951, sec. 1, p. 23. Review of Samuel M. Kootz Gallery, New York, Male + Female, March 1951.
PRESTON 1951B
 
Preston, Stuart. “Chiefly Abstract: New One-Man Exhibitions Exploit Variety.” New York Times, April 8, 1951, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, 5 x 6, March 1951.
P[RESTON] 1952A
 
P[reston], S[tuart]. “Avant Garde Art Is Exhibited Here: 2 Group Shows by Americans and Work of Contemporary French Painter on View.” New York Times, April 26, 1952, p. 18. Review of Samuel M. Kootz Gallery, New York, 7 Invited to South America, April 1952.
PRESTON 1952B
 
Preston, Stuart. “Primitive to Modern: Sculpture of Old Mexico—David Smith—Buffet.” New York Times, April 6, 1952, sec. 2, p. 11. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings, and Collages, April 1952.
PRESTON 1953
 
Preston, Stuart. “Of Several Centuries.” New York Times, April 12, 1953, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, April 1953.
PRESTON 1959A
 
Preston, Stuart. “Art: Many Viewpoints; New Shows Run the Gamut of Twentieth Century’s Styles and Schools.” New York Times, January 10, 1959, p. 15. Review of Sidney Janis Gallery, New York, January 1959.
PRESTON 1959B
 
Preston, Stuart. “The Many Faces of Painting and Sculpture.” New York Times, March 15, 1959, sec. 2, p. 18. Review of Sidney Janis Gallery, New York, March 1959.
PRESTON 1980
 
Preston, Malcolm. “Art Review: The East End ‘Rebels’ on Exhibit.” New York Newsday, September 9, 1980, pt. 2, p. 31. Review of Parrish Art Museum, Southampton, N.Y., 1980.
PRIAL 1977
 
Prial, Frank J. “Mouton: Art Within and Without.” New York Times, May 18, 1977, sec. C, p. 15.
PRICE 1972
 
Price, Vincent. The Vincent Price: Treasury of American Art. Entry “Robert Motherwell,” pp. 284–85. Waukesha, Wis.: Country Beautiful, 1972.
PRINCETON ALUMNI WEEKLY 1973
 
Princeton Alumni Weekly 73, no. 13 (January 23, 1973): cover.
PROVINCETOWN ADVOCATE 1949
 
“Forum 49 Spotlights Early Pioneers in Modern Movement in American Art.” Provincetown Advocate, June 30, 1949, p. 1. Review of Gallery 200, Provincetown, Mass., 1949.
PROVINCETOWN ADVOCATE 1957
 
“Motherwell Show at HCE Gallery.” Provincetown Advocate, August 1, 1957.
PYTHOUD 1990
 
Pythoud, Laurence. “Paris: Robert Motherwell” (text in French). L’Oeil, no. 423 (October 1990): p. 97. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
QIN 1996
 
Qin, Zhao-Kai. “The Influence of Oriental Art and Ideas on Robert Motherwell’s Work: An Investigation of Certain Affinities between His Work and Chinese and Japanese Calligraphy and Ink Painting” (includes artist’s statements). M.A. thesis, Virginia Commonwealth University, 1996.
QUANTRILL 1978
 
Quantrill, Malcolm. “London” (includes artist’s statements). Art International 22, no. 3 (March 1978): pp. 43–49. Review of Royal Academy of Arts, London, 1978.
QUAST 2003
 
Quast, Antje. “Mallarmé Topoi in the Work of Robert Motherwell” (includes artist’s statements). Translated by Julia Bernard. Word & Image 19, no. 4 (October–December 2003): pp. 314–26.
QUICK POCKET NEWS WEEKLY 1951
 
“A New Art Medium.” Quick Pocket News Weekly 5, no. 18 (October 29, 1951): p. 44.
RÀFOLS-CASAMADA 1996
 
Ràfols-Casamada, Albert. “Proximidad de Motherwell” (text in Spanish). Arte y Parte, no. 5 (October–November 1996): pp. 17–20.
RAGON 1969
 
Ragon, Michel. Vingt-cinq ans d’art vivant: Chronique vécue de l’art contemporain de l’abstraction au pop art, 1944–1969 (text in French; interview with the artist). [Paris]: Casterman, 1969.
RAISER ET AL. 1972
 
Raiser, William, Arthur Elrod, and Ernest A. Grunsfeld III. “The Quintessential Design for Art.” Architectural Digest 28, no. 6 (May–June 1972): pp. 12–23.
RATCLIFF 1973
 
Ratcliff, Carter. “New York Letter.” Art International 17, no. 1 (January 1973): pp. 58–63.
RATCLIFF 1975
 
Ratcliff, Carter. “New York.” Art Spectrum 1, no. 3 (March 1975): pp. 32–35. Review of Knoedler & Company, New York, January 1975.
RATCLIFF 1976
 
Ratcliff, Carter. “New York Letter.” Art International 10, nos. 3–4 (March–April 1976): pp. 67–75. Review of Knoedler & Company, New York, 1976.
RATCLIFF 1987
 
Ratcliff, Carter. “Architectural Digest Visits: Andy Williams.” Architectural Digest 35, no. 7 (July 1987): pp. 40–47, 139.
RATCLIFF 1983
 
Ratcliff, Carter. “Motherwell: A Passion for a Literate Art.” Vogue 173, no. 10 (October 1983): p. 92. Review of Albright-Knox Art Gallery, Buffalo, 1983.
RATCLIFF 1996
 
Ratcliff, Carter. The Fate of a Gesture: Jackson Pollock and Postwar American Art. New York: Farrar, Straus, Giroux, 1996.
RATTEMEYER 2009
 
Rattemeyer, Christian. The Judith Rothschild Foundation: Contemporary Drawings Collection; Catalogue Raisonné. New York: Museum of Modern Art, 2009.
RAVENAL 2007
 
Ravenal, John B. Modern & Contemporary Art at the Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 2007.
RAY 1966
 
Ray, Muriel. “The Cover Picture.” Instructor 75, no. 6 (February 1966): pp. 4–5.
RAYMONT 1963
 
Raymont, Henry. “National Gallery Opens its Doors to Modern Art.” New York Times, December 18, 1963, p. 37. Review of National Gallery of Art, Washington, D.C., 1963.
RAYMONT 1968
 
Raymont, Henry. “Viking to Publish a Vast Modern-Art Series: Texts By and About Artists to Appear over 12 Years” (interview with the artist). New York Times, June 6, 1968, sec. C, p. 55.
RAYNOR 1974A
 
Raynor, Vivien. “A Preview of the New Hirshhorn Museum.” New York Times, July 14, 1974, sec. 2, pp. 1, 14. Review of Joseph H. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., 1974.
RAYNOR 1974B
 
Raynor, Vivien. “A Talk with Robert Motherwell” (interview with the artist). Artnews 73, no. 4 (April 1974), pp. 50–52.
RAYNOR 1978A
 
Raynor, Vivien. “A Well-Traveled Collection.” New York Times, January 29, 1978, sec. 23, p. 12. Review of Yale University Art Gallery, New Haven, Conn., 1977.
RAYNOR 1978B
 
Raynor, Vivien. “Notes on Some Native Sons.” New York Times, February 5, 1978, sec. 23, p. 10. Review of Carlson Gallery, University of Bridgeport, Conn., 1978.
RAYNOR 1979
 
Raynor, Vivien. “Motherwell Fuses Color and Expression” (includes artist’s statements). New York Times, April 15, 1979, sec. 23, p. 14. Review of William Benton Museum of Art, University of Connecticut, Storrs, 1979.
RAYNOR 1982
 
Raynor, Vivien. “Milton Avery: Paintings on Paper at the Whitney.” New York Times, October 10, 1982, sec. 23, p. 26. Review of Stamford Museum & Nature Center, Conn., 1982.
RAYNOR 1983A
 
Raynor, Vivien. “Artists Champion Other Artists.” New York Times, January 30, 1983, sec. 23, p. 18. Review of Wadsworth Atheneum, Hartford, Conn., 1983.
RAYNOR 1983B
 
Raynor, Vivien. “Works of State Residents Shine in 3 Shows.” New York Times, October 2, 1983, sec 23, p. 24. Review of Whitney Museum of American Art, Fairfield County, Stamford, Conn., 1983.
RAYNOR 1984A
 
Raynor, Vivien. “Art: Hiroshige Prints at I.B.M. Gallery.” New York Times, May 4, 1984, sec. C, p. 28. Review of Hirschl & Adler Modern and Hirschl & Adler Galleries, New York, 1984.
RAYNOR 1984B
 
Raynor, Vivien. “The Collages of Robert Motherwell.” New York Times, October 12, 1984, sec. C, pp. 1, 21. Review of Knoedler & Company, New York, October 1984.
RAYNOR 1986
 
Raynor, Vivien. “Art: Scanning Career of Georgia O’Keeffe.” New York Times, May 2, 1986, sec. C, p. 30. Review of Knoedler & Company, New York, April 1986.
RAYNOR 1987
 
Raynor, Vivien. “Art: ‘The Window’ in 20th-Century Works.” New York Times, January 2, 1987, sec. C, p. 19. Review of Neuberger Museum of Art, State University of New York at Purchase, 1986.
RAYNOR 1994
 
Raynor, Vivien. “A Painter Who Patiently Tried to Explain What He Did” (book review). New York Times, February 20, 1994, sec. 13, p. 18.
RAYNOR 1995
 
Raynor, Vivien. “Private Collections in the Spotlight.” New York Times, April 16, 1995, sec. 13, p. 14. Review of Neuberger Museum of Art, State University of New York at Purchase, 1995.
READ 1970
 
Read, Charles. “Robert Motherwell Comes to St. Paul’s School to Find ‘A Receptive and Eager Audience’ ” (includes artist’s statement). Pelican 25, no. 9 (February 11, 1970): pp. 1, 3.
READING EAGLE 1969
 
“Museum Aids Abstract Expressionism.” Reading Eagle (Pa.), July 13, 1969, p. 50. Review of Museum of Modern Art, New York, June 1969.
RÉALITÉS NOUVELLES EXH. CAT. 1947
 
Réalités nouvelles (exhibition catalogue). Paris: Comité du Salon des Réalités Nouvelles, 1947.
R[EBELLO] 1985
 
R[ebello], S[tephen]. “Vintage Art.” Saturday Review, January–February 1985, p. 13. Review of the circulating exhibition at Corcoran Gallery of Art, Washington, D.C., December 1984 (see Château Mouton Rothschild, Pauillac, France, 1981).
RECORD AMERICAN 1966
 
“Painter Defends Mural Depicting JFK Shooting” (includes artist’s statements). Record American (Boston), August 13, 1966, p. 8.
R[EED] 1945
 
R[eed], J[udith] K[aye]. “Kootz Opens Gallery.” Art Digest 19, no. 19 (August 1, 1945): p. 9. Review of Samuel M. Kootz Gallery, New York, July 1945.
REED 1946
 
Reed, Judith Kaye. “Moderns at Kootz.” Art Digest 20, no. 20 (September 15, 1946): p. 11. Review of Samuel M. Kootz, New York, September 1946.
REED 1947
 
Reed, Judith Kaye. “Without Flattery.” Art Digest 21, no. 20 (September 15, 1947): p. 10. Review of Samuel M. Kootz Gallery, New York, Women, September 1947.
R[EED] 1949
 
R[eed], J[udith] K[aye]. “Kootz Circus.” Art Digest 24, no. 3 (November 1, 1949): p. 14. Review of Samuel M. Kootz Gallery, New York, The Birds & the Beasts, October 1949.
R[EED] 1951
 
R[eed], P[rudence] B. “Reviews and Previews.” Artnews 50, no. 6 (October 1951): p. 45. Review of Samuel M. Kootz Gallery, New York, October 1951.
REGAN 1984
 
Regan, Kate. “Messages from Motherwell” (includes artist’s statements). San Francisco Chronicle, April 29, 1984, sec. Review, p. 12. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
REGAN 1987
 
Regan, Sue. “Guests Get Glimpse of Artistic Process” (includes artist’s statements). Greenwich Time, May 17, 1987, sec. B, p. 1.
REIF 1981A
 
Reif, Rita. “Recent Art Brings Record Auction Prices.” New York Times, May 19, 1981, sec. C, p. 8.
REIF 1981B
 
Reif, Rita. “Records Set in Postwar Art.” New York Times, August 28, 1981, sec. C, p. 19.
REIF 1982A
 
Reif, Rita. “Auction Prices for Quality Works Holding Firm.” New York Times, May 24, 1982, sec. C, p. 17.
REIF 1982B
 
Reif, Rita. “Silver Linings at 2 Galleries.” New York Times, July 16, 1982, sec. C, p. 26.
REIF 1983
 
Reif, Rita. “Painting Draws $506,000.” New York Times, November 9, 1983, sec. C, p. 24.
REIF 1984
 
Reif, Rita. “De Kooning Work Sold.” New York Times, November 2, 1984, sec. C, p. 23.
REINHARDT 1954
 
Reinhardt, Ad. “The Artist in Search of an Academy, Part Two: Who Are the Artists?” College Art Journal 13, no. 4 (summer 1954): pp. 314–15.
REISS 1951
 
Reiss, Lionel. “Art for the Synagogue.” Reconstructionist 17, no. 12 (October 19, 1951): pp. 27–29. Review of Samuel M. Kootz Gallery, New York, October 1951.
RENO 1962
 
Reno, Doris. “He Paints–What You Don’t See” (interview with the artist). Miami Herald, January 24, 1962, sec. C, p. 2.
RENSE 1982
 
Rense, Paige, ed. Architectural Digest: The Collectors. Los Angeles: Knapp Press, 1982.
REVSON 1985
 
Revson, James A. “Razing the Roof Where Motherwell Once Lived” (interview with the artist). Newsday, June 6, 1985, pt. 3, pp. 4–5.
RICE 1957
 
Rice, Dustin. “Art: Second-Generation.” Village Voice 2, no. 30 (May 22, 1957): p. 9. Review of Sidney Janis Gallery, New York, May 1957.
RICHARD 1984
 
Richard, Paul. “Hesitation at the Brink” (includes artist’s statements). Washington Post, September 16, 1984, sec. D, pp. 1, 12–13. Review of the traveling exhibition at Corcoran Gallery of Art, Washington, D.C., September 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
RICHARDSON 2001
 
Richardson, Margaret. “Robert Motherwell’s Use and Understanding of Oriental Art” (includes artist’s statements). Virginia Review of Asian Studies 3 (fall 2001): pp. 241–63.
RILEY 1944A
 
Riley, Maude. “Fifty-seventh Street in Review.” Art Digest 18 (May 15, 1944): p. 18. Review of Art of This Century, New York, April 1944.
R[ILEY] 1944B
 
R[iley], M[aude]. “Whither Goes Abstract and Surrealist Art?” Art Digest 19, no. 5 (December 1, 1944): pp. 8, 31. Review of Mortimer Brandt Gallery, New York, 1944.
R[ITTER] 1952
 
R[itter], C[hris]. “Fifty-seventh Street in Review.” Art Digest 27, no. 5 (December 1, 1952): p. 17. Review of Samuel M. Kootz Gallery, New York, November 1952.
ROBB REPORT 1984
 
Robb Report 8, no. 5 (May 1984): cover.
ROBERTS 1963
 
Roberts, Colette. “Lettre de New York” (text in French). Aujourd’hui 7, no. 40 (January 1963): pp. 54–55. Review of Sidney Janis Gallery, New York, December 1962.
ROBERTS 1966
 
Roberts, Keith. “Current and Forthcoming Exhibitions.” Burlington Magazine 108, no. 758 (May 1966): pp. 273–77. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
ROBERTS 1978
 
Roberts, Keith. “London.” Burlington Magazine 120, no. 900 (March 1978): pp. 174–78, 180. Review of Royal Academy of Arts, London, 1978.
ROBERTSON 1964
 
Robertson, Bryan. “The Spirit of a Decade.” Times (London), April 28, 1964, p. 15. Review of Tate Gallery, London, April 1964.
ROBERTSON 1965
 
Robertson, Bryan. “Robert Motherwell v. American and European Culture.” Times (London), October 19, 1965, p. 16. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
ROBERTSON 1966A
 
Robertson, Bryan. “From a Notebook on Robert Motherwell.” Studio International 171, no. 875 (March 1966): pp. 89–93.
ROBERTSON 1966B
 
Robertson, Bryan. “Robert Motherwell” (book review). Studio International 172, no. 883 (November 1966): n.p.
ROBERTSON 1986
 
Robertson, Nan. “Artists in Old Age: The Fires of Creativity Burn Undiminished.” New York Times, January 22, 1986, pp. C1, C10 (includes artist’s statements).
ROBERTSON 1991
 
Robertson, Bryan. “Robert Motherwell” (obituary; includes artist’s statements). Independent (London), July 19, 1991, p. 25.
ROBERTS-PULLEN 1997
 
Roberts-Pullen, Paulette. “Action Art.” Style Weekly, November 25, 1997, p. 55. Review of Marsh Art Gallery, George M. Modlin Center for the Arts, University of Richmond, Va., 1996.
ROBINSON AND WILKES 1991
 
Robinson, Walter, and Anastasia Wilkes, comps. “Obituaries” (obituary; includes artist’s statements). Art in America 79, no. 9 (September 1991): p. 160.
ROBSON 1990
 
Robson, Deirdre. “The Market for Abstract Expressionism: The Time Lag between Critical and Commercial Acceptance.” Archives of American Art Journal 30, no. 1 (1990): pp. 113–18.
RODARI 1988
 
Rodari, Florian. Collage: Pasted, Cut, and Torn Papers. New York: Rizzoli International, 1988.
ROMDAHL 1976
 
Romdahl, Margareta. “Pionjär i maleri pa Kulturhuset” (text in Swedish). [Dagens Nyheter], [December] 1976. Review of the traveling exhibition at Galleriet Kulturhuset, Stockholm, November 1976 (see Städtische Kunsthalle Düsseldorf, 1976).
ROSAND 1985
 
Rosand, David. “Voyages of Discovery” (includes artist’s statements). Times Literary Supplement (London), January 25, 1985, p. 93. Review of Solomon R. Guggenheim Museum, New York, 1984.
ROSAND 1997
 
Rosand, David. “ ‘My I’: Toward an Iconography of the Self.” In Robert Motherwell on Paper: Drawings, Prints, Collages (exhibition catalogue), pp. 13–38. New York: Harry N. Abrams, in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University, 1997. See entry in List of Exhibitions.
ROSE 1964
 
Rose, Barbara. “New York Letter.” Art International 8, no. 1 (February 15, 1964): pp. 40–41. Review of Jewish Museum, New York, 1963.
ROSE 1967
 
Rose, Barbara. American Art since 1900: A Critical History (includes artist’s statements). New York: Frederick A. Praeger, 1967.
ROSE 1968
 
Rose, Barbara, ed. Readings in American Art since 1900: A Documentary Survey (includes artist’s statements). New York: Praeger, 1968.
ROSE 1969
 
Rose, Barbara. “Art: Openness and Robert Motherwell, ‘an Infallible Eye.’ ” Vogue 154, no. 2 (August 1, 1969): p. 62.
ROSE 1970
 
Rose, Barbara. American Painting: The 20th Century. Edited by Alexis Gregory. Geneva: Albert Skira, 1970.
ROSE 1971
 
Rose, Barbara. “Mondrian in New York.” Artforum 10, no. 4 (December 1971): pp. 54–63.
ROSE 1972
 
Rose, Barbara. “Robert Motherwell: Young Old Master.” Vogue 160, no. 8 (November 1, 1972): p. 54.
ROSE 1975
 
Rose, Barbara. American Art since 1900: Revised and Expanded Edition (includes artist’s statements). 2nd ed. New York: Praeger, 1975.
ROSE 1982
 
Rose, Barbara. Miró in America (exhibition catalogue; includes artist’s statements). Essays by Judith McCandless and Duncan MacMillan. Houston: Museum of Fine Arts, Houston, 1982.
ROSE 1986
 
Rose, Barbara. American Painting: The Twentieth Century. 2nd ed. Geneva: Editions d’Art Albert Skira; New York: Rizzoli International, 1986.
ROSE 1991
 
Rose, Barbara. “A Letter to Robert Motherwell Never Mailed.” Journal of Art 4, no. 7 (September 1991): p. 8.
ROSE AND SANDLER 1967
 
Rose, Barbara, and Irving Sandler. “Sensibility of the Sixties” (includes artist’s statements). Art in America 55, no. 1 (January–February 1967): pp. 44–57.
ROSENBERG 1961
 
Rosenberg, Harold. “Art in Orbit.” Artnews 60, no. 6 (October 1961): pp. 22–25, 54, 57. Review of Museu de Arte Moderna, São Paulo, Brazil, 1961.
ROSENBERG 1963
 
Rosenberg, Harold. “Art and Identity: The Unfinished Masterpiece.” New Yorker 38, no. 46 (January 5, 1963): pp. 70–77.
ROSENBERG 1964
 
Rosenberg, Harold. The Anxious Object: Art Today and Its Audience. New York: Horizon Press, 1964.
ROSENBERG 1969
 
Rosenberg, Harold. “The Art World: Moma’s Napas.” New Yorker 45, no. 32 (September 27, 1969): pp. 102–12. Review of Museum of Modern Art, New York, June 1969.
ROSENBERG 2010
 
Rosenberg, Karen. “Audacious Expressions on the Walls of the Temple.” New York Times, April 8, 2010, sec. C, p. 28. Review of Jewish Museum, New York, 2010.
ROSENBERG AND FLIEGEL 1965
 
Rosenberg, Bernard, and Norris Fliegel. The Vanguard Artist: Portrait and Self-Portrait. Chicago: Quadrangle Books, 1965.
ROSENBLUM ET AL. 2004
 
Rosenblum, Robert, Phillip Dennis Cate, Martin Eidelberg, Alice Cooney Frelinghuysen, Henry Hawley, Anne H. Hoy, Pepe Karmel, Lauren Kogod, Amy F. Ogata, Gail Stavitsky, Philippe Thiébaut, and Christian Witt-Döring. The Kogod Collection. Introduction by Stephanie Rachum. [Washington, D.C.]: Robert P. and Arlene R. Kogod, 2004.
ROSENTHAL 1996
 
Rosenthal, Mark. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline (exhibition catalogue). New York: Guggenheim Museum, 1996.
ROSS 1990
 
Ross, Clifford, ed. “Robert Motherwell” (includes artist’s statements). In Abstract Expressionism: Creators and Critics; An Anthology, pp. 102–119. New York: Harry N. Abrams, 1990.
ROSS 1998
 
Ross, Val. “AGO Unveils Motherwell Collection” (includes artist’s statements). Globe and Mail (Toronto), September 30, 1998, sec. C, pp. 1, 3.
ROSWELL 1982
 
Roswell, Clint. “Pioneering Artists’ Top Abstract Show.” Fairfield, October 3, 1982, sec. F, p. 9. Review of Stamford Museum & Nature Center, Conn., 1982.
ROTHSCHILD 1978A
 
Rothschild, Ilene. “At Home: With the Motherwells” (interview with the artist). Fairfield County 8, no. 1 (January 1978): pp. 2, 48–50.
ROTHSCHILD 1978B
 
Rothschild, Judith. “Summer ’78: Provincetown Journal.” Art/World, September 22–October 15, 1978, p. 15.
RUBENFELD 1997
 
Rubenfeld, Florence. Clement Greenberg: A Life. New York: Scribner, 1997.
RUBIN 1958A
 
Rubin, William S. “The New York School—Then and Now: Part I.” Art International 2, nos. 2–3 (March–April 1958): pp. 23–26.
RUBIN 1958B
 
Rubin, William S. “The New York School—Then and Now: Part II.” Art International 2, nos. 4–5 (May–June 1958): pp. 19–22.
RUBIO 1980
 
Rubio, Javier. “Robert Motherwell y la Escuela De Nueva York” (text in Spanish). Blanco y Negro (Madrid), April 13, 1980, pp. 20–21. Review of the traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, 1980).
RUDENSTINE 1985
 
Rudenstine, Angelica Zander. Peggy Guggenheim Collection, Venice, The Solomon R. Guggenheim Foundation (includes interview with the artist). Foreword by Peter Lawson-Johnston; preface by Thomas M. Messer. New York: Harry N. Abrams, in association with Solomon R. Guggenheim Foundation, 1985.
RUHE 1987
 
Ruhe, Barnaby. “Motherwell at Knoedler.” Art/World 11, no. 8 (May 15–June 15, 1987): pp. 1, 6. Review of Knoedler & Company, New York, May 1987.
RUHRBERG 1992
 
Ruhrberg, Karl. Die Malerei in Europa und Amerika, 1945–1960: Die Zweite Moderne (text in German). Entry 28, “Robert Motherwell,” pp. 104–5. Cologne, Germany: DuMont Buchverlag, 1992.
RUHRBERG 1996
 
Ruhrberg, Karl. Alfred Schmela: Galerist—Wegbereiter der Avantgarde (text in German). Contributions by Axel Wendelberger and Elfriede Ruhrberg. Cologne: Wienand Verlag, 1996.
RUSSELL 1959
 
Russell, John. “The ‘New American Painting’ Captures Europe.” Horizon 2, no. 2 (November 1959): pp. 32–41, 120–21.
RUSSELL 1970
 
Russell, Paul. “A Severe Tone Pervades Mirvish Gallery Show.” Toronto Daily Star, December 12, 1970, p. 59. Review of David Mirvish Gallery, Toronto, December 1970.
RUSSELL 1975
 
Russell, John. The Meanings of Modern Art. Vol. 10, “America Redefined.” New York: Museum of Modern Art, 1975.
RUSSELL 1976A
 
Russell, John. “Art: A Fine Omen for New Season.” New York Times, September 24, 1976, sec. C, p. 16. Review of Gruenebaum Gallery, New York, 1976.
RUSSELL 1976B
 
Russell, John. “Monet’s Reputation on Top This Time.” New York Times, October 29, 1976, sec. C, p. 15. Review of Robert Elkon Gallery, New York, 1976.
RUSSELL 1977
 
Russell, John. “Art: Masters of Collage.” New York Times, November 25, 1977, sec. C, p. 18. Review of Andrew Crispo Gallery, New York, 1977.
RUSSELL 1978
 
Russell, John. “A Saturday Guide to Gallery Hopping.” New York Times, April 28, 1978, sec. C, pp. 1, 15. Review of Knoedler & Company, New York, 1978.
RUSSELL 1980
 
Russell, John. “Art: Modern Museum Stages Motherwell Show.” New York Times, October 31, 1980, sec. C, p. 22.
RUSSELL 1984
 
Russell, John. “Art: From Motherwell, Biography and History.” New York Times, December 7, 1984, sec. C, p. 22. Review of Solomon R. Guggenheim Museum, New York, 1984.
RUSSELL 1987
 
Russell, John. “Art: Guigou’s Depictions of His Beloved Provence.” New York Times, May 8, 1987, sec. C, p. 24. Review of Knoedler & Company, New York, May 1987.
RUSSELL 1989
 
Russell, John. “Life’s Carnival, by Old Masters.” New York Times, May 5, 1989, sec. C, p. 29. Review of Knoedler & Company, New York, April 1989.
RUSSELL 1993
 
Russell, John. “Baudelaire as Painterly Inspiration.” New York Times, October 15, 1993, sec. C, p. 22. Review of Heckscher Museum, Huntington, N.Y., 1993.
RUSSO 2005
 
Russo, John Paul. The Future without a Past: The Humanities in a Technological Society. Columbia: University of Missouri Press, 2005, cover.
RYAN 1983
 
Ryan, Margaret. “Two Exhibits Celebrate Joyce” (includes artist’s statements). Advocate, June 2, 1983, pp. 11, 21. Review of Provincetown Art Association and Museum, Mass., 1983.
RYKWERT 1966
 
Rykwert, Joseph. “Mostre a Londra” (text in Italian). Domus, no. 439 (June 1966): p. 31. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
S. 2004
 
H.M.S. “Robert Motherwell” (text in German). Heinz, November 2004, p. 44. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
S. 2005
 
H.M.S. “Gefühl mit verstand: Robert Motherwell” (text in German). Heinz, January 2005. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
SACHS 2006
 
Sachs, Brita. “Andy rosarot im Textilviertel” (text in German). Frankfurter Allgemeine Zeitung, May 23, 2006, p. 43.
SALCMAN 2007
 
Salcman, Michael. The Clock Made of Confetti. Alexandria, Va.: Orchises Press, 2007.
SAMUELSON 1985A
 
Samuelson, Marnie. “An Artist’s Place in the Sun.” Cape Cod Times, July 15, 1985.
SAMUELSON 1985B
 
Samuelson, Marnie. “Close-up on the Creativity of Poet Stanley Kunitz: Artists Exhibit Works Inspired by His Writings” (includes artist’s statements). Cape Cod Times, July 15, 1985, p. 3. Review of Long Point Gallery, Provincetown, Mass., 1985.
S[ANDLER] 1959
 
S[andler], I[rving] H[ershel]. “Reviews and Previews.” Artnews 58, no. 2 (April 1959): p. 10. Review of Sidney Janis Gallery, New York, March 1959.
SANDLER 1961A
 
Sandler, Irving H. “Robert Motherwell.” Art International 5, nos. 5–6 (June–August 1961): pp. 43–44. Review of Sidney Janis Gallery, New York, April 1961.
S[ANDLER] 1961B
 
S[andler], I[rving] H[ershel]. “Reviews and Previews.” Artnews 60, no. 4 (summer 1961): p. 10. Review of Sidney Janis Gallery, New York, May 1961.
S[ANDLER] 1962
 
S[andler], I[rving] H[ershel]. “Reviews and Previews.” Artnews 61, no. 4 (summer 1962): p. 16. Review of Sidney Janis Gallery, New York, May 1962.
SANDLER 1963A
 
Sandler, Irving. “In the Art Galleries.” New York Post, December 29, 1963, sec. Magazine, p. 14. Review of Jewish Museum, New York, 1963.
SANDLER 1963B
 
Sandler, Irving Hershel. “New York Letter.” Quadrum: Revue internationale d’art moderne 14 (1963): pp. 115–24.
SANDLER 1964
 
Sandler, Irving. “In the Art Galleries.” New York Post, February 2, 1964, p. 40. Review of Solomon R. Guggenheim Museum, New York, January 1964.
SANDLER 1965
 
Sandler, Irving. “The Club: How the Artists of the New York School Found Their First Audience—Themselves.” Artforum 4, no. 1 (September 1965): pp. 27–31.
SANDLER 1970
 
Sandler, Irving. “Robert Motherwell” (includes artist’s statements). Chap. 6 in The Triumph of American Painting: A History of Abstract Expressionism. New York: Praeger, 1970.
SANDLER 2003
 
Sandler, Irving. A Sweeper-Up after Artists: A Memoir (includes artist’s statements). New York: Thames and Hudson, 2003.
SANDLER 2009
 
Sandler, Irving. Abstract Expressionism and the American Experience: A Reevaluation. New York: Hard Press Editions, 2009.
SANDLER ET AL. 1972
 
Sandler, Irving, Edward F. Fry, John Russell, R.W.D. Oxenaar, Lawrence Alloway, Jan van der Marck, George Rickey, and Henry Geldzahler. Contemporary Art, 1942–72: Collection of the Albright-Knox Art Gallery. Essay “Abstract Expressionism” (includes artist’s statements), by Irving Sandler. New York: Praeger, 1972.
SAN FRANCISCO EXAMINER 1967
 
“Preview of New Museum Exhibit.” San Francisco Examiner, February 23, 1967, p. 24.
SAN GABRIEL VALLEY HERALD 1984
 
“Art Museum Presents Motherwell.” Greater San Gabriel Valley Herald, January 12, 1984, p. 3. Review of Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
SAN MARINO TRIBUNE AND SAN MARINO NEWS 1984
 
“ ‘Robert Motherwell’ Retrospective Opens.” San Marino Tribune and News, January 5, 1984. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
SAN MATEO TIMES 1984
 
“The Abstract Art of Robert Motherwell.” San Mateo Times, April 12, 1984, sec. B, p. 7. Review of Gallery 30, San Mateo, Calif., 1984.
SANTIAGO 1998
 
Santiago, Chiori. “Museums Scoop Up Motherwells.” Artnewsletter 23, no. 12 (February 10, 1998): pp. 3–4.
SARDÀ 2009
 
Sardà, Elisabet Goula. “ ‘Someone Who Did Not Forget’: The Reception of Robert Motherwell’s Elegies to the Spanish Republic in Spain.” Trans. Julie Wark. Revista Forma 00 (fall 2009): pp. 77–91.
SARDAR 2009
 
Sardar, Zahid. “S.F. Decorator Showcase Spotlights Art.” San Francisco Chronicle, May 10, 2009.
SAVAGE 1989
 
Savage, Brenda. “Making a Getaway.” Palm Beach Life 82, no. 8 (August 1989): pp. 10–11.
S[AWIN] 1957
 
S[awin], M[artica]. “In the Galleries.” Arts 31, no. 10 (September 1957): p. 56. Review of Sidney Janis Gallery, New York, May 1957.
SAWIN 1988
 
Sawin, Martica. “ ‘The Third Man,’ or Automatism American Style” (includes artist’s statements). Art Journal 47, no. 3 (fall 1988): pp. 181–86.
SAWIN 1995
 
Sawin, Martica. Surrealism in Exile and the Beginning of the New York School. Cambridge, Mass.: MIT Press, 1995.
SAWYER 1957A
 
Sawyer, Kenneth B. “The Exceptional Robert Motherwell.” Baltimore Sun, August 18, 1957, sec. A, p. 14. Review of Sidney Janis Gallery, New York, May 1957.
SAWYER 1957B
 
Sawyer, Kenneth B. “The Season at Provincetown.” Baltimore Sun, July 28, 1957, sec. A, p. 2.
SAWYER 1965
 
Sawyer, Kenneth B. “The Grossman Collection: U.S. Collectors of Modern Art—2.” Studio International 169, no. 862 (February 1965): pp. 82–87.
SAYRE 1994
 
Sayre, Henry M. A World of Art (includes artist’s statements). Englewood Cliffs, N.J.: Prentice Hall, 1994.
SAYRE 1997
 
Sayre, Henry M. A World of Art. 2nd ed. Upper Saddle River, N.J.: Prentice Hall, 1997.
SCARPETTA 1977
 
Scarpetta, Guy. “Les 9 Ateliers de Robert Motherwell” (text in French; includes artist’s statements). Art Press International (Paris) 9 (July 1977): pp. 20–22.
SCARPETTA 1978
 
Scarpetta, Guy. “North-Stars: Carnet de Bord New-Yorkais” (text in French; interview with the artist). Libération (Paris), May 16, 1978, pp. 14, 16.
SCARPETTA 1981
 
Scarpetta, Guy. “Picasso par Robert Motherwell” (text in French; includes artist’s statements). Art Press International (Paris) 50 (July–August 1981): pp. 10–11.
SCARPETTA 1989–90
 
Scarpetta, Guy. “Une Journée dans la vie de Robert Motherwell” (text in French; includes interview with the artist). Globe (Paris), no. 43 (December 1989–January 1990): pp. 114–18.
SCHAFFNER 1998
 
Schaffner, Ingrid, ed. Julien Levy: Portrait of an Art Gallery. Cambridge, Mass.: MIT Press, 1998.
SCHERRER 2005
 
Scherrer, Patrik. Gott in Sicht?: 33 Impulse zum christlichen aus der Pinakothek der Moderne (text in German). Regensburg, Germany: Verlag Schnell & Steiner, 2005.
SCHIFF 1961
 
Schiff, Gert. “The VI Sao Paulo Bienal.” Art International 5, no. 10 (Christmas 1961): pp. 55–64. Review of Museu de Arte Moderna, São Paulo, Brazil, 1961.
SCHIFF 1962
 
Schiff, Gert. “Die Sechste Biennale von São Paulo” (text in German). Das Kunstwerk 7, no. 15 (January 1962): p. 27. Review of Museu de Arte Moderna, São Paulo, Brazil, 1961.
SCHJELDAHL 1966
 
Schjeldahl, Peter. “Art: Summering.” Village Voice 11, no. 40 (July 21, 1966): pp. 11–12. Review of Marlborough-Gerson Gallery, New York, 1966.
SCHJELDAHL 1969A
 
Schjeldahl, Peter. “New York Letter.” Art International 13, no. 8 (October 1969): pp. 74–79. Review of Museum of Modern Art, New York, June 1969.
SCHJELDAHL 1969B
 
Schjeldahl, Peter. “New York Letter.” Art International 13, no. 7 (September 1969): pp. 70–73. Review of Marlborough-Gerson Gallery, New York, 1969.
SCHJELDAHL 1974
 
Schjeldahl, Peter. “O’Hara—Art Sustained Him.” New York Times, March 3, 1974, sec. D, p. 21. Review of Whitney Museum of American Art, New York, 1974.
SCHJELDAHL 1975
 
Schjeldahl, Peter. “Fragments of an Awesome Whole.” New York Times, January 19, 1975, p. 24. Review of Knoedler & Company, New York, January 1975.
SCHMIDT 1976
 
Schmidt, Katharina. “Auf das Finden kommt es an zum werk von Robert Motherwell” (text in German; includes artist’s statements). Musik+Medizin 9, no. 76 (September 1976): pp. 77–79. Review of Städtische Kunsthalle Düsseldorf, 1976.
SCHMIDT 1982
 
Schmidt, Doris. “Zehntausend Pinselstriche … Zum neuen Motherwell-Saal in der Staatsgalerie moderner Kunst” (text in German). Süddeutsche Zeitung, November 25, 1982, p. 15.
SCHNEEDE 1966
 
Schneede, Uwe M. “Die Kunst der abwandlung oder: Robert Motherwell” (text in German). Das Kunstwerk 9, no. 19 (March 1966): p. 32.
SCHOENENBERGER 1961
 
Schoenenberger, Gualtiero. “La Collection Dotremont à la Kunsthalle, Bâle” (text in French). Art International 5, no. 7 (September 20, 1961): pp. 30–32. Review of Kunsthalle Basel, Switzerland, 1961.
SCHORR AND SCHORR 2003
 
Schorr, Lenore, and Herbert Schorr. “Collector’s Call” (letter to the editor). Artforum 41, no. 10 (summer 2003): pp. 18, 20.
SCHULMAN 1999
 
Schulman, Daniel. “Highlights of the Lannan Collection.” Art Institute of Chicago Museum Studies 25, no. 1 (1999): pp. 12–13, 101.
S[CHULMANN] 1977
 
S[chulmann], F[rancoise]. “Robert Motherwell Arc 2” (text in French; includes artist’s statements). Esprit, no. 10 (October 1977): pp. 140–42. Review of Musée d’Art Moderne de la Ville de Paris, 1977.
SCHULZ-HOFFMANN ET AL. 1995
 
Schulz-Hoffmann, Carla, Peter-Klaus Schuster, Cornelia Stabenow, Ulrich Bischoff, Joachim Kaak, Cathrin Klingsöhr-Leroy, Clelia Segieth, and Corinna Thierolf. Staatsgalerie moderner Kunst München: Erläuterungen zu ausgewählten Werke (text in German). Entries “Robert Motherwell,” by Carla Schulz-Hoffmann and Corinna Thierolf, pp. 233–36. Munich: Bruckmann, 1995.
S[CHUYLER] 1959
 
S[chuyler], J[ames]. “Review and Previews.” Artnews 57, no. 9 (January 1959): p. 10. Review of Sidney Janis Gallery, New York, January 1959.
SCOTT 1979
 
Scott, Martha B. “Connecticut Gets Look at Modern Master, Motherwell.” [Publication unknown], [March] 1979. Review of William Benton Museum of Art, University of Connecticut, Storrs, 1979.
SCOTT AND RUTKOFF 1999
 
Scott, William B., and Peter M. Rutkoff. “Homage to the Spanish Republic: Abstract Expressionism and the New York Avant-Garde.” Chap. 10 in New York Modern: The Arts and the City (includes artist’s statements). Baltimore: Johns Hopkins University Press, 1999.
SCOTTISH PRESS 1977
 
“Arts Focus: Little Seen Motherwell on Show.” Scottish Press (Edinburgh), [October] 1977, p. 15. Review of Royal Scottish Academy, Edinburgh, 1977.
SCULLY 1991
 
Scully, Sean. “Robert Motherwell, 1915–1991” (obituary). Artscribe, no. 88 (September 1991): p. 19.
SECUNDA 1962
 
Secunda, Arthur. “Los Angeles.” Artforum 1, no. 1 (June 1962): pp. 6–7. Review of Pasadena Art Museum, Calif., February 1962.
SEDGWICK 1966
 
Sedgwick, John P., Jr. Discovering Modern Art: The Intelligent Layman’s Guide to Painting from Impressionism to Pop (includes artist’s statements). New York: Random House, 1966.
SEELEY 1950
 
Seeley, Carol. “On the Nature of Abstract Painting in America.” Magazine of Art 43, no. 5 (May 1950): pp. 163–68.
SEENEY 1984
 
Seeney, Lynn. “Motherwell Collages.” Art/World 9, no. 1 (October 1984): pp. 1, 8. Review of Knoedler & Company, New York, October 1984.
SEIDEL 1991
 
Seidel, Miriam. “Wild Gentleman” (includes artist’s statements). Applause 17 (August 1991): pp. 13–15.
SEITZ 1953
 
Seitz, William. “Spirit, Time and ‘Abstract Expressionism.’ ” Magazine of Art 46, no. 2 (February 1953): pp. 80–87.
SEITZ 1955
 
Seitz, William Chapin. “Abstract Expressionist Painting in America: An Interpretation Based on the Work and Thought of Six Key Figures” (includes artist’s statements). Ph.D. diss., Princeton University, 1955.
SEITZ 1963
 
Seitz, William C. “The Rise and Dissolution of the Avant-Garde” (includes artist’s statements). Vogue 112, no. 4 (September 1, 1963): pp. 182–83, 230–33.
SEITZ 1983
 
Seitz, William C. Abstract Expressionist Painting in America (includes artist’s statements). Foreword by Robert Motherwell. Cambridge, Mass.: Harvard University Press, 1983.
S[ELDIS] 1960
 
S[eldis], H[enry] J. “Claremont Exhibitions Well Worth the Trip. ” Los Angeles Times, February 28, 1960, sec. G, p. 6. Review of Montgomery Center, Pomona College, Claremont, Calif., 1960.
SELDIS 1962A
 
Seldis, Henry J. “More Art News.” Los Angeles Times, September 30, 1962, sec. Calendar, p. 27. Review of Pasadena Art Museum, Calif., October 1962.
SELDIS 1962B
 
Seldis, Henry J. “Pasadena Show Scores a First: Motherwell Retrospective.” Los Angeles Times, February 25, 1962, sec. A, p. 24. Review of Pasadena Art Museum, Calif., February 1962.
SELDIS 1965
 
Seldis, Henry J. “N.Y. School a Tribute to Independence.” Los Angeles Times, July 4, 1965, sec. C, p. 3. Review of Los Angeles County Museum of Art, 1965.
SELDIS 1970
 
Seldis, Henry J. “Biennale Message: Protest Art Belongs in the Gallery.” Los Angeles Times, June 28, 1970, sec. E, p. 1.
SELDIS 1974A
 
Seldis, Henry J. “Distinctive Idiom at UCSB Exhibit.” Los Angeles Times, February 11, 1974, sec. 4, p. 2. Review of Art Galleries, University of California, Santa Barbara, 1974.
SELDIS 1974B
 
Seldis, Henry J. “Invention Is the Necessity of Motherwell” (includes artist’s statements). Los Angeles Times, December 1, 1974, sec. C, p. 82. Review of Otis Art Institute, Los Angeles, 1974.
SELDIS 1975
 
Seldis, Henry J. “A Sample of the Summer Palette.” Los Angeles Times, August 11, 1975, sec. 4, p. 3. Review of Ace Gallery, Los Angeles, 1975.
SERRALLER 1980
 
Serraller, Francisco Calvo. “Robert Motherwell: ‘La guerra civil española fue un símbolo para mi generación’ ” (text in Spanish; includes artist’s statements). El Pais (Madrid), April 18, 1980, p. 32. Review of the traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, 1980).
S[EUPHOR] 1951A
 
S[euphor], M[ichel]. “La Peinture Abstraite aux U.S.A.” (text in French; includes artist’s statements). L’Art d’aujourd’hui 2, no. 6 (June 1951): pp. 16–23.
SEUPHOR 1951B
 
Seuphor, Michel. “Paris New-York 1951” (text in French). L’Art d’aujourd’hui 2, no. 6 (June 1951): pp. 4–15.
SEUPHOR 1957
 
Seuphor, Michel. Dictionnaire de la peinture abstraite: Precede d’une histoire de la peinture abstraite (text in French). Paris: Fernand Hazan, 1957.
SEUPHOR 1962
 
Seuphor, Michel. Abstract Painting: Fifty Years of Accomplishment from Kandinsky to the Present. 1st ed. New York: Harry N. Abrams, 1962.
SEUPHOR 1964
 
Seuphor, Michel. Abstract Painting: Fifty Years of Accomplishment from Kandinsky to the Present. 2nd ed. New York: Dell, 1964.
SEVENTEEN 1949
 
“A Picture Is a Picture.” Seventeen 8, no. 9 (September 1949): pp. 144–45.
SEWELL 1985
 
Sewell, Carol. “Museum Acquires Motherwell Works.” Fort Worth Star-Telegram, September 1, 1985, pp. 21, 30.
SHAPIRO AND SHAPIRO 1990
 
Shapiro, David, and Cecile Shapiro. Abstract Expressionism: A Critical Record (includes artist’s statements). New York: Cambridge University Press, 1990.
S[HARP] 1949
 
S[harp], M[arynell]. “Fifty-seventh Street in Review.” Art Digest 24, no. 2 (October 15, 1949): p. 22. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell Collages, 1943–49, October 1949.
S[HARP] 1950
 
S[harp], M[arynell]. “When Black + White = Color.” Art Digest 24, no. 11 (March 1, 1950): p. 25. Review of Samuel M. Kootz Gallery, New York, February 1950.
SHAW-EAGLE 1985
 
Shaw-Eagle, Joanna. “Architectural Digest Visits: Helen Frankenthaler.” Architectural Digest 66, no. 5 (March 1985): pp. 170–75.
SHEA 2002
 
Shea, Patricia, ed. Picasso to Pop: The Richard Weisman Collection. Entry “Robert Motherwell,” pp. 66–67. New York: Atelier Press, 2002.
SHEEHY 1965
 
Sheehy, Gail. “Mating Season at the Museums.” New York Herald Tribune, October 17, 1965, sec. 2, p. 3.
SHEETS 2005
 
Sheets, Hilarie M. “Getting the Hang of It” (book review). Artnews 104, no. 7 (summer 2005): p. 140.
SHELDON SWOPE ART MUSEUM 1999
 
Art since 1950. Terra Haute, Ind.: Sheldon Swope Art Museum, 1999.
SHENKER 1971
 
Shenker, Israel. “Picasso, 90 Today, Assayed by Critic, Curator, 3 Artists” (interview with the artist). New York Times, October 25, 1971, p. 42.
SHEPARD 1985
 
Shepard, Richard F. “Bountiful Brooklyn.” New York Times, April 16, 1985, sec. C, p. 15. Review of Museum of the Borough of Brooklyn at Brooklyn College, 1985.
SHERE 1984
 
Shere, Charles. “Motherwell: A Postwar Painter Who Stands Apart.” Oakland Tribune, April 22, 1984, sec. Calendar, p. 4.
SHIFF ET AL. 2000
 
Shiff, Richard, Robert Storr, Arthur C. Danto, and Nancy Princenthal. Robert Mangold (includes artist’s statements). London: Phaidon Press, 2000.
SHIPLEY 1991
 
Shipley, Alan. “Tribute to Motherwell.” Modern Painters 4, no. 4 (winter 1991): p. 113.
SHIPP 1986
 
Shipp, Steve. “Cowboy Artists and America’s Blue Chips.” World Fine Art, October 30, 1986, n.p.
SHIPWAY 1977
 
Shipway, Alan. “Motherwell: A Sense of Exuberance.” Student (University of Edinburgh), [October] 1977, sec. Arts, p. 12. Review of traveling exhibition at Royal Scottish Academy, Edinburgh, 1977.
SHIREY 1973
 
Shirey, David L. “Reviews & Previews.” Artnews 72, no. 1 (January 1973): p. 19.
SHIREY 1979
 
Shirey, David L. “Montclair Museum Pays Homage to Collage.” New York Times, May 6, 1979, sec. 11, p. 30. Review of Montclair Art Museum, N.J., 1979.
SHIREY 1980
 
Shirey, David L. “The Image of a Momentous Era.” New York Times, September 7, 1980, sec. 21, p. 14. Review of Parrish Art Museum, Southampton, N.Y., 1980.
SIDNEY JANIS GALLERY 1958
 
10th Anniversary Exhibition from September 29 to November 1, 1958: The Sidney Janis Gallery (brochure). New York: Sidney Janis Gallery, 1958.
S[IEGEL] 1957
 
S[iegel], J[eanne]. “Reviews and Previews.” Artnews 56, no. 2 (April 1957): pp. 11–12. Review of Sidney Janis Gallery, New York, April 1957.
SIEGEL 1972
 
Siegel, Jeanne. “Reviews and Previews.” Artnews 71, no. 8 (December 1972): pp. 11–12. Review of Lawrence Rubin Gallery, New York, 1972.
SIEGEL 1984
 
Siegel, Jeanne. “Robert Motherwell.” Arts Magazine 59, no. 4 (December 1984): p. 6. Review of Knoedler & Company, New York, October 1984.
SILL 1983
 
Sill, Gertrude Grace. “At Stamford’s Whitney: ‘Live from Connecticut.’ ” Fairfield Citizen News, October 12, 1983, sec. 3, pp. 16–17. Review of Whitney Museum of American Art, Fairfield County, Stamford, Conn., 1983.
SILVER 1991
 
Silver, Joanne. “Painter Sought Balance: Motherwell Mixed Emotion and Experience.” Boston Herald, July 18, 1991, p. 57.
SILVERMAN 1984
 
Silverman, Gene. “Artist Paints Ideas, Not Objects” (includes artist’s statements). Times Herald (Vallejo, Calif.), May 27, 1984, pp. 31–32. Review of the traveling exhibition at the San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
SILVERTHORNE 1986
 
Silverthorne, Jeanne. “Reviews.” Artforum International 25, no. 2 (October 1986): p. 126. Review of Knoedler & Company, New York, April 1986.
SIMON 1967A
 
Simon, Sidney. “Concerning the Beginnings of the New York School, 1939–43: An Interview with Peter Busa and Matta, Conducted by Sidney Simon in Minneapolis in December 1966.” Art International 11, no. 6 (summer 1967): pp. 17–20.
SIMON 1967B
 
Simon, Sidney. “Concerning the Beginnings of the New York School, 1939–1943: An Interview with Robert Motherwell, Conducted by Sidney Simon in New York in January 1967” (interview with the artist). Art International 11, no. 6 (summer 1967): pp. 20–23.
SIMON 1969
 
Simon, Rita. “Robert Motherwell: ‘Open’ Series at Marlborough-Gerson.” Arts Magazine 43, no. 8 (summer 1969): pp. 34–35. Review of Marlborough-Gerson Gallery, New York, 1969.
SJÖLIN 1998
 
Sjölin, Jan-Gunnar, ed. Att tolka bilder: Bildtolkningens teori och praktik med exempel pa tolkningar av bilder fran 1850 till i dag (text in Swedish). Lund, Sweden: Studentlitteratur, 1998.
SKOWHEGAN SCHOOL OF PAINTING AND SCULPTURE 1984
 
Visiting Artists (brochure). Skowhegan, Me.: Skowhegan School of Painting and Sculpture, 1984.
SKURKA 1974
 
Skurka, Norma. “Two Levels Beats Five Stories.” New York Times Magazine, July 28, 1974, p. 43.
SLIVKA 1988
 
Slivka, Rose C. S. “From the Studio.” East Hampton Star, October 20, 1988, sec. II, p. 1. Review of Parrish Art Museum, Southampton, N.Y., 1988.
SLOANE 1961
 
Sloane, Joseph C. “On the Resources of Non-Objective Art.” Journal of Aesthetics and Art Criticism 19, no. 4 (summer 1961): pp. 419–24.
SMITH 1953A
 
Smith, Wayne C. “Art Objects for Beth El Are Exhibited in New York.” Springfield Union (Mass.), May 23, 1953, p. 28. Review of Samuel M. Kootz Gallery, New York, May 1953.
SMITH 1953B
 
Smith, Wayne C. “Hold of Traditional Lines Broken by New Temple: Artists Given Free Rein.” Springfield Union (Mass.), January 3, 1953, p. 12.
SMITH 1953C
 
Smith, Wayne C. “Restrained ‘Modern’ Style Seen in New Beth El Temple.” Springfield Daily Republican (Mass.), January 4, 1953, sec. D, p. 7.
SMITH 1957
 
Smith, Gordon M. “The Brave Buffalo.” Artnews 56, no. 3 (May 1957): pp. 32, 70.
SMITH 1985
 
Smith, Rosalind. “Stanley Kunitz: Long Point Gallery.” Provincetown Magazine, 1985, p. 29. Review of Long Point Gallery, Provincetown, Mass., 1985.
SMITH 1988
 
Smith, Roberta. “The Exhibition as Art Form and Blood Sport.” New York Times, July 10, 1988, sec. 2, pp. 33, 36. Review of Musée National d’Art Moderne, Centre Georges Pompidou, Paris, 1988.
SMITH 1991
 
Smith, Roberta. “Robert Motherwell’s Achievements.” New York Times, August 26, 1991, sec. C, p. 18.
SMITH 1993A
 
Smith, Roberta. “Restraint and Ebullience in Cuban and Colleagues.” New York Times, January 8, 1993, sec. C, p. 3. Review of Studio Museum in Harlem, New York, 1992.
SMITH 1993B
 
Smith, Roberta. “Works from Iowa and Vassar at the I.B.M. Gallery.” New York Times, August 27, 1993, sec. C, p. 21. Review of IBM Gallery of Science and Art, New York, 1993.
SMITH 2008
 
Smith, Roberta. “A Gallery Debut with Stars of the New York School.” New York Times, September 12, 2008, sec. E, p. 31. Review of Haunch of Venison, New York, 2008.
SMITH 2009
 
Smith, Roberta. “Grand and Intimate Modern Art Trove.” New York Times, May 14, 2009, sec. C, p. 5.
SMITH COLLEGE MUSEUM OF ART 1986
 
Smith College Museum of Art. A Guide to the Collections: Smith College Museum of Art. Northampton, Mass.: Smith College Museum of Art, 1986.
SMITH COLLEGE MUSEUM OF ART NEWSLETTER AND CALENDAR 1996
 
“Acquisitions: Museum Acquires Motherwell Paintings, Drawing.” Smith College Museum of Art Newsletter and Calendar, spring–summer 1996, cover, n.p.
SMITHSONIAN 1980
 
“Smithsonian Highlights.” Smithsonian, May 1980, p. 172.
SOBY 1948
 
Soby, James Thrall. Contemporary Painters. New York: Museum of Modern Art, 1948.
SOBY 1953
 
Soby, James Thrall. “The Postwar Generation in Arts & Letters.” Saturday Review 36, no. 11 (March 14, 1953): pp. 19, 60.
SOFFER 1981
 
Soffer, Miriam. “Sweet Land of Liberty.” NAHO (New York State Museum) 13, nos. 1–2 (spring–summer 1981): pp. 42–46.
SOLER 1980
 
Soler, Jaime. “Elegia española de un pintor Americano” (text in Spanish; interview with the artist). Diario 16 (Madrid), April 17, 1980, p. 21.
SOLER 1987
 
Soler, Jaime. “La Pintura española del americano Robert Motherwell.” Diario 16 (Madrid), March 11, 1987, p. 37. Review of the traveling exhibition at Galería Juana Mordó, Madrid, March 1987 (see Galería Joan Prats, Barcelona, 1986).
SOLOMON 1993
 
Solomon, Deborah. “Head of the Abstractionists.” Wall Street Journal, February 25, 1993, sec. A, p. 12. Review of Knoedler & Company, New York, February 1993.
SOLOMON R. GUGGENHEIM MUSEUM CALENDAR OF EVENTS 1984
 
“New Exhibition.” Solomon R. Guggenheim Museum Calendar of Events, November–December 1984.
SOLOMONT 2010
 
Solomont, E. B. “Shul of Visual Arts.” Artnews 109, no. 5 (May 2010): p. 42. Review of Jewish Museum, New York, 2010.
SORIA 1988
 
Soria, Georges. Grande Histoire de La Révolution Francaise (text in French). 3rd vol. Paris: Bordas, 1988.
SORZANO 1951
 
Sorzano, Marco. “17 Modern American Painters: A Recent Exhibition at the Frank Perls Gallery.” Arts & Architecture 68, no. 1 (January 1951): pp. 26–28, 42. Review of Frank Perls Gallery, Beverly Hills, Calif., 1951.
SOZANSKI 1983
 
Sozanski, Edward J. “An Artist Who Is a Giant of His Time” (interview with the artist). Philadelphia Inquirer, February 27, 1983, sec. I, pp. 1, 13.
SOZANSKI 1984
 
Sozanski, Edward J. “A Retrospective of Motherwell’s Abstract Works” (includes artist’s statements). Philadelphia Inquirer, December 16, 1984, sec. H, p. 16. Review of Solomon R. Guggenheim Museum, New York, 1984.
SOZANSKI 1999
 
Sozanski, Edward J. “Illuminating Motherwell’s Minimalistic Elegance.” Philadelphia Inquirer, July 18, 1999, sec. F, p. 11. Review of Delaware Art Museum, Wilmington, 1999.
SPAULDING 1999
 
Spaulding, Karen Lee, ed. Masterworks at the Albright-Knox Art Gallery (includes artist’s statements). Entry “Robert Motherwell,” edited by E[thel] M[oore], pp. 182–83. New York: Hudson Hills Press, in association with Albright-Knox Art Gallery, Buffalo, 1999.
SPEARS 2004
 
Spears, Dorothy. “Hidden Pleasures and Public Treasures.” Artnews 103, no. 5 (May 2004): pp. 100–104.
SPENCER 1980
 
Spencer, Harold, ed. American Art: Readings from the Colonial Era to the Present (includes artist’s statements). New York: Charles Scribner’s Sons, 1980.
SPIKE 1978
 
Spike, John T. “Washington.” Burlington Magazine 120, no. 907 (October 1978): pp. 704–6. Review of National Gallery of Art, Washington, D.C., 1978.
SPURLING 1978
 
Spurling, John. “Feeling Good.” New Statesman (London), January–March 1978: p. 230. Review of Royal Academy of Arts, London, 1978; and of Knoedler Gallery, London, 1978.
STAATLICHEN KUNSTSAMMLUNGEN AND ZENTRALINSTITUT FÜR KUNSTGESCHICHTE 1983
 
Staatlichen Kunstsammlungen and Zentralinstitut für Kunstgeschichte, eds. Münchner Jahrbuch der bildenden Kunst (text in German). Dritte Folge Band 34. Munich: Prestel Verlag München, 1983.
STAATS AND MATTHIESSEN 1977
 
Staats, Margaret, and Lucas Matthiessen. “The Genetics of Art: Interviews with de Kooning, Motherwell, and Nevelson” (interview with the artist). Quest 1, no. 1 (March–April 1977): pp. 70–73.
STABENOW 1983
 
Stabenow, Cornelia. “München Robert Motherwell für die Staatsgalerie moderner Kunst” (text in German). Pantheon 41, no. 1 (January–February–March 1983): pp. 81–82.
STABER 1974–75
 
Staber, Margit. “Robert Motherwell” (text in German). Kunstforum International, no. 12 (December 1974–January 1975): pp. 112–22.
STADEL 2004
 
Stadel, Stefanie. “Beim schachspiel mit Max Ernst” (text in German). Neues Deutschland, December 29, 2004. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
STAMFORD ADVOCATE AND GREENWICH TIME 1987
 
“Motherwell, Others, at Bruce.” Stamford Advocate and Greenwich Time (Conn.), May 8, 1987, sec. Weekend, p. 2. Review of Bruce Museum, Greenwich, Conn., 1987.
STARK 1963
 
Stark, George K. “Silent Images.” Art Education 16, no. 8 (November 1963): pp. 14–19.
STEBBINS 1976
 
Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present. Contributions by John Caldwell and Carol Troyen. New York: Harper and Row, 1976.
STEELE 1972
 
Steele, Mike. “Speaking of Art.” Minneapolis Tribune, June 25, 1972, sec. D, p. 6. Review of Walker Art Center, Minneapolis, 1972.
STEINHAUER 2002
 
Steinhauer, Jennifer. “Suddenly, It’s Art for the City’s Sake.” New York Times, July 3, 2002, sec. B, pp. 1, 6.
STEIR 1989
 
Steir, Pat. “The Word Unspoken.” Artforum 28, no. 4 (December 1989): pp. 125–27.
STERN 1990
 
Stern, Fred. “Art & Auction News” (text in Japanese). Mizue, no. 956 (autumn 1990): pp. 131–43. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
STEVENS 1984
 
Stevens, Mark. “The American Masters.” Newsweek 103, no. 1 (January 2, 1984): pp. 66–69. Review of Albright-Knox Art Gallery, Buffalo, 1983.
STEVENS AND SWAN 2004
 
Stevens, Mark, and Annalyn Swan. De Kooning: An American Master. New York: Alfred A. Knopf, 2004.
STIFTEL 2004
 
Stiftel, Ralf. “Stürmisches Schwarz” (text in German). Westfälischer Anzeiger, December 21, 2004, p. 298. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
STITELMAN 1973
 
Stitelman, Paul. “Notes on the Absorption of the Avant-Garde into the Culture.” Arts Magazine 47, no. 7 (May–June 1973): pp. 55–59. Review of Lawrence Rubin Gallery, New York, 1973.
STONE 1966
 
Stone, Peter. “An Eloquent Painter.” Jewish Chronicle, April 1, 1966, p. 38. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
STRALOW 1963
 
Stralow, Hans. “Ausstellungen” (text in German). Das Kunstwerk 9, no. 16 (March 1963): pp. 16, 28–39.
STROUP 1944
 
Stroup, Jon. “Motherwell, Modern.” Art Digest 19, no. 3 (November 1, 1944): p. 16. Review of Art of This Century, New York, October 1944.
STROUP 1946
 
Stroup, Jon. “Time Out … For Robert Motherwell.” Town & Country 100, no. 4280 (January 1946): p. 58. Review of Samuel M. Kootz Gallery, New York, January 1946.
STUTZIN 1984
 
Stutzin, Leo. “Abstract, Photo Exhibits a Powerful Combination.” Modesto Bee, May 24, 1984, sec. D, p. 1. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
S[TYRON] 1978
 
S[tyron], T[homas] [W.] “Major Robert Motherwell Painting on Loan.” Chrysler Museum at Norfolk 7, no. 5 (May 1978): n.p.
SULLIVAN 1990
 
Sullivan, Charles, ed. Ireland in Poetry: With Paintings, Drawings, Photographs, and Other Works of Art. New York: Harry N. Abrams, 1990.
SUNDELL 1980
 
Sundell, Nina. The Robert and Jane Meyerhoff Collection, 1958–1979. Baltimore: Jane B. Meyerhoff, 1980.
SUPOVITZ 1967
 
Supovitz, Marjory. “Robert Motherwell’s New England Elegy.” Harvard Art Review 2, no. 2 (spring–summer 1967): pp. 21–24.
SUPPLÉMENT À LA GAZETTE DES BEAUX ARTS 1973
 
“La Chronique des arts” (text in French). Supplément à la Gazette des Beaux Arts, no. 1251 (April 1973): pp. 18–19. Review of the traveling exhibition at Cleveland Museum of Art, February 1973, and at Wadsworth Atheneum, Hartford, Conn., March 1973 (see Museum of Fine Arts, Houston, November 1972).
SUTTON 1966
 
Sutton, Keith. “Robert Motherwell.” London Life, March 26, 1966.
SWEENEY 1986
 
Sweeney, John S. “Painter Named to Academy of Arts and Letters” (includes artist’s statements). Greenwich Time, December 5, 1986, sec. A, pp. 1, 4.
SWEETKIND 1997
 
Sweetkind, Irene S., ed. The Butler Institute of American Art: Index of the Permanent Collection. Contributions by Louis A. Zona and Martha Menk. Youngstown, Ohio: Butler Institute of American Art, 1997.
SWIFT 1987
 
Swift, Orla. “Show Opens of Works by Motherwell.” Greenwich Time, May 7, 1987, sec. A, pp. 1, 5.
SYDHOFF 1976
 
Sydhoff, Beate. “Maleri med tragiskt patos” (text in Swedish). Svenska Dagbladet, November 20, 1976, p. 8. Review of the traveling exhibition Galleriet Kulturhuset, Stockholm, November 1976 (see Städtische Kunsthalle Düsseldorf, 1976).
SYLVESTER 1958
 
Sylvester, David. “London Views Advanced American Painting of Today.” New York Times, November 30, 1958, sec. 2, p. 9. Review of the traveling exhibition at USIS Library, London, October 1958 (see United States Pavilion, Brussels World’s Fair, 1958).
SYLVESTER 1962
 
Sylvester, David. “ ‘Painting as Existence’: An Interview with Robert Motherwell” (interview with the artist). Metro, no. 7 (1962): pp. 94–97.
SYLVESTER 2001
 
Sylvester, David. “Robert Motherwell” (interview with the artist). In Interviews with American Artists, pp. 73–83, 364–65. London: Chatto & Windus, 2001.
SYRING 1977
 
Syring, Maire Luise. “Leiden, Landschaft und die Erinnerung: Robert Motherwell’s werk 1941 bis 1977” (text in German). Du Journal, no. 441 (November 1977): pp. 7, 9.
SZ 1978
 
“In der Royal Academy” (text in German). [SZ (Spediteur-Zeitschrif)], January 31, 1978. Review of Royal Academy of Arts, London, 1978.
TALESE 1961
 
Talese, Gay. “Mantle, Maris and a Few Others Stir a Potpourri of Fan Emotion” (includes artist’s statements). New York Times, September 2, 1961, p. 10.
TALLMER 1977
 
Tallmer, Jerry. “Motherwell: Framing the Years.” New York Post, November 19, 1977, p. 16. Review of Andrew Crispo Gallery, New York, 1977.
TANNENBAUM 1976
 
Tannenbaum, Judith, ed. The New York Art Yearbook, 1975–1976. Vol. 1. New York: Noyes Art Books, 1976.
TANNER 1993
 
Tanner, Marcia. “Conservators’ Elaborate Cure for ‘Inherent Vice.’ ” San Francisco Examiner, October 27, 1993, sec. Habitats, p. 3. Review of San Francisco Museum of Modern Art, 1993.
TAPERT 2000
 
Tapert, Annette. “Designer’s Own Homes: Joanne De Guardiola.” Architectural Digest 57, no. 9 (September 2000): pp. 238–45, 322.
TÀPIES 1981
 
Tàpies, Antoni. Mémoire: Autobiographie (text in French). Paris: Editions Galilée, 1981.
TÀPIES 1984
 
Tàpies, Antoni. “Señas de la modernidad” (text in Spanish). La Vanguardia, February 21, 1984, p. 37.
TARZAN 1984
 
Tarzan, Deloris. “Robert Motherwell: The Aberdeen-born Artist Is Featured in a Retrospective of His Famous Works” (includes artist’s statements). Seattle Times, June 21, 1984, sec. E, pp. 1, 12. Review of the traveling exhibition at Seattle Art Museum, June 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
TATRANSKY 1985
 
Tatransky, Valentin. “Arts Reviews.” Arts Magazine 59, no. 5 (January 1985): p. 37. Review of Knoedler & Company, New York, October 1984.
TAYLOR 1963
 
Taylor, Robert. “Events in Art: ‘Abstract’ Shows at Four Galleries.” Boston Sunday Herald, February 17, 1963, sec. 3, p. 16. Review of New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge, 1963.
TAYLOR 1978A
 
Taylor, Robert. “Motherwell’s Life a Collage of Modern Art” (interview with the artist). Boston Globe, March 5, 1978, sec. A, pp. 8, 13.
TAYLOR 1978B
 
Taylor, Robert. “Provincetown Permits Artists to Risk.” Boston Globe, August 27, 1978, sec. A, pp. 8, 12. Review of Provincetown Art Association and Museum, Mass., 1978.
TAYLOR 1986
 
Taylor, Robert. “Motherwell Exhibition Shows Creative Process.” Boston Globe, April 13, 1986, sec. B, pp. 2, 3. Review of the traveling exhibition at Hood Museum of Art, Dartmouth College, Hanover, N.H., April 1986 (see Walker Art Center, Minneapolis, 1985).
TAYLOR 1991
 
Taylor, John. “Modern Disciplines: An Art Collection Sets the Tone for an I. M. Pei House in Texas.” Architectural Digest 48, no. 4 (April 1991): pp. 138–43.
TAYLOR 1993
 
Taylor, Michael. “The Brutality of the Moment: A Study of Robert Motherwell’s Controversial New England Elegy Mural in the John F. Kennedy Federal Office Building in Boston, Massachusetts” (includes artist’s statements). M.A. thesis, University of Edinburgh, 1993.
TAYLOR 2004
 
Taylor, Brandon. Collage: The Making of Modern Art (includes artist’s statements). 1st ed. New York: Thames and Hudson, 2004.
TECH 1951
 
“Library Shows New American Paintings.” Tech (MIT student newspaper) 71, no. 49 (December 11, 1951): pp. 1, 6. Review of New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge, 1951.
TEDESCHI 2004
 
Tedeschi, Francesco. La Scuola di New York: Origini, vicende, protagonisti (text in Italian; includes artist’s statements). Milan: Vita e Pensiero, 2004.
TENNANT 1979
 
Tennant, Donna. “A Method in Motherwell’s Madness.” Houston Chronicle, November 25, 1979, pp. 14, 27. Review of Janie C. Lee Gallery, Houston, 1979.
TERENZIO 1979
 
Terenzio, Stephanie, comp. Robert Motherwell & Black (supplementary catalogue; includes artist’s statements). Edited by Hildegard Cummings. Storrs, Conn.: William Benton Museum of Art, 1979. Accompanied the exhibition at the William Benton Museum of Art, Storrs, Conn., 1979.
TERENZIO AND BELKNAP 1980
 
Terenzio, Stephanie, and Dorothy C. Belknap. The Painter and the Printer: Robert Motherwell’s Graphics, 1943–1980. 1st ed. New York: American Federation of Arts, 1980.
TERENZIO AND BELKNAP 1984
 
Terenzio, Stephanie, and Dorothy C. Belknap. The Prints of Robert Motherwell: A Catalogue Raisonné, 1943–1984 (includes artist’s statements). Revised by Dorothy C. Belknap. 2nd ed. New York: Hudson Hills Press, in association with the American Federation of the Arts, 1984.
TERENZIO AND BELKNAP 1990
 
Terenzio, Stephanie, and Dorothy C. Belknap. The Prints of Robert Motherwell: A Catalogue Raisonné, 1943–1990 (includes artist’s statements). Revised by Dorothy C. Belknap. 3rd ed. New York: Hudson Hills Press, in association with the American Federation of Arts, 1990.
TERENZIO 1992A
 
Terenzio, Stephanie, ed. “From Conversations with Robert Motherwell” (interview with the artist). Provincetown Arts 8 (1992): pp. 29–33.
TERENZIO 1992B
 
Terenzio, Stephanie, ed. The Collected Writings of Robert Motherwell. Foreword by Jack Flam. Berkeley and Los Angeles: University of California Press, 1999. Referred to in Writings by the Artist as Motherwell 1992.
TESCH AND HOLLMANN 1997
 
Tesch, Jürgen, and Eckhard Hollmann, eds. Icons of Art: The 20th Century. Entry “Robert Motherwell” (includes artist’s statements), pp. 144–45. New York: Prestel, 1997.
THAW 1986–87
 
Thaw, Eugene Victor. “The Abstract Expressionists.” Metropolitan Museum of Art Bulletin, winter 1986–87, pp. 1–56.
THIBEAU 1984
 
Thibeau, Alice. “Calendar.” Los Angeles 26, no. 4 (April 1984): p. 22.
THIELS 2004
 
Thiels, Gabriele. “Abstrakte Kraftfelder, so reich wie die Natur” (text in German). Welt Am Sonntag, October 17, 2004, sec. Kultur, pp. 42, 69. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
THIEROLF 2002
 
Thierolf, Corinna. Amerikanische Kunst des 20. Jahrhunderts in der Pinakothek der Moderne (text in German). Munich: Hatje Cantz Verlag, 2002.
THISTLEWOOD 1993
 
Thistlewood, David, ed. American Abstract Expressionism (includes artist’s statements). Vol. 1, Tate Gallery Liverpool Critical Forum. Liverpool, England: Liverpool University Press, in association with Tate Gallery Liverpool, 1993.
THOMAS 1976
 
Thomas, Denis. Abstract Painting. Oxford: Phaidon; New York: E. P. Dutton, 1976.
THOMPSON AND RAINES 1994
 
Thompson, James, and Susan Raines. “A Vermont Visit with Meyer Schapiro (August 1991).” Oxford Art Journal 17, no. 1 (1994): pp. 3–12.
TIEKEN 2000
 
Tieken, Nancy B. Robert Motherwell at the Denver Art Museum (includes the artist’s statements). Denver: Denver Art Museum, 2000.
TIGER’S EYE 1948A
 
“Robert Motherwell: The Red Skirt.” Tiger’s Eye 1, no. 3 (March 15, 1948): p. 95.
TIGER’S EYE 1948B
 
The Homely Protestant.” Tiger’s Eye 1, no. 6 (December 15, 1948): p. 24.
TIGHE AND LANG 1977
 
Tighe, Mary Ann, and Elizabeth Ewing Lang. Art America (includes artist’s statements). New York: McGraw-Hill, 1977.
TILLIM 1963
 
Tillim, Sidney. “Month in Review.” Arts Magazine 37, no. 4 (January 1963): pp. 40–43. Review of Sidney Janis Gallery, New York, December 1962.
TILLIM 1965
 
Tillim, Sidney. “Motherwell: The Echo of Protest.” Artforum 4, no. 4 (December 1965): pp. 34–36. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
TIME 1951A
 
“On & On.” Time 57, no. 6 (February 5, 1951): p. 46. Review of Museum of Modern Art, New York, January 1951.
TIME 1951B
 
“Signs & Symbols.” Time 58, no. 20 (November 19, 1951): p. 87.
TIME 1954
 
“Robert Motherwell’s Collage.” Time 63, no. 6 (February 8, 1954): p. 76.
TIME 1956
 
“The Wild Ones.” Time 67, no. 8 (February 20, 1956): pp. 70–75.
TIME 1957A
 
“A Place in the Sun.” Time 70, no. 5 (July 29, 1957): p. 63.
TIME 1957B
 
“The New Academy.” Time 70, no. 23 (December 2, 1957): p. 60. Review of Whitney Museum of American Art, New York, 1957.
TIME 1958
 
“American Abstraction Abroad.” Time 72, no. 5 (August 4, 1958): pp. 40–45. Review of Museum of Modern Art, New York, 1958.
TIME 1965
 
“Painting: Lochinvar’s Return.” Time 86, no. 15 (October 8, 1965): pp. 84–87.
TIME 1966
 
“Murals: Assassination in Boston.” Time 88, no. 9 (August 26, 1966): p. 60.
TIME 1968A
 
“Decorators: The Mix Masters.” Time 91, no. 6 (February 9, 1968): pp. 56–61.
TIME 1968B
 
“Exhibitions: The Politics of Feeling.” Time 92, no. 18 (November 1, 1968): p. 76. Review of Richard Feigen Gallery, Chicago, 1968.
TIMES (LONDON) 1965
 
“New York Sees Maturing of Motherwell.” Times (London), September 29, 1965, p. 14. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
TIMES LITERARY SUPPLEMENT 1953
 
“The Dada Movement” (book review). Times Literary Supplement (London), no. 2,699 (October 23, 1953): pp. 69–71.
TISDALL 1978
 
Tisdall, Caroline. “Royal Academy: Robert Motherwell.” Guardian (Manchester), January 13, 1978, p. 8. Review of Royal Academy of Arts, London, 1978.
TONO 1966
 
Tono, Yoshiaki. “Two Decades of American Paintings: Birth and Death of Abstract Expressionism” (text in Japanese). Mizue, no. 741 (October 1966): pp. 10–30.
TORNER 1996
 
Torner, Gustavo. “Con Motherwell” (text in Spanish). Arte y parte, no. 5 (October–November 1996): cover, pp. 13–16.
TORROELLA 1980
 
Torroella, Santos. “Robert Motherwell en Barcelona” (text in Spanish). El Noticiero Universal (Barcelona), March 6, 1980, p. 17. Review of Centro Cultural de la Caixa de Pensions, Barcelona, 1980.
TOWLE 1975
 
Towle, Tony. “From Góngora for Robert Motherwell” (a poem written for the artist). New York Quarterly, no. 17 (1975): p. 71.
TOWLE 1977
 
Towle, Tony. Autobiography and Other Poems, New York: Sun, 1977, cover.
TOWNSEND 1962
 
Townsend, J. Benjamin. 100: The Buffalo Fine Arts Academy, 1862–1962. Buffalo: Buffalo Fine Arts Academy, 1962.
TRAPPSCHUH 1976
 
Trappschuh, Elke. “ ‘Zwei Modi: Erfindung und Variation’; Retrospektive Robert Motherwell in Düsseldorf” (text in German). Neue Zürcher Zeitung, September 28, 1976, p. 19. Review of Städtische Kunsthalle Düsseldorf, 1976.
TROTTA 1965
 
Trotta, Geri. “Not to Be Missed.” Harper’s Bazaar, no. 3047 (October 1965): pp. 14–15, 122.
TUCHMAN ET AL. 1980
 
Tuchman, Maurice, Gerald Nordland, Robert T. Buck Jr., and Linda L. Cathcart. Richard Diebenkorn: Paintings and Drawings, 1943–1980. Buffalo: Albright-Knox Art Gallery, in association with Rizzoli, New York, 1980.
TUCKER 1987
 
Tucker, Dorothy. “Motherwell Exhibit Opens.” Greenwich News, May 7, 1987, sec. 2, pp. 8, 14. Review of traveling exhibition at Hurlbutt Gallery, Greenwich Library, Conn., May 1987 (see Walker Art Center, Minneapolis, 1985).
TURNER 1989
 
Turner, Elisa. “The Bramans: The Happy Look.” Artnews 88, no. 3 (March 1989): pp. 105–8.
TURNER 2006
 
Turner, Jonathan. “Robert Motherwell: Il Gabbiano.” Artnews 105, no. 8 (September 2006): p. 156. Review of Galleria d’Arte il Gabbiano, Rome, 2006.
TYLER 1945
 
Tyler, Parker. “The Limit of the Probable in Modern Painting.” View 5, no. 1 (March 1945): pp. 39, 41.
TYLER 1946
 
Tyler, Parker. “Fourteen Minus One.” View 7, no. 1 (fall 1946): pp. 35–37. Review of Museum of Modern Art, New York, September 1946.
TYLER 1977
 
Tyler, Betty. “Greenwich Influence on Motherwell Shows in Definitive Book on His Art” (book review). Bridgeport Post (Conn.), August 14, 1977, sec. F, p. 7.
TYLER 1991A
 
Tyler, Betty. “A Preview of the Mexican Show.” Fairpress, June 20, 1991, sec. D, p. 3. Review of Knoedler & Company, New York, April 1991.
TYLER 1991B
 
Tyler, Betty. “Artist in His Studio” (interview with the artist). Fairpress, June 20, 1991, sec. D, pp. 1, 3–4.
TYLER 1993
 
Tyler, Betty. “It Is Not to Be” (includes artist’s statements). Fairfield County Weekly, [1993].
TYSON 1992
 
Tyson, Janet. “Robert Motherwell.” Fort Worth Star-Telegram, March 1, 1992, sec. D, pp. 1, 5. Review of the traveling exhibition at Modern Art Museum of Fort Worth, February 1992 (see Museo Rufino Tamayo, Mexico City, 1991).
TYSON 1993A
 
Tyson, Janet. “Abstract Expressions: Motherwell’s Major Themes Come Through Visually Clear in Modern’s Exhibit.” Fort Worth Star-Telegram, October 31, 1993, p. 1. Review of Modern Art Museum of Fort Worth, 1993.
TYSON 1993B
 
Tyson, Janet. “Major Motherwell Acquisition: 17 Paintings, Collages for Fort Worth Modern Art Museum.” San Francisco Chronicle, October 23, 1993, sec. E, p. 3.
TYSON 1993C
 
Tyson, Janet. “Modern Art Museum Adds 17 Major Motherwell Works.” Fort Worth Star-Telegram, October 22, 1993, sec. A, pp. 1, 13.
TYSON 1998
 
Tyson, Janet. “Singing Art’s Praises: The Modern’s Motherwell Exhibit Salutes Bass Performance Hall.” Fort Worth Star-Telegram, April 18, 1998, sec. F, pp. 1, 7. Review of the Modern at Sundance Square, Modern Art Museum of Fort Worth, 1998.
UDE 1982
 
Ude, Karl. “In Der Staatsgalerie moderner Kunst: Robert-Motherwell-Saal eröffnet” (text in German). Süddeutsche Zeitung, November 18, 1982, p. 15. Review of Haus der Kunst, Munich, 1981.
ULANOV 1965
 
Ulanov, Barry. The Two Worlds of American Art: The Private & the Popular. New York: Macmillan; London: Collier-Macmillan, 1965.
UMD STATESMAN 1956
 
“KSC Motherwell Mural Provokes Variety of Opinions.” UMD Statesman (University of Minnesota, Duluth) 25, no. 2 (October 13, 1956), p. 1. Review of Kirby Student Center, University of Minnesota, Duluth, 1956.
UNIVERSITY OF IOWA MUSEUM OF ART 1973
 
Accessions 1973. Introduction by Ulfert Wilke. Iowa City: University of Iowa Museum of Art, 1973.
UNIVERSITY OF MINNESOTA AND UNIVERSITY ART MUSEUM 1986
 
University of Minnesota and the University Art Museum. American Paintings and Sculpture in the University Art Museum Collection. Entry “Robert Motherwell,” pp. 358–60. Minneapolis: University of Minnesota, 1986.
VAIL 1998
 
Vail, Karole P. B. Peggy Guggenheim: A Celebration. Essay by Thomas M. Messer. New York: Guggenheim Museum, 1998.
VAIZEY 1978
 
Vaizey, Marina. “The Painter Who Became a Hero.” Sunday Times, January 29, 1978, p. 35. Review of Royal Academy of Arts, London, 1978.
VAIZEY 1981
 
Vaizey, Marina. “A Window on the World of Experiment.” Arts in Edinburgh, [August 16, 1981]. Review of City Art Centre and Fruitmarket Gallery, Edinburgh, 1981.
VALENTINER 1958
 
Valentiner, William R. “Notes on Duccio’s Space Conception.” Art Quarterly 21, no. 4 (winter 1958): pp. 353–81.
VALLEJO 1954
 
Vallejo, Antonio Buero. En la ardiente oscuridad (text in Spanish). Introduction by Juan R.-Castellano; edited by Samuel A. Wofsy. New York: Charles Scribner’s Sons, 1954, cover.
VALLEY TIMES 1984
 
Valley Times, April 25, 1984, [p. 2].
VALLIER 1967
 
Vallier, Dora. L’Art abstrait (text in French). Paris: Le Livre de Poche, 1967.
VALLIER 1970
 
Vallier, Dora. Abstract Art: A History and Analysis of a Main Current in Twentieth Century Art. Translated by Jonathan Griffin. New York: Orion Press, 1970.
VAN HENSBERGEN 2004
 
Van Hensbergen, Gijs. Guernica: The Biography of a Twentieth-Century Icon. New York: Bloomsbury, 2004.
VAN HOOK 1983
 
Van Hook, L. Bailey. “Robert Motherwell’s Mallarmé’s Swan” (includes artist’s statements). Arts Magazine 57, no. 5 (January 1983): pp. 102–6.
VANITY FAIR 1984
 
“An Artist’s Garden” (interview with the artist). Photographs by Duane Michals. Vanity Fair 47, no. 8 (August 1984): pp. 78–83.
VAN SICLEN 1991
 
Van Siclen, Bill. “American Art’s ‘Barbarian’ ” (includes artist’s statements). Providence Journal-Bulletin, August 19, 1991, sec. D, pp. 1, 5.
VAN SYCKLE 1975
 
Van Syckle, Lillian. “Valuable Painting Given to Library.” Daily World (Aberdeen, Scotland), January 26, 1975, sec. C, p. 20.
VARCO, JANSON, AND SINAIKO 1998
 
Varco, Sandra, Anthony F. Janson, and Eve Sinaiko. Vietnam: Reflexes and Reflections; The National Vietnam Veterans Art Museum. Edited by Eve Sinaiko. New York: Harry N. Abrams, 1998.
VASARI 1991
 
Vasari, Giorgio. “ ‘A Bunch of Old Guys’ ” (includes artist’s statements). Artnews 90, no. 5 (May 1991): p. 28.
VASTOKAS 1979
 
Vastokas, Joan M. “The Roots of Abstraction: An Introduction” (includes artist’s statements). Artscanada, nos. 226–27 (May–June 1979): pp. 2–23, 68.
VENN AND WEINBERG 1998
 
Venn, Beth, and Adam D. Weinberg. American Art of the Twentieth Century: Treasures of the Whitney Museum of American Art. Foreword by David A. Ross; introduction by Adam D. Weinberg. New York: Abbeville Press, 1998.
VETROCQ 1992
 
Vetrocq, Marcia E. “Report from Turin: Back to Basics.” Art in America 80, no. 4 (April 1992): pp. 67, 69, 71. Review of Lingotto, Turin, Italy, 1992.
VIA RHEINLAND 2004–5
 
“Motherwell im Museum Morsbroich” (text in German). Via Rheinland, December 2004–February 2005, p. 25. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
VICENTE 1963
 
Vicente, Esteban. “Editor’s Letters.” Artnews 61, no. 10 (February 1963): p. 6.
VIELHABER 2004
 
Vielhaber, Christiane. “Wucht und Poesie: Werke des Abstrakten Expressionisten im Museum Schloss Morsbroich” (text in German). Art: Das Kunstmagazin, no. 11 (November 2004): p. 153. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
VINCENT 1998
 
Vincent, Steven. “Epic Painting at Knoedler.” Art & Auction 21, no. 5 (December 14, 1998): p. 74. Review of Knoedler & Company, New York, 1998.
VINSON 1990
 
Vinson, James, ed. International Dictionary of Art and Artists. Entry “Robert Motherwell,” by Robert Saltonstall Mattison, pp. 572–74. 2 vols. Chicago: St. James Press, 1990.
VIRGINIA MUSEUM BULLETIN 1974
 
“Twelve American Painters.” Virginia Museum Bulletin 35, no. 1 (September 1974): cover, pp. 3–4.
VIRSHUP 1984
 
Virshup, Amy. “Making the Arts Affordable for All.” New York 17, no. 41 (October 15, 1984): p. 31.
VOGEL 1993
 
Vogel, Carol. “Inside Art.” New York Times, October 22, 1993, sec. C, p. 29.
VOGEL 1998A
 
Vogel, Carol. “Inside Art.” New York Times, October 9, 1998, sec. E, p. 33.
VOGEL 1998B
 
Vogel, Carol. “$17.3 Million ‘Marilyn’ Sets Record for Warhol.” New York Times, May 15, 1998, sec. B, p. 5.
VOGT 1981
 
Vogt, Paul. Contemporary Painting. Translated by Robert Erich Wolf. New York: Harry N. Abrams, 1981.
VOGUE 1958
 
“At the Brussels World’s Fair: Paintings by 17 Americans.” Vogue 131, no. 8 (April 15, 1958): pp. 60–61. Review of United States Pavilion, Brussels World’s Fair, 1958.
VOGUE 1961
 
“Two Great American Artists.” Vogue 138, no. 7 (October 15, 1961): pp. 90–91.
VOGUE 1965
 
“Vogue’s Notebook: Dinner, in New York, for Robert Motherwell.” Vogue 146, no. 10 (December 1965): pp. 140–41.
VOGUE 1966
 
“Art.” Vogue [Paris] [147, no. 7] (April 1, 1966). Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1966).
VOGUE 1972
 
“At Home: The New Roman Way—A Power of American Art.” Vogue 159, no. 8 (April 15, 1972): pp. 118–21.
VOGUE 1991
 
“The Decisive Decade” (interview with the artist), introduction by Rosamond Bernier. Vogue, no. 181 (March 1991): pp. 376–83, 430.
VOLBOUDT 1973A
 
Volboudt, Pierre. “La Ruée vers L’espace” (text in French). XXe Siècle (Paris) 35, no. 40 (June 1973): pp. 75–82.
VOLBOUDT 1973B
 
Volboudt, Pierre. “Perspectives de Robert Motherwell” (text in French). XXe Siècle (Paris) 35, no. 40 (June 1973): pp. 83–86.
VON HOHENZOLLERN 1984
 
Von Hohenzollern, Johann Georg Prinz. “Munich Museums: A Report on Recent Developments.” Burlington Magazine 126, no. 970 (January 1984): pp. 57–59, 61.
VVV 1943
 
VVV 2–3 (March 1943): p. 86.
WADE 1987
 
Wade, Marcia J. “Utopia Revisited.” Horizon 30, no. 5 (June 1987): pp. 13–16. Review of Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, N.Y., 1987.
WALDMAN 1992
 
Waldman, Diane. “Abstract Expressionism.” Chap. 8 in Collage, Assemblage, and the Found Object (includes artist’s statements). New York: Harry N. Abrams, 1992.
WALDMAN 2006
 
Waldman, Diane. The Guggenheim Collection. New York: Guggenheim Museum, 2006.
WALESON 1985
 
Waleson, Heidi. “An Die Musik: A Venturesome Ensemble Offers Diverse Repertory and Celebrates Its 10th Birthday in an Unusual Way.” High Fidelity 35, no. 12 (December 1985): pp. 4–5, 18.
WALKER AND BROOKS 1983
 
Walker, Richard W., and Valerie F. Brooks. “The Art Market: All’s Motherwell.” Artnews 82, no. 5 (May 1983): pp. 9–10.
WALKER ART CENTER ANNUAL REPORT 1996
 
Walker Art Center Annual Report, 1994–1995. Minneapolis: Walker Art Center, 1996.
WALKER ART CENTER CALENDAR 1953
 
“Four Abstract Expressionists.” Walker Art Center Calendar, February 1953.
WALLACH 1977A
 
Wallach, Amei. “It’s One of the Smallest Traveling Art Shows.” New York Newsday, November 27, 1977, pt. 2, pp. 11, 12. Review of Drawing Center, New York, 1977.
WALLACH 1977B
 
Wallach, Amei. “ ‘The Soap Opera’ Is Not for Robert Motherwell” (interview with the artist). New York Newsday, June 26, 1977, pt. 2, pp. 17–18.
WALLACH 1984A
 
Wallach, Amei. “Motherwell: Elusive Painter Views Exhibit Apprehensively” (includes artist’s statements). Southern Connecticut Newspapers, December 16, 1984, sec. F, pp. 1, 5. Review of Solomon R. Guggenheim Museum, New York, 1984.
WALLACH 1984B
 
Wallach, Amei. “Motherwell’s Savage Muse” (interview with the artist). New York Newsday, December 5, 1984, pt. 2, cover, pp. 4–5. Review of Solomon R. Guggenheim Museum, New York, 1984.
WALLOCK 1988
 
Wallock, Leonard, ed. New York: Culture Capital of the World, 1940–1965. Essays by Dore Ashton, Alexander Bloom, Lynn Garafola, Richard Gilman, Carol Herselle Krinsky, John Rockwell, William Sharpe, and Leonard Wallock. New York: Rizzoli International, 1988.
WALSH 1995
 
Walsh, James. “Robert Motherwell Prints.” Edmonton Review 2, no. 1 (spring–summer 1995): pp. 4, 6.
WARD 1952
 
Ward, Mary. “Long Beach Club to Aid Art Center.” Los Angeles Times, October 26, 1952, sec. D, p. 2. Review of Municipal Art Center, Long Beach, Calif., 1952.
WARD 1998
 
Ward, Dawn M. “Tracing Automatism: An Investigation of the Method and Its Emergence in the Art and Literature in the United States from 1944 to 1962” (includes artist’s statements). Ph.D. diss., New York University, 1998.
WARHOL AND HACKETT 1980
 
Warhol, Andy, and Pat Hackett. POPism: The Warhol ’60s. New York: Harper and Row, 1980.
WARING 2002
 
Waring, Virginia. Letters from Fontainbleau. Palm Desert, Calif.: H.S. Publishing, 2002.
WARNER 2008
 
Warner, Emily. “Suitcase Paintings: Small Scale Abstract Expressionism.” Brooklyn Rail, November 2008, p. 38. Review of the traveling exhibition at Loyola University Museum of Art, Chicago, September 2008 (see Georgia Museum of Art, University of Georgia, Athens, 2007).
WARNOD 1977
 
Warnod, Jeanine. “Motherwell à Paris” (text in French). Le Figaro (Paris), [July 2, 1977]. Review of Musée d’Art Moderne de la Ville de Paris, 1977.
WARNOD 1990
 
Warnod, Jeanine. “Peintures gestuelles Paris-New York” (text in French). Le Figaro (Paris), October 23, 1990, p. 27. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
WARSHAW 1961
 
Warshaw, Howard. “Return of Naturalism as the ‘Avant-Garde’ ” (includes artist’s statements). Nation 192, no. 16 (April 22, 1961): pp. 344–50.
WASHINGTON ART CONSORTIUM 1977
 
Washington Art Consortium. Works on Paper: American Art, 1945–1975. Introduction by Rosalind Krauss. Seattle: Washington Arts Consortium, 1977.
WASHINGTON POST 1949
 
“Art Seminars Taking Shape in New York.” Washington Post, February 13, 1949, sec. 6, p. 5.
WASHINGTON UNIVERSITY GALLERY OF ART BULLETIN 1995
 
“New Acquisitions and an Exhibition of Works by Robert Motherwell.” Washington University Gallery of Art Bulletin, fall 1995, pp. 2–3.
WASHINGTON UNIVERSITY GALLERY OF ART CALENDAR OF EVENTS 1982
 
Washington University Gallery of Art Calendar of Events (Washington University in Saint Louis), spring 1982.
WASSERMAN 1965
 
Wasserman, Burt. “The Art of Robert Motherwell.” Art Education 18, no. 7 (October 1965): pp. 16–19. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
WASSERMAN 1968
 
Wasserman, Emily. “New York.” Artforum 7, no. 4 (December 1968): p. 59. Review of Whitney Museum of American Art, New York, 1968.
WATERFALL 1986
 
Waterfall, Beth. “The ‘Opening’ of the Window.” North County News, September 24–30, 1986, sec. V, pp. 1–3. Review of Neuberger Museum, State University of New York at Purchase, 1986.
WATERS 1952
 
Waters, Amy. “Motherwell Difficult to Evaluate: Waters” (includes artist’s statements). Oberlin Review 80 (April 25, 1952): pp. 1, 4. Review of Allen Memorial Art Museum, Oberlin College, Ohio, 1952.
WATKINS 1979
 
Watkins, Eileen. “Collage Show Brings It All Together.” Sunday Star-Ledger (Newark, N.J.), April 22, 1979, sec. 4, p. 12. Review of Montclair Art Museum, N.J., 1979.
WEBB 1996
 
Webb, Michael. “Before and After: Born-Again Neutra; The Nesbitt House Reworked for Pippa Scott.” Architectural Digest 55, no. 7 (July 1996): pp. 88–93.
WEINSTEIN 1968
 
Weinstein, Arnold. “The Marriage (an historical play in 16 acts for Helen and Robert Motherwell),” in “Theatre Poems and Plays.” Yale/Theatre 1 (spring 1968): pp. 66–67.
WEINSTEIN 1985
 
Weinstein, Arnold. “A Poet in New York: Federico Garcia Lorca.” Columbia (Columbia University), November 1985, pp. 30–33.
WEISMAN 1978
 
Weisman, Mary-Lou. “Robert Motherwell: ‘My Concern Is to Humanize Everything’ ” (interview with the artist). Connecticut Magazine, January 1978, pp. 118–19.
WEITZ 1950
 
Weitz, Morris. Philosophy of the Arts (includes artist’s statements). Cambridge, Mass.: Harvard University Press, 1950.
WELCH 1986
 
Welch, Meredith L. “Robert Motherwell: Reflects On the Journey that Brought Him Here” (interview with the artist). Greenwich News, December 11, 1986, sec. 3, pp. 1, 3–4.
WELISH 1972
 
Welish, Marjorie. “Robert Motherwell: Bridging the Generations.” Art International 16, no. 10 (December 1972): pp. 44–47.
WELLER 1963
 
Weller, Allen S. Art: USA: Now. Edited by Lee Nordness. Entry “Robert Motherwell,” by Jane Gollin, vol. 2, pp. 189–91. New York: Viking Press, 1963.
WENTRUP 2001
 
Wentrup, Jan-Hendrik. “Robert Motherwell und die ‘Spanischen Elegien’ ” (text in German). M.A. thesis, Münster (Westfalen), Germany, 2001.
W[ESCHER] 1954
 
W[escher], H[erta]. “Collages: Esprit spontané” (text in French). L’Art d’aujourd’hui 5, nos. 2 and 3 (March–April 1954): pp. 30–35.
WESCHER 1968
 
Wescher, Herta. Collage. Translated by Robert E. Wolf. New York: Harry N. Abrams, 1968.
WEST 1984
 
West, Langland. “Motherwell and the MoMA.” City Arts (San Francisco), May 1984, pp. 15, 16. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
WEST ART 1984
 
“Robert Motherwell: 1941 to 1982.” West Art 22, no. 9 (January 27, 1964): p. 1. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
WESTGEEST 1996
 
Westgeest, Helen. Zen in the Fifties: Interaction in Art between East and West. Zwolle, the Netherlands: Uitgeverij Waanders, 1996.
WESTPHAL 1976
 
Westphal, Gert. “ ‘Zwei Modi: Erfindung und Variation’; Retrospektive Robert Motherwell in Düsseldorf” (text in German). Neue Zürcher Zeitung (Zurich), September 28, 1976, p. 33. Review of Städtische Kunsthalle Düsseldorf, 1976.
WHITBECK 1983
 
Whitbeck, Doris. “Artists Judge Peers.” Hartford Courant, January 14, 1983, sec. D, pp. 1, 7. Review of Wadsworth Atheneum, Hartford, Conn., 1983.
WHITE 1991
 
White, James E. Contemporary Moral Problems. 3rd ed. Saint Paul, Minn.: West, 1991, front and back covers.
WIBKING 2001
 
Wibking, Angela. “Modern Times: Visiting Smithsonian Exhibit Traces Development of American Art during the 20th Century.” Nashville Scene, August 9, 2001, p. 27. Review of the circulating exhibition at Frist Center for the Visual Arts, Nashville, July 2001 (see Smithsonian Institution Traveling Exhibition Service, Washington, D.C., 2000).
WILKIN 1984
 
Wilkin, Karen. David Smith. New York: Abbeville Press, 1984.
WILKIN 1991
 
Wilkin, Karen. “Robert Motherwell, 1915–1991” (obituary; includes artist’s statements). Partisan Review 58, no. 4 (1991): pp. 724–28.
WILLARD 1964A
 
Willard, Charlotte. “Drawing Today.” Art in America 52, no. 5 (October 1964): pp. 49–67. Review of FAR Gallery, New York, 1964.
WILLARD 1964B
 
Willard, Charlotte. “In the Art Galleries.” New York Post, July 19, 1964, p. 44. Review of Marlborough-Gerson Gallery, New York, 1964.
WILLARD 1964C
 
Willard, Charlotte. “In the Art Galleries.” New York Post, May 31, 1964, sec. Magazine, p. 14. Review of Marlborough-Gerson Gallery, New York, 1964.
WILLARD 1965
 
Willard, Charlotte. “In the Art Galleries.” New York Post, October 24, 1965, sec. Magazine, p. 14. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
WILLIAM BENTON MUSEUM OF ART 1988
 
“Looking Around.” William Benton Museum of Art, winter–spring 1988, n.p.
WILLIAMS 1966
 
Williams, Sheldon. “ ‘The Last Blue Rider’ Exhibits Works in London.” New York Herald Tribune (international edition), March 29, 1966, p. 7. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
WILMERDING 1973
 
Wilmerding, John, ed. The Genius of American Painting (includes artist’s statements). Contributions by R. Peter Mooz, John Wilmerding, Richard J. Boyle, Irma B. Jaffe, Harry Rand, and Dore Ashton. New York: William Morrow, 1973.
WILSON 1970
 
Wilson, William. “L.A. Artists in Boycott of Biennale.” Los Angeles Times, June 19, 1970, sec. G, p. 1.
WILSON 1977A
 
Wilson, William. “Institutional Ways and Means: Bigger Cut of the Wealth.” Los Angeles Times, October 9, 1977, sec. Calendar, p. 74. Review of Montgomery Art Gallery, Pomona College, Claremont, Calif., 1977.
WILSON 1977B
 
Wilson, William. “Portrait of the Artist as a Literary Scholar.” Los Angeles Times, July 31, 1977, sec. Calendar, pp. 1, 86. Review of Musée de l’art Moderne de la Ville de Paris, 1977.
WILSON 1979
 
Wilson, William. “ ‘Spirit of Surrealism’ in Cleveland.” Los Angeles Times, November 19, 1979, sec. E, p. 11. Review of Cleveland Museum of Art, Ohio, 1979.
WILSON 1981
 
Wilson, William. “The High Cost of Culture at the Met.” Los Angeles Times, July 5, 1981, sec. Calendar, pp. 73, 77. Review of the Metropolitan Museum of Art, New York, 1981.
WILSON 1984
 
Wilson, William. “Academy a la Motherwell.” Los Angeles Times, January 22, 1984, sec. Calendar, p. 75. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
WILSON 1991
 
Wilson, William. “Robert Motherwell: An American Titan” (obituary). Los Angeles Times, July 18, 1991, sec. F, pp. 1, 4.
WILSON AND MUCHNIC 1979A
 
Wilson, William, and Suzanne Muchnic. “A Critical Guide.” Los Angeles Times, October 19, 1979, sec. G, p. 16. Review of Asher/Fauré, Los Angeles, 1979.
WILSON AND MUCHNIC 1979B
 
Wilson, William, and Suzanne Muchnic. “Art Walk: A Critical Guide to the Galleries.” Los Angeles Times, January 19, 1979, sec. 4, p. 6. Review of Ace Gallery, Los Angeles, 1979.
WINDROW 1992
 
Windrow, Kathy. Robert Motherwell: The Open Door (supplemental exhibition brochure, text in English and in Spanish; includes artist’s statements). Fort Worth: Modern Art Museum of Fort Worth, 1992.
WINER 1973
 
Winer, Helene. “Collages Shown in La Jolla.” Los Angeles Times, April 9, 1973, p. 10. Review of La Jolla Museum of Contemporary Art, Calif., 1973.
WINTER 1976A
 
Winter, Peter. “Robert Motherwell” (text in German). Das Kunstwerk 6, no. 24 (November 1976): pp. 55–56. Review of Städtische Kunsthalle Düsseldorf, 1976.
WINTER 1976B
 
Winter, Peter. “Robert Motherwell: Künstler und Intellektueller” (text in German). Du Journal, November 1976, p. 7. Review of Städtische Kunsthalle Düsseldorf, 1976.
WINTER 1982
 
Winter, Peter. “Die Farbe, das Meer und der Tod: Zum Werk des amerikanischen Malers Robert Motherwell” (text in German). [Pantheon], ca. February 1982, pp. 74–79.
WINTER 1984
 
Winter, David. “Motherwell Retrospective Shows Works on a Grand Scale.” Peninsula Times-Tribune (Palo Alto, Calif.), April 29, 1984, sec. “Things to Do,” p. 3. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo 1983).
WITKOVSKY 1989
 
Witkovsky, Matthew S. “Experience vs. Theory: Romare Bearden and Abstract Expressionism.” Black American Literature Forum 23, no. 2 (summer 1989): pp. 257–82.
W MAGAZINE 1976
 
“New York [Shows].” W Magazine, February 20–27, 1976.
WOHL 1973
 
Wohl, Hellmut. “Five Drawings by Robert Motherwell” (includes artist’s statements). Boston University Journal 21, no. 1 (winter 1973): pp. 42–47.
WOLF 1946A
 
Wolf, Ben. “Difficult Origins.” Art Digest 20, no. 8 (January 15, 1946): p. 17. Review of Samuel M. Kootz Gallery, New York, January 1946.
WOLF 1946B
 
Wolf, Ben. “With Modern Accent.” Art Digest 20, no. 16 (May 15, 1946): p. 17. Review of Samuel M. Kootz Gallery, New York, May 1946.
W[OLF] 1947
 
W[olf], B[en]. “Fifty-seventh Street in Review.” Art Digest 21, no. 15 (May 1, 1947): p. 21. Review of Samuel M. Kootz Gallery, New York, April 1947.
W[OLF] 1948
 
W[olf], B[en]. “Fifty-seventh Street in Review.” Art Digest 22, no. 16 (May 15, 1948): p. 19. Review of Samuel M. Kootz Gallery, New York, May 1948.
WOLFE 1976
 
Wolfe, Tom. The Painted Word. New York: Bantam Books, 1976.
WOLFE 1984
 
Wolfe, Townsend. Twentieth-Century American Drawings from the Arkansas Arts Center Foundation Collection. Little Rock: Arkansas Arts Center, 1984.
WOLFF 1979
 
Wolff, Theodore F. “High Brinksmanship. ” Christian Science Monitor, January 19, 1979, sec. Home Forum, p. 20.
WOLFF 1981
 
Wolff, Theodore F. “Artists Motherwell and Marin: Two American Giants to Be Reckoned With.” Christian Science Monitor 73, no. 69 (March 5, 1981): p. 18. Review of Knoedler & Company, New York, February 1981.
WOLFF 1982
 
Wolff, Theodore F. “The Many Masks of Modern Art.” Christian Science Monitor, January 5, 1982, sec. Home Forum, p. 20.
WOLFF 1984A
 
Wolff, Theodore F. “For 40 years, Motherwell Has Steered His Own Course” (includes artist’s statements). Christian Science Monitor, December 31, 1984, pp. 17–18. Review of Solomon R. Guggenheim Museum, New York, 1984.
WOLFF 1984B
 
Wolff, Theodore F. “Our Simple and Important Part in a 40-Year Debate.” Christian Science Monitor, August 30, 1984, p. 26.
WOLFOWICZ 1977
 
Wolfowicz, Eugenia. “ ‘L’Art est la mauvaise conscience d’une société bourgeoise’: Un Entretien avec Robert Motherwell” (text in French; interview with the artist). Les Nouvelles Littéraires, June 23–30, 1977, p. 15.
WONG 1994
 
Wong, Janay Jadine. “Synagogue Art of the 1950s: A New Context for Abstraction.” Art Journal 53, no. 4 (winter 1994): pp. 37–43.
WOOD 1997
 
Wood, Christopher. The Great Art Boom, 1970–1997. Edited by Duncan Hislop and Sharron Clarke. Weybridge, Surrey, England: Art Sales Index, 1997.
WORCESTER TELEGRAM 1966
 
“Painting of Kennedy’s Death Is ‘Horror,’ Hub Workers Say.” Worcester Telegram (Mass.), August 12, 1966, p. 1.
WORLD 1964
 
“Guggenheim Awards.” World (Tulsa, Okla.), January 19, 1964, sec. E, p. 14. Review of Solomon R. Guggenheim Museum, New York, January 1964.
WYER 1988
 
Wyer, E. Bingo. “Flaky Art: Modern Masterpieces Are Crumbling.” New York Magazine 21, no. 4 (January 25, 1988): pp. 42–44, 46, 48.
WYKES-JOYCE 1978
 
Wykes-Joyce, Max. “London.” International Herald Tribune, January 21–22, 1978, p. 7. Review of Royal Academy of Arts, London, 1978.
YALE CENTER FOR INTERNATIONAL AND AREA STUDIES 1985
 
Europe and Latin America in the World Economy. Edited by Colin I. Bradford Jr. New Haven, Conn.: Yale Center for International and Area Studies, Yale University, 1985.
YALE UNIVERSITY ART GALLERY BULLETIN 1963
 
“Recent Gifts and Purchases.” Yale University Art Gallery Bulletin 29, no. 1 (April 1963): pp. 42–43.
YALE UNIVERSITY ART GALLERY BULLETIN 1964
 
“Recent Gifts and Purchases.” Yale University Art Gallery Bulletin 30, no. 1 (August 1964): pp. 40–41, 48, 50–51.
YOUNG 1969
 
Young, Mahonri Sharp. “The Metropolitan Museum of Art Centenary Exhibitions—I: The New York School.” Apollo 90, no. 93 (November 1969): pp. 426–32. Review of the Metropolitan Museum of Art, New York, 1969.
ZALKIND 1976
 
Zalkind, Simon. “Richard Diebenkorn, Stephen Edlich, Robert Motherwell.” Arts Magazine 51, no. 1 (September 1976): p. 9. Review of Gruenebaum Gallery, New York, 1976.
ZANETTI 1990
 
Zanetti, Paola Serra. “Robert Motherwell” (includes artist’s statements). Contemporanea 3, no. 1 (January 1990): pp. 90–91. Review of Padiglione d’Arte Contemporanea, Milan, 1989.
ZAYA 1987
 
Zaya, Octavio. “El Museo de Arte Moderno de Nueva York expone los dibujos y la obra gráfica de Motherwell” (text in Spanish). Diario 16 (Madrid), December 18, 1987, sec. Cultura, p. 1. Review of Museum of Modern Art, New York, 1987.
ZELL AND BURSTEIN 1988
 
Zell, Sylvia G., and Dotty Burstein. The Sylvia G. Zell Collection of Modern Art. Boston: Daughters of Sylvia G. Zell, 1988.
ZIMMER 1987
 
Zimmer, William. “Works of Collage by Motherwell.” New York Times, June 7, 1987, sec. 23, p. 34.
ZIMMER 1992
 
Zimmer, William. “Memorabilia and Painting from Black Mountain’s Glory Days.” New York Times, April 19, 1992, sec. 12, p. 10. Review of Station Gallery, Katonah, N.Y., 1992.
ZIMMER 1997
 
Zimmer, William. “Known Artists, Fresh Work from Private Collections.” New York Times, March 9, 1997, sec. 13, p. 16. Review of Bruce Museum, Greenwich, Conn., 1997.
ZUCKER 1997
 
Zucker, Steven Ezekiel. “Art in Dark Times: Abstract Expressionism, Hannah Arendt, and the ‘Natality’ of Freedom” (includes artist’s statements). Ph.D. diss., City University of New York, 1997.
Bibliography (M-Z)
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