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Description: Expressionism: Art and Idea
An in-depth survey of the various phases of Expressionism, from its beginnings in 1905 to its most recent formulation in the art of the 1970s, this book examines Expressionist art for the first time in the context of the history of philosophy and social ideas. Author Donald E. Gordon shows how this art embodies the vanguard aesthetic of modern art and demonstrates in detail its relationship to the cultural traditions of its time.
Print publication date March 1991 (out of print)
Print ISBN 9780300050264
EISBN 9780300234336
Illustrations 45 illus.
Print Status out of print
Description: German Romantic Painting
The early 19th century was a period in German art in which painting played a significant part in the cultural resurgence commonly known as the Romantic Movement. This Movement and some of its chief exponents are examined against a background of German literature, philosophy and music.

*This eBook is available exclusively on the A&AePortal*
Print publication date September 1994 (out of print)
Print ISBN 9780300060478
EISBN 9780300254181
Illustrations 196
Print Status out of print
Description: German Romanticism and English Art
This original study sets out to investigate and analyze the reactions of English artists in the four decades following the end of the Napoleonic Wars. The period was a critical one: despite the brilliant achievements of Turner, Constable, and Lawrence, there was a growing uneasiness about the "sensuous" direction taken by the British School as a whole. After years of isolation due to the wars with France, British artists became aware of striking new developments in continental art, culminating in the 1840s when German monumental painting was held up as a model for the competitions for the decoration of the new Houses of Parliament.

The first part of the book considers the principal areas of artistic contact between the two countries, the radical new developments in the field of aesthetics, and the new range of themes found in German Romanticism. The latter half looks at specific stylistic connections, the impact of German book illustration and design, the influence of the Munich school on history painting, and the rivalry between English and German artists in the field or religious art.

*This eBook is available exclusively on the A&AePortal*
Print publication date September 1979 (out of print)
Print ISBN 9780300021943
EISBN 9780300259490
Illustrations 176
Print Status out of print
Description: Prints and the Pursuit of Knowledge in Early Modern Europe
Susan Dackerman (Editor), Claudia Swan (Contributor), Suzanne K. Schmidt (Contributor)
An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time. Hans Holbein, for instance, worked with cosmographers and instrument makers on some of the earliest sundial manuals published; Albrecht Dürer produced the first printed maps of the constellations, which astronomers copied for over a century; and Hendrick Goltzius's depiction of the muscle-bound Hercules served as a study aid for students of anatomy.

Prints and the Pursuit of Knowledge in Early Modern Europe features fascinating reproductions of woodcuts, engravings, and etchings; maps, globe gores, and globes; multilayered anatomical "flap" prints; and paper scientific instruments used for observation and measurement.

*This eBook is available exclusively on the A&AePortal*
Author
Susan Dackerman (Editor), Claudia Swan (Contributor), Suzanne K. Schmidt (Contributor)
Print publication date September 2011 (out of print)
Print ISBN 9780300171075
EISBN 9780300238365
Illustrations 271 Illus.
Print Status out of print
Description: The Renaissance Print: 1470–1550
Printmaking matured in western Europe between 1470 and 1550, when the great generation of artists and printmakers brought international recognition to print as an art form. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired.

David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Examining documentary evidence and many individual prints, Landau and Parshall provide an integrated view of the Renaissance print as a social and artistic enterprise and reevaluate the achievements of the most influential phase in the history of European printmaking.
Print publication date September 1996 (in print)
Print ISBN 9780300068832
EISBN 9780300222050
Illustrations 383
Print Status in print