Photography Credits

Jungmann, Burglind

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Photography Credits

Burglind Jungmann

Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga

Photography Credits

Author

Burglind Jungmann

PublisherPrinceton University Press

Stable URL: https://aaeportal.com/?id=-23815

Photography Credits

Permission to reproduce illustrations is provided by the owners or sources as listed in the captions. Additional photography credits are as follows:

Art Gallery of New South Wales, Sydney. Photo: Brenton McGeachie for AGNSW. Acc. no. 253.1981 (fig. 46)

Photos courtesy National Museum of Korea, Seoul (figs. 6, 8, 9, 14, 19, 20, 25, 26, 36, 38, 40, 42, 43, 51, 56, 57, 64, 70, 74, 94, 98, 100)

Spencer Collection, The New York Public library, Astor, Lenox and Tilden Foundations (fig. 1)

Staatliche Museen zu Berlin—Preußischer Kulturbesitz Museum für Ostasiatische Kunst. Photo: Petra Stüning (fig. 3)

Private collection, courtesy of University of California, Berkeley Art Museum (fig. 76)

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Book details

BOOKPainters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga

Burglind Jungmann

Stable URL: https://aaeportal.com/?id=-23796

It is well known that Japanese literati painting of the eighteenth century was inspired by Chinese styles that found their way to Japan through trade relations. However, because Japanese and American art historians have focused on Japanese-Chinese ties, the fact that Japan also maintained important diplomatic—and aesthetic—relations with Korea during the same period has long been neglected. This important book examines the role of Korean embassies in shaping the new Japanese literati style, known as Nanga in Japan.

Burglind Jungmann describes the eighteenth-century Korean-Japanese diplomatic exchange and the circumstances under which Korean and Japanese painters met. Since diplomatic relations were conducted on both sides by scholars with a classical Chinese education, Korean envoys and their Japanese hosts shared a deep interest in Chinese philosophy, literature, calligraphy, and painting. Texts, such as Ike Taiga's letter to Kim Yusöng and Gion Nankai's poem for Yi Hyön, and accounts by Korean and Japanese diplomats, give a vivid picture of the interaction between Korean and Japanese painters and envoys. Further, the paintings done by Korean painters during their sojourns in Japan attest to the transmission of a distinctly Korean literati style, called Namjonghwa. By comparing Korean, Japanese, and Chinese paintings, the author shows how the Korean interpretation of Chinese styles influenced Japanese literati painters and helped inspire the creation of their new style.

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Author

Burglind Jungmann

PublisherPrinceton University Press

Print publication date October 2004 (out of print)

Print ISBN 9780691114637

EISBN 9780300275612

Illustrations 101

Print Status out of print

Publisher (out of print)

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