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List of illustrations

  • Korean Envoys
  • Kara-ko ningyo (mechanical doll)
  • Playing Korean Envoys at the Niwaka Festival
  • Yui, Seventeenth Station on the Tōkaidō
  • Literati Meeting at a Lotus Pond
  • Landscape after Mi Fu, detail
  • Lonely Fisherman
  • Landscape after Huang Gongwang
  • Landscape
  • Landscape with a Boat
  • Picking Herbs and Washing Fingers
  • Landscape
  • Landscape
  • Landscape after Dong Qichang
  • Landscape after Dong Qichang
  • White Clouds Over Xiao and Xiang
  • Mount Fuji after Dong Qichang
  • Landscape in the Manner of Dong Yuan
  • Scholar Riding a Horse
  • Landscape with a Boat
  • Landscape
  • Landscape
  • Landscape
  • Landscape
  • Pheasants
  • Fishing at a Cold Cliff
  • Snow Landscape
  • Spring Landscape
  • Winter Landscape
  • Halting a Carriage among Maple Leaves
  • Landscape with a Fisherman
  • Copy after Waterfall at Mount Lu
  • Waterfall at Mount Lu, detail
  • Landscape after Tang Yin
  • Landscape with Two Scholars in a Boat
  • Landscape with Two Scholars in a Boat
  • Fishing in the River
  • Imaginary Landscape
  • Landscape
  • Eight Views of Xiao and Xiang
  • Literary Gathering at the Fern Court
  • Sketch after a landscape by So Seyang (1486–1562)
  • Silent Mountains Recalling Antiquity
  • Beautiful Writing in a Bamboo Pavilion
  • Eight Views of the West Lake
  • Halting a Carriage among Maple Trees
  • Autumn Landscape after Taiga, detail
  • Plum Blossoms in Moonlight
  • Landscape
  • Draft of letter to Kim Yusŏng
  • Mount Fuji
  • Mount Fuji, from an album of Views of a Journey Through Japan
  • Landscape
  • Landscape
  • Landscapes
  • Scholar and Servant under a Tree
  • Winter Landscape
  • Landscape
  • Summer Landscape
  • Landscapes of Naksansa and the Diamond Mountains; Flowers and Birds
  • Landscape
  • Landscape
  • Scholar under a Tree
  • Landscape
  • Four Seasons
  • Clear Summer Day Under Paulownia Trees
  • Landscape
  • Landscape
  • Landscape after Shen Zhou
  • Landscape after Ni Zan
  • Walking with a Staff
  • Landscape
  • Landscape
  • Summer Landscape with Mountain Hut
  • Halting a Carriage among Maple Leaves
  • Finger-Painted Landscape
  • Composing a Poem on a Bridge
  • Trees after Li Cheng and Guo Xi
  • Wondrous Scenery of Mutsu, detail
  • Terrace of Vanishing Clouds
  • Ravine of a Myriad Waterfalls
  • View of the Capital from a Distance
  • Journey to the Red Cliff
  • Two Gentlemen Looking at a Waterfall
  • Drinking under Pines
  • Landscapes on Fan-shaped Paper
  • Leisurely Talk beneath Trees
  • Hermitage above a River
  • Humble Dwelling in a Deep Forest
  • Landscape Illustrating a Poem by Yuan Weizhi
  • Sparse Forest and Thatched Pavilion
  • Autumn Ravine, Murmuring Water
  • Pavilion in a Bamboo Grove
  • Mount Jingding
  • Tosan Academy
  • Foreword of the first part of Jieziyuan huazhuan
  • Plan of the Residence of Prince Inp'yŏng, Korea
  • Travel Palace Gaominsi
  • Great Pond near the Guesthouse of Hakone Pass
  • True View of Kojima Bay
  • Southern Gate-Tower of a Mountain Fortress
Free
Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
Contents
PublisherPrinceton University Press
Free
Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~Since I started this research a decade and a half ago its conditions have changed significantly. First of all, there is a greater interest in Korean art and in the role it might have played in the history of East Asian art as a whole. Although in the 1980s scholars of Japanese history and literature became increasingly engaged in research on the exchange between...
PublisherPrinceton University Press
Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~Japanese painting in the literati style, also called Nanga or “Southern school” painting, has been extensively examined for the presence of...
PublisherPrinceton University Press
Related print edition pages: pp.13-21

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Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~The significance and intensity of Korean-Japanese relations during the Edo period (1600–1868) become obvious when viewed in light of the foreign policy concept of the Edo bakufu (the government of the Shōgun in Edo, present-day TŌkyo), most...
PublisherPrinceton University Press
Related print edition pages: pp.25-45

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Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~The concept of “Southern school painting” and its correlating Chinese term, Nanzonghua, were created in early seventeenth-century China by the influential scholar, painter, calligrapher, and collector Dong Qichang and his circle.Susan Bush,...
PublisherPrinceton University Press
Related print edition pages: pp.47-71

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Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~The first major meeting between a Nanga painter and Korean painters took place in 1711, when Gion Nankai...
PublisherPrinceton University Press
Related print edition pages: pp.75-101

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Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~In the course of my investigation into the Korean influence on Nanga, I came upon a source that, to my own surprise, was evidently not contemporary eighteenth-century Korean Namjonghwa, but rather an older Korean tradition that seems to have appeared in Japanese painting long before the development of Nanga. Our investigation of Gion Nankai’s works in the...
PublisherPrinceton University Press
Related print edition pages: pp.103-117

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Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~In the early period of the development of Nanga, painters like Gion Nankai and Sakaki Hyakusen had experimented with diverse styles, albeit in a somewhat rudimentary manner, while in the second stage we can observe the formation of what may be regarded as a distinctive Nanga mode. The...
PublisherPrinceton University Press
Related print edition pages: pp.121-165

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Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~Having gained an idea of Ike Taiga’s interaction with the Korean embassies of 1748 and 1764, and of the contemporary Korean style, we may now ask to what degree exposure to the work of Korean artists influenced the development of Taiga’s own painting style.
PublisherPrinceton University Press
Related print edition pages: pp.167-185

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Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
~The question of a Korean influence on Nanga is so far-reaching that it has been impossible to answer within the limits of this study. However, since Nanga emerged in a period of active diplomatic relations between Japan and Korea, historical material has offered a good starting point for investigation. The tremendous amount of...
PublisherPrinceton University Press
Related print edition pages: pp.205-211

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Free
Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
List of Characters
PublisherPrinceton University Press
Free
Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
Appendix: Korean and Japanese Texts
PublisherPrinceton University Press
Free
Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
Bibliography
PublisherPrinceton University Press
Free
Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
Index
PublisherPrinceton University Press
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Description: Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
Photography Credits
PublisherPrinceton University Press
Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
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