Illustration Credits

Bryda, Gregory C.

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Illustration Credits

Gregory C. Bryda

Description: The Trees of the Cross: Wood as Subject and Medium in the Art of Late Medieval...

The Trees of the Cross: Wood as Subject and Medium in the Art of Late Medieval Germany

Illustration Credits

Author

Gregory C. Bryda

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-31683

Illustration Credits

The photographers and the sources of visual material other than the owners indicated in the captions are as follows. Every effort has been made to supply complete and correct credits; if there are errors or omissions, please contact Yale University Press so that corrections can be made in any subsequent edition.

Bayerisches Nationalmuseum, Munich (figs. 0.1, 4.28)

Gregory C. Bryda (figs. 0.2, 1.6, 1.9, 1.12, 1.14, 1.17, 1.19, 1.21, 1.29–1.32, 2.11, 2.12, 2.18, 2.23, 3.15, 4.3, 4.19, 4.20, 4.24, 4.29, 4.35–4.37)

Bildarchiv Monheim (figs. 0.3, 0.9, 0.10, 0.11)

Kristian Adolfsson (figs. 0.5, 0.7, 0.8)

Uoaei1 (figs. 0.6, 0.9)

IMAGO / Ulmer (fig. 0.12)

Hermann Schoch (fig. 0.13)

Bayerische Staatsbibliothek, Munich (figs. 0.14, 1.25, 2.6, 2.16, 2.17, 2.20, 3.14, 3.18, 3.20, 3.26, 3.35, 4.6, 4.9, 4.17, 4.27, 4.30, 4.33, 5.1, 5.5)

LVR-Amt für Denkmalpflege im Rheinland, Michael Thuns (figs. 1.1, 1.2)

Gallerie degli Uffizi (fig. 1.5)

Kirchgemeinde Wiesendangen (figs. 1.7, 1.11, 1.13, 1.15, 1.27)

The Morgan Library, New York (figs. 1.8, 4.7, 4.8, 4.18)

Museum Katharinenhof, Kranenburg (fig. 1.18)

Hermann Haarmann (fig. 1.22)

Kupferstichkabinett, Staatliche Museen, Berlin, Dietmar Katz (figs. 1.23, 2.19, 2.27, 2.28, 3.8)

City Museum Ulm (figs. 1.24, 2.24–2.26)

Katholische Kirchpflege Stuppach (fig. 1.26)

Michael Leukel (fig. 1.28)

Kleuske (fig. 2.1)

Hagströmer Medico-Historical Library, Karolinska Institutet (fig. 2.2)

Bibliothèque Nationale de France, Paris (figs. 2.3, 2.4, 3.11, 4.21)

Stadtbibliothek im Bildungscampus, Nürnberg (figs. 2.5, 2.14)

The Art Institute of Chicago / Art Resource, NY (figs 2.7, 2.8, 4.31)

Rijksmuseum, Amsterdam (fig. 2.9)

Bibliothèque Nationale et Universitaire, Strasbourg (fig. 2.10)

Eigentum Korporation Luzern, ZHB Luzern, Sondersammlung (fig. 2.13)

Universitätsbibliothek, Heidelberg (figs. 2.15, 3.32)

Thomas Liebner (fig. 2.12)

Staatliche Kunsthalle, Karlsruhe (figs. 3.1, 3.2, 3.9, 3.27, 3.34, 3.37, 3.42)

Sammlung Würth, Kunzeslau (fig. 3.3)

Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (fig. 3.4)

Unterlinden Museum, Colmar (figs. 3.5–3.7, 3.10, 3.16, 3.17, 3.23, 3.24)

Jürgen Convent (fig. 3.13)

Stadtmuseum, Nördlingen (fig. 3.11)

Heimatmuseum Blaubeuren, Stephan Buck (fig. 3.22)

Städel Museum, Frankfurt (figs. 3.25, 3.27, 3.42)

Historisches Museum, Frankfurt (fig. 3.27, 3.28, 3.35, 3.41)

Kürpfälzisches Museum, Heidelberg (fig. 3.31)

RoHa-Fotothek Fürmann (fig. 3.33)

Madrid, Thyssen-Bornemisza (figs. 3.38, 3.40)

Germanisches Nationalmuseum Nürnberg (figs. 3.39, 3.41, 4.10, 4.23)

Achim Bunz, Munich (figs. 4.1, 4.4, 4.5, 4.16)

Dombibliothek, Hildesheim (fig. 4.13)

Katherine Boivin (fig. 4.14)

Matthias Weniger (fig. 4.15)

dieNikolai Bio-Traubenkosmetik, Stefan Fürt-bauer (fig. 4.25)

Archiv St. Lorenz, Nürnberg (fig. 4.29)

Kunstsammlungen der Veste Coburg (fig. 4.32)

Münsterschatz Bad Mergentheim / Foto Besserer (fig. 4.34)

Universitäts- und Landesbibliothek Sachsen-Anhalt in Halle (Salle) (fig. 5.2)

British Museum, London (fig. 5.4)

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