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1. Bittersweet: Caribbean Diasporas, Transnational Feminisms, and Commodity Consumptions in Victoria Ravelo’s Hidden in Plain View
Elizabeth S. Hawley
Description: Nourish and Resist: Food and Feminisms in Contemporary Global Caribbean Art
Nourish and Resist: Food and Feminisms in Contemporary Global Caribbean Art
During a monthlong residency at Locust Projects (Miami’s longest-running alternative art space) in 2021, Victoria Ravelo produced Hidden in Plain View, a series of molten sugar sculptures. Ravelo started thinking through the possibilities of sugar as a material for her art when she was confined to her...
Author
Elizabeth S. Hawley
PublisherYale University Press
Copyright© Yale University Press
Stable URL: https://aaeportal.com/?id=-31724
Chapter subject tags:Ravelo, VictoriaSugarcane industry--Caribbean Area--HistoryWomen and domestic labor--Caribbean Area--HistoryCuban American women artists--21st centuryFeminism--Caribbean Area--21st centuryColonialism--Caribbean Area--HistoryFood--Caribbean Area--HistoryVisual culture--Cuban--21st centuryResistance (Philosophy) in artSlavery--Caribbean Area--HistoryCampos-Pons, Maria Magdalena, 1959-Walker, Kara Elizabeth

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1. Bittersweet: Caribbean Diasporas, Transnational Feminisms, and Commodity Consumptions in Victoria Ravelo’s Hidden in Plain View
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