Selected Bibliography: Writings of Peter Eisenman, 1990–2004

“Unfolding Events: Frankfurt Rebstockpark and the Possibility of a New Urbanism.” In Unfolding Frankfurt (Berlin: Ernst and Sohn), 8–17 (German and English).

“Viel/Faltig/Field/Feld.” In Frankfurt Rebstock Competition, Architecture and Urbanism (A+U), no. 252, September, 16–18 (Japanese and English).

1992

“K Nowhere To Fold.” In Anywhere, edited by Cynthia Davidson (New York: Rizzoli International), 218–27.

“Oltre Lo Sguardo: L’Architettura nell’Epoca dei Media Elettronici [Visions’ Unfolding: Architecture in the Age of Electronic Media].” Domus 734, January 17–24 (Italian and English).

“The Affects of Singularity.” Architectural Design 62 (November/December): 51.

1993

“Folding in Time: The Singularity of Rebstock.” Folding in Architecture: Architectural Design Profile 102: 22–25.

“People Who Live in Glass Houses Should Not Throw Stones.” In Color of an Architect: Peter Eisenman, Haus Immendorff (Hamburg: Artfound Print Co. and Hamburg: Galerie für Architektur Renate Kammer und Angelika Hinrichs), 2–11.

1994

“Confronting the Double Zeitgeist.” Architecture 83, no. 10 (October): 51, 53, 55.

“Not the Last Word: The Intellectual Sheik [Colin Rowe].” Any 7–8: 66–69.

1995

“Critical Architecture in the Geopolitical World.” In Architecture Beyond Architecture, edited by Cynthia Davidson (London: The Academy Group Ltd.), 78–82.

“Figuring the Ground.” Newsline 8, no. 2 (November/December): 5, Cover.

“M Emory Games.” in M Emory Games: Emory Center for the Arts (New York: Rizzoli International and Harvard University Graduate School of Design), 58–59.

“Presentness and the Being-Only-Once of Architecture.” In Deconstruction is/in America, edited by Anselm Haverkamp (New York and London: New York University Press), 134–48.

1996

“Architecture in a Mediated Environment.” In The Idea of the City, edited by Robin Middleton (London: Architectural Association), 56–63.

“Estrategias del signo: Giuseppe Terragni y la idea de un texto crítico [Terragni and the Idea of a Critical Text].” Arquitectura Viva 48 (May/June): 66–69 (Spanish and English).

“Formar lo poscrítico: arquitectura, función y significado [Forming the Postcritical].” Arquitectura Viva 50 (September/October): 17–18 (Spanish and English).

1997

“Autonomy and the Avant-Garde: The Necessity of an Architectural Avant-Garde in America.” In Autonomy and Ideology: Positioning an Avant-Garde in America, edited by Robert E. Somol (New York: Monacelli Press), 68–79.

“Processes of the Interstitial: Notes on Zaera-Polo’s Idea of the Machinic.” El Croquis: Peter Eisenman 1990–1997, no. 83: 21–35 (Spanish and English).

“Separate Tricks.” In Chora L Works, edited by Jeffrey Kipnis and Thomas Leeser (New York: Monacelli Press), 132–36.

“Written Into the Void.” Manuscript, distributed at the MAK, Vienna, during the exhibition “Peter Eisenman: Barefoot on White-hot Walls,” December 2004–March 2005.

“Zones of Undecidability: The Interstitial Figure.” In Anybody, edited by Cynthia Davidson (New York: Anyone Corporation and Cambridge: MIT Press), 240–47.

1998

“Diagram: An Original Scene of Writing.” Any, no. 23, 27–29.

“Zones of Undecidability: The Processes of the Interstitial.” In Anyhow, edited by Cynthia Davidson (New York: Anyone Corporation and Cambridge: MIT Press), 28–35.

1999

“Diagrams of Anteriority.” In Diagram Diaries (New York: Universe Publishing), 36–43.

“Diagrams of Interiority.” In Diagram Diaries (New York: Universe Publishing), 44–93.

“Diagrams of Exteriority.” In Diagram Diaries (New York: Universe Publishing), 164–209.

“The Diagram and the Becoming Unmotivated of the Sign.” In Diagram Diaries (New York: Universe Publishing), 210–15.

“Time Warps: The Monument.” In Anytime, edited by Cynthia Davidson (New York: Anyone Corporation and Cambridge: MIT Press), 250–57.

2000

“Autonomy and the Will to the Critical.” Chien chu, no. 42 (November): 58–63.

“The Specter of the Spectacle: Ghosts of the Real.” In Anymore, edited by Cynthia Davidson (New York: Anyone Corporation and Cambridge: MIT Press), 174–80.

“The Wicked Critic.” Any 25–26: 66–70.

2001

“Mies and the Figuring of Absence.” In Mies in America, edited by Phyllis Lambert (New York: Harry N. Abrams Inc.) 706–715.

2003

“A Matrix in the Jungle.” In The Charter of Zurich, edited by Furio Barzon et al. (Basel: Birkhäuser), 28–37.

“Blurred Zones.” In Blurred Zones: Investigations of the Interstitial, Eisenman Architects 1988–1998 (New York: Monacelli Press), 6–9.

“L’ora che è stata.” In Metafisica, edited by Ester Coen (Milan: Electa), 98–104 (Italian).

“Terragni and the Idea of a Critical Text.” In Giuseppe Terragni: Transformations, Decompositions, Critiques (New York: Monacelli Press), 295–301.

2004

“Coded Rewritings: The Processes of Santiago.” In CodeX: The City of Culture of Galicia, edited by Cynthia Davidson (New York: Monacelli Press), 27–35.

“Digital Scrambler: From Index to Codex.” Perspecta 35: 40–53.

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