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Peter Eisenman
Description: Written into the Void: Selected Writings, 1990–2004
Written into the Void: Selected Writings, 1990–2004
Sources
Author
Peter Eisenman
PublisherYale University Press
Copyright© 2007 by Peter Eisenman
Stable URL: https://aaeportal.com/?id=-31887
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Sources
Ch. 1: “Post/El Cards: A Reply to Jacques Derrida,” Assemblage 12 (August 1990): 14–17.
Ch. 2: “The Author’s Affect: Passion and the Moment of Architecture,” in Anyone, ed. Cynthia Davidson (New York: Rizzoli, 1991), 200–11.
Ch. 3: “Unfolding Events: Frankfurt Rebstockpark and the Possibility of a New Urbanism,” in Unfolding Frankfurt (Berlin: Ernst and Sohn, 1991), 8–17.
Ch. 4: “The Affects of Singularity,” Architectural Design 62 (November / December 1992): 42–45.
Ch. 5: “Folding in Time: The Singularity of Rebstock,” Columbia Documents of Architecture and Theory: D 2 (1993): 99–111. (Reprint of “Folding in Time: The Singularity of Rebstock,” in Folding in Architecture: Architectural Design Profile 102, ed. Greg Lynn [London: Academy Group, Ltd., 1993], 22–25).
Ch. 6: “Vision’s Unfolding: Architecture in the Age of Electronic Media,” in The Invisible in Architecture, ed. Ole Bouman and Roemer van Toorn (London: Academy Editions and Ernst and Sohn, 1994), 144–49. (Reprint of “Oltre Lo Sguardo: L’Architettura nell’Epoca dei Media Elettronici” [Vision’s Unfolding: Architecture in the Age of Electronic Media], Domus 734 [January 1992]: 17–24).
Ch. 7: “Presentness and the Being-Only-Once of Architecture,” in Deconstruction is/in America, ed. Anselm Haverkamp (New York and London: New York University Press, 1995), 134–48.
Ch. 8: “Processes of the Interstitial: Notes on Zaera-Polo’s Idea of the Machinic,” El Croquis: Peter Eisenman 1990–1997 83 (1997): 21–35.
Ch. 9: “Separate Tricks,” in Chora L Works, ed. Jeffrey Kipnis and Thomas Leeser (New York: Monacelli Press, 1997), 132–36.
Ch. 10: “Written into the Void,” Manuscript written in 1997 and distributed at the MAK, Vienna, during the exhibition “Peter Eisenman: Barefoot on White-hot Walls,” December 2004–March 2005.
Ch. 11: “Diagram: An Original Scene of Writing,” in Diagram Diaries (New York: Universe, 1999), 26–35.
Ch. 12: “Autonomy and the Will to the Critical,” Assemblage 41 (2001): 90–91. (Reprint from Chien chu, no. 42 [November 2000]: 58–63).
Ch. 13: “Mies and the Figuring of Absence,” in Mies in America, ed. Phyllis Lambert (New York: Harry. N. Abrams, 2001), 706–715.
Ch. 14: “Blurred Zones,” in Blurred Zones: Investigations of the Interstitial, Eisenman Architects 1988–1998 (New York: Monacelli Press, 2003), 6–9.
Ch. 15: “L’ora che è stata,” in Metafisica, ed. Ester Coen (Milan: Electa, 2003), 98–104.
Ch. 16: “A Matrix in the Jungle,” in The Charter of Zurich, ed. Furio Barzon et al. (Basel: Birkhäuser, 2003), 28–37.
Ch. 17: “Terragni and the Idea of a Critical Text,” in Giuseppe Terragni: Transformations, Decompositions, Critiques (New York: Monacelli Press, 2003), 295–301.
Ch. 18: “Digital Scrambler: From Index to Codex,” Perspecta 35 (2004): 40–53.
Ch. 19: “The Wicked Critic,” Any 25–26 (2000): 66–70.
Appendix: Jacques Derrida, Letter to Peter Eisenman [October 12, 1989]. Trans. Sarah Whiting. Assemblage 12 (August 1990): 7–13 (Translation revised in 2006 by Ariane de la Belleissue Lourie.)