Illustration Credits

Savage, Kirk

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Illustration Credits

Kirk Savage

Description: Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century...

Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (New Edition)

Illustration Credits

Author

Kirk Savage

PublisherPrinceton University Press

Stable URL: https://aaeportal.com/?id=-31916

Illustration Credits

1.1 Josiah Clark Nott, Types of Mankind (Philadelphia, 1854), 458. (Courtesy of Swem Library, College of William and Mary)

1.2 Apollo Belvedere, Roman imperial copy of Greek bronze, Vatican. (Photo: Courtesy of Rijksmuseum, Amsterdam)

1.3 Sheet music cover for Songs of the Virginia Serenaders (Boston, 1844). (Sheet Music Lithograph Covers, Boston Public Library)

1.4 Henry Kirke Brown, Choosing of the Arrow, 1849, bronze statuette. (Courtesy of the Metropolitan Museum of Art, New York; Purchase, Mia R. Taradash and Dorothy Schwartz Gifts, and Morris K. Jesup and Rogers Funds, 2005)

1.5 John Rogers, Slave Auction, 1859, plaster. (Photography © New-York Historical Society; object #1928.28)

2.1 William Hackwood, modeler, Slave Emancipation Society Medallion, 1787, Wedgwood, England, jasperware and silver. (Courtesy of the Mint Museum, Charlotte, N.C.; Delhom Collection, 1965.48.85)

2.2 Am I Not a Man and a Brother, 1837, woodcut. (Library of Congress, Washington, D.C.)

2.3 Illustrations of the American Anti-Slavery Almanac for 1840, woodcut. (Library of Congress, Washington, D.C.)

2.4 View of monument to Grand Duke Ferdinand (Pietro Tacca, Monument of the Four Moors), 1620, Livorno, Italy, 19th century lithograph. (Collection of author)

2.5 Edward Clay, Practical Amalgamation, 1839, lithograph. (Library Company of Philadelphia)

2.6 Hiram Powers, Greek Slave, 1847, marble. (Courtesy of Yale University Art Gallery)

2.7 Henry Kirke Brown, model for pediment for U.S. Capitol, 1855, plaster (now lost). (Photo: Courtesy of Karen Lemmey)

2.8 View of South Carolina State House, c. 1860, woodcut. (Courtesy of South Caroliniana Library, University of South Carolina, Columbia, S.C.)

2.9 Henry Kirke Brown, model for pediment for South Carolina State House, 1860–1861, plaster (now lost). (Photo: Courtesy of Karen Lemmey)

2.10 Brown, model for pediment for South Carolina State House, 1860–1861. Detail of left wing. (Photo: Courtesy of Karen Lemmey)

2.11 Brown, model for pediment for South Carolina State House, 1860–1861. Detail of right wing. (Photo: Courtesy of Karen Lemmey)

2.12 Brown, model for pediment for South Carolina State House, 1860–1861. Detail of central section. (Photo: Courtesy of Karen Lemmey)

2.13 George Cruikshank, Emmeline About to Be Sold to the Highest Bidder, illustration in H. B. Stowe, Uncle Tom’s Cabin, (London, 1852), 290. (Courtesy of University Library System, University of Pittsburgh)

2.14 Slavery As It Exists in America; Slavery As It Exists in England, 1850, lithograph. (Library of Congress, Washington, D.C.)

2.15 F. M. Coffin, The Slaves in the Cornfield, illustration in W.L.G. Smith, Life at the South, Or Uncle Tom’s Cabin As It Is, (Buffalo, 1852), 38. (Courtesy of University Library System, University of Pittsburgh)

2.16 T. Addison Richards, Harvesting the Rice and A Carolina Rice Planter, illustrations in “Rice Lands of the South,” Harper’s New Monthly, 19 (November 1859): 729, 738. (Courtesy of University Library System, University of Pittsburgh)

3.1 John Quincy Adams Ward, The Freedman, 1863, bronze statuette. (Detroit Institute of Arts, Gift of Mr. Ernest Kanzler; Bridgeman Images)

3.2 Currier and Ives, Freedom to the Slaves, circa 1863, lithograph. (Library of Congress, Washington, D.C.)

3.3 Harper’s Weekly, 7 (July 4, 1863): 429. (Courtesy of University Library System, University of Pittsburgh)

3.4 William Wetmore Story, Libyan Sibyl, 1862, marble. (Metropolitan Museum of Art; Gift of Erving Wolf Foundation, in memory of Diane R. Wolf, 1979)

3.5 Edmonia Lewis, Forever Free, 1868, marble. (Howard University Gallery of Art)

3.6 Henry Kirke Brown, Lincoln monument, 1869, Prospect Park, Brooklyn. (Photo: Library of Congress, Washington, D.C.)

3.7 Louis Verhaegen, Charles Avery Monument, 1860, Allegheny Cemetery, Pittsburgh. (Photo: author)

3.8 Verhaegen, Charles Avery Monument, 1860, Allegheny Cemetery, Pittsburgh. Detail of relief panel. (Photo: author)

3.9 Henry Kirke Brown, model for monument to Lincoln, 1866–67, plaster (now lost). (Photo: Courtesy of Karen Lemmey)

3.10 Randolph Rogers, Lincoln and the Emancipated Slave, circa 1866, plaster. (University of Michigan Museum of Art)

3.11 Thomas Ball, stereograph of plaster model for monument to Lincoln, circa 1866. (Library of Congress, Washington, D.C.)

3.12 Arrotino, Hellenistic marble, Uffizi Gallery, Florence. (Photo: Collection of author)

3.13 Vinnie Ream [Hoxie], Abraham Lincoln, 1871, marble, U.S. Capitol. (Architect of the Capitol, Washington, D.C.)

3.14 Rhode Island Soldiers’ and Sailors’ Monument, 1871, Providence, R.I. (Photo: Library of Congress, Washington, D.C.)

3.15 Randolph Rogers, model of emancipation relief, 1870, plaster (now lost). (Photo: Courtesy the Rhode Island Historical Society; Rhi X3 8740)

4.1 Thomas Ball, Freedmen’s Memorial to Abraham Lincoln (Emancipation Monument), 1876, Lincoln Park, Washington, D.C. (Photo: Library of Congress, Washington, D.C.)

4.2 Harriet Hosmer, model for Freedmen’s Memorial to Lincoln, 1866, plaster (now lost). (Photo: Watertown Free Library)

4.3 Hosmer, design for Freedmen’s Memorial, in [London] Art Journal (Jan. 1, 1868): 8. (Courtesy of University Library System, University of Pittsburgh)

4.4 Clark Mills, model for National Lincoln Monument, circa 1868, plaster (now lost). (Photo: Library of Congress, Washington, D.C.)

4.5 Thomas Ball, model for Freedmen’s Memorial to Lincoln, circa 1874, plaster (now lost). (Photo: Library of Congress, Washington, D.C.)

4.6 Thomas Ball, Emancipation Group, 1879, Park Square, Boston. (Photo: Library of Congress, Washington, D.C.)

4.7 Augustus Saint-Gaudens, Lincoln monument (Standing Lincoln), 1887, Lincoln Park, Chicago. (Photo: Library of Congress, Washington, D.C.)

4.8 Saint-Gaudens, Lincoln monument (Standing Lincoln), 1887, Lincoln Park, Chicago. Detail of statue. (Photo: Library of Congress, Washington, D.C.)

4.9 Harriet Hosmer, African Sibyl, design for portion of Lincoln Monument, circa 1890 (now lost). (Photo: Watertown Free Library)

5.1 A. Hoen and Co., Genl. Lee on Traveler, 1876, lithograph. (Photo: Library of Congress, Washington, D.C.)

5.2 Edward Valentine, model for Lee monument, circa 1877, plaster. (The Valentine, Richmond, Va.)

5.3 Moses Ezekiel, model for Lee monument, circa 1877, plaster (now lost). (Photo: American Jewish Archives, Cincinnati, Ohio)

5.4 Charles Niehaus, model for Lee monument, circa 1886, plaster (now lost). (Photo: Library of Congress, Washington, D.C.)

5.5 Antonin Mercié and Paul Pujol, Lee Monument, 1890, Monument Avenue, Richmond. (Photo: American Civil War Museum, Richmond, Va.)

5.6 Photograph of Monument Avenue, circa 1907, in Richmond Virginia 1907: The Capital Metropolis and the Historic Centre of the Old Dominion (Richmond: published by the municipality, 1907), n.p. (The Valentine, Richmond, Va.)

5.7 Photograph after hoisting of the Lee statue, May 29, 1890. (American Civil War Museum, Richmond, Va.)

5.8 Monument to faithful slaves, 1896, Fort Mill, South Carolina. (Photo: Author)

5.9 Detail of figure 5.8, relief panel. (Photo: Author)

5.10 Detail of figure 5.8, relief panel. (Photo: Author)

6.1 Richard Morris Hunt and John Quincy Adams Ward, 7th Regiment Memorial, 1869–1874, Central Park, New York City. (Photo: Creative Commons)

6.2 Confederate soldier monument, 1909, Livingston, Alabama. (Photo: Library of Congress, Washington, D.C.)

6.3 Winslow Homer, Defiance: Inviting a Shot before Petersburg, 1864, oil on panel. (Detroit Institute of Arts, Founders Society purchase and Dexter M. Ferry Jr. fund; Bridgeman Images)

6.4 Photograph of dead Confederate at Petersburg, circa 1864. (Photo: Library of Congress, Washington, D.C.)

6.5 Thomas Nast, Patience on a Monument, in Harper’s Weekly (Oct. 10, 1868): 648. (Courtesy of University Library System, University of Pittsburgh)

6.6 George H. Mitchell and Lorado Taft, Monument to Union Soldiers and Sailors, 1891, Yonkers, New York. (Photo: Wayt Thomas)

6.7 Sandusky County Soldiers’ Monument, 1885, Fremont, Ohio, illustration in Proceedings at the Unveiling of the Soldiers’ Monument on the Site of Fort Stephenson, Fremont, Ohio (Freemont, Ohio: Democratic Messenger, 1885), frontispiece. (Courtesy of Franklin and Marshall College Library)

6.8 Bullard and Bullard, architects, design for National Emancipation Monument, 1889, lithograph. (Library of Congress, Washington, D.C.)

6.9 Augustus Saint-Gaudens and Charles F. McKim, Shaw Memorial, 1897, Boston Common. (Photo: Library of Congress, Washington, D.C.)

6.10 Office of H. H. Richardson, design for Shaw Memorial, circa 1882, pen and ink. (Houghton Library, Harvard University, Cambridge, Mass.; MS Typ 1096)

6.11 Augustus Saint-Gaudens, plaster cast of sketch model for Shaw memorial, date unknown. (Courtesy of Saint-Gaudens National Historic Site, Cornish, N.H.)

6.12 Saint-Gaudens, relief panel of Shaw memorial, 1897, bronze. (Photo: Library of Congress, Washington, D.C.)

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