Illustration Credits

Walker, Rosyln A.

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Illustration Credits

Rosyln A. Walker

The Arts of Africa: At the Dallas Museum of Art

Author

Rosyln A. Walker

PublisherDallas Museum of Art

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-19804

Illustration Credits

Fig. 2: Carlebach Gallery, New York; fig. 13: © National Museums of Kenya; fig. 14: © Museum of South Africa / University of Cape Town; fig. 16: Photograph: Roslyn Adele Walker; fig. 17: © Estate of Michael G. Owen Jr.; fig. 18: Bildarchiv Preussischer Kulturbesitz / Art Resource, NY. Photograph: Dietrich Graf, Ethnologisches Museum, Staatliche Museen zu Berlin; fig. 19: Courtesy of William Fagaly and the New Orleans Museum of Art; fig. 20: Werner Forman Archive; fig. 21: Photograph: John Pemberton III; fig. 22: Dr. Daniel P. Biebuyck; fig. 23: Photograph: Eliot Elisofon, EEPA EECL 1546. Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution, Washington, D.C.; fig. 24: © Photo SCALA, Florence / Musée du Quai Branly. Photograph: Frank Christol; fig. 26: Photograph: David A. Binkley; fig. 27: Verney Lovett Cameron, Across Africa, Harper, New York, 1877; fig. 28: D. K. Flickinger, History of the Origin, Development and Condition of Missions among the Sherbro and Mendi Tribes in Western Africa, United Brethren Publishing House, Dayton, Ohio, 1885; fig. 29: Photograph: Henrietta Cosentino; fig. 30: Photograph: courtesy of Alain de Monbrison / Monbrison Archive; fig. 31: Photograph: Stephen Petergorsky, courtesy of John Pemberton III; fig. 32: Archives mission 21: Basel Mission, E-30.31.043. Photograph: Eugen Schwarz; fig. 33: © National Commission for Museums and Monuments, Nigeria. Photograph: Philip A. Allison; fig. 34: © Herbert M. Cole; fig. 35: © Simon Ottenberg and The University of Washington Press; fig. 36: Photograph: Lydia Puccinelli, 1976. Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution, Washington, D.C.; fig. 37: The Secret Museum of Mankind, Manhattan House, New York, 1935; fig. 38: X-ray: courtesy of Claire M. Barry, Chief Conservator, Kimbell Art Museum, Fort Worth, Texas; fig. 39: © abm-Archives Barbier-Mueller; fig. 40: Photograph: Eliot Elisofon, 1971, EEPA EENG 02271. Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution, Washington, D.C.; fig. 41: Christine El Mahdy, Mummies, Myth and Magic, Thames & Hudson Ltd., London, 1989. Drawing: Philip Winton; fig. 42: Photograph: Till Förster; fig. 43: Photograph: David A. Binkley; fig. 44: Photograph: John Pemberton III; fig. 45: Karl Zimmerman, Die Grenzgebiete Kameruns im Sudem und im Osten, Mitteilungen aus den Deutschen Schutzgebieten, 9a and 9b, Berlin, 1914. Photograph: Hans Gehne; fig. 46: Charles Stéphen-Chauvet, L’Art funeraire au Gabon, Immaculée, Castres, France, 1933; fig. 48: © Michel Huet / HOA-QUI / Eyedea; fig. 49: © Russell Sublette; fig. 50: © Froebenius-Institut; fig. 51: Gaetano Casati, Ten Years in Equatoria and the Return with Emin Pasha, transl. J. Randolph Clay and I. Walter Savage Landor, F. Warne, London, 1891; fig. 52: © Lucien Viola; fig. 53: Emil Torday and T. A. Joyce, Notes ethnographiques sur les peuples communément appelés Bakuba, ainsi que sur les peuplades apparentées, Les Bushongo; aquarelles par Norman H. Hardy, Ministry of the Colonies, Brussels, 1910; fig. 54: Photograph: Joseph Cornet; fig. 55: © Natalie Knight Productions, CC.; fig. 56: Photograph: David Radmore; fig. 57: © 1979 Dorothea Tanning / Artists Rights Society (ARS), New York / ADAGP, Paris; fig. 58: © Renée Stout, Washington, D.C.; fig. 60: © Archives du Musée Gabon; fig. 61: © Gelbard Photographic Archives of African Expressive Culture; fig. 62: Photograph: Casimir Zagourski, EEPA Zagourski Collection, 1987–241055, National Museum of African Art, Smithsonian Institution, Washington, D.C.; fig. 63: © Estate of Pablo Picasso / Artists Rights Society (ARS), New York; fig. 64: © Cosima von Bonin; fig. 66: Photograph: Brad Flowers; pp. 98–99: Bruno de Hogues / Stone / Getty Images

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