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Pat Kirkham (Editor), Susan Weber (Editor)
Description: History of Design: Decorative Arts and Material Culture 1400–2000
Further Reading
Author
Pat Kirkham (Editor), Susan Weber (Editor)
PublisherBard Graduate Center
PublisherYale University Press
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Further Reading
GENERAL
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Baudrillard, Jean. The System of Objects. Translated by James Benedict. London and New York: Verso, 1996.
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Benton, Tim, and Charlotte Benton, eds. Form and Function: A Source Book for the History of Architecture and Design, 1890–1939. London: C. L. Staples with the Open University Press, 1975.
Bourdieu, Pierre. Distinction: A Social Critique of the Judgment of Taste. Cambridge, MA: Harvard University Press, 1984.
Brewer, John, and Roy Porter, eds. Consumption and the World of Goods. London and New York: Routledge, 1993.
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Colomina, Beatriz, ed. Sexuality & Space. New York: Princeton Architectural Press, 1992.
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Julier, Guy. The Thames and Hudson Encyclopaedia of 20th Century Design and Designers. London and New York: Thames and Hudson, 1993.
Kinchin, Juliet, and Aidan O’Connor. Century of the Child: Growing by Design, 1900–2000. New York: Museum of Modern Art, 2012.
Kingery, W. David. Learning from Things: Method and Theory of Material Culture Studies. Washington, DC: Smithsonian Institution Press, 1996.
Kirkham, Pat, ed. The Gendered Object. Manchester, UK, and New York: Manchester University Press, 1996.
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——. As Long as it’s Pink: The Sexual Politics of Taste. London: Pandora, 1985.
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EAST ASIA: CHINA, KOREA, JAPAN
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——. Empire of Great Brightness: Visual and Material Cultures of Ming China, 1368–1644. Honolulu: University of Hawaii Press, 2007.
——. Superfluous Things: Material Culture and Social Status in Early Modern China. Urbana and Chicago: University of Illinois Press, 1991.
Cort, Louise Allison. Seto and Mino Ceramics. Washington, DC: Freer Gallery of Art, Smithsonian Institution, 1992.
Denison, Edward, and Guang Yu Ren. Modernism in China. Chichester, UK, and Hoboken, NJ: Wiley, 2008.
Deuchler, Martina. The Confucian Transformation of Korea: A Study of Society and Ideology. Cambridge, MA: Council on East Asian Studies, Harvard University, 1992.
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Earle, Joe. Splendors of Imperial Japan: Arts of the Meiji Period from theKhalili Collection. London: Khalili Family Trust, 2002.
Earle, Joe, and Góke Tadaomi. Meiji no Takara, Treasures of Imperial Japan. Vol. 6 of The Nasser D. Khalili Collection of Japanese Art. London: The Kibo Foundation, 1996.
Faulkner, Rupert. Japanese Studio Crafts: Tradition and the Avant-garde. Philadelphia: University of Pennsylvania Press, 1995.
Furuto, Kazuie, ed. The Shogun Age Exhibition: From the Tokugawa Art Museum, Japan. Tokyo: Shogun Age Exhibition Executive Committee, 1983.
Gluckman, Dale Carolyn, and Sharon Sadako Takeda. When Art Became Fashion: Kosode in Edo-Period Japan. Los Angeles: Los Angeles County Museum of Art, 1992.
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——. Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan. Honolulu: University of Hawaii Press, 2005.
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——. Nihon no me to kukan II: soshoku to erosu 1900–1945 [Japanese aesthetics and sense of space II: Ornamentation and eroticism 1900–1945]. Tokyo: Sezon Bijutsukan, 1992.
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Tokyo National Museum. Meiji dezain no tanjô: Chôsa kenkyü hôkokusho “Onchi zuroku.” Tokyo: Kokusho Kankôkai, 1997.
——. Arts of East and West from World Expositions: 1855–1900: Paris, Vienna and Chicago. Tokyo: NHK, 2004.
Tokyo National Museum of Modem Art. Art Nouveau in Japan 1900–1923: The New Age of Crafts and Design. Tokyo: National Museum of Modern Art, 2005.
Traganou, Jilly. The Tókaidó Road: Traveling and Representation in Edo and Meiji Japan. London and New York: Routledge, 2004.
Tseng, Alice Yu-Ting. The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation. Seattle: University of Washington Press, 2008.
Vollmer, John, and Elinor L. Pearlstein. Clothed to Rule the Universe: Ming and Qing Dynasty Textiles at The Art Institute of Chicago. Chicago: The Art Institute of Chicago, 2000.
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Watt, James C. Y., and Barbara Brennan Ford. East Asian Lacquer: The Florence and Herbert Irving Collection. New York: The Metropolitan Museum of Art, 1991.
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——. The Potter’s Brush: The Kenzan Style in Japanese Ceramics. Washington, DC: Freer and Sackler Galleries, Smithsonian Institution with Merrell, 2001.
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Yong, Yun-i, and Regina Krahl, eds. Korean Art from the Gompertz and Other Collections in the Fitzwilliam Collection: A Complete Catalogue. Cambridge and New York: Cambridge University Press, 2006.
INDIA
Askari, Nasreen, and Rosemary Crill. Colours of the Indus: Costume and Textiles of Pakistan. London: Merrell Holberson with the Victoria and Albert Museum, 1997.
Bala Krishnan, Usha R., and Meera Sushil Kumar. Dance of the Peacock: Jewellery Traditions of India. Mumbai: India Book House, 1999.
Barnard, Nick. Indian Jewellery: The VEtA Collection. London: Victoria and Albert Museum, 2008.
Barnes, Ruth, Steven Cohen, and Rosemary Crill. Trade, Temple and Court: Indian Textiles from the Tapi Collection. Mumbai: India Book House, 2002.
Birdwood, George C. M. The Industrial Arts of India. London: Chapman and Hall, 1880.
Chaldecott, Nada. Dhurries: History, Technique, Pattern, Identification. London and New York: Thames and Hudson, 2003.
Crill, Rosemary. Indian Embroidery. London: Victoria and Albert Museum, 1999.
——. Indian Ikat Textiles. London: Victoria and Albert Museum, 1998.
Dhamija, Jasleen, and Jyotindra Jain, eds. Handwoven Fabrics of India. Ahmadabad: Mapin, 1989.
Dye, Joseph M., III. The Arts of India: Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 2001.
Elgood, Robert. Hindu Arms and Ritual: Arms and Armour from India, 1400–1865. Delft: Eburon Academic Publishers, 2004.
Elson, Vickie C. Dowries from Kutch:A Women’s Folk Art Tradition in India. Los Angeles: Museum of Cultural History, University of California Los Angeles, 1979.
Gray, Basil. The Arts of India. Oxford: Phaidon, 1981.
Guy, John. Woven Cargoes: Indian Textiles in the East. London and New York: Thames and Hudson, 1998.
Guy, John, and Deborah Swallow, eds. Arts of India 1550–1900. London: Victoria and Albert Museum, 1990.
Head, Raymond. The Indian Style. Chicago: University of Chicago Press, 1986.
Irving, Robert Grant. Indian Summer: Lutyens, Baker, and Imperial Delhi. New Haven: Yale University Press, 1981.
Jaffer, Amin. Furniture from British India and Ceylon. London: Victoria and Albert Museum, 2001.
——. Luxury Goods from India: The Art of the Indian Cabinet-Maker. London: Victoria and Albert Museum, 2002.
——. Made for Maharajas: A Design Diary of Princely India. New York: Vendóme, 2006.
Jain, Jyotindra, and Aarti Aggarwala. National Handicrafts and Handlooms Museum, New Delhi. Ahmadabad: Mapin, 1989.
Keene, Manuel. Treasury of the World: Jeweled Arts of India in the Age of the Mughals, the al-Sabah Collection, Dar al-Athar al-Islamiyyah. London and New York: Thames and Hudson, 2001.
Lynton, Linda, and Sanjay K. Singh. The Sari: Styles, Patterns, History, Techniques. London and New York: Thames and Hudson, 2002.
Martinelli, Antonio, and George Michell. Palaces of Rajasthan. London: Frances Lincoln, 2004.
Mathur, Saloni. India by Design: Colonial History and Cultural Display. Berkeley: University of California Press, 2007.
McCutchion, David. Architecture and Art of Southern India: Vijayanagara and the Successor States. Vol. 1.6 of The New Cambridge History of India. Cambridge: Cambridge University Press, 1995.
——. The Majesty of Mughal Decoration: The Art and Architecture of Islamic India. London and New York: Thames and Hudson, 2007.
Michell, George, ed. The Islamic Heritage of Bengal. Paris: UNESCO, 1984.
Michell, George, and Snehal Shah, eds. Ahmadabad. Bombay: Marg Publications, 1988.
Michell, George, and Mark Zebrowski. Architecture and Art of the Deccan Sultanates. Vol 1.7 of The New Cambridge History of India. Cambridge: Cambridge University Press, 1999.
Musées de Bordeaux. La Route des Indes: Les Indes et VEurope: Echanges artistiques et héritage commun 1650–1850. Bordeaux: Musée d’Aquitaine and Musée des arts décoratifs with Somogy, 1998.
Nath, Rabindra. History of Decorative Art in Mughal Architecture. Delhi and Varanasi: Motilal Banarsidas, 1976.
Pant, Gayatri Nath. Swords and Daggers. Vol. 2 of Indian Arms and Armour. New Delhi: Army Educational Stores, 1980.
Raheja, Dinesh, and Jitendra Kothari. Indian Cinema: The Bollywood Saga. London: Aurum, 2004.
Riboud, Krishna, ed. Samit St Lampas: Indian Motifs. Paris: Association pour l’étude et la documentation des textiles d’Asie (A.E.D.T.A.), 1998.
Sethi, Sunil, and Deidi von Schaewen. Indian Interiors. Cologne: Taschen, 1999.
Skelton, Robert, ed. The Indian Heritage: Court Life and Arts under Mughal Rule. London: Victoria and Albert Museum, 1982.
Skelton, Robert, Andrew Topsfield, Susan Stronge, and Rosemary Crill, eds. Facets of Indian Art. London: Victoria and Albert Museum, 1986.
Slesin, Suzanne, and Stafford Cliff. Indian Style. London and New York: Thames and Hudson, 1990.
Vassallo e Silva, Nuno, ed. The Heritage of Rauluchantim. Lisbon: Museu de São Roque, 1996.
Walker, Daniel. Flowers Underfoot: Indian Carpets of the Mughal Era. New York: The Metropolitan Museum of Art, 1997.
Watt, George. Indian Art at Delhi, 1903: Being the Official Catalogue of the Delhi Exhibition 1902–1903. Reprint. Delhi: Motilal Banarsidass, 1987.
Wilkinson, Wynyard R. T. Indian Silver 1858–1947: Silver from the Indian Sub-Continent and Burma by Local Craftsmen in Western Forms. London: Wynyard R. T. Wilkinson, 1999.
Wilson, Henry. India Contemporary. London and New York: Thames and Hudson, 2007.
Zebrowski, Mark. Gold, Silver St Bronze from Mughal India. London: Alexandria Press, 1997.
THE ISLAMIC WORLD
Akalin, Debnem, and Hülya Yilmaz Bilgi. Delights of Kütahya: Kütahya Tiles and Pottery in the Suna and Inan Kiraç Collection. Istanbul: Suna and Inan Kiraç Research Institute on Mediterranean Civilizations, 1997.
Ali, Wijdan, ed. Contemporary Art of the Islamic World. London: Scorpion Publishing with the Royal Society of Fine Arts Amman, 1989.
Atasoy, Nurhan, Walter B. Denny, Louise Mackie, and Hülya Tezcan. Ipek: The Crescent and the Rose, Imperial Ottoman Silks and Velvets. London: Azimuth Editions, 2001.
Atasoy, Nurhan, and Julian Raby. Iznik: The Pottery of Ottoman Turkey. London: Alexandria Press, 1989.
Atil, Esin. Ceramics from the World of Islam. Washington, DC: Freer Gallery, Smithsonian Institution, 1973.
Baker, Patricia. Islamic Textiles. London: British Museum, 1995.
Behrens-Abouseif, Doris, and Stephen Vernoit, eds. Islamic Art in the Nineteenth Century: Tradition, Innovation, and Eclecticism. Islamic History and Civilization 60. Leiden: Brill, 2006.
Bier, Carol, ed. Woven from the Soul, Spun from the Heart: Textile Arts of Safavid and Qajar Iran, 16th–19th Centuries. Washington, DC: Textile Museum, 1987.
——. Cosmophilia: Islamic Art from the David Collection, Copenhagen. Chestnut Hill, MA: McMullen Museum of Art, Boston College, 2006.
Bloom, Jonathan M., and Sheila S. Blair. Islamic Arts. London: Phaidon, 2003.
Canby, Sheila R. Golden Age of Persian Art, 1501–1722. London: British Museum, 2000.
——. Shah ‘Abbas: The Remaking of Iran. London: British Museum, 2009.
Canby, Sheila R., Aimée E. Froom, and Azim Nanji. Splendori a Corte: Arti del mondo Islámico nelle collezioni del Museo Aga Khan. Milan: Olivares, 2007.
Carboni, Stefano. Glass from Islamic Lands. London and New York: Thames and Hudson, 2001.
——. Venice and the Islamic World, 828–1797. New Haven: Yale University Press, 2007.
Carswell, John. Iznik Pottery. London: British Museum, 1998.
Crowe, Yolande. Persia and China: Safavid Blue and White Ceramics in the Victoria St Albert Museum, 1501–1738. Geneva: La Borie; London and New York: Thames and Hudson, 2002.
Diba, Layla, ed. Royal Persian Paintings: The Qajar Epoch, 1785–1925. New York: Brooklyn Museum, 1998.
Dodds, Jerrilyn, ed. Al-Andalus: The Art of Islamic Spain. New York: The Metropolitan Museum of Art, 1992.
Edwards, Cecil. The Persian Carpet: A Survey of the Carpet-Weaving Industry of Persia. London: Gerald Duckworth & Co., 1953.
Ettinghausen, Richard, Maurice S. Dimand, Louise W. Mackie, and Charles Grant Ellis. Prayer Rugs. Washington, DC: Textile Museum, 1974.
Froom, Aimée E., ed. Spirit and Life: Masterpieces of Islamic Art from the Aga Khan Museum Collection. Geneva: Aga Khan Trust for Culture, 2007.
Glassie, Henry. Turkish Traditional Art Today. Bloomington: Indiana University Art Museum, 1994.
Gluck, Jay, and Sumi Hiramoti Gluck, eds. A Survey of Persian Handicrafts Pictorial Introduction of the Contemporary Folk Arts and Art Crafts of Modern Iran. Tehran: Survey of Persian Art, 1977.
Golombek, Lisa, Robert B. Mason, and Gauvin A. Bailey. Tamerlane’s Tableware: A New Approach to Chinoiserie Ceramics of Fifteenth- and Sixteenth-Century Iran. Costa Mesa, CA: Mazda, 1996.
Golombek, Lisa, and Maria Subtelny, eds. Timurid Art and Culture: Iran and Central Asia in the Fifteenth Century. Leiden: Brill, 1992.
——. The Mediation of Ornament. Princeton, NJ: Princeton University Press, 1992.
Gülnaltay, Güven, and Anne Kohl, eds. Turkish Delight / Design aus der Türkei / Türkiye’den Tasarim. Berlin: Museum für Islamische Kunst and Staatliche Museen zu Berlin, 2008.
Hagedorn, Annette. Islamic Art. Cologne: Taschen, 2009.
Hillenbrand, Robert. Islamic Art and Architecture. London and New York: Thames and Hudson, 1999.
Irwin, Robert. Islamic Art in Context: Art, Architecture, and the Literary World. London: Laurence King, 1997.
Khalili, Nasser D., B. W. Robinson, and Tim Stanley. Lacquer of the Islamic Lands. Vol. 22 of The Nasser D. Khalili Collection of Islamic Art. London: The Nour Foundation with Azimuth Editions and Oxford University Press, 1996–1997.
Krebs, Melanie. Zwischen Handwerkstradition und globalem Markt: Kunsthandwerker in Usbekistan und Kirgistan. Berlin: Klaus Schwarz Verlag, 2011.
Krody, Sumru Belger. Flowers of Silk and Gold: Four Centuries of Ottoman Embroidery. Washington, DC: The Textile Museum, 2000.
Kühnel, Ernst. The Minor Arts of Islam. Ithaca, NY: Cornell University Press, 1971.
Labrusse, Rémi, ed. Purs Décors? Arts de l’Islam, regards du XIXe siècle. Paris: Les Arts Décoratifs and Musée du Louvre, 2007.
Lane, Arthur. Later Islamic Pottery: Persia, Syria, Egypt, Turkey. London: Faber, 1971.
Lentz, Thomas W., and Glenn D. Lowry. Timur and the Princely Vision: Persian Art and Culture in the Fifteenth Century. Los Angeles: Los Angeles County Museum of Art, 1989.
Lovatt-Smith, Lisa. Moroccan Interiors. Cologne: Taschen, 2005.
Mack, Rosamond. Bazaar to Piazza: Islamic Trade and Italian Art, 1300–1600. Berkeley and Los Angeles: University of California Press, 2002.
Melikian-Chirvani, Assadullah Souren. Le chant du monde: L’art de l’Iran safavide, 1501–1736. Paris: Editions du Louvre, 2007.
——. Islamic Metalwork from the Iranian World, 8th-18th Centuries. London: Victoria and Albert Museum, 1982.
Musée national des châteaux de Versailles et de Trianon and Topkapi Sarayi Müzesi. Topkapi à Versailles: Trésors de la cour ottomane. Paris: Réunion des musées nationaux, 1999.
Nitzsche, Ingo, ed. Von derEwigkeit des Augenblickes: Die Entwicklung türkischer Fayencemotive: Seldschukischer Stil, osmanischer Stil, Gegenwartskunst. Schramberg, Germany: Stadtmuseum Schramberg, 2003.
The Nasser D. Khalili Collection of Islamic Art. London: Nour Foundation with Azimuth Editions and Oxford University Press, 1997.
Petsopoulos, Yanni. Tulips, Arabesques and Turbans: Decorative Arts from the Ottoman Empire. London: Alexandria Press, 1982.
Pinner, Robert, and Walter B. Denny, eds. Carpets of the Mediterranean Countries, 1400–1600. London: Hali, 1986.
Raby, Julian. Qajar Portraits. London: Azimuth Editions with the Iran Heritage Foundation, 1999.
Razina, Tatyana, Natalia Cherkasova, and Alexander Kantsedikas. Folk Art in the Soviet Union. Leningrad: Aurora Art Publishers, 1989.
Rice, David Talbot. Islamic Art. London and New York: Thames and Hudson, 1965.
Robinson, Francis. Atlas of the Islamic World since 1500. London: Phaidon, 1982.
Rogers, John Michael. Empire of the Sultans: Ottoman Art from the Khalili Collection. Alexandria, VA: Art Services International, 2000.
——. Islamic Art and Design, 1500–1700. London: British Museum, 1983.
Rogers, John Michael, and Rachel M. Ward. Suleyman the Magnificent. London: British Museum, 1988.
Roxburgh, David J., ed. Turks: A Journey of a Thousand Years, 600–1600. London: Royal Academy of the Arts, 2005.
Safadi, Yasim Hamid. Islamic Calligraphy. London and New York: Thames and Hudson, 1978.
Sakip Sabanci Müzesi. Three Capitals of Islamic Art: Istanbul, Isfahan, Delhi: Masterpieces from the Louvre Collection. Istanbul: Sakip Sabanci Müzesi; Paris: Editions du Louvre, 2008.
Scarce, Jennifer M. Women’s Costume of the Near and Middle East. 2nd ed. London: RoutledgeCurzon, 2003.
Schimmel, Annemarie. A Two-Colored Brocade: The Imagery of Persian Poetry. Chapel Hill: University of North Carolina Press, 1992.
Siebenmorgen, Harald. Erbe von Jahrtausenden: Sejnane: Berberkeramik von Frauen aus Nordtunesien. Karlsruhe: Badische Landesmuseum, 2005.
Stanley, Tim, Mariam Rosser-Owen, and Stephen Vernoit. Palace and Mosque: Islamic Art from the Middle East. London: Victoria and Albert Museum, 2004.
Thompson, Jon, and Sheila R. Canby, eds. Hunt for Paradise: Court Arts of Safavid Iran, 1501–1576. New York: Skira, 2003.
Vernoit, Stephen. Occidentalism: Islamic Art in the 19th Century. Vol. 23 of The Nasser D. Khalili Collection of Islamic Art. London: Nour Foundation with Azimuth Editions and Oxford University Press, 1997.
——, ed. Discovering Islamic Art: Scholars, Collectors, and Collections, 1850–1950. London: Tauris, 2000.
Watson, Oliver. Ceramics from Islamic Lands. London and New York: Thames and Hudson, 2004.
AFRICA
Ajayi, Jacob Festus Ade, ed. Africa in the Nineteenth Century Until the 1880s. Vol. 6 of General History of Africa. Paris: UNESCO; Oxford: James Currey; Berkeley: University of California Press, 1998.
Barley, Nigel. Smashing Pots: Feats of Clay from Africa. London: British Museum Press, 1994.
Bassani, Ezio. Arts of Africa: 7000 Years of African Art. Monaco: Grimaldi Forum with Skira, 2005.
Bassani, Ezio, and William Fagg. Africa and the Renaissance: Art in Ivory. New York: The Center for African Art with Prestel Verlag, 1987.
Bassani, Ezio, and Malcolm McLeod. African Art and Artefacts in European Collections: 1400–1800. London: British Museum, 2000.
Berns, Marla, and Barbara Rubin Hudson. The Essential Gourd: Art and History in Northeastern Nigeria. Los Angeles; Museum of Cultural History, University of California Los Angeles, 1986.
Binkley, David A., and Patricia Darish. Kuba. Milan: Five Continents, 2009.
Blier, Suzanne Preston. The Royal Arts of Africa: The Majesty of Form. New York: H.N. Abrams, 1998.
——. Kingship and Art in Africa. New York: H. N. Abrams, 1995.
Boahen, A. Adu. Africa under Colonial Domination 1880–1935. Vol. 7 of General History of Africa. Paris: UNESCO; London: Heinemann; Berkeley and Los Angeles: University of California Press, 1998.
Bocola, Sandro, ed. African Seats. Munich: Prestel, 1995.
Bravmann, René A. African Islam. Washington, DC: Smithsonian Institution, 1983.
Brienen, Rebecca Parker. Visions of Savage Paradise: Albert Eckhout, Court Painter in Colonial Dutch Brazil. Amsterdam: Amsterdam University Press, 2006.
Cerny, Charlene, and Suzanne Seriff, eds. Recycled, Re-Seen: Folk Art from the Global Scrap Heap. Santa Fe, NM: Museum of International Folk Art with Abrams, 1996.
Cole, Herbert M., and Doran A. Ross. The Arts of Ghana. Los Angeles: University of California, 1977.
Davidson, Basil. Africa in History: Themes and Outlines. 2nd ed. New York: Macmillan, 1991.
Debrunner, Hans Werner. Presence and Prestige: Africans in Europe, A History of Africans in Europe Before 1918. Basel: Basler Afrika Bibliographien, 1979.
Dewey, William Joseph, ed. Legacies of Stone: Zimbabwe Past and Present. Tervuren, Belgium: Royal Museum for Central Africa, 1997.
Drewal, Henry J., and John Mason. Beads, Body, and Soul: Art and Light in the Yoruba Universe. Los Angeles: Fowler Museum of Cultural History, University of California Los Angeles, 1998.
Drewal, Henry, and Enid Schildkrout. Dynasty and Divinity: Ife Art in Ancient Nigeria. New York: Museum for African Art, 2009.
Eicher, Joanne B., and Doran H. Ross, eds. Africa. Vol. 1 of the Berg Encyclopedia of World Dress and Fashion. Oxford and New York: Oxford University Press, 2010.
Enwezor, Okwui, and Chinua Achebe. The Short Century: Independence and Liberation Movements in Africa, 1945–1994. Munich: Prestel Verlag, 2001.
Ezra, Kate. Art of the Dogon: Selections from the Lester Wunderman Collection. New York: The Metropolitan Museum of Art, 1988.
Fabian, Johannes. Remembering the Present: Painting and Popular History in Zaire. Berkeley and Los Angeles: University of California Press, 1996.
Frank, Barbara E. Mande Potters and Leatherworkers: Art and Heritage in West Africa. Washington, DC: Smithsonian Institution, 2001.
Garlake, Peter. Early Art and Architecture of Africa. Oxford: Oxford University Press, 2002.
Gillow, John. Printed and Dyed Textiles from Africa. London: British Museum, 2001.
Gott, Suzanne, Kristyne Loughran, and Joanne B. Eicher. Contemporary African Fashion. Bloomington: Indiana University Press, 2010.
Isichei, Elizabeth. A History of African Societies to 1870. Cambridge: Cambridge University Press, 1997.
Jewsiewicki, Bogumil, and D. Dibwe dia Mwembu. A Congo Chronicle: Patrice Lumumba in Urban Art. New York: Museum for African Art, 1999.
Kasfir, Sidney Littleton. Contemporary African Art. London and New York: Thames and Hudson, 1999.
Kriger, Coleen E. Cloth in West African History. Lanham, MD: Alta Mira Press, 2006.
LaGamma, Alisa. Heroic Africans: Legendary Leaders, Iconic Sculptures. New York: The Metropolitan Museum of Art, 2011.
LaGamma, Alisa, and Christine Giuntini. The Essential Art of African Textiles: Design Without End. New Haven: Yale University Press, 2008.
Mack, John, ed. Africa, Arts and Cultures. London and New York: Oxford University Press, 2000.
MacGaffey, Wyatt, and Michael D. Harris, eds. Astonishment and Power. Washington, DC: National Museum of African Art, Smithsonian Institution, 1993.
McLeod, Malcolm D. The Asante. London: British Museum, 1981.
Ogot, Bethwell A., ed. Africa from the Sixteenth to the Eighteenth Century. Volume 5 of General History of Africa. Paris: UNESCO, 1992.
Picton, John, and John Mack. African Textiles. London: British Museum, 1979.
Plankensteiner, Barbara, ed. Benin Kings and Rituals: Court Arts from Nigeria. Ghent: Snoeck with the Museum für Völkerkunde Wien, 2007.
Prussin, Labelle. Hatumere: Islamic Design in West Africa. Berkeley and Los Angeles: University of California Press, 1986.
Romero, Patricia. Lamu: History, Society, and Family in an East African Port City. Princeton, NJ: Markus Wiener, 1997.
Ross, Doran H. Elephant: The Animal and Its Ivory in African Culture. Los Angeles: Fowler Museum of Cultural History, University of California Los Angeles, 1992.
——. Gold of the Akan from the Glassell Collection. Houston, TX: The Museum of Fine Arts, Houston, 2002.
——, ed. Wrapped in Pride: Ghanaian Kente and African American Identity. Los Angeles: Fowler Museum of Cultural History, University of Los Angeles, 1998.
Ross, Doran H., and Georg Eisner, eds. Royal Arts of the Akan: West African Gold in Museum Liaunig. Neuhaus/Suha, Austria: HL Museumsverwaltung GmbH, 2008.
Ross, Doran H., and Timothy F. Garrard, eds. Akan Transformations: Problems in Ghanaian Art History. Los Angeles: Museum of Cultural History, University of California Los Angeles, 1983.
Rovine, Victoria. Bogolan: Shaping Culture through Cloth in Contemporary Mali. Washington, DC: Smithsonian Institution Press, 2001.
Schildkrout, Enid, and Curtis A. Keim. African Reflections: Art from Northeastern Zaire. Seattle: University of Washington Press; New York: American Museum of Natural History, 1990.
——. The Scramble for Art in Central Africa. Cambridge: Cambridge University Press, 1998.
Seligman, Thomas K., and Kristyne Loughran. Art of Being Tuareg: Sahara Nomads in a Modern World. Los Angeles: Fowler Musem, University of California Los Angeles with the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2006.
Sieber, Roy. African Furniture and Household Objects. Bloomington: Indiana University Press, with the American Federation of Arts and Indianapolis Museum of Art, 1980.
——. African Textiles and Decorative Arts. New York: Museum of Modern Art, 1972.
Svalesen, Leif. The Slave Ship Fredensborg. Bloomington: Indiana University Press, 2000.
Thornton, John. Africa and Africans in the Making of the Atlantic World, 1400–1800. 2nd ed. Cambridge: Cambridge University Press, 1998.
Vansina, Jan. Art History in Africa: An Introduction to Method. London: Longman, 1984.
——. Being Colonized: The Kuba Experience in Rural Congo, 1880–1960. Madison: University of Wisconsin Press, 2010.
Van Wyk, Gary. African Painted Houses: Basotho Dwellings of Southern Africa. New York: Abrams, 1998.
Visonà, Monica Blackmun, Robin Poynor, and Herbert M. Cole. A History of Art in Africa. 2nd ed. Upper Saddle River, NJ: Pearson/Prentice Hall, 2008.
Vogel, Susan, and Ima Ebong, eds. Africa Explores: 20th Century African Art. New York: Center for African Art with Prestel Verlag, 1991.
Walker, Roslyn A. Olçwè ofIsè: A Yoruba Sculptor to Kings. Washington, DC: National Museum of African Art, Smithsonian Institution, 1998.
Willett, Frank, with Barbara Blackmun and Emma Lister. The Art of Ife: A Descriptive Catalogue and Database. Glasgow: University of Glasgow, 2004.
EUROPE
Aav, Marianne, and Nina Stritzler-Levine, eds. Finnish Modern Design: Utopian Ideals and Everyday Realities, 1930–1997. New York: Bard Graduate Center; New Haven: Yale University Press, 1998.
Aguiló Alonso, María Paz. El mueble en España, siglos XVI–XVII. Madrid: Consejo Superior de Investigaciones Científicas and Ediciones Antiqvaria, 1993.
Ajmar-Wollheim, Marta, and Flora Dennis, eds. At Home in Renaissance Italy. London: Victoria and Albert Museum, 2006.
Alcouffe, Daniel, ed. Furniture Collections in the Louvre. Dijon: Editions Faton, 1993.
Aynsley, Jeremy. Designing Modern Germany. London: Reaktion, 2009.
Baarsen, Reinier. 17th–Century Cabinets. Rijksmuseum Dossiers. Amsterdam: Rijksmuseum with Waanders Publishers, 2000.
Bartolomé Arraiza, Alberto, and Fernando de Olaguer-Feliú y Alonso. Artes Decorativas. Vol. 45 of Summa Artis: Historia General del Arte. Madrid: Espasa Calpe, 1999.
Bayer, Andrea, ed. Art and Love in Renaissance Italy. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2008.
Belozerskaya, Marina. Rethinking the Renaissance: Burgundian Arts across Europe. Cambridge and New York: Cambridge University Press, 2002.
Bremer-David, Charissa, ed. Paris: Life Et Luxury in the Eighteenth Century. Los Angeles: J. Paul Getty Museum, 2011.
Brunhammer, Yvonne, and Suzanne Tise. The Decorative Arts in France, 1900–1942: La Société des Artistes Décorateurs. New York: Rizzoli, 1990.
Calloway, Stephen, and Lynn Federele Orr, eds. The Cult of Beauty: The Aesthetic Movement, 1860–1900. London: V & A Publishing, 2011.
Camón Aznar, José. La arquitectura y la orfebrería españolas del siglo XVI. Vol. 17 of Summa artis, historia general del arte. Madrid: Espasa-Calpe, 1987.
Campbell, Thomas P., ed. Tapestry in the Baroque: Threads of Splendor. New York: The Metropolitan Museum of Art with Yale University Press, 2007.
——. Tapestry in the Renaissance: Art and Magnificence. New York: The Metropolitan Museum of Art with Yale University Press, 2002.
Cassidy-Geiger, Maureen. Fragile Diplomacy: Meissen Porcelain for European Courts, ca. 1710–1763. New York: Bard Graduate Center; New Haven and London: Yale University Press, 2007.
Clegg, Elizabeth. Art, Design, and Architecture in Central Europe, 1890–1920. New Haven and London: Yale University Press, 2006.
Coffin, Sarah, Gail Davidson, Ellen Lupton, and Penelope Hunter-Stiebel. Rococo: The Continuing Curve, 1730–2008. New York: Cooper-Hewitt, National Design Museum, Smithsonian Institution, 2008.
Conforti, Michael, and Guy Walton, eds. Royal Treasures of Sweden, 1550–1700. Washington, DC: National Gallery of Art; Minneapolis: Minneapolis Institute of Arts, 1988.
Coutts, Howard. The Art of Ceramics: European Ceramic Design, 1500–1830. New Haven and London: Yale University Press, 2001.
Edwards, Clive. Victorian Furniture: Technology and Design. Manchester: Manchester University Press, 1993.
Fuhring, Peter. Juste-Aurèle Meissonnier: Un génie du Rococo, 1695–1750. Torino: Allemandi, 1999.
Gaimster, David. German Stoneware 1200–1900, Archaeology and Cultural History: Containing a Guide to the Collections of the British Museum, Victoria St Albert Museum and Museum of London. London: British Museum, 1997.
Goldthwaite, Richard A. Wealth and the Demand for Art in Italy, 1300–1600. Baltimore: Johns Hopkins University Press, 1993.
González-Palacios, Alvar. Il tempio del gusto: Le arti decorative in Italia fra classicismi e barocco, Roma e il regno delle due Sicilie. 2 vols. Milan: Longanesi, 1984. Reprint, Vicenza: Neri Pozza, 2000.
Groër, Léon de. Decorative Arts in Europe, 1790–1850. New York: Rizzoli, 1986.
Gruber, Alain Charles, ed. The History of Decorative Arts. 2 vols. New York: Abbeville Press, 1996.
Harrod, Tanya. The Crafts in Britain in the 20th Century. New Haven: Yale University Press, 1999.
Hess, Catherine, ed. The Arts of Fire: Islamic Influences on Glass and Ceramics of the Italian Renaissance. Los Angeles: J. Paul Getty Museum, 2004.
Hiesinger, Kathryn B., and George H. Marcus, eds. Design since 1945. Philadelphia: Philadelphia Museum of Art, 1983.
Hills, Paul. Venetian Colour: Marble, Mosaic, Painting and Glass, 1250–1550. New Haven: Yale University Press, 1999.
Honour, Hugh. Neo-classicism. Harmondsworth, UK: Penguin, 1968.
Husband, Timothy B., ed. The Luminous Image: Painted Glass Roundels in the Lowlands, 1480–1560. New York: The Metropolitan Museum of Art, 1995.
Impey, Oliver, and Arthur MacGregor, eds. The Origins of Museums: The Cabinet of Curiosities in Sixteenth and Seventeenth-Century Europe. London: House of Stratus, 2001.
Irwin, David G. Neoclassicism. London: Phaidon, 1997.
Kaplan, Wendy. The Arts & Crafts Movement in Europe & America: Design for the Modern World. Los Angeles: Los Angeles County Museum of Art with Thames and Hudson, 2004.
Kaplan, Wendy, ed. Designing Modernity: The Arts of Reform and Persuasion, 1885–1945: Selections from the Wolfsonian. Miami Beach, FL: Wolfsonian Foundation with Thames and Hudson, 1995.
Kaufmann, Thomas DaCosta. Court, Cloister, and City: The Art and Culture of Central Europe, 1450–1800. Chicago: University of Chicago Press, 1995.
Kisluk-Grosheide, Daniëlle O., Wolfram Koeppe, and William Rieder. European Furniture in the Metropolitan Museum of Art: Highlights of the Collection. New Haven and London: Yale University Press, 2006.
Levenson, Jay A., ed. The Age of the Baroque in Portugal. Washington, DC: National Gallery of Art with Yale University Press, 1993.
Mack, Rosamond E. Bazaar to Piazza: Islamic Trade and Italian Art, 1300–1600. Berkeley and Los Angeles: University of California Press, 2002.
Martínez Caviró, Balbina. Cerámica hispanomusulmana: Andalusíy mudéjar. Madrid: El Viso, 1991.
Marx, Bridget, and Isabel Morán Suárez, eds. Royal Splendor in the Enlightenment: Charles IV of Spain, Patron and Collector. Dallas, TX: Meadows Museum, Southern Methodist University; Madrid: Patrimonio Nacional, 2010.
McCormick, Heather Jane, Hans Ottomeyer, and Stefanie Walker. Vasemania: Neoclassical Form and Ornament in Europe, Selections from the Metropolitan Museum of Art. New York: Bard Graduate Center and The Metropolitan Museum of Art; New Haven and London: Yale University Press, 2004.
Miller, R. Craig, Penny Sparke, and Catherine McDermott. European Design since 1985: Shaping the New Century. London: Merrell with Denver Art Museum and the Indianapolis Museum of Art, 2009.
Morrall, Andrew, Melinda Watt, and Cristina Balloffet Carr. English Embroidery from the Metropolitan Museum of Art, 1580–1700: ‘Twixt Art and Nature. New York: Bard Graduate Center and The Metropolitan Museum of Art; New Haven and London: Yale University Press, 2008.
Mundt, Barbara. Historismus: Kunstgewerbe zwischen Biedermeier und Jugendstil. Munich: Keysersche Verlagsbuchhandlung, 1981.
Nouvel, Odile, ed. Symbols of Power: Napoleon and the Art of the Empire Style, 1800–1815. New York: Abrams with the American Federation of the Arts; Paris: Les Arts Décoratifs, 2007.
Oman, Charles. The Golden Age of Hispanic Silver, 1400–1665. London: Victoria and Albert Museum, 1968.
Philadelphia Museum of Art, Detroit Institute of Arts, and Galeries Nationales du Grand Palais. The Second Empire, 1852–1870: Art in France Under Napoleon III. Philadelphia: The Philadelphia Museum of Art; Detroit: Wayne State University Press, 1978.
Piera, Monica, and Albert Mestres. El mueble en Cataluña: El espacio doméstico del gótico al modernismo. Manresa, Spain: Angle, 1999.
Pradère, Alexandre. French Furniture Makers: The Art of the Ebéniste from Louis XIV to the Revolution. Los Angeles: J. Paul Getty Museum, 1989.
Ray, Anthony. Spanish Pottery, 1248–1898: With a Catalogue of the Collection in the Victoria and Albert Museum. London: Victoria and Albert Museum, 2000.
Ribeiro, Aileen. Dress in Eighteenth-Century Europe, 1715–1789. 2nd ed. New Haven and London: Yale University Press, 2002.
Sargentson, Carolyn. Merchants and Luxury Markets: The Marchands Merciers of Eighteenth-Century Paris. Victoria and Albert Museum Studies in the History of Art and Design. London: Victoria and Albert Museum, 1996.
Schultze, Jürgen, and Hermann Fillitz, eds. Pragum 1600: Kunst und Kultur am Hofe Rudolfs II. Freren, Germany: Luca Verlag, 1988.
Scott, Katie. The Rococo Interior: Decoration and Social Spaces in Early Eighteenth–Century Paris. New Haven and London: Yale University Press, 1995.
Silverman, Debora. Art Nouveau in Fin-de-siècle France: Politics, Psychology, and Style. Berkeley and Los Angeles: University of California Press, 1989.
Snodin, Michael, ed. Rococo: Art and Design in Hogarth’s England. London: Trefoil Books with the Victoria and Albert Museum, 1984.
Snodin, Michael, and Nigel Llewellyn, eds. Baroque, 1620–1800: Style in the Age of Magnificence. London: Victoria and Albert Museum, 2009.
Snodin, Michael, and John Styles. Design and the Decorative Arts: Britain, 1500–1900. London: Victoria and Albert Museum, 2001.
——. Design and the Decorative Arts: Tudor and Stuart Britain, 1500–1714. London: Victoria and Albert Museum, 2004.
Syson, Luke, and Dora Thornton. Objects of Virtue: Art in Renaissance Italy. Los Angeles: J. Paul Getty Museum, 2001.
Thornton, Peter. Form and Decoration: Innovation in the Decorative Arts, 1470–1870. New York: Abrams, 1998.
——. The Italian Renaissance Interior, 1400–1600. New York: Abrams, 1991.
——. Seventeenth-Century Interior Decoration in England, France, and Holland. New Haven and London: Paul Mellon Centre for Studies in British Art and Yale University Press, 1978.
Troy, Nancy J. Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier. New Haven and London: Yale University Press, 1991.
Trusted, Marjorie. The Arts of Spain: Iberia and Latin America 1450–1700. London: Victoria and Albert Museum; University Park: Pennsylvania State University Press with the Hispanic Society of America, 2007.
Verlet, Pierre. The Eighteenth Century in France: Society, Decoration, Furniture. Rutland, VT: Charles E. Tuttle, 1967.
Wainwright, Clive. The Romantic Interior: The British Collector at Home, 1750–1850. New Haven: Paul Mellon Centre for British Art and Yale University Press, 1989.
Walker, Stefanie, and Frederick Hammond, eds. Life and the Arts in the Baroque Palaces of Rome: Ambiente Barocco. New York: Bard Graduate Center; New Haven and London: Yale University Press, 1999.
Waterer, John W. Spanish Leather: A History of Its Use from 800 to 1800 for Mural Hangings, Screens, Upholstery, Altar Frontals, Ecclesiastical Vestments, Footwear, Gloves, Pouches and Caskets. London: Faber, 1971.
Welch, Evelyn S. Art and Society in Italy, 1350–1500. Oxford; New York: Oxford University Press, 1997.
Westerman, Mariët C., Willemijn Fock, Eric Jan Sluijter, and H. Perry Chapman. Art and Home: Dutch Interiors in the Age of Rembrandt. Zwolle, Netherlands: Waanders, with Denver Art Museum and Newark Art Museum, 2001.
Whiteley, Nigel. Pop Design: Modernism to Mod. London: Design Council, 1987.
Widenheim, Cecilia, ed. Utopia & Reality: Modernity in Sweden 1900–1960. New Haven and London: Yale University Press, 2002.
Zerner, Henri. Renaissance Art in France: The Invention of Classicism. Paris: Flammarion, 2003.
Zorach, Rebecca. Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance. Chicago: University of Chicago Press, 2005.
THE AMERICAS
Academia Nacional de Bellas Artes. Historia general del arte en la Argentina. 10 vols. Buenos Aires: Academia Nacional de Bellas Artes, 1982–2005.
Adelson, Laurie, Arthur Tracht, and the Smithsonian Institution Traveling Exhibition Service. Aymara Weavings: Ceremonial Textiles of Colonial and 19th Century Bolivia. Washington, DC: Smithsonian Institution, 1983.
Aguilera García, Maria del Carmen. El mueble mexicano: historia, evolución e influencias. México DF: Fomento Cultural Banamex, 1985.
Albiñana, Salvador, ed. México ilustrado: libros, revistas y carteles, 1920–1950. México DF: Editorial RM, 2010.
Ames, Kenneth L. Death in the Dining Room and Other Tales of Victorian Culture. Philadelphia: Temple University Press, 1992.
Anawalt, Patricia Rieff. Indian Clothing before Cortés: Mesoamerican Costumes from the Codices. The Civilization of the American Indian 156. Norman: University of Oklahoma Press, 1981.
Armas Alfonso, Alfredo. El diseño gráfico en Venezuela. Caracas: Maraven, 1985.
Aste, Richard. Behind Closed Doors: Art in the Spanish American Home, 1492–1898. New York: Monacelli, 2013.
Bauer, Arnold. Goods, Power, History: Latin America’s Material Culture. Cambridge: Cambridge University Press, 2001.
Benson, Elizabeth P., and Michael D. Coe. Pre-Columbian Metallurgy of South America: A Conference at Dumbarton Oaks, October 18th and 19th, 1975. Washington, DC: Dumbarton Oaks, 1979.
Berlo, Janet Catherine, and Ruth Phillips. Native North American Art. London and New York: Oxford University Press, 1999.
Bernstein, Bruce. The Language of Native American Baskets: From the Weavers’ View. Washington, DC: National Museum of the American Indian, Smithsonian Institution, 2003.
Blackburn, Roderic H., and Ruth Piwonka. Remembrance of Patria: Dutch Arts and Culture in Colonial America, 1609–1776. Albany, NY: Albany Institute of History and Art, 1988.
Blanco, Ricardo. Diseño industrial argentino. Buenos Aires: Ediciones Franz Viegener, 2012.
Bolger, Doreen, ed. In Pursuit of Beauty: Americans and the Aesthetic Movement. New York: The Metropolitan Museum of Art, 1986.
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